Camera Quotes
Most Famous Camera Quotes of All Time!
We have created a collection of some of the best camera quotes so you can read and share anytime with your friends and family. Share our Top 10 Camera Quotes on Facebook, Twitter, and Pinterest.
A lot of people don't like to eat on camera, but I eat on camera all the time. I'm standing in for the viewer.
There isn't really anybody who occupies the lens to the extent that Lindsay Lohan does. Something happens when she steps in front of the camera. There is this magnetic energy.
Rehearsal for film is tough. Until the camera's there, everything changes.
I loved being asked 2,000 questions a day, storyboarding every move, knowing as though by instinct exactly where the camera had to be, because it was my story.
A lot of athletes have star quality, but they just can't perform in front of a camera. So no matter how good-looking you are, no matter what kind of presence you have, you still have to be able to be a convincing performer to become a star.
The first light-field camera array I saw at Stanford had a bunch of applications, like to do special effects like you see in 'The Matrix,' where you spin the camera around in frozen motion. It took up an entire room.
Light-field photography is a transformational technology that needs a transformational product to introduce it. For the first time, we have a light-field camera that's going to be for everyone - not something in a huge room in a research facility.
We have seen amazing, creative and interactive pictures from camera owners, and I'm looking forward to the Lytro camera being available in Australia.
When a regular camera focuses physically, what the regular camera is doing is adjusting the lens relative to the sensor to bring different parts of the scene into focus.
For low light, all the light rays participate. We're using all the light coming through a large aperture to make a picture with a large depth of field - totally impossible with a conventional camera.
Camera 1.0 was film. Camera 2.0 was digital. 3.0 is a light-field camera that opens all these new possibilities for your picture taking.
Basically, with a regular camera, you have to take time or allow the camera to focus before you take the shot.
So when I got the chance to do my first talk show, 50 years ago last month, I never had any writers. There was no budget - it was just me and the camera and my friend who was the director. I talked about what I'd done that week.
In everything I do, the aesthetics are driven by the emotion. However I can do that with a camera, whether it's a long lens or a wide lens, I'll do.
It can be insulting to an actor when the director comes out, and they have no notes on the performance, and all they care about is that the camera has to do this one technical thing.
I actually carried a Panavision Platinum and a G2 when I was seven months pregnant for a film called 'Little Birds,' and the whole movie was handheld. And we were shooting in the desert. That's a 35-millimeter camera. It's huge, probably at least 50, 55 pounds, and I did all my own operating.
I play football, and most football players are camera shy. We just want to be left alone; we just want to stick to what we do.
There's no difference between rocking in front of a crowd or rocking in front of a camera.
It never occurred to me that I was going to have to talk to a camera. I don't know if I can do this.
Professional camera crews are rarely there when a bomb goes off or a rocket lands. They usually show up afterwards.
Everyone has a mobile phone with a camera; every phone can record video. You have to be prepared to be captured. It's very easy to be misconstrued and presented in ways that you wouldn't prefer. If I take a selfie with bags under my eyes, it becomes a hashtag.
There's a large percentage of mobile phones that now have a camera that's with you a lot of the time, and there's a lot of interest around those cameras as a data collection mechanism.
Today, the paparazzi are not just photographers: everyone has a cell phone with a camera. If they see an actor, they click pictures to show it to their friends or have it on their phones and, as an actor, I don't see anything wrong with it. Having said that, there is a limit that has been crossed, but there is nothing right or wrong.
I'm actually pretty shy in real life. But I guess in front of the camera, I focus.
A lot of nepotism that exists, actually, exists outside this industry because in this industry, behind the camera a director's son becomes a director and a producer's son becomes a producer and that is still understandable that they are carrying their legacy but for actors, it is very very different.
I don't want to disrespect hip-hop by being something I'm not. I'm Pooch Hall. My strength is in front the camera and holding dialogue.
In the next shot the cameras zoomed to the fiancee who noticed the lights in the Czarina's room go out and the camera then turned to the pond where two goldfish were making love.
