Guitar Quotes
Most Famous Guitar Quotes of All Time!
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My favorite guitar now is my Martin HD-7 because it's got everything. It's got the jingle-jangle thing from the twelve string, it's got the flexibility of the six string, and the bass notes where you can do bass runs and that sort of thing.
You're better off being a brick layer if you're going to play guitar than a sheet metal worker.
What I do now is all my dad's fault, because he bought me a guitar as a boy, for no apparent reason.
I'd say it's harder to play with an acoustic guitar strapped over your shoulder for a few hundred people than it is to play in front of thousands with an entire bombastic band behind you.
While I was with Procol Harum, the only time I'd see my guitar was either when I walked onstage or in the studio.
I got a guitar when I was about 14, for a Christmas present, and went from there.
I didn't want to get attached to one guitar; I didn't want to have an instrument that was irreplaceable.
Joe Walsh is somebody who... he's a writer, obviously, and he's a singer-songwriter, whatever, but at the end of the day, when it comes to the Eagles, he's there to play guitar, and he's there to supply whatever is needed for that band, and that is what I feel with Metallica.
I got really, really sick with a spinal infection that put me in a hospital for a couple of months, and it was touch and go. I had my guitar with me, and as soon as I got well enough to play, there was nothing else to do in that hospital. The nurses would come in and request songs.
Even though The Cure helped pioneer the jangly, dance-oriented guitar and keyboard style it continues to embrace, there are other bands that now employ the post-punk style with greater flair. This leaves The Cure's live presentation seeming a bit anonymous.
One of my great frustrations for 35 years at the paper was the fact I couldn't play a record for the reader when I was writing about an artist. How can you describe the beauty of Emmylou Harris' voice without hearing it, the sensual lilt of a Duane Allman guitar solo without actually hearing it, or the growl of Johnny Rotten without hearing it?
I took a musician friend of mine to a Rolling Stone concert once, and all he did was cringe. I asked him what was wrong, and he said, 'Keith Richards' guitar is out of tune.' But 'Tumbling Dice' still sounded great to me.
The invention of Bob Dylan with his guitar belongs in its way to the same kind of tradition of something meant to be heard, as the songs of Homer.
He made it quite clear that if I didn't play the role, I would be dead within a week. As you can imagine, the guy who turned down Hagrid would be like the guy who called the Beatles a guitar band. So I couldn't possibly refuse, really.
I play guitar quite a bit, because I'm always in search of something. I don't play to jam, but because I'm fishing. I'm looking for something, that I hope you can never find. If I do find it, I'm afraid I won't have a need to do this any more.
At a young age I thought, 'Wow, that fiddle thing, that's pretty cool. That mandolin is great. These drums, I like these drums... ' They were Indian drums. And I was saying, 'But that guitar. That guitar. Girls are going to like that guitar.'
I wanted to develop a guitar style where phrases and lines get there just in the nick of time, like with Curtis Mayfield and Steve Cropper. Subtleties mean so much, and there is a stunning beauty in them.
When I was 14 years old, I had the opportunity to meet Buddy Holly. I asked him how he got that big, powerful sound out of his guitar amp. He said, 'I blew a speaker and decided not to get it fixed.'
I feel so lucky to have been in a group where it was a real band. This wasn't a singer and guitar player and some other guys.
Some bands today have the experience of really working together and honing their craft. And other bands are very much like, 'I just got a guitar for Christmas, let's start a band.' And you can hear the difference.
I started playing guitar when I was 6 or 7 years old, and I think that, within a week of getting my first guitar, I started writing music. I just love it.
Seeing Taylor Swift live in 2013 is seeing a maestro at the top of her or anyone's game. No other pop auteur can touch her right now for emotional excess or musical reach - her punk is so punk, her disco is so disco. The red sequins on her guitar match the ones on her microphone, her shoes and 80 percent of the crowd.
I have some good books of Bach keyboard music transcribed for guitar, and there's always a nylon-string guitar hanging on the wall in my house and a bunch of classical guitar books to grab. I kind of do that just for fun.
Rock guitar has been around for decades now, and there are so many strong traditions, and so much of it is just burned into my fingers. So, nine times out of 10, when I pick up the guitar to jam something, it sounds pretty cliche.
I have way too many hobbies. I play guitar, and my buddies and I record music in a studio in my house. I have a couple of vintage Jeeps I'm always working on, fixing up. And I ride horses - I grew up on a horse ranch - and play basketball. I need to cut back on my hobbies so I can work more.
I've never been able to sit round on my own and play drums, practice in the back room, never been able to. I've always played with other musicians. It's how I play, there's no joy for me in playing on my own, bashing away. I need a bass, a piano, guitar, whatever, and then I can play.
If you really stop to think about it, the last really big guitar hero was Eddie Van Halen, and that was back in the '80s - early '80s, you know what I mean? That's a long time ago.
