Character Quotes
Most Famous Character Quotes of All Time!
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Shaheed Diwas 2026
We all lose our looks eventually. Better develop your character and interest in life.
In 'Brothers,' I am going into a zone that is something that I have not done. It's a very simple and desi character. It's also a character that I think a lot of people would not have expected me to do.
I like Ned Leeds. I love the character so much. He's a very new character in the MCU. I think he's a very fresh take on people in the superhero world. Some superheroes crack under pressure, and Ned Leeds, who is not a superhero, doesn't.
I don't avoid anything. In my songs I just choose to talk about certain things, and so yeah, there are some aspects of my character and personality that don't come out.
You learn stuff from every character you play about the human condition that can be quite enlightening.
Where was Paris Hilton a year ago? She's a fabulous character to write about.
Voters in 1960 elected the first Catholic president. In 2012, I voted to reelect the first African American president. Each was a vote for a man of principle and character, for a man who had proved himself capable and courageous and who would lead our country with a combination of dignity, compassion and toughness along a path of progress.
With 'Richard,' I was excited to make this film with such an amazing role for an actor. Play a wide range of emotion and really invest myself in the character.
In cartoons and in improv, anything can happen. You can be any character you want. The rules of real life don't always apply.
A dinosaur out of context is like a character without a story. Worse than that, the character suffers from amnesia.
I love the idea of animation just because it removes the actor from the character, and you can be anything. I've been devouring 'Adventure Time' and 'Archer.' I'd love to get my hands dirty on either of those shows.
Reduced to its lowest terms, the great struggle which now rocks the whole earth more and more takes on the character of a struggle of the individual versus the state.
Actors need to learn when their character is front and center and when it's more in the background.
The best complement I ever got from the public or producers or directors is that I just totally blend in and become the character and they don't notice me and that the play happens or the movie happens or the TV show happens.
I would like to find, or I would like a part to come to me that is like the part that Dennis Franz was fortunate to be able to play on 'NYPD Blue,' a sort of similar-looking actor to me, a generic, bald white guy who you would often think of as playing the authority figure. But he was the disgruntled middle-man. That would be a fun character.
Whether you need to like a character, I don't think that's necessary in order to portray him.
Almost every character I've ever played - and sometimes this is very conscious and sometimes it's not - I need to find what they love.
Infelicity is an ill to which all acts are heir which have the general character of ritual or ceremonial, all conventional acts.
When the 'Seinfeld' show said it was going to be a show about nothing, everybody said it couldn't - wouldn't work. It did. 'Thor' is about something, about that character finding his destiny, but it's not doing what was expected... and yet it's doing very well.
When writers don't know what to do with a character, they build up the supporting cast and universe to kind of hide that fact. After a while, you can no longer see the character for the underbrush. When that happens, you need to bring out the weed-whacker to clear some of that away so you can focus on the main character.
Coming from TV and film, rule number one is that you always service the main character first and foremost. If that's not working, you've got nothing.
I can easily come up with ten really iconic stories/trade paperbacks for Superman, Batman, others... name me ten equally big, iconic Wonder Woman stories. Much harder. That ain't the character's fault, that isn't sexism, that's just not servicing the character.
We think of the Marine Corps as a military outfit, and of course it is, but for me, the U.S. Marine Corps was a four-year crash course in character education. It taught me how to make a bed, how to do laundry, how to wake up early, how to manage my finances. These are things my community didn't teach me.
I went right to the 'Guide to the Marvel Universe,' which has every Marvel character from A-Z, and fortunately, I had every issue. I found 'Deathlok,' read about him there.
Oddly enough, I've always really loved Nightcrawler. You know who else they didn't use enough was Phoenix. I just thought her story line was so tragic. I was just really drawn to that character as well.
I always say that I'm at my best when there's no example of what the character is supposed to be. I thrive when there's not much and I have to create it.
When you want to win, and you want to go to work every day, you want to work with high character people; you want to work with classy people.
What could an unsanctified man do in Heaven, if by any chance he got there? Let that question be fairly looked in the face and fairly answered. No man can possibly be happy in a place where he is not in his element and where all around him is not congenial to his tastes, habits and character.
Character is doing the right thing when nobody's looking. There are too many people who think that the only thing that's right is to get by, and the only thing that's wrong is to get caught.
Everyone tries to define this thing called Character. It's not hard. Character is doing what's right when nobody's looking.