The main relationship in the whole series was the one between the camera and Fleabag. I had to convince myself that whoever was watching on the other side of the camera was instantly complicit with Fleabag and instantly a friend of hers.
And, you run also video because to fly this arm, you're relying mostly on some external camera views that may be coming from the arm itself or from the station.
My father was a television director, and I always knew I wanted to be in the industry, but I had thought my role was behind the camera as opposed to in front.
That's what I look for in models: Someone who can tell a story and has a presence in front of the camera.
Normally as a director, you do look at other films and things that are relevant. But with this film, it became impossible because I became so aware of the camera placement.
My brother had fabulous children before I had children and for some reason I wanted to photograph them, and that was when I got my first camera. Children have something totally unconscious about them. That's how I learned.
Did you know that Kodak actually invented the digital camera that ultimately put it out of business? Kodak had the patents and a head start, but ignored all that.
Today, the smartphone in your pocket has a high-quality digital camera. Everyone - not just artists - is a photographer, and the explosion of photos taken annually proves it.
I think a lot of great male comic actors are introspective, quiet personalities, which I really admire. But they are really able to turn it up when the camera's on.
I did have a very advanced grandmother, my mother's mother, who wanted to buy me a camera. My parents wouldn't let her. Eventually she won, and I got a camera in about 1948, a Voigtlander.
This bloke in Rome once took his camera off and cracked me round the head with it, and I'm bleeding. He was a bit bigger than me, the Italian photographer, but I thought, 'I can't back down now,' so I sort of squared up to him. Luckily, my mate jumped round and bit him on the neck.
I was one of the first veejays to take the camera out on location, and that's what was unique about MTV at that time.
Kevin Costner has feathers in his hair and feathers in his head. The Indians should have called him 'Plays with Camera.'
I started working in front of the camera for the first time when I was 15 years old. I joined a soap opera. We filmed in Brooklyn, and I would skip class to shoot my scenes.
If a person is in front of a camera, they're acting. It's not possible to live in front of a camera.
Most of the time, I leave the camera on the obvious special effects, like the rubber bodies, so that it become obvious they're not real.
Andy was an offbeat personality, shy and insecure. The whole reason for taking a camera with him wherever he went was because he was so shy. He'd break the ice by taking pictures.
Andy was not a director and not a writer. He operated the camera a little bit, and he wasn't even so good at that.
A writer can write in an attic, or on top of a bus. Or with a sharp stick in some wet cement. To act, an actor has to have words. A stage. a camera turning.
In my years of acting, the one thing I was never able to do convincingly was to laugh on camera. Fake-laugh.
I'm glad I took the leap away from acting into going behind the camera because it's much more satisfying - I love acting and I still do, but it's much more satisfying to be able to make the stuff.
I think to do a proper independent movie, in my experience, it takes 22 or 23 days to shoot. That was 'Party Girl' or 'House of Yes.' But now with the digital camera, the budgets have gotten smaller, and the days have gotten shorter.
The big challenge is looking ripped and lean without being too big because on camera, it's easy to appear thick.
You can be, like, a totally different person on camera, and it's fun. You can take on another character, and it's awesome.
When I'm not in front of the camera, I'm just like any other normal person. I'm a student. I eat when I'm stressed.
A film is never really good unless the camera is an eye in the head of a poet.
The possibilities that come with thinking about the camera as a portal into the realm of information and services are attractive not only to Snap but also to every other big player in the tech world. Facebook, for instance, has slowly been enhancing the visual capabilities of its Messenger.
Fog is my weakness, and every time there is low fog, I am out and about with my camera.
Camera companies, like traditional phone manufacturers, dismissed the iPhone as a toy when it launched in 2007. Nokia thought that the iPhone used inferior technology; the camera makers thought that it took lousy pictures. Neither thought that they had anything to worry about.
We are splintering what was the 'camera' and its functionality - lens, sensors, and processing - into distinct parts, but, instead of lenses and shutters, software and algorithms are becoming the driving force.
