Andrew Bird Quotes

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My favorite literature to read is fairly dry history. I like the framework, and my imagination can do the rest.

Melodies are just honest. They can only be what they are. Words have the capacity for deception. They're all full of subtext, and some of them are cliche and overused and vernacular. They're tricky. All I can say is, words...

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Honestly, I didn't have the patience for biology or history in an academic sense, but I always liked the kind of big questions.

I am, in some sense, a writer. Even though I kinda downplay the word thing, I do enjoy writing sometimes.

Since I first picked up the violin, I've been very interested in tone and texture: I would have very visceral reactions to the texture of a snare drum or a pedal steel guitar or a violin.

The fact that I wasn't expected to read music at all and was absorbing everything by ear... it had a huge affect on the kind of musician that I became.

The problem is, when you're working with orchestras, you only get the orchestra for about two hours before the performance to pull it all together, and that doesn't sound like a real collaboration.

What's cool about indie rock is that one band can do effectively the same thing as another band, and one band nails it, and the other one doesn't. I like that elusiveness.

I've always found that whatever you say about indie rock, it is the most inclusive genre or title for anything. It doesn't pin you down too much, like other labels would. It's just newer, it has less baggage. I'm happy...

Well, my main instrument is violin, but I think of myself as a songwriter who happens to play violin.

I don't want technology to take me so far that I don't have to use my brain anymore. It's like GPS taking over and losing your internal compass. It's always got to be tactile, still organic.

Usually bands with violins - it's this little, poorly amplified looking kind of futile on stage, and that's not the way that my music is put together.

I still kind of believe this absurd line that if you have to write it down, it's not worth remembering.

Music as a social conduit has always been important to me.

I think I'm still a little too intense for my own good sometimes.

I mean, you still can't jump offstage and go read a book. But I'm getting better at it. It is something you can manage. You can still give everything you have to the audience onstage, and have something for yourself.

All the folks I play with come from jazz backgrounds or at least appreciate spontaneity within the parameters of a pop song.

I've done my share of busking, and it's fun until it isn't. There are musicians in the subways that will make you cry, they're so good.

No, it's not dissatisfaction that inspires me to tinker with my songs, it's just restlessness.

What you see with your eyes when you're making music is going to have a profound effect on what you hear.

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