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Shaheed Diwas 2026
The idea of science fiction, mythology, and creating a world is my favourite thing. I do love the reality of dramas and playing that, but being able to start from scratch, to completely build the character and this world, I love that.
Sci-fi fans are so interested in your character and so attached to the world that you've created.
Being funny with a funny voice is more my comfort zone, a broader character that I try to humanize, a kind of silly or wacky persona that I try to fill in.
You can't be funny for funny's sake. You try to get as outrageous situation as you can but it always has to be believable and based in real character motivations and what people would really do.
It is very hard to separate one's self from a character. Sometimes the people closest to me have to be very understanding.
Great direction, great acting partner, great character backstory - these are all rare luxuries to have in the room.
Rag & bone images always reflect the authenticity of the brand. Their images have character and tell a story.
Acting is not acting. It isn't putting on a face and dancing around in a mask. It's believing that you are that character and playing him as if it were a normal day in the life of that character.
All these boundaries - Africa, Asia, Malaysia, America - are set by men. But you don't have to look at boundaries when you are looking at a man - at the character of a man. The question is: What do you stand for? Are you a follower, or are you a leader?
Man looks in the abyss, there's nothing staring back at him. At that moment, man finds his character. And that is what keeps him out of the abyss.
It's important to study and understand your responsibilities within any profession, but it's particularly important for military officers to read, think, discuss, and write about the problem of war and warfare so they can understand not just the changes in the character of warfare but also the continuities.
It's definitely my responsibility not to stereotype any character, but especially a gay character because of the misperceptions people still have about gays.
My character in 'True Grit' would set these goals for herself that seemed near impossible, but to her they were possible. She was never going to believe anything else other than that.
There is nothing unusual in coalition partners differing on some issues. It is a character of democratic system.
David Wain's character on 'Bob's Burgers' is really funny and silly and makes me laugh.
I feel I do my best work when it's all there on the page, and I feel that the character is very vivid as I read the script and I'm not having to create stuff and trying to cobble together something. If I have to do that, then I don't entirely trust what I'm doing.
I was thinking that when I have children, that I should always dress as a character for them, so they think their mom is Alice in Wonderland or Cinderella. It would be totally messed up!
I'm happier not pretending I know anything about El Cid in Spain. He's a Spanish national hero. I'd rather invent a character inspired by him but clearly not identical to him. And then I feel liberated creatively.
In high school, I read 'Silas Marner' and I was very attracted to this character - he was very rundown and he'd just stop, and things would happen around him.
When we see men of worth, we should think of equalling them; when we see men of a contrary character, we should turn inward and examine ourselves.
I don't much believe in the idea of characters. I write with words, that is all. Whether those words are put in the mouth of this or that character does not matter to me.
When I was growing up, we didn't have 'Will & Grace.' The one gay character was Monroe from 'Too Close For Comfort' - and he wasn't even gay! At least they didn't say he was. Same with Mr. Furley from 'Three's Company.' You know, these were the characters that people would always make fun of.
I remember when I was writing 'The Tin Drum,' I had the totally misguided idea of giving Oskar Matzerath a sister, and he just wouldn't have it. There was no space for a sister, yet I had the character of the sister in my head. In fact I used her in later novels, in 'Cat and Mouse' and 'Dog Years,' Tulla Pokriski.
Although there was a screenplay, the actors never knew what questions I was going to ask them, and all of my character's voice-over narration and scenes were added after the fact.
I had given thought to acting, but I never really had a good enough opportunity or a character who made sense and paralleled my life a little bit. I feel like I'm one of the poster boys for a bad guy in a movie. I feel like I'm a good person to play a bad guy in a movie. I can say that.
I'm not a fan of anybody music who I feel like a sucka. I don't listen to you. They play you in the club, you can have the #1 jam, but if I know your character, how can I listen to your music?
By constant self-discipline and self-control you can develop greatness of character.
I think as an actress, I prefer having a character on the page. It allows you to be more invested in actually creating a whole person. It's easier when you're not trying to come up with your next line on the spot.
My character had been in the chair for seven years. He had gone through his anger, depression, drug and alcohol abuse. He had gone through everything, now he was up, he was happy, he was filled with his dream.
I didn't even realize this at first, but there's almost no central character in any of my 24 books who doesn't have a dead mother or a lost parent.
