Character Quotes
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Shaheed Diwas 2026
You have to be completely in the character, and that's so hard to do. That's why, when they call, 'Cut!,' you often feel yourself shift. Unless you're Daniel Day Lewis, who stays in character all the time, there's a switch that happens.
In every character you play, as much as you hate to admit it as an actor, but there's an element of you that you bring to it. Either the character helps you discover that element of you or the other way around, where that element of you helps you discover the character.
I suppose meeting people whether it's in real life and actually shaking their flesh and blood hand or shaking the mystical hand of the character all rub off on you in some way.
I mean one of the basic rules when you're acting is that you mustn't stand in judgement on a character, you mustn't say Hitler was a bad man because you can't act in that way.
I think there's part of me that's longing to play a Sherlock Holmes or sort of a House character, like a real detective. Like a real, moody detective. Like a real, sarcastic, mentally ill detective. I think it would be really fun to do something like that.
I know the relationships, and I already know my characters and how I'm going to reveal my characters to my readers - how I'm going to feed them information about that character. That stuff doesn't have to be in my outline.
Use description of landscape to help you establish the emotional tone of the scene. Keep notes of how other authors establish mood and foreshadow events by describing the world around the character.
The thing that makes vivid writing is when the reader is in the body of the story, the body of the character. Things smell like something; there's weather, there's texture, there's light.
If there's anything Trollope novels always take seriously, it is money - how it flows from one character to another, how it is managed, who has it, who deserves it, and what it means to a character, male or female.
Costume is a huge part of getting into character. Your body soaks in what you're wearing, and you turn into someone else.
'Zoolander.' Yeah, I mean, I love Ben Stiller; he's just a brilliant guy. And I love Will Ferrell in it, too. His character, to me, is just insane, and he made such huge choices, and he's such a weirdo!
I'm a character actress, and my particular brand is more mature, so I had to wait until my age caught up with the tricks in my little arsenal.
There's nothing better than voicing a character. You don't have to worry about what you're wearing; you've got the script in front of you, and it doesn't involve your body: it's all about your voice, and it's really fast work.
When I was diagnosed with bipolar disorder the year I turned 50, it was certainly a shock. But as a journalist, knowing a little bit about a lot of things, I didn't suffer the misconception that depression was all in my head or a mark of poor character. I knew it was a disease, and, like all diseases, was treatable.
I tend to come up with people more than situations - most of my books start with a character.
Mike Leigh encourages you to choose a person that you know to base your character on. You write a whole list of people that you know and you go through that list in great depth with him. And then he chooses one of those people from your list.
For any character, male or female, I think it's important to have... it's cliche to say a flawed character, but to really think about the good and the bad and make sure that both are present, and it doesn't just become a glossed over icon of perfection.
It's wonderful when you can play a character that pulls all sorts of strings inside of you and fills you emotionally.
I discovered that writing was very nice indeed when I was very young, and I never changed. I don't think my style has changed very much at all - though I hope what I say is a bit more interesting. It's about getting to know a character and loving them, I think.
Establish character - otherwise, it is difficult to connect with what is frightening.
You want, in a sense, to relate to the main character, so often, the main character POV is a bit more of a blank slate.
Like at Halloween: I knew I'd arrived when I saw people dressing up on Halloween as my character.
Even the roughest character, underneath all that hurt, is someone who wants to love and be loved.
My aunt Caroline was really a character. She lived and worked in my grandfather's old house and even wore some of his clothes.
Although just being employed as an actor is a big thing, I'm not sure I'd be satisfied playing the same character for 30 years; it's not why I want to do this for a living.
I think sometimes actors are drawn to good television because you have more time to sell it, you have more time to shape a character, and to tell a story, and that's really appealing.
I want to keep an element of myself in every character I play. And maybe that's connected to finding something that you like in every character. Maybe they coincide.
To be the leading man it's about the celebrity and the looks, and it's tough to do that. People who do it great are people like Tom Cruise and Will Smith - they're built for that. I ain't. I'm more of a character guy.
You can write and write, but if you don't have someone who can nail that character, it's never going to live.
What a character eats is a detail - like eye color or a favorite song. But food is also our lifeblood.
When I started working on 'Battlestar Galactica' in Canada, I was told to get as fit as a marine for my character Lee 'Apollo' Adama. So I did. But now I have a problem with suits, because I'm 5 ft. 9 in. with a 40 inch chest and a 31 inch waist, so I'm rather too big for that very tailored British look, and they always have to be altered.
