Feel Quotes
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At a certain point in their existential experience, the oppressed feel an irresistible attraction toward the oppressor and his way of life. Sharing this way of life becomes an overpowering aspiration.
I think as a standup performer you have to feel the audience. So the audience kind of dictates what they get, you know?
I fly around with chicks on each arm and have no script. I just talk about what I feel like. But that's why my act works: I'm like this normal guy.
I feel really fortunate that people keep hiring me. People think I have talent.
I feel like movies should stick to a genre and give the audience what they want, and then surprise them with the unexpected and not just do the same thing you've always seen. But of course, you're gonna see some of the same things you've seen before. It's part of the deal.
I've been to three Olympics and I don't feel I've ever quite achieved my best at any of them.
I've had a lot of success over the years racing in New York, but the main point is that I feel the marathon is a different event, a lot more my event.
I feel I'm doing God's work switching people from group plans to individual insurance.
I've left Bethlehem, and I feel free. I've left the girl I was supposed to be, and some day I'll be born.
If not for music, I would probably be a very frustrated scientist. It's one way to answer the question, 'What is the meaning of life?' I feel music answers it better.
I'd love to act. I feel that it's another naked, mysterious challenge, like jazz. It kind of intrigues me in the same way.
At age 12, I was put on tranquilizers when I should have gotten help. There was nothing major and awful, I just didn't feel my family was supportive and emotionally generous.
I think for the disaster to work and the drama to work, you really need to feel like you're really in that world.
I remember when I first came around, the computer-generated stuff was pretty wicked. I was like, 'Wow!' but I feel like then for the longest time, we saw so much of it, after a while, you might as well just be watching an animated movie.
I'm not the least bit polished, I come from a blue collar background and I never thought I could feel comfortable around the English.
There was a time in my 40s where I thought, oh, it's all over - not just work, but I'm never going to feel young again, I'm always going to feel like I know what's going to happen, I'll know what to expect. Looking back I don't know if that was a midlife crisis, I don't know - but I don't feel that now. There's possibilities. It gets better.
I am aware of the words 'national treasure' being attached to me occasionally. It just makes me feel old.
So with 'There Will Be Blood,' I didn't even really feel like I was adapting a book. I was just desperate to find stuff to write.
I'm not really a Sundance baby, but they helped me so much I feel I have to acknowledge it.
I think my job is to try and be as honest as I can with what is in my mind and how I feel - I think that's what you're supposed to do, if you're a good writer. So I try to do that. I know I do that. I do do that.
At the heart of personality is the need to feel a sense of being lovable without having to qualify for that acceptance.
God created man and, finding him not sufficiently alone, gave him a companion to make him feel his solitude more keenly.
Endurance training is so mental. You just do it. You just can, and you just will, and you just run that far because, you know, I get tired at the first mile. I feel heavy and all of those things, but now I have developed, it's hard to explain... It's a very satisfying place to get into.
You know you've read a good book when you turn the last page and feel a little as if you have lost a friend.
When I started writing, I did have some idealised notion of my dad as a writer. But I have less and less of a literary rivalry with him as I've gone on. I certainly don't feel I need his approval, although maybe that's because I'm confident that I've got it.
I know there are writers who feel unhappy with domesticity and who even manufacture domestic turmoil in order to have something to write about. With me, though, the happier I feel, the better I write.
I feel as if my mission is to write, to see, to observe, and I feel lazy if I'm not reaching conclusions. I feel stupid. I feel as if I'm wasting my time.
Like most Americans, I feel disgusted when we see people make decisions based on party politics rather than a solution that is best for the country.
I feel strongly about showing up and being prepared and not taking the opportunity for granted and being conscientious about my fellow co-workers.
There's something that happens in that delivery room, when a woman becomes ten times more a woman, and a guy becomes six times less a man. You feel really dopey and useless and like a spectator. I did, anyway.
I've always felt like a kid, and I still feel like a kid, and I've never had any problem tapping into my childhood, and my kid side.
