Imagination Quotes
Most Famous Imagination Quotes of All Time!
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As an actor I think sometimes producers need a little bit of encouragement to see you in a particular role, they may not have as much imagination as you would expect.
When television captured the popular imagination of the 1950s, a rash of movies satirized Hollywood while also mythologizing it.
Walt Disney had a nuclear imagination before the advent of nuclear, some comprehension of apocalypse and rapture deep in his genes.
My imagination ran 24/7, and to me, every problem was a challenge to solve and new product to create. It wasn't until I started teaching that I realized that not everyone's head worked the same way.
Musicals are, by nature, theatrical, meaning poetic, meaning having to move the audience's imagination and create a suspension of disbelief, by which I mean there's no fourth wall.
Some people have vivid imagination, some not so vivid, but everybody has vivid dreams.
In a rehearsal room, your real resource as an actor aren't the things around you; your resources are your imagination and your director and the other actors. In those close quarters, your imagination and your skills are what you turn to.
Your primary tools, as an actor, are observation and imagination. You can pretty much get everything you need from that, and you do. It brings back that element of pretend.
Personally, I would sooner have written Alice in Wonderland than the whole Encyclopedia Britannica.
Every human has four endowments - self awareness, conscience, independent will and creative imagination. These give us the ultimate human freedom... The power to choose, to respond, to change.
I box two to three times a week. I don't like going to the gym because it's boring. I really like boxing because you have to combine concentration and imagination. I feel like I'm actually learning something that's useful.
One way we can enliven the imagination is to push it toward the illogical. We're not scientists. We don't always have to make the logical, reasonable leap.
The imagination of our children is blunted on television, and their thinking is done for them.
Life-writing calls for any number of dubious gifts: A touch of O.C.D., a lack of imagination, a large desk, neutrality of Swiss proportions, tactlessness, a high tolerance for archival dust. Most of all it calls for an act of displacement. 'To find your subject, you must in some sense lose yourself along the way,' is Richard Holmes's version.
Many who have had an opportunity of knowing any more about mathematics confuse it with arithmetic, and consider it an arid science. In reality, however, it is a science which requires a great amount of imagination.
I want to be on the screen, I want to play dress up every day, I want be different people, I want to have fun, and I want to use my imagination.
Imagination is always the fabric of social life and the dynamic of history. The influence of real needs and compulsions, of real interests and materials, is indirect because the crowd is never conscious of it.
I used to lie in bed in my flat and imagine what would happen if there was a zombie attack.
Theatre is about the collective imagination... Everything I use on-stage is driven by the subject matter and what you might call the text - but that text can be anything, from a fragment of movement or music to something you see on a TV.
Sometimes, surely, truth is closer to imagination or to intelligence, to love than to fact? To be accurate is not to be right.
I don't define myself as an actor at all. Nor is that my greatest passion in life by any stretch of the imagination.
There's a lot of imagination in Asia, and I believe that the next Google will come from there, and the next Pixar. I believe that the great new media companies will come out of Asia and surpass the big media conglomerates that exist right now in the West.
By itself, just to draw crazy creatures has limited appeal - if I had to give up one thing, it would be the wild imagination. When the work becomes too detached from ordinary life, it starts to fall apart. Fantasy needs to have some connection with reality, or it becomes of its own interest only, insular.
In writing my historical novels, I have to rely upon my imagination to a great extent. I think of it as 'filling in the blanks.' Medieval chroniclers could be callously indifferent to the needs of future novelists. But I think there is a great difference between filling in the blanks and distorting known facts.
We need to be politically engaged, but peculiar in how we engage. Jesus and the early Christians had a marvelous political imagination. They turned all the presumptions and ideas of power and blessing upside down.
For me, drawing is a way of navigating the imagination, and it remains the fundamental vehicle of my practice. Drawing allows me to be at my most inventive.
I suffer from the delusion that every product of my imagination is not only possible, but always on the cusp of becoming real.
My life has been a gift up to this point, and I've been blessed beyond my wildest imagination. And wherever this ride takes me is where I'm going.
I'm very conscious that people dear to me are alive in my imagination - poets in particular.
I'm excited to see Cassie's fans and how they react to the ending of 'Clockwork Princess!' I love hanging out with readers and seeing the energy readers bring to a room: seeing so many people united in imagination is going to be wonderful.
