Dark Quotes
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I've always had this in a kind of worst-case dark imagination. I want to know what the dark form in the window is. I want to know what the noise under the staircase is.
I read 'Rebecca' when I was a teenager and was swept away by the powerful voice, the gut wrenching suspense and the dark, twisted love story at its center.
Maybe I have this fascination with the dark side because I live in the light. I don't have any dysfunction, and I've never experienced trauma.
Oddly, I'd been to most of the locations where I started photographing slavery many times before. I even considered some of them homes-away-from-home. But there can be dark corners in familiar places.
Everyone on the planet has a dark and a light. That's a multi-dimensional character.
No day would be complete without chocolate. My favorite: Vosges Creole bar - it's dark chocolate with cocoa nibs. Holy Toledo, that thing is good.
I'm drawn towards people who have a little pathos and a little dark side, and I feel the same towards fictional characters.
Social media is something I approach organically. It's all me! Sometimes I'll post four things in a few hours, but then I could go dark for a week.
One thing rap and rock have in common, a lot of it is focused on negativity. I like dark stuff.
A lot of women don't know how to love because there's deep reasons for them not knowing how to love. And what I mean by deep reasons is deep and dark reasons.
I understand why creative people like dark, but American audiences don't like dark. They like story. They do not respond to nervous breakdowns and unhappy episodes that lead nowhere. They like their characters to be a part of the action. They like strength, not weakness, a chance to work out any dilemma.
Music is there to access those dark emotional corners that we don't normally get too close to.
The dark energy is not exactly zero, but the first 122 decimal points are zero. That's crazy. That is really one of the craziest things we've ever discovered.
Eventually, when the universe expands enough, all that will be left is the dark energy.
My goal would be trying to bring some light to the world, which is often a dark and violent place.
Everybody has their own agenda, and that makes 'Power' a dark world. There aren't any really clean characters.
I've never been a huge Zeppelin fan, much to the chagrin of everybody else in my former band. But certainly those Pink Floyd records, I was really into them, especially 'Dark Side of the Moon.'
'Joker' was a violent, dark, and brutal book, so I wanted to do something a little less heavy. I played around with the idea of a children's book, and that eventually became 'Noel.' And I just kept finding these parallels between things I could do with Batman and Charles Dickens' 'A Christmas Carol.'
Anyone who saw Nagasaki would suddenly realize that they'd been kept in the dark by the United States government as to what atomic bombs can do.
It's a really dark, emotionally wrenching world that we've created on 'The Walking Dead.'
That was the beauty of 'Roseanne' and Roseanne herself. It could go dark; it could do issues.
I actually prefer getting into roles that are the polar opposite of me; that's why I've done so many dark and dreary things.
Readers respond to every genre intensely, if it's a genre that appeals to them. Again, who can say why anyone enjoys horror and dark fantasy? If I can't answer the question for myself, I wouldn't dream of trying to answer it for others.
I like movies about longing and desperation, and dark and light things, stories about people struggling to raise children, and to have relationships and be intimate with each other.
'Altered Carbon' is one of the most seminal pieces of post-cyberpunk hard science fiction out there - a dark, complex noir story that challenges our ideas of what it means to be human when all information becomes encodable, including the human mind.
Imagination has brought mankind through the dark ages to its present state of civilization. Imagination led Columbus to discover America. Imagination led Franklin to discover electricity.
I consciously decided to make both 'Sammy's Hill' and 'Sammy's House' more of a warm satire and not go the route of writing a dark and bitter book about D.C.
As the installments in the 'Immortals After Dark' series span simultaneous timelines, making sure the details remained accurate was a hair-raising/losing exercise.
In 'Dark Skye,' I rewrote every one of the Pandemonia scenes over and over before I was happy with them - hundreds of pages are now sitting in a folder called 'Cuttings,' never to be read. Ouch!
Where I grew up, we had light-skinned models but not dark. Every time I would talk about being a model with my friends, they would start laughing out loud.
Over a spell of about three years, I played a series of roles that were, for me, all very different, but most of them came out within a six-month period. They all dealt with a kind of dark territory that in some cases had been mined before in movies.
Anytime I float by a window, I can tell whether the outside is lit or if it's dark outside. When we're working it's just day for us with the lights on inside.
I went to a Cal Tech party after the 'Facebook' movie came out, and there were kids in dark rooms coding because it was cool again. That movie made it cool to sit in a room at a party and write code.
Blackness has always been stigmatised, even amongst black people who flee from the density of that blackness. Some black people recoil from black people who are that dark because it has always been stigmatised.
We've always had a dark atmosphere to our performances, so it sort of developed along those ways.
Spring was moving in the air above and in the earth below and around him, penetrating even his dark and lowly little house with its spirit of divine discontent and longing.
When it began to grow dark, the Rat, with an air of excitement and mystery, summoned them back into the parlour, stood each of them up alongside of his little heap, and proceeded to dress them up for the coming expedition.
I remember trying to explain the class system to a Canadian friend when we started at RADA. The funniest thing was when I told her what bonfire night is all about. It's quite dark when you start breaking it down.
I left my mark on 'Dark Shadows.' One day I was doing my lines perfectly from Act 3. Everyone else was doing Act 2.
Natural DNA is a tractless coil, like an unwound and tangled audiotape on the floor of the car in the dark.
In the streets through which we passed, I must own the houses in general struck me as if they were dark and gloomy, and yet at the same time they also struck me as prodigiously great and majestic.
I'd love to own Newstead, partly because it belonged to Lord Byron, but also to try to uncover what dark secrets really lie beneath.
I am obsessed with the Great Depression and with former showgirls - and the Victorians - the idea of wistful, dark romance.