One of my fantasies in my life has been that I was granted access with a camera to go back in time, and to film the actual campaign of Alexander crossing into India through Iran and Persia.
I think my role, I want to have a presence both behind the scenes and in front of the camera. So I can't say on one particular thing, so I'll just name them all. I'll be the jack of all trades and hopefully decent at one of them.
Giving a camera to Diane Arbus is like putting a live grenade in the hands of a child.
The camera can be the most deadly weapon since the assassin's bullet. Or it can be the lotion of the heart.
My dad was in the Indian Army. He died in a terrorist attack in Kashmir in 1994. After that, my mum and I settled in Noida. I went to Delhi Public School in Noida and then to Shri Ram College of Commerce in Delhi University. It was in college that I realised I wanted to be on the stage and in front of the camera.
My main camera is a Nikon D3. I use a French camera from the 1800s for wet plate photography, I use a Hasselblad sometimes. But to me the camera really doesn't matter that much. I don't have a preference for film or digital.
My videos are a one-woman show - it's just me. I have my camera in front of me, and underneath my camera, I have a monitor. That's where I see everything.
I got a camera when I was nine years old and it wasn't until I was a model that I realized you could be a photographer for a job.
Nothing could be recorded in those days except by aiming a movie camera at the television screen. It was at least another 10 years before they had any kind of recording medium.
My house is full of antics, mayhem, foolishness, carrying on, cutting up, shucking and jiving, and I have that whether cameras are there or not. Our youngest just had us up with her shenanigans and hijinks all night. So, it's all the time, even off camera.
I noticed that, on 'Spooks,' there were a lot of women behind the camera and in different departments.
If I didn't follow my passion for surfing... I would have never come up with the concept to make a wrist camera.
You can be in an acting class all you want, but you don't fully learn until you get off that stage and in front of a camera.
We have so many great memoirs from women in front of the camera, from Tina Fey, Mindy Kaling, Amy Poehler, and Amy Schumer.
If we put the camera on ourselves, our friends and neighbors, we'll come up with some scary stuff.
If you have a block of ballistics gelatin and a high-speed camera, pretty soon somebody gets a gun!
You play a part, and as soon as a movie is over and the camera stops, you go home and you're not really responsible for what you've done.
Personally, I feel a strong responsibility to make sure that we have women equally represented in our executive suites and that we employ women in front of and behind the camera and in our writers' rooms.
I got roles from good production houses, though I wasn't keen on them, as I was asked to - and I won't - wear a bikini in a film. I'm not conservative, as I'd wear it on holidays, but definitely not in front of the camera. I have to think of my family.
The first night I met Yo-Yo Ma, I found him the most charming person I had ever met, and I was willing to follow him with the camera anywhere.
I smuggled the camera, it was no problem to smuggle the camera there. And I took 60 photos, two films, during the time when there was no one in the control room, in the building.
When you're in front of the camera, for a small budget or a big budget movie, there's no difference.
I had started off, before I ever got an acting job, working at Robert De Niro's Tribeca Productions as a reader. I was always interested in that side of the camera.
You can do really slow movements with it, like zooming in for a minute and a half. The audience isn't aware that the camera has moved, but there's subconscious tension there.
My father had a Super 8 camera when I was a kid and sometimes he would use it. I did some animation with it. I did a lot of flipbooks.
I'm attracted to working with comedians because they don't have that stars' idea of what a hero should be. The downside is they're always addressing the camera too much.
I like the days when all the filmmakers had was a film roll, a camera and a gangster. The Mack Sennett comedies were all like that. They'd create little teams to go out and shoot films.
Any time you do opposing camera angles, there's gonna be some compromise in the lighting.
Related Quotes Topics for You.
Guys, we are trying to share Unique Camera Quotes, so you will not get to read the same things again and again on our website. You can also share your favorites on Facebook or send them to a friend who loves to reading quotes.