Inside of all the makeup and the character and makeup, it's you, and I think that's what the audience is really interested in... you, how you're going to cope with the situation, the obstacles, the troubles that the writer put in front of you.
The character I played on 'Everwood' was so serious and melancholic that after doing it for four years, it really started affecting my soul. I was becoming Ephram.
It really helps if you know your subject matter immediately. I find that enormously useful because then you can concentrate on all the usual novelistic things - the character, the plot and so forth - and you don't have to spend an enormous amount of time learning another trade, essentially.
There are so many great characters because one of the things that makes Batman fantastic is that Batman is tragic. I've said this elsewhere; I've said it over and over again, but the beauty of the character is that he's a Don Quixote.
We seek to craft characters who inspire empathy: characters our audience will care for and, as a result, will care about what happens to them and thus will share the journey we have charted. A story, after all, is the character's journey.
Character is made up of a variety of different things. One of those elements is gender.
Every character needs an adversary - one who is both challenging and a contrast for the hero. The best adversaries reveal something about the character they're contrasting.
For me, plot always comes out of character, so I had to be sure of my characters.
I have always been business minded, always been sorta an entrepreneurial guy; I played a character on 'Felicity' that was modeled after me, actually.
I like taking a character at the most intense moments of their lives and exploring all that in full and then moving on.
A lot of people have always asked, is Penn Cage me? And I say no. There's an early character in an earlier novel, 'Mortal Fear,' that's closer to me.
I do give a great deal of forethought and zone in on character and all sorts of things like that. Never before have I just stuffed something away in the back cupboard of my brain because it was just such a crazy concept.
I love telling stories. Creating a character, a world, a whole universe out of nothing. That part I can't get enough of.
That's part of what always fascinated me about the Flash. Yes, he had superpowers, but he wasn't superhuman. He was vulnerable. He could be hurt or killed. He's not getting in a jet. He actually is the jet. So he had this gift, but with it came this risk. And I think that's what makes the character relatable.
I was a DC fan; The Flash was always my favorite character. He was sort of the most average guy amongst all of these icons, even though he had super speed, you know?
When you do something unusual, the audience doesn't 100 percent know what you're up to in the beginning. And if you're doing a character comedy, they haven't learned the characters yet.
When you think about 'The Simpsons' or 'King of the Hill' or something like that, the worlds tend to expand each episode, because there's no additional cost incurred to hire an animated character.
There are Michael Scott moments, which are character choices, but there are also Steve's reads. Usually the things that I'm the biggest fan of are these weird reads that he does - just the way he's interacting with other people.
He's not a coach who speaks to you every day. Wenger has spoken to me two or three times. He's told me he's very impressed by how I train and how I'm a disciplined character.
Lots of people talk about the character of our team, that it's not right and that we need to do more. But we always show that we can come back.
I think any writer coming on to 'Batman' should at least attempt to do their own definitive version. What it means to them. Whatever they think that symbol or character can say.
The only time I ever met a character that I wrote was when I met Ian McKellan, when he was playing Magneto in the 'X-Men' movies.
The thing that's been exciting about 'Superman' is to see how the character has developed through generations.
I love 'Batman.' I love the Adam West 'Batman.' I love the animated 'Batman.' The character of Batman can encompass any interpretation, which is what makes that character so brilliant and why it's survived so many different media.
Unlike novel characters, comic book characters last an eternity. When a character is changed beyond recognition, there's no longer the merchandising aspect.
Whenever I write for television, I plan the story on whiteboard wallpaper in my office, using a system created by the American writer Dan Harmon. It's remarkably simple: a character wants something; they enter a new world and adapt to it; they get what they want, re-enter the old world and change.
I'm not really good at character or plot development. I'm just interested in big comedic moments.
I think my concerns are the same as every actor. Can I find this character and make it come to life properly?
It's hard to say what you learn acting a part. You find bits and pieces of yourself that are inside the character you play. You locate the relatable aspects of that character to your own life. So, in a way, every part you play forces you to discover things about yourself you might not have learned otherwise.
My character on 'The Good Wife' is a smaller character, and his story arcs are typically season-long, unless it's a big episode for him. His transitions take place over many, many hours.
With film, you read the whole script three or four times, and you really have a solid blueprint of who your character is. Whereas in television, that blueprint is constantly changing and adapting, and sometimes you have to take a risk.
Interestingly for me, modern rom coms have not always been funny - many of the iconic rom coms are more like light dramas with occasional comedic moments, often coming from secondary character.
