Always Quotes
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I'm always going back to New York for Broadway workshops or reading. So I always keep my foot in the door: I'm always on the lookout for the next Broadway show.
I think my comparison with Shane would be a loner. I always got the impression that she wasn't scared to be alone. She enjoys it. I can relate to that.
It is always sad to write about prejudice, but sometimes when we see it being played out in the lives of fictional characters, we can recognize it in our own lives.
My go-to shoes for red-carpet events are usually always black, but I mix between my pointed stilettos and platform heels.
I'm so excited to be working with 360, not only because I am in love with everything they create but also because each collection always includes the key pieces I look for.
I've always been way closer to my mom. I'm close to my dad, but they're totally different kinds of relationships.
I've always wanted to play the villain. But the young girl is never the villain.
I've done modeling since I was 18, but it didn't take off until I moved to Los Angeles. Modeling has always been something I've been really good at, and has been something that's helped pay bills.
The majority of my family is Auburn fans, and I grew up watching Auburn football, and that's always who I've cheered for.
The moments that I feel the most imbued with a sense of awe are always the moments when I am outdoors. I can't help but feel a certain sense of wonder - I become almost filled with it.
I have always been interested in abandoned cars. I can't tell you how many times I've been in a car, driving, and there's a car sitting in a pasture, totally abandoned. Or on the edge of a creek or something. I always wonder: why did somebody park it in the pasture and leave?
I always wanted to write a raccoon story. I don't know why. It's not like I want to own a raccoon or anything like that. I'm just fascinated by them.
We had maybe the greatest success of any company that I know of in Paris, and after two or three years I wanted to do this same number that we did for PBS, so we did it and Paris had always considered us their darlings.
The second is the structure and source of cults. They have always haunted me, and I wanted to explore the fundamental notion of giving up responsibility to an outside power.
People perceive opera and classical as elitist - I disagree. I've always tried to mix the two, make it more accessible.
I was excited at something new, always liked something new, but give credit to everybody who helped. I didn't do anything alone but try to go to the root of the question and succeeded there.
Many professors tell you that you'd be good at this or that, but they don't always help you with that career path.
I don't do resolutions, as I am a rebel without a cause in that respect - I always break them by the second of Jan.!
I'm a good old Yorkshire girl in that I don't like to talk about things that are on tick. As my nana always said, 'Until you've bought it, it's not yours,' so until it's signed on the dotted line, I don't like to talk about it.
I understand, as the young, attractive woman in film, that there's always going to be people seeking out extra salacious things for you to do.
I always play what I call The Girl. The nice straight character. Sincere. Usually the victim. I'm put upon. I suffer.
'Guardian' journalism itself will remain what it has always been: thoughtful, progressive, fiercely independent and challenging, and also witty, stylish, and fun.
I've always believed that no subject is off-limits as long as you can find a way to make it significant, thoughtful, and interesting.
Since I have been singing for so many years, I don't always need to approach a song quite so laboriously and meticulously.
I shall always respect the composer. If I embellish, it is his idea I am embellishing.
I have always examined closely the motives of any group for which I am asked to raise money.
I always had an awful lot going on in my head, always telling myself stories, very vivid imagination.
I wasn't that bothered with school; I was too mad into horses. But I liked reading and was good enough at English and always liked music.
Writers want publicity all the time, and they are always nagging their agents and publishers to give them more publicity, but, when you get it, it's kind of soul-destroying.
I've always considered myself to look like a rather plain-and-exhausted bluestocking, so it's rather odd to read Tweets commenting on my appearance.
I grew up in Oregon so I grew up around reservations, so I've always kind of had this knowledge. Not a tremendous amount of knowledge, but an outsider's knowledge of what reservation life was like.
My mom always said, 'Marry someone smarter than yourself, Katee, because No. 1, you're not that smart. And No. 2, then you'll have smart babies.'
How I've always felt is that the fun in gymnastics got taken away from me too soon.
Since 'Pro: Reclaiming Abortion Rights' came out, I've done a fair amount of public speaking, and the two statistics that always make the audience sit up are that nearly one in three women will have had at least one abortion by menopause and 61 percent of women who have abortions are already mothers.
I really like doing puppetry; I'm not sure if it will find its way into 'Big Bang,' but it always does seem to find its way into a lot of things.
There was always that kind of imagination in our house, which was always a little crazy.
At comedy festivals, we always get grouped with other musical comedians, so you can get to know them and see what everyone is doing. it's really fun and awesome that we're the only girls, because we can tackle issues that guys can't sing about.
I always think that I have plenty of time for everything, and then the reality of it doesn't quite match up.