For those of us that were involved from the first days of 'Battlestar,' we were encouraged to give of ourselves and to feel that we had a voice, not just as the character but as part of the family that created the show. It changed me, certainly.
I don't know if I do anything to get into character: I just go with my gut.
I suppose with any character that you play you always bring your personal experience to it. You always bring people that you know or that you've met and sort of - this is what I do, I mean, I don't know what anyone else does - but people that you know or that you've met that have affected you in certain ways, you bring into it.
It is from the blues that all that may be called American music derives its most distinctive character.
I think you always want to be open to things... it's just the matter of finding something I believe in, finding a character I believe in, and I think that's the way it should always be. I'm looking for things that excite me.
'Monk' planted the seed that a procedural could have character and be quirky and have comedy.
Solitude is as needful to the imagination as society is wholesome for the character.
Good luck is the willing handmaid of a upright and energetic character, and conscientious observance of duty.
Sincerity is impossible, unless it pervade the whole being, and the pretence of it saps the very foundation of character.
Playing Mark Antony in 'Rome' will always be a favourite of mine because he was such an outrageously big and interesting character to play. Also, the fact that we were able, with that character, to find out and present the public with a biography of that man that had not been really seen before.
I think, as an actor, I would find it a little run-of-the-mill doing procedurals where it's the same sort of thing week in and week out. Your character doesn't get to grow very much, which, purely from an actor's point of view, you want to see an arc of your character.
Through his mastery of storytelling techniques, he has managed to separate his character, in the public mind, from his actions as president. He has, in short, mesmerized us with that steady gaze.
Like the character I played in 'Jekyll', we all have different masks we put on for different occasions. As much as we all want to lead decent lives, we're also attracted by the idea that something dark may lurk within us.
I've never thought of myself as a classic leading man. I'm a character actor who happens to play leading roles. Come on, look at me. I'm really Desperate Dan.
Actually, I played Pontius Pilate as nice. An actor spends his life thinking he is Christ, and then he gets to play the character that killed him.
For any actor, it's a great privilege to play a character that is very distant from yourself.
Every man should be considered as having a right to the character which he deserves; that is, to be spoken of according to his actions.
To impose taxes when the public exigencies require them is an obligation of the most sacred character, especially with a free people.
The more ridiculous the character is, the more sincerity you have to bring to it.
I have always weirdly seen myself as more of a character actor. I have never been suave. I could never see myself playing James Bond. I suppose I could fake it, but I am certainly not James Bond in real life.
I kind of embarked on a fruitless search to find information about my character, Frederick Aiken. And it was fruitless, unfortunately, because there's so little about him.
I remember that it was never that difficult for me to get a director to look up and pay attention to me. Mind you, I don't know if that's necessarily charm. But I've played roles where my character has to be charming and I've found it quite easy to do. I think some of it is in my bones, but some of it is more deliberate.
I also really liked playing Mr. Tumnus in 'Narnia'. I got to play my favorite character in children's literature, which I loved. You don't get the chance to do that in other jobs.
When I wrote a gay character, I spent six months asking questions I've never asked a gay friend, the questions you don't ask just because you don't have the right to do it.
I enjoy catching our show whenever I can. It does get very weird to watch myself, it's always been that way, but at the same time, it's part of my job to see what kind of job I'm doing and to get a perspective on where I'm taking the character.
I wouldn't say that I'm very similar to the character of Nathan at all. Both of us have had very different upbringings and backgrounds. I have a competitive nature like the character of Nathan. That's really easy to draw from when I'm acting; that's probably the biggest similarity.
It is definitely a challenge to play Nathan, but the more different he is from myself, the more interesting the character becomes for me.
People would be shocked to know... that despite the nature of my TV character, I am actually a nice guy.
Good musicals, a strange world, seem so easy. People say, 'Ohhh, it's magic.' Nothing's magic. A thing doesn't jell. Adapt. Change the rhythm. Shorten the scene. Rewrite the character. Maneuver the waters. Seeming easy is why so many shows aren't good.
The nature of fiction is to make one distrustful of any character who lectures and castigates.
Cognitive and character skills work together as dynamic complements; they are inseparable. Skills beget skills. More motivated children learn more. Those who are more informed usually make wiser decisions.
