Paul Haggis Quotes

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The worst thing you can do to a filmmaker is to walk out of his film and go, 'That was a nice movie.' But if you can cause people to walk out and then argue about the film on the...

As artists, we have to be brave. If we aren't brave, we aren't artists.

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The wonderful thing about Clint is you can never second guess how he is going to react to anything.

I just asked myself, what piece of that man's soul did he just chew off and swallow to get next week's assignment? You know, just to live, just to work as an artist, or to feed the family?

I don't think it's the job of filmmakers to give anybody answers. I do think, though, that a good film makes you ask questions of yourself as you leave the theatre.

I like to write about things about which I have no answers, questions that trouble me. These things trouble me.

Unless I'm really uneasy with what I'm writing, I lose interest very quickly.

I miss my mother very, very much.

As a general rule, I don't plan to travel with my Oscars, but we may have to make an exception.

I was trying to talk about where we are right now as a society, and talk about the fear we all live in, and certainly since 9-11, how it's affected us and the world.

We all have these tendencies in us that could go this way or that. I think that's the real key in writing. To look at a character without judgment.

We give you characters we'd feel very comfortable judging, and then go: 'Oh yeah? Watch this'.

We're trying to reinvent Bond. He's 28 - no Q, no gadgets.

'Crash' was incredibly personal to me. So was 'In the Valley of Elah.' There were things in 'The Next Three Days' that were questions I was asking myself but couldn't answer, like how far would you go for love? Can...

I loved American filmmakers when I was growing up. I didn't get to film school or anything. I was a very bad student. I just devoured film, but there was a point in my teens when I started to run...

I don't know how much credit I can take for 'Walker, Texas Ranger,' because I only worked on it for three weeks. I re-wrote the pilot, and then my name was on it forever.

When I discovered European filmmakers, it affected me so deeply. It redefined what cinema could be. I mean, 'Blow-Up' ends with a dead body and mimes playing tennis. What?

I just figure if you have a modicum of celebrity, you need to use it, and you need to use it for more things than just promoting yourself or your film or your image or your product.

I made a very good living as a bad writer. I wrote a lot of comedies, 'Diff'rent Strokes,' 'Facts of Life,' while all my friends were doing the good shows, like 'Cheers,' but I loved it because I got to...

I wrote an episode for 'thirtysomething,' and a producer said, 'That's really good, but what is it about? What does it say about you? What questions are you asking yourself?' I had never thought about that. This comment changed who...

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