For the most part, I've been influenced by black singers and singers I couldn't sound like. Whenever I tried to do a dark note or a bent note, I would just sound like Hootie And The Blowfish.
I actually gravitate toward comedy a lot when it comes to what I'm watching, but maybe that's because I've been on such dark work the last four or five years.
Find beauty not only in the thing itself but in the pattern of the shadows, the light and dark which that thing provides.
I like the opportunity to play characters who have these dark sides but make the audience empathize with them. You want them to think there is some kind of sweeter, softer side to it.
Some people must go to extremes to get the world in balance for themselves. Some can't bear bright lights, so wherever they go they search for the dark; they turn the lights down, anything to sustain some level of comfort.
If you want to tell grown-up fairy tales, you have to look for the dark side.
I would be lying if I said I cut out all dessert. When I'm training, I try to satisfy those cravings with a slightly healthier dessert, like a piece of dark chocolate or whipped cream and strawberries. Those are two of my favorites!
'The Walking Dead' was my favorite show before I even auditioned for it. That's every actor's dream, to be on a show that they're a fan of. It's just dark, and as a comedian, I'm drawn to dark things.
Being Southern and being the guy I've been all my life, I've lived more on the lighter side of life. I have a dark side, but that's not where I come from. A lot of artists like to come from that.
I was seven years old when 'Creepshow' came out, and I'm guessing I was around 10 when I saw it for the first time on VHS. The opening theme reminds me that there are five stories to be told, all so different, and the process of telling a scary story is a dark, glorious trip.
I have a tendency to drift toward action. Some of my favorite films are 'Mr. & Mrs. Smith,' 'The Dark Knight,' 'Inception,' 'The Fifth Element,' and 'Pirates of the Caribbean,' and 'The Avengers.'
The future is hidden by a dark impenetrable veil, and yet we struggle to pierce through it.
I wouldn't recommend young kids see 'Speedway Junkie.' It's definitely an age-appropriate movie - dark and realistic and edgy. If young kids want to see me, go see the Christmas movie.
Twice I had been stopped by these jobs, and I thought the role on Dark Shadows would go on for about three or four weeks. And then, the phenomenon began, the role caught on, the mail started to flood in.
I would always have been the geek who's your friend. I will never be the dark guy with a sensitive side, as much as I yearn to be.
I see myself and many artists like me as the torchbearers through these dark ages.
The crafty person is always in danger; and when they think they walk in the dark, all their pretenses are transparent.
In fiction, imaginary people become realer to us than any named celebrity glimpsed in a series of rumored events, whose causes and subtler ramifications must remain in the dark. An invented figure like Anna Karenina or Emma Bovary emerges fully into the light of understanding, which brings with it identification, sympathy and pity.
When I was a wee little kid, I used to watch 'Dark Shadows' all the time, so I was a Barnabas Collins fan.
The social object of skilled investment should be to defeat the dark forces of time and ignorance which envelope our future.
Every town has its dark side, but I spend time in New York for my dark inspiration.
Human knowledge is dark and uncertain; philosophy is dark, astrology is dark, and geometry is dark.
I consider myself a humanist. Even if I do very dark worlds, I try to make those characters real humans as opposed to just cartoons.
She was not a white woman. She was not a Greek... Until the emergence of the doctrine of white superiority, Cleopatra was generally pictured as a distinctly African woman, dark in color.
So is the savage buffalo, especially delighting in dark places, where he can wallow in the mud and slake his thirst without much trouble; and here also we find the wild pig.
My trouser needs are simple: a narrow leg in a dark colour, with jean detailing.
Childhood is measured out by sounds and smells and sights, before the dark hour of reason grows.
I'm drawn to the dark but not the nihilistic aspects, the relentless parts, of darkness.
I'd like to play a mixture of Lucille Ball meets Murphy Brown meets Glenn Close on 'Damages,' to keep a little bit of the darkness in there. I like dark comedy a lot.
We shot 'CBGB' in Savannah, and then I took another project there afterwards called 'Killing Winston Jones.' It's a dark comedy with Richard Dreyfuss, Danny Glover, Jon Heder, Danny Masterson and Aly Michalka. It's a great cast and a beautiful film.
Chris Nolan went through Slamdance a year and a half after us, and he went on to direct 'The Dark Knight.' So the joke now is if you want to make superhero movies, that's where you have to go.
I was kind of a dark kid. I loved Halloween, and I loved vampires and the black and white old monster movies.
My strongest audiences are in Germany and France - they stuck with me through my dark days in the '70s.
We still don't know what about 96 per cent of the universe is made of. It is dark matter and dark energy, but we have no idea what it is.
I'm really such a bumbler! Writing fiction is like arranging furniture in a dark room. I can't see what I'm doing. I grope for the right words. I bump against the wrong words and stumble and stub my toe and curse and keep trying to guess what belongs in the space.
I definitely am afraid of the dark. Somehow, in my mind I can always come up with some horrific stuff to worry about.
The nature of Scandinavians is that they don't talk so much, there will be these dark secrets, and most things are under-communicated.
We all - if we are honest with ourselves, we all have these dark spaces within our souls that we don't always want to talk about or acknowledge.
I'm outdoors a lot, so I get dark. Guess who gets stopped? I've been pulled over, and they ask, 'Where are you from?' I say, 'Montana.' They say, 'Are you sure? And I say, 'I'm reasonably sure I'm from Montana, but you know, this is a dream life.' You start on this shtick with them and it's fun.
But with The Dark Crystal, instead of puppetry we're trying to go toward a sense of realism - toward a reality of creatures that are actually alive and we're mixing up puppetry and all kinds of other techniques.
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