Feel Quotes
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If I feel the labor and the gruesome process, that helps me appreciate the art.
I don't feel my best right now, but at the same time, I'm not trying to find any excuses or anything.
So finally, I can feel a sort of pride in all my family - Mum, Lynn, Corin, Tasha, my cousin Gemma - because, I think how wonderful that this troop of gypsies can carry on telling stories.
I always communicate musically. I want my band not only to learn the form and feel of the song by ear, like I do, but also have the freedom to contribute.
I pretty much use the same stuff live that I use in the studio. I don't like the feel to change too much.
I want to feel passion, I want to feel pain. I want to weep at the sound of your name. Come make me laugh, come make me cry... just make me feel alive.
I always felt so much more comfortable in the Western. The minute I got a horse and a hat and a pair of boots on, I felt easier. I didn't feel like I was an actor anymore. I felt like I was the guy out there doing it.
I don't feel any pressure to joke about #MeToo - in fact, I'd say you shouldn't, because it's a great movement that is exposing some really awful behavior and hopefully changing the culture.
I don't want to tell your story because you're a insensitive, self-centered moron. I've told a lot of stories about young people, and I always feel there's hope.
I will always continue to make stupid action films but I think 'V For Vendetta' is a very smart film and I think that people will feel differently about things when they see it.
It is never acceptable for us to be the cause of any child to feel unloved or worthless.
The biggest difference for me is momentum. On a smaller film you get to shoot sometimes four or five scenes a day and you've got to do the tight schedule. I think I really feel the luxuries of a big budget film.
I wanted to make a movie that was kind of a tribute to the way I feel when I watch a John Hughes movie.
'Animal Kingdom' feels like a suburban Melbourne version of 'The Godfather 'to me. It's epic and Shakespearean in its story, and yet you still feel like you can reach out and touch it.
I want to win the MVP. I feel like, at the end of the day, it might be an individual award, but when I play better, the team also does.
I really didn't feel that my motion picture career was going the way I wanted it to go.
The name Crow was inspired by a number of things. I thought it would be cool to have a robot with sort of a Native American feel to it.
Being an actor in movies is a lot about the power of your imagination and making the circumstance real to you so the audience will feel that it's real.
I feel like I've become less of a music snob and less of a snob about a lot of things because I realize I came off as such a bad person because of that.
I feel like touchscreen technology blows my mind still. It just makes me think of all of the sci-fi films I enjoyed as a kid.
Every time I make a film, I feel it gives me the chance to learn something new.
Characters have to make sacrifices. To really, really feel the true emotion and the hero's journey, they have to go through trials, and those trials could cost them something.
Look what's happened to Barack Obama over the last two years or George Bush for eight. It's a blood sport. But at some point I may feel the need to run for office again.
In the 1950s we use to feel that television was taking away our comic readership; with today's exciting, powerfully visual movies I have to wonder about their effect on the kids' loyalty to the comic book medium all over again.
I've done a lot of movies that don't have any music in them, and I've always sort of had a kind of wary attitude about music because it can be so manipulative, and also because with pop music, I feel like everybody kind of has their own relationship to songs.
I want to try and be as involved in the art of filmmaking as possible. I feel that the only way to really do that is to take on as many roles as possible, whether it be as an actor, an editor, a director, a cinematographer.
I have a particular pair of headphones I love so much I bring them everywhere: Beats Studio. It's perfect for watching movies as well because you feel like you have your own theater with you, even with your iPad.
I think cheese smells funny, but I feel bananas 'are' funny. I'm assuming Swamp told the whole story of the executives seriously asking us to replace the banana with cheese because they thought it was funnier.
When I got sober and started working out, I fell into that trap of working out too much. I know a lot of guys can relate to that - if you don't get that runner's high every day, you feel like, 'Oh my God, I'm losing it.'
I mean, I feel like I've been pretending I was a werewolf since I was a little kid.
There's now a Fat Tony doll, which cracks me up. But you feel honored that they asked you to do a voice.