Character development is what I value most as a reader of fiction. If an author can manage to create the sort of characters who feel fully real, who I find myself worrying about while I'm walking through the grocery store aisles a week later, that to me is as close to perfection as it gets.
Chavez made a compete fool of himself in front of the entire world while giving the U.N. a black eye. But the real losers are the Venezuelan people who have to put up with this unstable character every day.
If you compare my character to the others, they were sexy with designer clothes. I had the nerdy outfit.
I think this is the special character of the people from Seville. They have a really open spirit and receive everyone like family.
People without firmness of character love to make up a fate for themselves; that relieves them of the necessity of having their own will and of taking responsibility for themselves.
The web presents an opportunity to showcase any character your sick mind desires. Want to create a cross-dressing, deaf/mute, corrupt politician who has a soft spot for saving children? Go for it!
I feel like a lot of characters on TV don't have the time to tell that many aspects of a character's story and personality.
'Must Feed and Water' is a love story told from the point of view of 'Love' as a character.
In 'Cosmicomics,' I came close to science fiction - I was inspired by cosmological subjects and the workings of the universe and invented a character who was a sort of witness to everything that was happening inside the solar system.
The founding father of Albanian literature is the nineteenth-century writer Naim Frasheri. Without having the greatness of Dante or Shakespeare, he is nonetheless the founder, the emblematic character. He wrote long epic poems, as well as lyrical poetry, to awaken the national consciousness of Albania.
The Greeks already understood that there was more interest in portraying an unusual character than a usual character - that is the purpose of films and theatre.
I'm proud to say that I was that guy playing the character of Dr. Burke on 'Grey's Anatomy.'
Kids are my favorite because they're so pure. They're really mean sometimes because they're super honest, but I trust them as a good judge of character. And they're always so nice to me, so I feel really awesome.
The biographical novel sets out to document this truth, for character is plot, character development is action, and character fulfillment is resolution.
In the biographical novel, there's only one person involved. I, the author, spend two to five years becoming the main character. I do that so by the time you get to the bottom of Page 2 or 3, you forget your name, where you live, your profession and the year it is. You become the main character of the book. You live the book.
Usually when you have a sequel, the character always stays the same and that's true basically of 'Rocky III,' 'IV' and 'V.' He didn't really change.
I know when I go and see a writer, the first thing I think to myself is, 'Are they the character in the book?' You just can't help it; it's the way people are.
Science, almost from its beginnings, has been truly international in character. National prejudices disappear completely in the scientist's search for truth.
The greatest compliment a writer can be given is that a story and character hold a reader spellbound. I'm caught up in the story writing and I miss a good deal of sleep thinking about it and working out the plot points.
There's nothing more liberating about starting with something that is not written. You pretty much create the history of that character and that character's life story.
Sometimes when you're playing a very intense character, a disturbed character, you find other layers. That's much more interesting to me, rather than just playing 'intense.' I find it too boring.
What happens with every role, you have to trick yourself, you have to creatively find ways to explore the mental state of your character.
At times, I have had the opportunity to play character roles in movies like 'Kathavasheshan.' Still, I act in all the roles I am offered if it has something special.
According to me, a leg-spinner is such a character who, on his day, can win the match for you if he is bowling well and has the support of the captain and the coach.
Our empirical criterion for a series of theories is that it should produce new facts. The idea of growth and the concept of empirical character are soldered into one.
I think finding a character starts in hair and makeup, fitting room. That's where it all kind of falls into place.
I take great pride in portraying a strong female character who is independent and can take care of herself. I don't think we get to see that enough in television.
Knowledge has outstripped character development, and the young today are given an education rather than an upbringing.
You could say I'm a character actress. Or maybe a character actress who does peculiar, interesting lead roles. Does that make sense?
I'm not a huge fan of scary movies, but I love doing them because your character arc gets condensed, and everything is elevated, and so you kind of have this amazing opportunity to go in many different places.
I never personalize anything because I think that can be dangerous. For me, the best way is - this may sound pretentious - but it's to breathe the character and get into the psychology of it.
There is more for women in terms of character roles now. Judi Dench and Maggie Smith have constantly changed over the years and challenged themselves with different roles. That's impressive.
In every character that you play... I mean, I don't think I'll ever be the type of actor or performer per se who transforms, you know? Like Claire Danes transforms into Temple Grandin - I'm not gonna do that.
