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If you know where you stand, and your minus and plus points as a director or as a human being, you will never go wrong. You will always be successful.
On 'Hairless Toys,' I've tried to create an ambiguous character to go with an ambiguous record. She's anything but rock n' roll - she's so not rock n' roll that, in a twisted way, she's kind of radical. She's like someone from my memory, almost like my mother, and she's lost in some space-time between the 1960s and the late '80s.
It's easy to come up with new ideas; the hard part is letting go of what worked for you two years ago, but will soon be out-of-date.
Talk about national interests: When we went in with Operation Iraqi Freedom, some of our allies, Turkey, for example, would not let us through. How much trouble did that cause us, because we were not able to go into Iraq through Turkey?
No man ever did, nor ever shall, truly go forth to convert the nations, nor to prophesy in the present state of witnesses against Antichrist, but by the gracious inspiration and instigation of the Holy Spirit of God.
I don't want to play golf. When I hit a ball, I want someone else to go chase it.
Sometimes I think I'll go off and be a milkman or a greengrocer, some easy job.
All racism is wrong, and denying that it exists does not make it go away.
What is so attractive about Uganda for missionaries is that they have free rein. They can go anywhere they please - schools, hospitals, the parliament.
I've got an electric little motorcycle that I go to the supermarket with every day, and it's powered by the solar panels, so it's really got a zero carbon footprint.
The wonderful thing about having your songs on the radio is that people are going to go out to your concerts and buy your merchandise and that sort of thing, and it feels good to get that level of name recognition.
They have very good individual players, but they need the collective game. And they still do not have it although there are now only six months left to go.
The ethics of editorial judgement, however, began to go though a sea change during the late 1970s and '80s when the Carter and Reagan Administrations de-regulated the television industry.
There's nothing worse than an ostentatious shot. Or some lighting that draws attention to itself, and you might go, 'Oh, wow, that's spectacular.' Or that spectacular shot, a big crane move, or something.
The little town I was brought up in, I'd go to the film society to these very extreme sorts of films that you wouldn't normally see in the movie houses. But I never dreamed that I would get into the position to be shooting movies equivalent to the ones I loved as a kid.
I love reading different scripts and helping create different looks, different environments. Sometimes you go to meet a director over a particular script, and they'll say, 'I want you to do this because I want it to look like Shawshank,' and I'm like, 'Well, I'm not that interested in doing that again.'
A lot of people just go to movies that feed into their preexisting and not so noble needs and desires: They just go to action pictures, and things like that.
My parents would have loved me to go to university - Oxbridge, particularly.
If there was the opportunity to climb a mountain, or to go ballooning, or some adventurous activity, I would always be keen to do it. I loved the countryside.
If I get two strikes, I'll go to a pitch maybe that will help induce that a little bit.
The more members of the clergy that are out there working to expand their congregations, the more people will go to church.
For every profanity, there's a story behind it. People should go beyond my cussing.
I need to surf - surf and yoga. Whenever I'm in L.A., I go down to San Diego to surf for the weekend, and I always come back perfect.
I tend to - every time I step onto the set until the time I go back to the hotel, I just try to be in character all the time.
We're very lucky to be able to go back and reclaim something that was a very special part of all our lives.
I knew I wasn't a baseball writer. I was scared to death. I really was afraid to talk to players, and I didn't want to go into the press box because I thought I was faking it.
I can drink on the job if I want to. I can go on stage with a beer and it's OK. I can say whatever I want. It's a great job to have.
You can talk about anything if you go about it the right way, which is never malicious.
When I go back to seek inspiration - whether it be from Chuck Berry, Howlin' Wolf, the Beatles, Hank Williams, Ray Charles or Bob Dylan - it's from the performance. Those artists are in the studio playing their instrument and singing. There's no going back and redoing the vocals.
My wife is always trying to get rid of me. The other day she told me to put the garbage out. I said to her I already did. She told me to go and keep an eye on it.
I go to a lot of events morning, noon and night when I'm not in Washington.
In our justice system, everyone who is charged with a crime is presumed innocent unless proven guilty. It should go without saying that people who are not charged with a crime also are presumed innocent.
I wouldn't go out of my way to experience the indignity of middle-age just because it might be good meat for a story.
I have very fond memories of Basil's Bar. It was an extraordinary place. You would go for a drink and it would be empty except for the bar bore, which was David Bowie.
Fortunately, I happened to go east at a time when live television was centered in New York.
When I would go into Madison Square Garden, I wasn't the most popular guy. Madison Square Garden, there's 16,000 Puerto Ricans with knives and great radios and stuff.
'Pro Wrestlers vs. Zombies' is a comedy. It was fun. You just don't take it serious. You just go there, get your popcorn, and sit down.
A lot of guys that were trailblazers, if we were to go back to the actual time, were just really scared and had no choice, but the water's rushing in, and you either swim or sink.
First and foremost, I enjoy working. I'm not at that level where I can pick and choose anything. When I get hired, I take it, and I'm like, 'Let's go!'
Actors on stage, you can go from playing a myriad of roles, from Shakespeare to a Eugene O'Neil drama, and it's the norm. I came up in a world where you're supposed to be able to do three things very well. Act, sing, dance, paint, do something. The emphasis was on versatility.
I go back to when my youngest daughter was dying. I never asked my Friend Upstairs, 'Why me?' And He's the only one who has the answers.
When Hoad and Rosewall were at their best, and I was a youngster, they had no qualms about saying, 'Hey kid, let's go and play.' That helped me to get up the ladder.
I remember watching movies like 'Fatal Attraction' and watching the audience go bananas at the end of the film.
What makes a man is when you go against your own instincts to do to the right thing.
We've been around, and we've stayed around, and we go out, and people still enjoy listening to us, and we still sell a lot of tickets, so what do I got to complain about? Nothing.