For me, I've always wanted to be a nun. I mean, I think about what it's like to be a nun. And I've always been fascinated with nuns, and I have a nun collection, I've been collecting nuns for 20 years. And I have a song that I wrote, 'I Wanna Be a Nun,' when I was 25.
The elegance and the quality - the talent is always in the literature. I start with the word and I base everything on that. It doesn't make any difference to me.
Of course, the young male demographic has always been the target demographic for 'Star Trek,' the men ageing fifteen to about twenty-five or thirty, a very tough market to appeal to.
I've always wanted to do a solo record, and in 1999, I went over to Japan and did a project called NiNa, where I co-wrote with Yuki from Judy and Mary. It just sort of unleashed this realization in me that I could write.
I'm always saying in the studio, 'My vocals are too loud!' or 'My vocals have too much effect on them!' I like some of it, but I'm not a fan of loading effects onto my voice.
I've always wanted to be a musician. I love music; like, I probably sang when I was born.
I've always wanted to do a solo project. I've always known I wanted to be a musician.
I always was songwriting in high school, writing songs while I was supposed to be listening to the teacher.
We have always appealed to people outside of the mainstream. Constantly, we get people coming up to us and saying, 'I was just the freakiest one in high school. I was the only one who kept playing the B-52's.'
It has always seemed a cruel joke to me that the very word 'stutter' is difficult for many stutterers to pronounce. It is onomatopoeic, an imitation of the halting, repetitive sound made by people with this speech dysfunction.
It's a bit of a joke among my friends that, although I'm very busy, active and constantly rushing around all over the place, I've always struggled to fit any 'real' exercise into my life.
As a child, I would rush to the school gates as the bell went, to be collected by my mother, Marilyn, who was always immaculately dressed in a pencil skirt and matching jacket.
I had the biggest dry-cleaning bill on 'Daybreak' because I was always on the run and spilling coffee on myself.
Moms don't just sit there cooking everyday and aren't always there to greet their kids at the school bus.
I've always had a problem with conventional punctuation of dialogue because it does seem to me to set it off too much from the narrative. I mean, in life, things don't stop while somebody says something, and then stuff starts up again; it's all happening at once.
I always felt that anorexia was the form of breakdown most readily available to adolescent girls.
For me, hour-long drama was always the thing I felt the most comfortable doing, and I've played so many dramatic roles in the theater.
For writers and artists, it's always a balancing act between wanting to be the center of attention and wanting to be invisible and watch what's going on.
I've always written about adultery because it raises the question of transgression and trouble.
Surveillant anxiety is always a conjoined twin: The anxiety of those surveilled is deeply connected to the anxiety of the surveillers. But the anxiety of the surveillers is generally hard to see; it's hidden in classified documents and delivered in highly coded languages in front of Senate committees.
Biases and blind spots exist in big data as much as they do in individual perceptions and experiences. Yet there is a problematic belief that bigger data is always better data and that correlation is as good as causation.
Data will always bear the marks of its history. That is human history held in those data sets.
We should always be suspicious when machine-learning systems are described as free from bias if it's been trained on human-generated data. Our biases are built into that training data.
I always write with music. It takes me a while to figure out the right piece of music for what I'm working on. Once I figure it out, that's the only thing I'll play.
I have always been a reader. I was one of those kids desperate to learn. I would read anything.
I always wanted to be a character when I worked at Disney, but I wasn't short enough for certain characters, and I wasn't tall enough for others.
Everything about writing is hard for me except for that - the names pop into my head. That's one of the reasons why I always make sure I have a notebook with me.
I'm always inspired to write, and it's usually my own life experiences that inspire me.
I've always been involved with charities and things like that, but when I started communicating with the fans and hearing their stories about the lives they lead, it really made an impact on me.
I've always looked at 2016, but 2020 is realistic for me. I'll be 23 in 2016, but if I keep on progressing, hopefully 2016 will be a medal chance as well for me.
I never really like to skate in an empty ice rink; I always need the attention of an audience.
On the Northern Ireland question, for instance, the British and Irish governments prohibit media contact with members of the IRA, but we have always gone ahead, believing in the right to information.
Even with revivals, I don't really pay attention to previous incarnations. I always just go with the script and with the director and am willing to treat it as brand new.
I have to start with elements of myself, which is what you always do as an actor.
'Encores!' is, to me, a wonderful, warm, welcoming place, and I hope it always will be.
Something that always fascinated me was the psychology and the psychology differences between men and women and how we relate to one another.
I've never been a model, I was an actress for like a minute, but I've always been a writer. That's where I'm going to stay.
I always knew I wanted to be in films, but I did not know exactly what I wanted to do.
My fans are the most important people in my career, and I've always wanted to do something in return for them.
I always remember what my dad told me when I decided to turn into an actor. He was emphatic that whatever I do, I should get accepted by the audiences who watch my films.
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