Sam Esmail Quotes

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I'm not a fan of these very cutty, handheld-y kind of films or TV shows, where a cut is just every half second or every two seconds, where you're desensitized to it. To me, a cut should say something and be impactful.

I always suspend logic for emotion. If it feels real, or it feels like what I'm going for, we should abandon reality a little bit and go for that. I'm not a documentarian. We're not trying to shoot things for naturalism.

It's strange not to allow the actor some input and breathing room into what was written on the page - it is their job to make it come alive.

I know when it comes to TV, the writer is king, but to me, the filmmaker is king.

We frame things in an off-kilter way because it's unsettling. In the 'Mr. Robot' world, that's the norm, and it's the norm for the point of view that we're looking for, which is Elliot's. With our compositions and our visual language and camera movements, it's important to always evoke that unsettling feeling underneath every scene.

I used to want to be a critic. I think it's an awesome job. You get to watch all this stuff and then write about it and analyze it and give insight into it. That's an amazing job. I was terrible at it, though.

There are some critics that will just write provocative stuff to get attention, but I would say most of the time that's not the case.

In a weird way, I never wanted - I don't consider myself a very good writer. I consider myself okay; I don't consider myself great. There's Woody Allen and Aaron Sorkin. There's Quentin Tarantino. I'm not ever gonna be on that level. But I do consider myself a good filmmaker.

This is the great thing about TV is that when you discover certain strengths in an actor, you can then begin to exploit them in really fun ways.

Before we started shooting 'Homecoming,' we were in the writer's room for 'Mr. Robot.' I was also editing Season 3 of 'Mr. Robot' while I was prepping for the 'Homecoming' shoot. So yeah, it's a lot of hats.

When I first created the world of 'Mr. Robot,' I thought it would be a niche television series with a small, cult following.

I don't mind Twitter. I think it's a lot of nonsense, but at least, to me, Twitter is just more of a public forum to have conversation.

When you don't have a main character that's flawed, I don't know how you relate to that person.

Aren't all people flawed?

I could watch 'There Will Be Blood' all day long, and Daniel Plainview is a terrible person - but he's still compelling to watch. That's what makes me want to engage and see what happens next.

I never try and tune anything out. I think that's a mistake. You want to bring all the honest stuff that's going on inside you into your work. Otherwise, you're keeping a lot of authenticity out.

I'm not a huge fan of very plotty shows. I'm much more of a fan of character-driven stories.

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