'Dream Police' was in the can and ready to go when 'Budokan' started taking off worldwide, sales-wise.
When things go well, people like everything you do. When things don't go well, people look for 1,001 explanations, and they don't understand you're a human being.
One of the best things is to be able to go to the playoffs and win a championship. After you taste the first one, you want to go back every year.
That odd idea that one person can go to a foreign part and in this rather odd voice describe it to the folks back home doesn't make much sense in the post-colonial world.
Life's the adventure. You don't have to drop your bundle and go bush. It's about being brave within the context that you're in.
I go through about two Fender mediums a night because I don't pick straight down; it's sort of sideways, and it shaves them off.
I go for as much feeling as I can rather than show what I can do up and down the neck. I don't play to show people ability.
When friends wanted to go to the centre of town, they took a bus or tram. I took the ball and went running after them. School was hell because I had to put the ball on the ground. Outside, I was free, playing the ball.
I think the inception of my interest in arts was when I was around 9 or 10 and I started dancing. I was really convinced that I was going to go to New York and be onstage in 'A Chorus Line.'
I met an agent through my modeling agency who encouraged me to go out and audition for sitcoms, and I was absolutely petrified because I had no desire to do it.
I loved theater growing up, and my mom always took us to the touring productions that would come through town. We would go to Chicago all the time and see shows. I loved it.
It was part of the reason I almost didn't go public with my diagnosis - I was embarrassed. I felt, 'Oh, I've always talked about exercising. And I got cancer.' And then I realized it's a great example of showing that cancer can hit anyone at any time.
Until white people understand that racism is embedded in everything, including our consciousness and socialisation, then we cannot go forward.
I have a rule that I don't review shows from photographs or from video. I certainly might go back and look at photographs and look at video to remind myself of something or for personal information. But I never review from that.
Films go into vaults, art into museums, and music into halls of fame. Most fashion is worn for a few seasons and off-loaded into the recycling bin or, worse, some landfill.
I think educational systems have to be more nimble, have to be more adapted to today's realities where students can go in different directions and professionalize even faster. Constant retraining and reskilling and upskilling, whatever you want to call it, of the workforce.
I like to play with my back to the goal, but my colleagues have to tell me when I'm alone or how much room I have so I can choose to pass or to go straight for the goal.
Some years ago, I was invited to speak in Houston, Texas. They said I was a founder of 'postmodern theatre'. So I said to my office, 'This is ridiculous for me to go and speak about postmodern theatre when I don't know what it means, but... they're paying me a lot of money, so I'll go.'
As I've always said, preproduction is so important. When you cast the actors, you've done much of the work. Now, you may need to guide them a little, take it up or down, have them go faster or slower, but the casting process is crucial.
Because movies have gotten so expensive, and they're so expensive to market, that means that for a movie to break even or to make its money back, everybody has to go see the movie, and if everybody has to go see the movie, then it can't be about anything.
We have this sort of tacit censorship, which is the ratings system, and it's directly tied to box office, so it is censorship. Like, if you make an R-rated movie, you know that only a certain amount of people are going to go see it under any circumstance.
I grew up in Lincolnshire, trying to get the daughters of farmers and policemen to like me. It didn't go well until I got to college where, suddenly, there were different sorts of humans.
I proposed to my wife on Brighton Beach, and she said yes. That's pretty romantic. Even though I forgot to go down on one knee because I was too busy trying to compose the question.
I suppose if I went to Turkey - I mean, I can't imagine going that far away, but if I did go to Turkey, yes, I would probably try to know 'please' and 'sorry' and 'thank you', and 'a beer please', and all the useful words.
It should go without saying that there are as many working-class people who hold socially liberal views as there are public-school bigots.
I see all my hard fights as title fights. Every time I go in there, I'm fighting for my life.
I also got a chance to go to the American Museum in New York, which helped my interest.
They all agree, they are all unanimous in Congress, in the States, on the rostrum, in the sanctuary - everywhere they declare that slavery shall not go into the Territories.
But everyone I know reaches a point where they throw out their arms and go beserk for a while; otherwise you never know what your limits are. I was just trying to find mine.
I talked to Reagan for about six hours all told. and Reagan was willing to go along with it. He didn't look at his watch, and he didn't allow his campaign aides to cut it off.
There is a shirt company that is making sensors that go into your clothing. They will watch how you sit, run or ski and give data on that information.
I probably haven't even seen ten of the films I've done. I don't get a joy out of it, and I don't go to the movies.
As far as the mechanics go, working with other people on received ideas was for me a very interesting technical problem. I can't say that any of my collaborations engaged my heart, but they engaged the craftsman in me.
I'm not so interested any more in how a great deal of science fiction goes. It goes into things like Star Wars and Star Trek which all go excellent in their own way.
I can conduct and play musical instruments, but dancers' counting is different - they only go to eight beats, which doesn't relate to a bar.
My aunt had a season ticket for the Friday afternoon concerts, and I would go down for lessons. My lessons were Saturday morning.
We were second-generation immigrants, and it was luxury enough to go to college. The luxury of the arts was still a generation away.
As an actor, you're never supposed to complain about being too busy because it can go the other way real fast.
What's wonderful about 'Star Trek' having been rebooted so successfully by the J. J. Abrams movie franchise is that - the corollary effect is that it creates a new generation of fans, and they're interested in all of it. They don't just sit around and wait for the next movie to come out; they'll go back and re-examine episodes.
My character on 'Voyager,' because of the way he was presented, I could go either way. I could be a real buffoon, a windbag, be self-involved, and we could get a lot of comic mileage from him. However, the audience accepted me with gravity when I was in a dire situation, so they would follow me in comic or dramatic stories.
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