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Acts of violence that occur simply because of how someone looks are horrific.
In the past I've worked with directors who saw very much their scene in their head and knew exactly how they were going to cut it.
Slavery was a violent, brutal, immoral system, and in accurately depicting how it worked, you have to include that, obviously. Or else you are lying.
I've always been a pretty hard worker. That's how I've written over a hundred books.
People ask me if I'm worried that I'm going to be stuck in Miranda forever. I'm not, because how could I complain about what I've been given?
I'm going to Malaysia to try and win a million dollars... how exciting is that?
If the UFC wanted to give me Warlley Alves, I would show them how chump change he is. And I'd show them how much of a fluke it was that he caught me in a lucky submission.
Before I did 'How I Met Your Mother,' I was not considered a comedic actress.
How many cares one loses when one decides not to be something but to be someone.
I have tried to have a regular daily intake from my Bible, regardless of how late it is.
But in my district I have heard from law enforcement officials and across the State of Florida about how much this JAG funding helps them fight crime, and to protect and serve the citizens within their jurisdiction.
People keep asking how anthropology is different from sociology, and everybody gets nervous.
The point of literary criticism in anthropology is not to replace research, but to find out how it is that we are persuasive.
How we put our collective talents to work is a social issue, not solely a personal one.
I've often been told that I'm a bit strange. I hear that pretty regularly, but it is not how I see myself.
I have seen games on Xbox 360 and HD TV and I'm amazed at how realistic the players look.
How much has to be explored and discarded before reaching the naked flesh of feeling.
I therefore claim to show, not how men think in myths, but how myths operate in men's minds without their being aware of the fact.
Companies and football teams have become successful precisely because of how diverse they are.
Dickens was a part of how the whole celebration of Christmas as we know it today emerged during the 19th century.
Most writers can tell stories of how their books failed to be made into films.
The studios knew how to build a star, and they knew what to do with you. They also taught you everything.
I'll skate on concrete if I have to. I'm not worried about how fast the ice is. I'm worried about how fast I can go on the ice.
I've always been fascinated by intelligence and how our brains work, and how they can be improved.
We have to support our own films. If we don't, how can we expect others to support them?
I have had a lifelong fascination with horror movies, scary movies, how they work.
I think the problem with the arts in America is how unimportant it seems to be in our educational system.
I'm very interested in how we read things, especially the link between seeing two-dimensional and three-dimensional images, because of how I read.
I'm thinking about recording everything to tape like it's 1991 and seeing how that sounds.
I've been in the industry from the age of 9, so I have an agent. That's how you get auditions.
I would rather not know about how one gets parts in movies these days.
Since retiring from the FBI in 2007, I've traveled the world and worked with everyone from CEOs to their managers and everyday workers on how to apply techniques from hundreds of high-stakes, life-or-death negotiations to business negotiations.
There were a couple times with close-ups where I tended to overact. I would use more of my face than I needed to. I learned how to be more subtle.
I think we'd like to direct. Not so much because we'd like to be directors... we'd like to see how one of our scripts would do if it didn't get changed.
How that works is our first season was the year we had a threatened writers' strike, so what we did was that instead of doing 22 episodes, we did 30. We put 10 in the bank.
I love films. If I'd known how to get into or do it from the word go, I would have done that.
I couldn't describe how little interest I have in men. Or I could - but I don't think that it would be appropriate.
As a novelist, I have always been interested in how people come to terms with difficult, life-altering events.
If we have no respect for our viewers, then how can we have any respect for ourselves and what we do?
Internationalism is a social and political theory, a certain concept of how human society ought to be organized, and in particular a concept of how the nations ought to organize their mutual relations.
I've experienced first-hand how the system is in Germany. I've seen how well-developed and professional they are, even at a young age. I learned and grew so much as an individual there.
Women are most fascinating between the ages of 35 and 40 after they have won a few races and know how to pace themselves. Since few women ever pass 40, maximum fascination can continue indefinitely.
I've actually tried to give Brett Ratner dance lessons, but he thinks he already knows how to.
There seems to be a peculiar kind of clamor for comics. And I'm not sure how much a part of reality that is. I think partly it's based on some idea that comics are what everybody wants to read - and I don't think that's the case.
There comes a point where it doesn't matter how many zeroes are at the end of your bank account.
I learned how important it is to have a home that's in order - that's peaceful.
I love how Hollywood still wants to perpetuate the myth that beaches in Southern California are warm at night.
My books are often shelved around those of Chinua Achebe and Margaret Atwood, or Chimamanda Adichie and Monica Ali. All of this depends, of course, on the bookstore and how conversant the shelf stocker is with the alphabet.
'Wuthering Heights' is portrayed as a great romantic novel, and when I read it again, I thought, 'How is this romantic? All these people are horrible to each other!'
I am drawn, as a reader, to detail-drenched stories about human lives affected as much by the internal as by the external, the kind of fiction that Jane Smiley nicely describes as 'first and foremost about how individuals fit, or don't fit, into their social worlds.'
Successful fiction does not need to be validated by 'real life'; I cringe whenever a writer is asked how much of a novel is 'real'.
In our education system, we are taught to munch figures and remember them for lifetime. But does it help? We are not taught how to make decisions.
When I started, I didn't have any idea of production or how things worked in footwear.
I just learned how to scuba dive. I'd been scared to rely on one little air hose for oxygen, but swimming with all those fish is exhilarating.
I was a little shocked at how adult some of the humor was, because I was never that into animation before and when I watched 'Shrek' I really laughed out loud.
One of the speakers asked how many women had been harassed or abused sexually in their life? There were thousands of women in the audience, and almost every one of them raised her hand.
I taught workshops at universities. I wrote for magazines. This took time and insane amounts of juggling, but it's how I earned a living.
With each of those projects I wasn't thinking about how the layout would really affect the story I was working on - it wasn't the content that was affecting the layout, it was, how I wanted to draw at that point in time.
The question was heatedly debated of how much Western culture should be brought into China.
I strongly support not just citizenship classes but also teaching children how the law works and the many ways it affects their lives.
By what criterion... can we distinguish among the numberless effects, that are also causes, and among the causes that may, for aught we can know, be also effects, - how can we distinguish which are the means and which are the ends?
I get the beginning. I get the end. Then I write the middle. That's how I do it.
I definitely taught my parents how to text and how to charge their phones.
I guess we guess our way through life. How many times do we really know for sure?
When the venture has been made of dealing with historical events and characters, it always seems fair towards the reader to avow what liberties have been taken, and how much of the sketch is founded on history.
I don't think I even have a clear perspective of how I'm depicted in the media.
I've got volumes on how not to behave. I've got more information now than a guy should have at my age.
On my first album, I felt like, if it was going to be turned into a movie, it would have been directed by Sofia Coppola. She creates this kind of pastel-colored palette that's very whimsical but also very stagnant. And that's really how I heard the record.
How well we spend education dollars is just as important as how much we spend.
I should be the one to say what I do. It's just not done that way anymore in Nashville, and I can't do it the other way. That's how our record label came about.
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