I think the audiences in Chicago are really open. They're engaged and eager, and they don't feel cynical to me. Sometimes in New York, there's a sense of, 'Prove it to me; prove this is worth my time.' I never felt that in Chicago.
I'm comfortable with bad news. I feel confident in my ability to solve the problem if I know that there's a problem.
My back only bugs me when I sleep wrong. I feel my knee more than anything, the left one. It's arthritic. I have a bad nerve in the back of my eye.
My back only bugs me when I sleep wrong. I feel my knee more than anything, the left one. It's arthritic.
I think it tends to be overused and can be a little bit gimmicky. A lot of people are using 3-D now because they feel have they have to... that will come and go and the pictures that deserve to be in 3-D will continue to be. When it's done bad, it can make you carsick.
I feel like every artist has an opportunity to create something new and to challenge themselves to reach out to a new crowd.
I'm a father with two daughters, and I don't want them to feel that they have to go and work in China when they are older.
I had friends - and I had situations - where you spend so much time hanging out with your girlfriend that you lose touch with other people. You only really have this one person - and when that person starts to let go, you almost feel like you need to clamp on even harder, you know?
We never went into a game that we did not feel sure of winning, and when we lost, we blamed it on hard luck or the umpires. We never gave any other team credit for being able to play ball, and the result was that we were hard to beat. If I could get my team to be confident, I think we would work our way to the front pretty quickly.
The American public will give you an awful lot of slack on how you voted on one issue or another if they feel like you have a reason.
What will get you elected through a tough election cycle and what will get you kicked out when you should have won is whether your constituents feel like their Member of Congress respects them or not.
You can see what happens when people don't feel they have a chance. You can see the ramifications of that.
It's a very working-class thing, to get where you want and then not feel worthy.
The kind of role I play is like an offensive lineman; doing a good job but not being noticed. I feel sorry for myself sometimes. But as long as the end result is there, I can dig it.
I'm not a theatrics guy who does things for effect. Whatever comes out is what I feel. It just comes out.
That's how most of us would feel. But the sport has a few deviants without consciences.
I feel like I have reached the stage where I can no longer produce for my club, my manager, and my teammates.
Even in this podcast media lane, sometimes you still have to wear your MC hat and let people know how you feel about yourself as an MC, which is very confident.
I have a few theories and trains of thought that I wouldn’t expose because they are not anyone’s business. I hold them sacred, it’s how I feel, it’s my opinion, not up for debate, and not meant to be shared.
I may catch some flack for this, but the Jersey style I feel is just very different from New York. When I hear a Jersey MC spit, I can just hear New Jersey in them. To where as NY, that style has been broadcasted so nationally that it’s just a natural sound in music.
I fantasize about having a manual job where I can come home at night, read a book and not feel responsible for what will happen the next day.
The interesting part is that most of the kids I speak to have grown up watching 'Full House', so they feel like they know me and can talk to me.
I think as a pregnant woman we're all looking for stuff that makes us all look cute and fashionable and feel sexy when we're pregnant.
In some cases I feel like they haven't appreciated enough that growing up doesn't mean boring and old and not full of life. I like to talk about that also.
I feel L.A. is unlike anything I've experienced. It's nice when I can relate to people, but that's not very often. I know they're out there, but I feel that there's a very big pressure here to be seen as being gorgeous and special. I don't think there's the same pressure in Australia.
I think it's important to keep things private, and there are certain boundaries I feel very particular about drawing. It may seem fastidious, but my experience of talking to the press is that I need those boundaries to remain very clear.
Television is a very highly constructed, and edited, and censored, and tailored, and marketed reality. But I'm not judgemental about it. I don't have anything against television. I just personally don't feel curious.
I can understand how you can feel very lucky about the kind of life you live but also intrigued and magnetized to a different life.
I love Canada. The natural environment here is so inspiring. It never ceases to make me feel grounded and calm and to help put things in perspective. And I love Canadians. A lot.
First ladies, you know, we look at Michelle Obama, and we look at most first ladies, and they seem like they have it all. You know, they live in the White House, they go to state dinners, they ride on Air Force One, etcetera, etcetera, etcetera. But first ladies do often feel that they are given short shrift or forgotten or left at the margins.
