Character Quotes
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Shaheed Diwas 2026
I've usually had two styles: the Fletch character and the Clark Griswold character.
I've been too funny in my life to have to play a character who's... moderately funny.
I loved playing Go Go, because the character's so extreme. And she's pretty close to my real character. Especially the fact that she liked her sword with a lot of accessories.
My character is somebody who is smaller in stature and yet who's strong, so to see the fighting situations between people who are not generally thought of being strong is in itself unusual and therefore interesting, I think.
I'm really 100 per cent invested in 'Suburgatory' right now - I'm really focused on that and really like taking it all in. It's so much fun and I just love this character and I love the guys I work with so I'm just enjoying this right now.
I understand a woman who validates herself by getting attention from the opposite sex. I have a friend who is that to a T... Doesn't mean she isn't a good person. That's a funny character to play.
T.V. is the place to do the kind of films that were done in the 40s and 50s: the little guy against the system. There are so many opportunities in T.V. to do more character pieces. Everything is so hard-edged in features.
I was the singing voice of a cartoon character. I did dog food commercials. I did a lot of commercials, actually, and helped pay my rent and my classes. Then I'd get one good line or two good scenes. I was building my career and building my own experience and learning technically what it was like to be on a set and all of those things.
I wanted Luke Cage to very much be an African American superhero rather than a superhero that happens to be black. I felt it was important to give him that cultural grounding but also show that it doesn't make him an obtuse or one-sided character.
After 30 years in the theater, I'm used to having a great amount of control over what I do. But with '24', you place your character's life in the writers' hands, and you have no idea what's going to happen until you're sent the next pages.
All observers not laboring under hallucinations of the senses are agreed, or can be made to agree, about facts of sensible experience, through evidence toward which the intellect is merely passive, and over which the individual will and character have no control.
The character is close to me, except that I haven't lived through those situations, so it's not completely me.
People of a certain age still remember me as Edna Garrett. They often want to give me a hug because the character was so warm and nurturing. I don't mind at all. I think it's very nice.
I would assume most people hate my character. But I'm hoping that I'm the character you love to hate.
I've never played a character where I've had so much fun on the physical end. I don't want to say I like it too much but it's fun having a gun on you and getting to manhandle men.
I guess because I pay so much attention to the physical part of the character, I don't look upon it as like Charlize Theron up there. I don't think of them as like Charlize Theron films.
I remember my first commercial. This is really great 'Degrassi' trivia: The character Toby on 'Degrassi,' played by Jake Goldsbie, he and I were in both of our first commercial ever when we were four. It was for Tiger Toys, this old Game Boy-type thing. Both of our lines were, 'Mommy, I can do it!'
I would quite like to do a different accent or play something so different from myself because Olivia, the character I play in this film, is similar to me.
The hard part for me was not the wrestling - it was showing emotion, telling a story, and being able to connect with fans. Coming out as Ric Flair's daughter and being called athletically gifted, it's hard to say, 'Hey, like me! You can relate to me!' It wasn't working, so I completely switched my character.
My character, Charlotte, is very confident, and I try to be more like my character in real life. Not that I'm not confident, but I've really found my personal growth through work.
I think what people don't realize is the transition from NXT to the main roster is a big jump. It's getting a whole new audience familiar with a certain character. If you debut too many women at one time, it's hard for the audience to get to know, understand, and see the rise of that character.
When I started wrestling and then turned into the Evil Queen, I created this character who I needed in my personal life. This woman who is strong, intelligent, confident, empowering. That's what I needed in my personal life.
No one ever has a chance to get to know the real me because I do play a bad guy, and sometimes it's hard to soak in the comments or the negativity because that's the response you want to elicit. I am a normal person, but that's part of the job. I'm playing a character, and that's my role.
I wish I was more like my character. In character, I am the queen. I am strong. I am confident, sometimes cocky. I'm hard to beat. Out of character, I am a daughter, a sister, an aunt, a best friend and just the girl next door that likes Ben & Jerry's ice cream.
I was a little bit wary of playing Nicholas. In the script, which I think is true of the novel and the film, he's the only character not singing and dancing in a musical style. Playing someone who is the personification of good is a little difficult.
I watch these actors who when you go to buy a pint of milk you see them smiling on the cover of 20 magazines. Then when you see them in a film it's hard to believe the character because you just see them everywhere.
As a writer, I have to admit, there is something darkly compelling about Alzheimer's because it attacks the two things most central to a writer's craft - language and memory, which together make up an individual's identity. Alzheimer's makes a new character out of a familiar person.
I had no idea of the character. But the moment I was dressed, the clothes and the make-up made me feel the person he was. I began to know him, and by the time I walked onto the stage he was fully born.
Well, you know, I don't think anyone who writes a television series has a master plan from the beginning, and knows all the character traits, and everything that's going to happen.