The loss of liberty which must attend being a wife was of all things the most horrible to my imagination.
It's hard to say when my interest in writing began, or how. My mother read to my sister and me every night, and we always loved playing make-believe games. I had a well-primed imagination. I didn't start thinking about writing as a serious pursuit, a career I could have, until after college.
Works of imagination should be written in very plain language; the more purely imaginative they are the more necessary it is to be plain.
A poet ought not to pick nature's pocket. Let him borrow, and so borrow as to repay by the very act of borrowing. Examine nature accurately, but write from recollection, and trust more to the imagination than the memory.
Talent, lying in the understanding, is often inherited; genius, being the action of reason or imagination, rarely or never.
Youth is not a time of life; it is a state of mind; it is not a matter of rosy cheeks, red lips and supple knees; it is a matter of the will, quality of the imagination, a vigor of the emotions; it is the freshness of the deep springs of life.
When you believe in what you're doing and use your imagination and initiative, you can make a difference.
I was a shy child, and when I was 13, I started wearing braces on my teeth. I used to be acutely self-conscious, and I think writing was a way of withdrawing into my own imagination.
I've studied a technique called the Sanford Miesner technique, that teaches you how to focus. It's mainly about daydreaming. And the technique's really about imaginary circumstances. Using your imagination to sort of daydream about stuff. It makes you emotional in a scene.
I like something where I can really use my imagination and be an active participant in the construction of the monster and usually that's in the world of the supernatural or the world of the fantastic, so that's why those kinds of stories about demons and the supernatural appeal to me or maybe I'm really interested in that subject.
One of the virtues of being very young is that you don't let the facts get in the way of your imagination.
What distinguishes a great artist from a weak one is first their sensibility and tenderness; second, their imagination, and third, their industry.
I have no idea why I write. The old standards are: I like to express my feelings, stretch my imagination, earn money.
I'm used to music as a tool, taking the various elements and then making something completely new out of them. And writing film music is the perfect opportunity to do that, because you can look at the film and then just let your imagination soar.
A discerning eye needs only a hint, and understatement leaves the imagination free to build its own elaborations.
I do as much comedy as I possibly can, but I'm basically limited by the imagination of the secretaries who make the decisions.
It's not that a literature for children of color doesn't exist; it's that so much of the extant literature is lacking in the essential quality that makes literature for children so extraordinary a form: imagination.
I grew up in the D.C. suburbs, and what I like about that place is that there's not a strong regional affect in the cultural imagination like there is in Dallas or San Francisco or New York City. You have a little more freedom as a novelist this way. The suburbs become a generic idea, and the place doesn't intrude into the narrative.
I think that in the cultural imagination, motherhood has a primacy that fatherhood just doesn't; and that's not to say that there aren't many fathers who are active and engaged and for whom that is their life's passion. But somehow, in the imagination, there's something different about maternity.
Gender fluidity is not really feeling like you're at one end of the spectrum or the other. For the most part, I definitely don't identify as any gender. I'm not a guy; I don't really feel like a woman, but obviously I was born one. So, I'm somewhere in the middle, which - in my perfect imagination - is like having the best of both sexes.
Growing up, I had a very vivid imagination and Leonardo was like my best imaginary friend that I spoke to. When things were tough, or I was scared in an unsafe environment, I always imagined that the Ninja Turtles would come to the rescue.
The wonderful thing is, imagination is universal all over the world, no matter what the language is.
Who cares about the men who steered your breakfast cereal through winter storms? How ironic that the more ships have grown in size and consequence, the less space they take up in our imagination.
The more ships have grown in size and consequence, the more their place in our imagination has shrunk.
To me, Berlin is as much a conceit as a reality. Why? Because the city is forever in the process of becoming, never being, and so lives more powerfully in the imagination.
There are no great limits to growth because there are no limits of human intelligence, imagination, and wonder.
Every time you get on a stage or in front of a camera, the whole exercise is about imagination. You're constantly depicting something that doesn't exist, and trying to find the reality of it. Once you settle on that premise, everything else is a matter of degrees.
In the broad sense, as a processing of everything one hears or witnesses, all fiction is autobiographical - imagination ground through the mill of memory. It's impossible to separate the two ingredients.