The moment comes when a character does or says something you hadn't thought about. At that moment he's alive and you leave it to him.
When you become such a strong personality in music, it's hard for people to accept you as a different character.
In character, as it were, the writer settles for an impression of what happened rather than creating the sense of the thing happening.
This 'Making Mirrors' album is far more personal, even if there's a character element to the sounds I'm working with. Every song on this album I stand behind; I feel like I have a close relationship with them. There are older songs where I can feel myself writing a story, so this is the first album where I'm proud of every lyric.'
If the people should elect, they will never fail to prefer some man of distinguished character, or services; some man, if he might so speak of continental reputation.
There's something magical about theater. You can live the character every single day to the point where you become that person.
I'm a fan of the western genre. When I see a character actor, I see a whole movie behind a scene before and after. There's a whole other movie behind it.
This is the story, this is your character, I have the sense of the landscape, I have the sense of the scene, I have all that stuff. But I'm also looking for something else to happen, an accident or something. You're focused on the story you intend to tell and then you have to have a peripheral net out to catch these accidents.
Easy was, like, spending time with Jennifer on set. Difficult stuff about character is, it was a little bit like just being the only one with no superhuman powers.
I've wrestled just about everybody there is to wrestle, done just about every character reincarnation that I can come up with.
Working heel works different for me, being Dustin Rhodes for so many years and then a giant switch of a character and everything.
I've kept evolving the character. At first, you hated Goldust with a passion, then you laughed with him.
Before Dad passed, we talked so much about the Goldust character, what it grew into, and how much he was proud of it.
I never could have imagined or dreamed where my career would be taking me the way it has with the Goldust character. It's awesome.
My dad is to professional wrestling what Babe Ruth was to baseball - he's an icon. Working with him and having him around as I try to get this new character over with the fans has been a major help.
Who can doubt that between the English and the French, between the Scotch and the Irish, there are differences of character which have profoundly affected and still affect the course of history?
I have been waiting around to get the right script and the right director. For example, in the past, if a Hollywood director came to me with a script and wanted me to play a character, and she was a stereotypical Asian woman who gets into a fight and gets killed off quickly, that didn't seem to have much interest for me.
When I become a character in a movie or drama... I can think about the character only and not the complicated matters of my own life.
'Infernal Affairs' is really amazing and was a really popular movie. I would be fine with playing any character in the movie.
We have to be bold in our national ambitions. First, we must win the fight against poverty within the next decade. Second, we must improve moral standards in government and society to provide a strong foundation for good governance. Third, we must change the character of our politics to promote fertile ground for reforms.
I don't think I can be a bright and fresh-looking actress. I am not really confident in that kind of character.
I'm with Milton and the Rolling Stones: I don't find the Devil an unsympathetic character. But in any case, my fiction is populated as much by people who do good as it is by those who do bad. I'm interested in imaginatively accommodating as much of the human as possible, for which you need both moral extremes and everything in between.
I'm not very good at story. In fact, compared to character and language, I barely care about story at all.
If I had to choose criteria, for me, it's about first the director. I want to be a part of something that's good and intellectually challenging. After the director it's the character and the story. That's the deal for me.
There's a button that goes On and I'm On. And when I go On, there is almost no me; there is just a character who is doing all this.
I'm a better person in a relationship, and I'm a happier person. I need to come home at the end of the day and have it not be about me and my freaking hair and makeup and character motivations anymore. And I think my work is more inspired when home is safe and sound and solid, because what I do for a living is so bananas and so insecure.
As long as I can wear a wig I can be any character, and in real life I can be myself.
I think of clothes a lot like costumes. I think of what I wear in real life as being my real life character's costume.
Anyone who is passionate about what they do will have a better chance of connecting with future generations than those who simply follow transient trends. At least their work will have a distinctive character, and this is what people respond to, I believe.
My strength of character is a privilege. I can do anything to survive. I don't break easily.
I think you just have to take everything that happens on a TV show with a grain of salt. You sign up for a show for six years having zero idea where they're going to go with the character, so you just have to get on the ride of the show and go with wherever they take you.
One of the things you have to be acutely aware of when shooting episodes out of order is your character's relationship with the other characters.
Fans believe they have a relationship with you, either through your TV character or, more reasonably, through the tweets you may have exchanged. In a way, you have gotten to know them. You learn about people's kids, families, pets.
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