I don't feel like a dork, but I certainly have many moments of nerdism, and I embrace it wholeheartedly. I've always cottoned to that crowd more, anyway.
The thing that I get most excited about is that it does feel like a new realm of storytelling is being created before everybody's eyes. You can do something that's not exactly a movie and not exactly a TV show, something in between.
The human mind has infinite capacity to rationalize, and evil characters just push that boundary a bit. Whatever they're doing, they think it makes sense to do it, and they think they have a good reason to do it. In short, they feel justified.
I wanted to feel that precision and control and then try to apply it to tele. That's what I've looked for in my gear development through the years, and today, tele is very precise, very high-performance.
At the beginning of the season, I set my goal to see if I can lead the league in scoring, because I feel I have that kind of ability. A lot of guys say it, but it's not really in their grasp. I feel that's really in my grasp.
Many women feel they can't afford their lives; their husbands can't afford to be paying for the family bills. Hillary Clinton is guilty of being part of the establishment that created that problem.
I feel that if I said anything about John, I would have to sit here for five days and say it all. Or I don't want to say anything.
We were a savage little lot, Liverpool kids, not pacifist or vegetarian or anything. But I feel I've gone beyond that, and that it was immature to be so prejudiced and believe in all the stereotypes.
Coming from a large family makes you feel protected - you have friends and allies.
I've had a lot of very positive feedback about those stories, and seem to have struck upon something that most people feel. I can also tap dance, and don't know many other authors who can.
I feel it's very important to let individual writers' voices come through. But the character has to be consistent.
I feel now it's useless to keep hoping. The way things are today, we live in a world that needs laughter, and I've decided if I can make people laugh, I'm making a more important contribution.
When I started out, I preferred to watch my films without music, as its presence tends to mask the underlying pace of the film. I felt I could feel the rhythm of the film better without music to influence me.
I don't feel 50. I'm still ambitious, and I've only just got my licence to race sports cars. I race for an Aston Martin team called Beechdean, and it's a huge challenge.
In the end, it's acting, it's not real. But every director will tell you that you have to create conditions that create tension, because tension is what makes drama feel real.
We give you characters we'd feel very comfortable judging, and then go: 'Oh yeah? Watch this'.
And also, more and more businesses really want to do the right thing. They feel better about themselves, their workers feel better, and so do their customers. I think this is equally true in the transnational corporations, but it is harder to express in those situations.
I like to help create team spirit in the dressing room. I feel that I've got loads of love to give.
I feel like you can dominate a game in so many ways. That's just always been my mindset, just play ball. Be a basketball player, and everything will fall into place.
I haven't been in a position to be a free agent or know what that is like and then to have the chance to go where you want to go. That's always been - I feel, with players, they want that option.
I felt I was immortal. I was invincible. I've made so many plays where guys go down, and I walked up clean from it. I did feel that nothing bad could ever happen to me on the court.
I don't ever feel cautious about making plays. I tell myself that injuries are more likely to occur if I try to play safe.
Once I changed my diet, I noticed I had a ton of energy - I was more lively and ready for the workouts; my body was better. I noticed it was definitely the stuff I was putting in my body that made me feel better.
I feel like every year I get better, every year I learn something new, and I don't plan on stopping.
Regardless of how I feel, I always push through all of my workouts before I get ready for the game, because even though I might not like it then, even though I might be a little tired or fatigued, in the long run, it pays off.
I can still remember the feel in my hand of that most wonderful American coin ever minted, a nickel with a buffalo on one side and the head of an Indian on the other. That nickel was a daily proof of our country's past. Bring it back!
Obviously a president can't rule as a king and ban all guns. But I think we need a president who is going to make sure that there is gun control and that people still feel like their freedoms are intact.
What I do as a director is really create a safe environment that everyone can feel very comfortable in and experiment within so that they don't hold back anything. You never ever want someone to go, 'Oh I shouldn't have done that.' There isn't anything you shouldn't try. If it's terrible, who cares?