I often use dropped D or C - I even go all the way down to A. What can be really cool is drop a guitar down there and have the rest of the band continue in standard tuning. It gives it a lot of power and texture.
I started playing guitar when I was, like, 5, and I picked up playing drums when I was 6 years old.
Puberty hit me very hard, and I basically had no use for school once I discovered the guitar.
Like all teenagers in the early '60s, I put down my hockey stick when the Beatles got big and picked up a guitar. We all thought we'd be rock stars. Then I got into comedy, but I'd always find a way to use my guitar, such as writing songs and doing musical parodies.
I took one guitar lesson, and they wanted me to play 'Mary Had a Little Lamb' or 'Michael Row the Boat Ashore,' and that was the last guitar lesson that I ever took, so I taught myself what I wanted to know.
If you can say something special on the guitar, then you're going to perk my ears up. But if you're just gonna run through all the scales, then I can always find something else to listen to.
There was nobody at the time who was playing slide guitar like Johnny, and nobody, or no white guys at least, that was playing country blues like that on the acoustic guitar. And it was at that point that I realized what Johnny had to offer.
I took the rhythm place, which a lot of people didn't know how to do the way I could, and this was really the first time that Johnny had a rhythm guitar player.
There are a lot of really good guitar sounds and new kind atmospheres on the new Bon Jovi record. I think people are going to dig it, man. And it rocks hard.
As a musician and a guitar player, I can noodle as well as anybody. But from my background as a session musician, I always try to play what is called for by the lyric and listening to the song. As a writer, that's what I do, too.
I taught myself how to play the guitar, so I basically learned by a system of making mistakes.
To stand up on a stage alone with an acoustic guitar requires bravery bordering on heroism. Bordering on insanity.
I'm glad there are a lot of guitar players pursuing technique as diligently as they possibly can, because it leaves this whole other area open to people like me.
I play piano and guitar and I do write my own stuff so to a certain extent I know what I want to do in regards to music. But I'm still finding out what kind of music is my favourite kind to listen to, never mind do myself so I've got a lot of time to find out myself and develop myself as an artist.
The Goth character was a difficult thing to get my head round. I'm not really a fan of Goth music. I'm more a piano and guitar man - that's what I love.
It's quite similar to guitar solos, only with programming you have to use your brain. The most important thing is that it should have some emotional effect on me, rather than just, 'Oh, that's really clever.'
I've been in a band, so I understand the politics. Sometimes the bass player doesn't like what the guitar player is doing, and you have to sort of even that out.
I'm basically a keyboard player, so if it's got a keyboard on it, I'll give it a shot. I played a lot of organ in the early days. I can make a few chords on guitar, but that's about it.
I started playing piano and guitar when I was in elementary school, and then I was finally like, 'I want to sing.' So I started taking voice lessons and decided I wanted to go to an art school and take music seriously.
My dad wanted me to play when I was a kid, so I learned to play the guitar. I pursued a career in music because I love it so much and I enjoy what it does to those who hear it.
First, I started to play the organ. I did that until I was 11. From the age of 11 to 13, I gave up music entirely. And then at 13, I picked up the guitar, and after one and a half years, I started practicing intensively. I began playing in rock bands, and it was there that I discovered that the music I liked to write was always instrumental.
I was born and raised in Germany, so I was classically trained. Classical has been deep in me from a totally early age. Then, as a teenager, I picked up the guitar and was really into rock music.
If I wake up in the middle of the night and have an idea, I want to go to my computer and be able to do it. So I hired someone at Guitar Center to come over to my house and teach me Logic music program, and I learned it over a couple months.
I play guitar, the ukulele and the piano. I grew up on a mountain in Tennessee, and we had 'The Mountain Opry,' where anyone could just get up on stage to perform. It was just about the soul and heart of music. My upbringing was less about being great and more about just doing what you love. It was always for joy.
I started making music... I guess I was 12, and I started playing 'Guitar Hero.' And you know, it got to a point where on expert, you can only exceed to a certain point. And so, you know, I was like, 'Let's play real guitar. Let's not waste more time.' So, I got my mom, I told her to buy me a guitar for Christmas, and I started making music then.
I'm trying to make music that I like, and I love hip-hop. At the same time, I love guitar. I love rock and everything.
I grew up hard. I picked cotton and plowed with the mule and fixed the cars and played with the guitar and the piano.
Give me a strapless gown and a rhinestone-studded guitar and some 55-year-olds in my audience, along with their kids and grandkids. Don't give me 'boogie'!
I've just been recording mostly acoustic stuff, drums, and sax, and electric guitar. I'm just still writing songs and what not.
I'm nervous, but once I get a guitar on and start a song, after the first few seconds, I can feel it ease. I don't have to worry about anything other than the music.
I'm a guitar player first. So my first hero was Angus Young from AC/DC. I used to copy every move that he did, play every lick that he would. I knew I wanted to be some kind of a rocker, back in the day.
