Cassette Quotes
Most Famous Cassette Quotes of All Time!
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Whenever I see something that looks like it could be good - whether it's on vinyl, CD or cassette - if it's not too expensive, I'll take a chance.
When I was 10, 11, 12 years old, I would pretend to be on the radio. I bought a mixer and these big, ugly headphones and I would literally broadcast the cassette tapes in my bedroom.
When I write songs, it's just me and a cassette player - or at least it used to be before smartphones - to quickly record a basic idea.
Bob Dylan is my idol. Everybody has that person growing up that made them see things a little differently than they did before, Dylan is that guy for me. My dad gave me the 'Blonde on Blonde' album on cassette tape when I was seven or eight. It took me a while to get into Dylan's vibe, but once I did, I never looked back.
I'd asked for things like the 'Footloose' soundtrack and Michael Jackson's 'Thriller' for my birthdays, but I remember walking what felt like miles to this cassette shop called The Warehouse to buy Paul Simon's 'Graceland,' U2's 'Joshua Tree' and a Roberta Flack album. I had pretty good taste.
I remember my school had some of the first Apple IIs in North Carolina. I remember, when I first started using them, we were using a cassette tape to store programs because we didn't have floppy disk drives.
When I was a kid, we weren't really supposed to listen to secular music. But one day, I found a 'Led Zeppelin IV' cassette tape in the garage, and it was just amazing-sounding music, not like anything I'd heard before. I remember thinking: 'Well, if God created music, why is his music in church not as good as this?'
My parents loved music, and my father would come home with cassette tapes of Chic and the Village People and Barbra Streisand. We had all these sounds always going. We never had somber music - always upbeat.
I don't like the way recording to digital sounds. Most of the time, when I'm recording to two-inch tape, I still have a romantic vision of how songs sounded coming out of the radio when I was younger, and how they sounded coming out of my little four-track cassette player.
I actually had the pleasure of meeting David Bowie at his 50th birthday party in New York City. I handed him the cassette of 'Eight Arms to Hold You,' which I had just got an advance of that day. He very graciously thanked me and tucked it into his jacket pocket.
After my second No. 1, my record company, Warner Brothers, gave me a beautiful present - quite unique at the time - one of the very first Sony stereos which had speaker and radio included so I could record the radio and build up cassette tapes of music, gospel singing, adverts, evangelists.
I've been sort of writing sketches for songs on my own forever and putting them down on cassette tapes. Yet for years and years and years, my main songwriting outlet was as a member of Sonic Youth, and for most of our time together, our best songs were written in a group setting, where the four of us were getting together in a room.
You know, we were outdoorsy types, my folks, and one of the first tapes I got, a friend gave me a cassette tape of Ella Fitzgerald singing with the Count Basie orchestra. And it was the first time, really, that someone's voice had really spoken to me, and it was just so pure.
Just the other day I pulled out this old cassette of Ragged Glory and I popped it into my cassette player and I was digging it. They were just a great rock and roll band, one that presents the song ahead of everything else - there's no grand idea or concept behind it.
Sometimes we'd just play acoustic guitar and try out the parts and make a library. We'd use a double cassette player and make little edits.
I used to judge the quality of music by whether I could make a 90-minute cassette and not repeat any artists.
The people I idolized I saw once a year on the Tony Awards. I would buy the cassette tapes of the various Broadway shows and scour the photos inside the recording package. That's how I exposed myself to the arts - New York and professional theater felt like a very distant thing.
I used to record 'Futurama' episodes on my cassette player and play it to help me go to sleep.
I graduated from high school in 1963. There were no computers, cell phones, Internet, credit cards, cassette tapes or cable TV.
I have some vivid memories of walking around as a child with a cassette tape.
I've never been one to think it was cheating to sample this or to loop the drum part there - I've always done that. Even using four-track cassette recorders, I was always doing whatever I could to make it as good as I could.
I don't even know how people managed without the Internet years ago. Having to mail a cassette tape of your music to strangers over the course of months... I just can't imagine having to do that.
My older brother gave me a cassette tape of Mr. Bungle, and I couldn't stop listening to it. I used to drive around Colorado in a Mustang II - it was when they got away from the muscle-car Mustangs, so it was sort of old lady. I couldn't go above 45 mph in that car, but I would drive around listening to Mr. Bungle.
One of the first cassette tapes I ever purchased was the 'Rambo III' score. I was not allowed to see 'Rambo,' but my mom would allow me to buy the music, so I would listen to that score over and over and imagine the movie.
I never paid attention when the LP became the cassette and the cassette became the CD and now we're dealing, you know, with MP3s. It's okay.
My first cassette was 'Synchronicity,' and my first CD was U2 'War' and King Crimson 'Discipline.'
I used to make cassette tapes but never thought about making a career of it.
My brother came home from college with a Mountain Goats cassette and I was like, 'What is this?' The lyrics were crazy to me. I'd never heard anything like it.
Like with me, like around '97, for Christmas my parents bought me an MPC 2000 sampler and a little eight-track cassette recorder. And I started sampling records and, you know, producing hip-hop beats. And it got to the point where I realized - I innately realized that the music I liked the most was made by people that played instruments.
I remember my father playing a cassette for me when I was fifteen - Amjad Ali's 'Durga.' He said, 'This is from our part of the world. You must listen to it.' And I continued rewinding it and listening to it from early evening until midnight. By the end of it, I was nearly in tears.
After we got our first family car with a tape deck, my dad acquired exactly three cassette tapes: A 'Best of ABBA,' 'Private Heaven' by Sheena Easton, and the soundtrack to 'Xanadu.' I also unironically love 'Xanadu.'
I'm not saying that kids today have everything, but with the Internet, it's like, you have it there, so use it! I know a bunch of kids who are into cassette tapes now. Cassette tapes suck! Why not use your iPod?
When I was 18, I took a trip to Thailand with a friend. We stayed for a month. Bangkok was very raw for a teenager: there were no cellphones, no Internet, and the only music I had with me was this cassette by Liz Phair. I was writing a lot of poetry, and she embodied a talky style of songwriting that I found very accessible.
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