I'm just always a bit thrown when, in the immediate aftermath of some event which makes us feel like either God's out to get us or He's not doing His job as well as He can, we all still get together and continue to ask Him for help.
I usually dread writing non-fiction. I don't feel comfortable or confident writing essays and the like.
I feel like too many horror writers and filmmakers sort of just assume that the default is, 'The horror movie must be all atmosphere first and everything else second.'
The response to 'A Head Full of Ghosts' has been amazing and thrilling. I'd be lying if I said I don't feel a little extra pressure trying to follow it up.
You don't have to limit yourself or feel that you've been limited by an act of cruelty.
With 'Tower Prep,' Cartoon Network wanted to go into a new area where no other kids' programming was going. There were a lot of kids' sitcoms on the air, but they wanted to really go with more of like an adventure/drama feel.
I never leave a piece of theater that I love and say, 'That was a good point; They made a good point.' I leave, and I feel something.
There is too much illustrating of the news these days. I look at many editorial cartoons and I don't know what the cartoonists are saying or how they feel about a certain issue.
I like movies a lot, and I feel really excited when I see a movie that moves me the right way.
I want to convince you that humans are, to some extent, natural born essentialists. What I mean by this is we don't just respond to things as we see them or feel them or hear them. Rather, our response is conditioned on our beliefs, about what they really are, what they came from, what they're made of, what their hidden nature is.
The real problem with natural selection is that it makes no intuitive sense. It is like quantum physics; we may intellectually grasp it, but it will never feel right to us.
I could paint for a hundred years, a thousand years without stopping and I would still feel as though I knew nothing.
When you have a different mother, you want to be in her world. Because in mine, I didn't feel like I fit in.
If I could write directly on a typewriter or a computer, I would do it. But keyboards have always intimidated me. I've never been able to think clearly with my fingers in that position. A pen is a much more primitive instrument. You feel that the words are coming out of your body and then you dig the words into the page.
I feel safe in saying this, and that is that Peter Weir is without a doubt one of the greatest filmmakers of all time. I'd open a door in a movie for him if he asked me to.
I did feel funny about being fair and having red hair and freckles. I did not like that because I grew up in a neighbourhood where no one had red hair. I felt very conspicuous but not in a nice way.
No, my work does not reflect my sexual preferences, it reflects the fact that I feel total freedom as an artist.
I think men are mainly unfaithful because as they get older, they feel the urge to prove to themselves that they are still attractive. They need proof from outside the marriage. It's really sad. It's all about them. It's not about their wives at all.
One grows up thinking you will naturally be able to have children, and when it doesn't happen, it's a shock. But I just feel that it wasn't meant to be.
I feel very lucky that I was part of that whole scene in the '60s and '70s. I love looking at the photographs because everyone was young, and they were so gorgeous to look at.
When I'm 80 and sitting in a rocking chair listening to the Rolling Stones, there is absolutely no way I'm going to feel old or forget my younger days.
If brands can find a voice that matches them, and the artist embraces it, they can find a way that would serve them that doesn't feel like a sellout to the artists and has dramatic impact for the brand.
The only thing we are as actors are messengers. That's all we are. Correct? We are delivering the playwright's intention through the concept of the director. And I come on stage; if I feel confident in the role, then I give it away.
As authors, most - most authors, our art is portraying the human condition. Trying to show you what it's like to be somebody else, trying to make you feel for somebody else. That means you have to have a high degree of empathy.
I feel like, even if something goes wrong, I have confidence in myself and my team that we'll fix it.
It doesn't really feel like it's got anything to do with me. I mean, I know I wrote it, and all that and invented the characters and made it up, but it's Mike's film, so doing the press and stuff, it feels a little bit inauthentic. I was just one component of it.
In some ways. I always feel between worlds, between cultures, and I think that's not necessarily a bad place for a writer to be. Writers are kind of on the fringe anyway, observing, writing things down. I'm still mostly American, but it's a nice tension.
The books I like to read the most feel like they've been written by somebody who had to write them or go crazy. They had to get them out of their heads. I like that kind of urgency.
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