The real evil with which we have to contend is not the physical evil of the Famine, but the moral evil of the selfish, perverse and turbulent character of the people.
A quality is something capable of being completely embodied. A law never can be embodied in its character as a law except by determining a habit. A quality is how something may or might have been. A law is how an endless future must continue to be.
Soaps are great. You learn to work very fast - some say superficially, but that's not really true. You do some very serious character work. I've never had any feelings about a stigma attached to it, and nowadays there seems to be less snobbery about what you do. More and more big names are doing TV and commercials and voiceovers.
For 'Inhuman,' it's a 'chess game' series. You have a lot of pieces moving different ways at once, and it's about what they do on their own and what happens when they collide into one another. It's about long-range planning, new character creation, and trying to really build things.
A good character is the best tombstone. Those who loved you and were helped by you will remember you when forget-me-nots have withered. Carve your name on hearts, not on marble.
Have we been going up and down in business, and are those round about us as yet unaware of our Christian character? Have we never spoken to them the Word of Life? Lord, arouse us to a deep concern for all with whom we come in contact from day to day.
God's arrows of affliction are sharp and painful so He can get our attention. He won't let His beloved children get away with sin because He knows it robs us of blessings, opportunities, and even character refinement.
Once upon a time there was a widow who had two daughters. The elder was so much like her, both in looks and character, that whoever saw the daughter saw the mother.
Sow an act and you reap a habit. Sow a habit and you reap a character. Sow a character and you reap a destiny.
I write in a very peculiar way. I think about a book for 25 or 30 years in a kind of inchoate way, and at one point or another, I realize the book is ready to be written. I usually have a character, a first line, and general idea of what the book is going to be about.
It's always fun to layer a character, to make the character a little bit more dynamic than it is on paper.
If you're entering a room for the first time, do it the way you would in life - look around; see how they have the furniture arranged. If your character is meeting another character for the first time, meet them the way you would in life.
When you're starting out as an actor, you keep raising the stakes. First, you just want to be a character who comes on stage and gets a laugh or two and exits. Just five minutes on a stage, not even Broadway. But every time you say your little prayer at night, you place more demands.
Every two years the American politics industry fills the airwaves with the most virulent, scurrilous, wall-to-wall character assassination of nearly every political practitioner in the country - and then declares itself puzzled that America has lost trust in its politicians.
Obama is a man of first-class intellect and first-class temperament. But his character remains highly suspect.
If we divine a discrepancy between a man's words and his character, the whole impression of him becomes broken and painful; he revolts the imagination by his lack of unity, and even the good in him is hardly accepted.
When you do a movie, you go to the location and get into your costume. It's part of your metamorphosis into your character, and it just made sense to do it.
When X-rays traverse matter of any kind, this matter becomes a source of a radiation similar in character to that of the primary radiation falling upon it.
Alfred Nobel really understood very well the necessary supra-natural character of the human enterprise.
Friendship is held to be the severest test of character. It is easy, we think, to be loyal to a family and clan, whose blood is in your own veins.
The elements and majestic forces in nature, Lightning, Wind, Water, Fire, and Frost, were regarded with awe as spiritual powers, but always secondary and intermediate in character.
I supply a presence. There are never any long dialogue scenes to establish a character.
I can play the character better because of the roundness of my experience - because of the things I've been through. All those method guys - like that De Niro, Stallone, and what's his name, Pacino - they're all the same.
A while ago, I did a television adaptation of 'Bleak House,' and the character I played, as far as I was concerned, had no redeeming features whatsoever. I wasn't about to try to find any; I didn't need to.
Faced with crisis, the man of character falls back on himself. He imposes his own stamp of action, takes responsibility for it, makes it his own.
JR was a 1-dimensional, evil character. JR was multi-dimensional, and Larry Hagman is probably one of the greatest actors that we have. Then, you go back and look at 'I Dream of Jeannie' - I mean, he's a comic genius, as well. So, I think they should give him an honorary Emmy Award.
A man's work and the conditions under which it is performed are tremendous factors in determining his character.
My initial response was to sue her for defamation of character, but then I realized that I had no character.
I'm a one-uniform kind of person; I like to establish the look of a character and just stick with that - like a cartoon.
What we love about the character Katie, played by Katy Mixon, is that she feels very universal and very relatable. And what we love about 'American Housewife' is that it feels like it could speak for housewives from New York to Los Angeles, from Boise to Miami.
'Ten Days in the Valley' has everything: It's a thriller, it's a taut, exciting love story, and it has the kind of character our audience loves - a strong, powerful woman who is also dangerously flawed.
In the beginning, I would find a character I understood. That was my focus. Not now - but you basically get offered the exact same thing you just did. Which I find hilarious. I did 'The Vow,' and then I had every love story you can imagine thrown at me. And now I'm getting offers for comedies.