I don't think it's any sort of stretch of the imagination to say that, very, very realistically, each single bitcoin, if bitcoin becomes popular, will have to be worth at least tens of thousands of dollars.
In a sense, fantasy is a freer play of the imagination. You can achieve exactly the situation you want with less groundwork, less of a need to fill in all of the background. For science fiction, I would use a lot of sources to set up, for instance, what a being from another planet would be like.
But in my imagination this whole thing developed and I started mixing up old folk songs with the Beatles beat and taking them down to Greenwich Village and playing them for the people there.
The image of Stephen Hawking - who has died aged 76 - in his motorised wheelchair, with head contorted slightly to one side and hands crossed over to work the controls, caught the public imagination as a true symbol of the triumph of mind over matter.
I believe that we have the ability to change our lives using our imaginations. Imagination is a muscle - the more you use it, the stronger it gets.
As a writer, I'm convinced that encouraging children to write fiction, to hook into that marvelous machine called the imagination, has to be good for everyone.
Imagination, the traitor of the mind, has taken my solitude and slain it.
It's what still excites me most about acting: letting your imagination go places it's never been before. There's nothing better than that.
It is the work of fancy to enlarge, but of judgment to shorten and contract; and therefore this must be as far above the other as judgment is a greater and nobler faculty than fancy or imagination.
The winners of Nobel Prizes must be assumed to possess at least a modicum of imagination and sensibility, and it is therefore incredible that any of us should not experience at this time a veritable surge of emotion.
I really used my own imagination a lot and made a number of suggestions during my tenure on 'Star Trek.'
You can't be a 21st-century science fiction writer writing about Mars without doing tips of the hat to Edgar Rice Burroughs, to Ray Bradbury, to H.G. Wells, to the guys who first put it in the public imagination that Mars was an exciting place.
Regrettably, with '2001' having a title that had a year in it, science fiction essentially set itself up in the public's imagination as saying, 'Here's what you get if you wait to that year.' Well, we all waited till that year, and we didn't get anything at all like that.
We can conceive of eternity because we cannot conceive of a cessation of time. We can conceive of infinite space because we cannot conceive of so much matter that our imagination will not stand upon the farthest star and see infinite space beyond.
The question is how to bring a work of imagination out of one language that was just as taken-for-granted by the persons who used it as our language is by ourselves. Nothing strange about it.
I never played Freddy as real. In the true bible of Wes Craven's outline for the films, Freddy only manifests himself in dreams. And a lot goes into a dream, not the least of which is imagination. So Freddy is secondhand information. Freddy is an urban legend that's been handed down to these teenagers over the years.
Nowadays people's visual imagination is so much more sophisticated, so much more developed, particularly in young people, that now you can make an image which just slightly suggests something, they can make of it what they will.
Suddenly the whole imagination of writing and editorial and newspaper and all these presumptions about who am I reading this, and who else other people may be, and all that, it's so grimly brutal!
Vision - It reaches beyond the thing that is, into the conception of what can be. Imagination gives you the picture. Vision gives you the impulse to make the picture your own.
I love sci-fi because it leads in the imagination, and I always say it has the most intelligent fans in the world.
From the boys' point of view, scouting puts them into fraternity-gangs, which is their natural organisation, whether for games, mischief, or loafing; it gives them a smart dress and equipments; it appeals to their imagination and romance; and it engages them in an active, open-air life.
Suffering, it turns out, demands profound imagination. A new future has to be conjured up because the old future isn't there anymore.
Most of the songs I write are just very directly from my life. I don't have a big imagination. Whenever I tried to write from fantasy, it comes out sounding really fake.
Without imagination we can go nowhere. And imagination is not restricted to the arts. Every scientist I have met who has been a success has had to imagine.
You have to imagine it possible before you can see something. You can have the evidence right in front of you, but if you can't imagine something that has never existed before, it's impossible.
I do like to wrap things up and leave some things to the readers' imagination.
The goal of 'Data Detectives' is to spark the imagination of students around the globe by making them think about new technologies that will impact humanity in ways similar to language and art.
My books are elegiac in the sense that they're odes to a nation that even I sometimes think may not exist anymore except in my memory and my imagination.
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