My form of rebellion was starting to play guitar. I was 13. The first song I played was 'Lovesick Blues' by Hank Williams.
I’m not afraid to have a really weird idea or, you know, take a really bad guitar solo.
Anything that broadens your musicality always moves the way you write drum or guitar parts.
I used to play quite a good lead guitar, R&B style. Clapton and BB King are heroes.
Bruce's band is so different from the Grateful Dead; there's no lead guitar player, for one thing.
I look upon meself as... You take a band that's made up of arms, legs, bodies... I happen to be the piece that talks. And does all that area of it, you know? I'm also very easy to recognize; the darkie in the middle jumping around with the guitar, you know. Dat boy's got rhydm!!!
In 2002 I did a big tour of Europe, by train, by myself, on foot, all the time walking from train station to the venue, in a weird town, in a weird country. I'd brought an acoustic guitar with me but it got broken somehow in transit.
I love to play guitar. I've been writing my own songs on the axe since I was nine years old. I suck at leads.
The lead guitar work is a bit repetitious, but when a song is under two minutes long, I don't have much room anyway. Thank goodness. But I've always contributed guitar parts to every band I've ever been in, so I'll always play the axe.
I had the question asked of me before, 'What do you like better: singing or playing guitar?' If I'm gonna be totally truthful, if that microphone's in my hand, I'm loving it. When the guitar's in my hand, I'm a little nervous, but I'm still loving it.
I get to play a scorching lead guitar, and there's not much that's more fun than that.
My mother and father didn't know anything about instruments. Me just see a man in the country play guitar one time and say, 'My, the man play that guitar nice.'
The reason I wanted to play guitar was because I saw Buddy Holly and then our own homegrown Shadows on TV in 1957 or '58. I wanted to learn to play guitar so I could do what they did and be in a band.
Cool things happen. Ace's guitar flies through space, goes through a hole, and blows up. I throw drumsticks and they come flying at you.
It is dishonest the way that people suddenly think they've found guitars, and wear their guitar as a badge.
I don't think I understood guitar rock as well as I probably should have. I don't think I understood bands like Led Zeppelin. In their era, everyone had such a regard for them because of them ushering in rock n' roll and this larger-than-life lifestyle. But then they had these songs that would just not stop. I didn't fully get it.
He is the king. If it hadn't been for Link Wray and 'Rumble', I would have never picked up a guitar.
When The Who first started, we were playing blues, and I dug the blues and I knew what I was supposed to be playing, but I couldn't play it. I couldn't get it out. I knew what I had to play; it was in my head. I could hear the notes in my head, but I couldn't get them out on the guitar.
Although I dig my guitar playing, I think it's kind of an obvious situation; I play what I want to play within my own restrictions.
A lot of writing I do on tour. I do a lot on airplanes. At home, I write a lot, obviously. When I write a song, what I usually do is work the lyric out first from some basic idea that I had, and then I get an acoustic guitar and I sit by the tape recorder and I try to bang it out as it comes.
My father had played the guitar when he was young, and my uncle Jack had worked for Kalamazoo, before the war, developing guitar pickups. So there was a kind of family thing about the guitar, although it was considered something of an anomaly then.
My father was in a dance band, and I wanted to do what he did, play the saxophone, but I couldn't blow a note, so he suggested the guitar. Chromatic harmonica was actually my first instrument, and I got very good at it - not quite Stevie Wonder, but very good.
I didn't start to collect records and listen to guitar players properly until I went to art school, when I'd already been playing for five years. So my style was already formed, and that's why I think it's so unique.
There are a lot of influences from different countries in my music. For example, I chose the guitar in my music, I think that it is a feminine instrument, so when I do not sing, the music expresses my voice.
Everyone gets frustrated and aggressive, and I'd sooner take my aggression out on a guitar than on a person.
I'm fine with being thought of as a guitar player, and if I can get any recognition or respect for doing that, that's a pretty good thing for me.
When I listen to a record, or when I'm making a record, I listen to everything. I listen to the drums, the bass, the voice, the arrangement. I listen to the whole piece as an ensemble. I don't only listen to the guitar player.
In the '90s, I think I rediscovered my guitar. The Jam was obviously very guitar-based, but in the Style Council I just got really disillusioned with playing the guitar. The further it went on, the less and less I played, to a point where I couldn't pick it up any more.
Right now, it hasn't affected my music other than the fact that I don't have time to write any of it. That's no different from when I first started and I lived at home. I would play the guitar in the afternoon and then my mom or my dad would come home and I'd have to quit.
My voice is my improvisational instrument, the melody instrument. The guitar is harmonic structure. I'm not a good enough guitarist to improvise on it.
Obviously, a bass sounds like a bass and a guitar sounds like a guitar, but the way you play the guitar reflects your personality.
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