The thing about the performance part... starting with improv and standup, you're starting with yourself as the character, and I don't feel as much like, 'Oh, I'm a vessel for -' I feel like someone who calls themselves an actor is a vessel.
When I do a character, I try to base it on someone I have met or an experience I've had.
I want to be an animated character. I'm also doing more writing and directing.
Most importantly, nothing has happened to change my conviction that freedom and the love of liberty remain the essential defining attributes of our national character as a people.
The Japanese have a strong tendency to suppress their own feelings. That's the Japanese character. They kill their own emotions.
The city of Memphis has demonstrated that neither character nor standing avails the Negro if he dares to protect himself against the white man or become his rival.
There's the argument that you can relate to someone who's completely unrelatable. In the way that a director shows you his imagination on a film, then I get to show you my imagination in a big dumb character.
The role of my agent has just been to get me in the room. If I can get in the room - say the character is just a charming man who lives next door - then I'll walk in there and be as charming as I can and they will think to themselves, 'I don't see why we can't cast him.'
Acting is a very personal process. It has to do with expressing your own personality, and discovering the character you're playing through your own experience - so we're all different.
To start your life as a character of 120 years when you are in your late thirties, and then go back in time about 20 years later to play the same character who is your own age then, its very complicated, but very interesting.
For me it's even more interesting, because my character comes out of the shadow. It's a chance to really act emotionally, because the situation is an extreme one.
But he did say that the character would be on the sidelines in movies One and Two, and move into the middle with number Three, but I didn't realize he would move in with quite such a bang.
I've been playing both sides of the law my entire career. It's not really surprising for me to be doing opposing sides simultaneously. I would argue that even though my character on 'Hawaii Five-0' originated on the wrong side of the law, I'd say he's worked his way over to the good side.
One of my favorite experiences in my career, certainly one of the most interesting characters I've ever played, was Simon Lee on 'The Event.' That was a show I was quite proud of and a character I really enjoyed playing. It was one of the most three-dimensional characters that was ever written for me and that I'd ever gotten to play.
New York is a character, all on its own, and whenever you film there, it becomes part of the show. That's just the nature of being there.
The writer must be a participant in the scene... like a film director who writes his own scripts, does his own camera work, and somehow manages to film himself in action, as the protagonist or at least the main character.
Nixon represents that dark, venal and incurably violent side of the American character almost every other country in the world has learned to fear and despise.
I would say runway is easier because your job is to look good or play a character that is just going somewhere. It's rather physical, whereas acting is terrifying because you're dealing with your subconscious, and those can be murky waters. But I definitely can say that I enjoy acting more as an artist.
I feel so lucky to have 'Euphoria' as a first experience with taking on a character and exploring acting and in having this group of people as well.
The only problem with the way they do my character is that they have her get redeemed too early.
If I was a bad character that got away with murder like we see on other shows, I do not think I would like it because that sends a message that you can do these horrible things and never pay for it.
I didn't realize House would be the central character, more the bitter comic relief appearing occasionally. I relish his wounded nature - the lameness, the scarred Byronic hero.
Ultimately, my character is defined by the quality of my sensitivity to other people. I exist in equilibrium. I am here to the degree I am there.
The age of the Earth makes no difference with respect to Christ's atoning sacrifice for humanity's sin or to the nature and character of God, Earth's age has no bearing on any of the historic Christian doctrines. No mention of Earth's age appears in even the most detailed creedal statements.
I can't act, and so I have to live that particular character in my real life and then exhibit it on screen.
I take my time to get into the mindset of the character and say my lines. I really have to be the person that I am playing.
What are the two biggest things online? Selfies and emojis. We're combining them. Instead of sending some character that means nothing with a hat - what if it was your face doing something? Me-moji.
I once gave a character in a novel my inability to get past the same point in any work of philosophy: that moment when seeing is suddenly occluded and you know you can go no further.
The Method helps actors connect in a way that is deeper and more real. So they use themselves instead of playing an idea of the character. It's more emotionally true when it comes from them.
Plot, rules, nor even poetry, are not half so great beauties in tragedy or comedy as a just imitation of nature, of character, of the passions and their operations in diversified situations.
My character and good name are in my own keeping. Life with disgrace is dreadful. A glorious death is to be envied.
Education commences at the mother's knee, and every word spoken within hearsay of little children tends toward the formation of character.
Theatre should be a taxing experience: the greatest achievement of a writer is to produce a character who creates anxiety.
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