Choreograph Quotes
Most Famous Choreograph Quotes of All Time!
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I got to choreograph a halftime dance with the cheerleading squad, which was all-female, at my high school. And I was the only boy, at the time. We did this whole routine to 'Maria Maria' by Santana, and 'Thong Song' by Sisqo - it was a mix.
I come up with the ideas for my videos, and I write the lyrics and choreograph them, and I direct them and tell everyone what to do and how I want them to sing the parts and do the tongue pops and eye rolls and stuff like that.
I learned how to tell stories with Jay-Z on 'City Is Mine.' I learned how to film and choreograph dancing on 'Can I Get A...,' and I got to kind of be a documentary filmmaker with 'Hard Knock Life.'
Catalysts are the conductors who choreograph the chemical dance that results in the formation of new structures.
My first professional relationship, I danced with the Parsons Dance Company, and David Parsons, my former boss, allowed me to choreograph on the company.
What really shifted my understanding of my potential placement in the world of art is when I had a chance to choreograph a show for... It was just this incredible production with all these masters.
Ballet found me, I guess you could say. I was discovered by a teacher in middle school. I always danced my whole life. I never had any training, never was exposed to seeing dance, but I always had something inside of me. I would love to choreograph and dance around.
When I began to choreograph and find my way pulling other artists' dreams out and changing music in a visual way, there was still a part of me that had something more to say. There was still a desire to rock a stage and ultimately perform the eight count of my dream, but there was a lot of insecurity there.
For me personally, and I’m sure not everyone is like this. But for me I find it difficult to choreograph in the daytime.
There have been times when I booked out a dance studio and I’ve tried to choreograph in there and suddenly I feel like I have no creativity.
As a kid, I always wanted to be like Spielberg and to make wonderful movies. Even when I was making 'Indiana Jones,' I was looking at how he would come up with these amazing shots and how he would choreograph the blocking and all that. So I knew from early on I would go to film school and try to work behind the camera.
The public brings our buildings to life, and we try to choreograph a lot of things, but our most successful work functions in unanticipated ways. Like the Blur Building. When little kids got in there, they cried or laughed or ran around. And no matter how much theory we put on top of it, it didn't matter: it worked.
There's a lot of thinking when you choreograph something. You're not just choreographing some bodies, arms, legs flying around to look cool. It's a lot more complicated and sophisticated. You also have to deal with the connection of the whole film, so when I choreograph, I think of the movement itself, the camera angles, the characters.
An action choreographer is kind of like a dance choreographer. You choreograph the moves and you let the director, cinematographer take into positioning their cameras.
As a kid, I loved leading 'dance camp' in my garage for the neighborhood kids. I would choreograph really intricate routines for us to perform. It was so much fun!
What was Bruce Lee like? How did you meet? What was it like to choreograph the fight scene in Rome with him? Did you spend much time together off-screen? Those are a small sampling of the inquiries I'm asked often, wherever I go around the world.
Sometimes you feel like people go, 'Oh, he just does funny dances,' or 'That's cute.' It drives me a little crazy when someone does a dance number where all they do is kick to their head for five minutes, and everyone's like, 'That choreography is amazing.' It takes a lot to choreograph a number that also gets laughs in it.
The thing is, when we do fight scenes, when we kill people in the movies, they bring in experts to choreograph it bit by bit, because you can't really kill someone, and you don't want to really hurt them.
When the opportunity to choreograph came up, it was nothing more in my head but an opportunity. Then it suddenly became a career very quickly.
I like to choreograph and create and design the costumes and do it all and then step back and watch it and then move on to the next project.
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