I think we all suffer from guilt at some point in our lives, but for the most part I never really regret, and I try to always remain positive. Yes, I think that those issues are very interesting to play in a character, and they're prominent issues in life, and I think people can relate to them.
I don't mind playing the same character, but if it's not well done, then I'm not interested.
Sometimes you can just step into the character, and you get all your feelings and emotions just from sympathizing with her and being her. But then, other times, you just have to resort back to anything that you've been through in your own life and try to play that.
When you're doing a character, you want to know the full landscape. You want to know them spiritually, mentally and physically.
I try to look at every role the same way, regardless of whether the character is real or the character is a fantasy. I always start from myself, because you have to know yourself first.
One of the first things I was taught as an actor was, 'Don't judge the character.'
I don't really read any comics, but when I got casted on the show, I starting reading 'The Walking Dead' comics. I felt like I needed a better idea of the character.
I did this role in Life Goes On as an HIV positive character and so emotionally that was the most challenging.
I think every actor, you can say, has at one point decided to slack, phone it in. But Sean Penn shows up every day and does his job, and the character's always different. Always. 'Carlito's Way,' 'I am Sam,' 'Sweet and Lowdown.'
There's a character I played in 'Love in a Cold Climate' - very like my mother. I asked if I could wear a man's shoes and hat to feed the chickens: all things from her. In fact, every part I play has got an enormous amount of her in it.
The great lesson in theatre is that you live the story every night, and that is a wonderful vehicle for getting to the richest places in a performance or investing a character with the richest life.
When I first got the audition for Shado, I went online and subscribed to DC Comics and read a bunch on Shado and the Yakuza, just to get to know her character better.
Our language is the reflection of ourselves. A language is an exact reflection of the character and growth of its speakers.
Too many architects are just trying to make all of their buildings look like a brand, and that may be good for business, but that is terrible for the cities because they lose character. If I go to Paris, I go to see the beauty of Paris and the coherence of Paris.
People realize that Salieri is not the man we saw in the Amadeus movie. That man had no talent. It was a great movie, but the Salieri character was a big fiction.
I feel like 'Gossip Girl' isn't really 'Gossip Girl' anymore when they're away at school because they don't go to NYU; they go to, like, Yale and Brown. New York City is just as much a character as anyone else in the books, and I was really sort of reluctant to show them off in their separate college worlds.
I don't think Steve Scalise has a racist bone in his body. Steve and I have worked on issues that benefit poor people, black people, white people, Jewish people. I know his character.
I get a kick out of not being ideal. I think it's awesome. That's entirely the point. And I think my creator is quite a character for letting that be.
Robert De Niro taught me how to listen, and how to be part of the conversation. It's not just about reading your lines and saying what's in the script; you have to understand your character, along with the other characters so that you can always respond.
Character is the ability to carry out a good resolution long after the excitement of the moment has passed.
I want a character to wake up one day and feel like, 'I can face it'. That, to me, is happy. I want the characters to rescue themselves, though you use the relationships you have, to make you strong enough to be able to do that.
Acting is about giving yourself away, like the U2 song 'With or Without You.' You just don't stay behind a character and make people laugh or cry. At some point you have to take off that mask, and when you do, you're a human being, not just an actor. After all, I'm Catherine the person first. You share that.
I... had guys on the set who didn't like me... they weren't interested in the cold character.
I don't have a favorite genre. I love to work and live vicariously through every character. It's all about trying to bring the character to life and get the story across in a way that resonates with the audience. It's always interesting and challenging in a gratifying and unique way.
I love acting, and ultimately all my characters are very different, and each character I love in a different way.
When people stop me to say they love 'Workin' Moms,' it's not just that the show makes them laugh or is a great escape - they tell me my, or another, character's story is their story.
I was a big fan of Coolio, growing up, and I was excited to meet him. We played golf, which definitely is not my sport, and he was a character.
Things present themselves to you, and it's how you choose to deal with them that reveals who you are. We all say a lot of things, don't we, about who we are and how we think. But in the end it's your actions, how you respond to circumstance that reveals your character.
I have the embarrassing thing where often if you're watching a film, you kind of go through the emotions and the thought stages that your character went through, but you sort of do it with Tourette's. So I end up often crying when I'm crying, and looking angry when I'm looking angry, so it's pretty ugly.
I think if you're too embroiled in the need to relate too closely to the character, then you start to judge the character for the audience rather than to present it to the audience for their enjoyment and them to mull over the questions that the characters present.
No one wants to see me struggling to get a horse under control because I can't ride it. And no one wants to see me not knowing how to deal with the psychological makeup of the character.
I'm not interested in playing characters who see the world through my prism; I think the journey of understanding any character is to see how they tick and how they differ from you.
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