I lost 30 pounds to play my character in 'The Mexican', but people don't take to skinny mafia men, and I don't feel right when I'm thin.
What a director really does is set the emotional temperature and the mood and the level, amount, or lack of, distance between the action and the character, and the character and the audience.
There haven't been enough profound things written about what being black means and what a black character is. Nobody knows.
My mother and I will continue on some level that I haven't determined yet. I think my mother's a great character, and I have to say that giving my mother to the world has to be the biggest thrill of my writing career.
All greatness of character is dependent on individuality. The man who has no other existence than that which he partakes in common with all around him, will never have any other than an existence of mediocrity.
Sometimes it's fun to be the guy who doesn't know that he's bad, like the character I played in 'True Blood'.
I was watching the last season of 'Mad Men,' and they're now so in their characters and they're so comfortable in their characters, and they're doing such good work. That can only happen from doing it over and over, and developing a character over seven years.
Cable series have more time to focus on characters, and a structure that allows for a development in character as you go along. Network shows have a pressure of time and space that is completely different.
Forney in 'Where the Heart Is' has more fans than any other character I've played.
'The Cape' is a really good comic! They invented the whole character, and now they've built a book of 'The Cape' for the show. When I was a kid, I used to love Batman, and I loved Spider-Man. My favorite was this guy called Judge Dredd. I know they made a movie of that in the '90s.
We knew we'd never find someone called Rock Hard, which was our ideal name, and for a while we toyed with the idea of just creating the character but never letting him get seen.
To be a good father and mother requires that the parents defer many of their own needs and desires in favor of the needs of their children. As a consequence of this sacrifice, conscientious parents develop a nobility of character and learn to put into practice the selfless truths taught by the Savior Himself.
In hard-core science fiction in which characters are responding to a change in environment, caused by nature or the universe or technology, what readers want to see is how people cope, and so the character are present to cope, or fail to cope.
I always change my words in everything I do. I make the language fit, because I know the character from the inside out. Often character actors are not in a position to do that, but I do it. I don't change any cue and I never change anybody else's lines, but I make my own words fit my mouth.
If we could honestly promise young couples that we knew how to give them offspring with superior character, why should we assume they would decline? Common sense tells us that if scientists find ways to greatly improve human capabilities, there will no stopping the public from happily seizing them.
I get really negative comments all the time, but the comments that really bother me are the ones that question my character.
No, the Muppets are not communist. And the character of Tex Richman is not an allegory for capitalism in any way. The character is called Tex Richman.
I have discovered that we may be in some degree whatever character we choose. Besides, practice forms a man to anything.
It's often said that the most important qualities in a chief executive are character and judgment.
The law of harvest is to reap more than you sow. Sow an act, and you reap a habit. Sow a habit and you reap a character. Sow a character and you reap a destiny.
Test cricket tests your ability as a cricketer but also bring out your true character.
You cannot dream yourself into a character; you must hammer and forge yourself one.
I love... What's gratifying to me is when you make/create a character and a human being, a person who lives entirely and who has their own existence, just merely from the words on a page.
I'm a conservative. I voted for Donald Trump and back in 2016 everybody was talking about, 'Oh my God, here's another TV character trying to run for the presidency.' They didn't really take him seriously.
I love to be a working actor, and I love to read scripts as they come in. If I find the script or character that is interesting, I want to transform myself into that character.
The script that I fell in love with and adored was 'Jane the Virgin'... but every line in the pilot was essentially, 'Why did you keep my daughter a secret all of these years?' I didn't know any direction my character was going - was it going to be a dramatic character, a comedic character? - I didn't know.
I don't have one specific dream role: I'm an actor, so I want to play everything. In this business, they'll pigeonhole you in two seconds if you're great at the role you play. Everyone assumes that you're really just like that character.
Coming from theater, and having been to acting school, and done little, small Australian independent movies, a lot of the time, it's always about character.
I do love editorials - you're free to do whatever you want and portray a different character.
I think 'Scarface' is a great film, but if you have a character like Tony Montana, you don't identify with him at all. I think it's very interesting instead to identify yourself with a character you don't like all the time. You can create a tension between the fiction and the viewer. You force the spectator to wonder about his actions.
Not everyone likes watching rushes, but it makes me work harder, and I don't feel I am watching myself, but watching the progression of the character.
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