I feel there has to be a certain amount of improvisation as I'm writing, which means any idea or any commitment to a project is risky. It involves time; it involves gathering of material, and sometimes it just doesn't work. Sometimes it does. As I'm starting out on a project, I can't tell if it will click or not.
It's not that anything has changed about me, and, it's a cliche, but I think that as you get older, you learn to accept who you are, and you feel more comfortable in your own skin.
There's an interesting mix to 'Robin Hood' because it's kind of modern but medieval. There is a blend of adventure with a very modern feel.
I was convinced I'd hate Twitter - but I've come to like it very much. I use it mostly to keep in touch with friends and colleagues I wish I could see more often - I sometimes feel a little isolated living in Yorkshire, and it's nice to have the contact.
If you can actually get someone to sit on the edge of their seat and feel nervous if there's a knock at the door, then you've done something pretty terrific as a writer.
I like the encouragement I get from doing new things. I like to feel scared or challenged in the hope that I can pull it off. That little bit of fear creates an energy that I can channel into the performance.
A lot of folks feel like my brother and me or other politicians chart out their careers from Day 1 until the end. I've never been like that.
I feel an obligation to set the record straight. Actors that say they're affected by something, that it changes their life, that they take it home with them, they're just trying to get nominated for an Oscar!
I don't mean to be trite about abortion, but I do feel it's a woman's body, and I don't think anyone should take away her choice of having or not having a child.
It's been a funny life for me. Sometimes I feel I haven't done a lot of living.
'Marie Claire' is one of those magazines that doesn't feel as well known as it should be.
For the most part, my house stays the same over the years. I tend to design with pieces that feel timeless to me, so I'm not constantly rearranging my home.
Since Chip and I try to go on a date night once a week, we don't feel the need to keep holidays like Valentine's Day all to ourselves. We set the table fancy, we all get dressed up, and we serve a big, beautiful candlelight dinner. It's our kids' favorite, too.
I can only envision and feel the pain of these animals being stuck in a tiny aquarium. Normally, orcas swim 100 miles a day. They're free in the ocean.
You have to feel more involved than just writing out a cheque. Charity is almost the wrong word - I think people are beginning to feel more responsible for the world.
We always play clubs. It's not something that I feel above. Those are my favorite shows because they're intimate, they're tight, their sweaty, they're hot. You're close to the people. Those are my favorites.
I feel the need of attaining the maximum of intensity with the minimum of means. It is this which has led me to give my painting a character of even greater bareness.
Throughout the time in which I am working on a canvas I can feel how I am beginning to love it, with that love which is born of slow comprehension.
I definitely feel, when I'm wearing the costume, that I could scare people and hurt them.
My personal style is bipolar. Sometimes I feel like dressing in a boyish leather jacket; other times I want to dress more elegantly. Most of the time it's what I like to call 'comfortable chic': Giuseppe Zanotti flat sandals, Rag & Bone jeans, slouchy Isabel Marant shirts.
Moveon is not a one-way broadcast media. The Internet, when used best, is a two-way media. We have a forum in which people can post comments and those comments can be rated. We get a sense of what people feel most passionately about.
I consider you as old as you look and feel. And in that case I feel - I feel I'm about 39, like Jack Benny.
I don't look my age, I don't feel my age and I don't act my age. To me age is just a number.
Once I get over maybe a hundred pages, I won't go back to page one, but I might go back to page fifty-five, or twenty, even. But then every once in a while I feel the need to go to page one again and start rewriting.
You had to feel the swell change. You had to go with the change. He told me that. No eye is on the sparrow but he did tell me that.
I have questioned myself about the brutality in the last few novels. Actually in 'The Leopard,' in hindsight, I feel I went a little bit too far with screaming blood. There are a couple of scenes that I regret and wish I had the chance to rewrite. 'Phantom' has less blood.
The only pressure I feel is to write good books. And to not replicate the previous book. Whether you have a thousand readers or a million readers it doesn't change the pressure. I never feel tempted to give the reader what I think the reader wants.
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