Always Quotes
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Pronouncement of experts to the effect that something cannot be done has always irritated me.
The chief difference between words and deeds is that words are always intended for men for their approbation, but deeds can be done only for God.
I always think that friends and family are off-bounds. I went into politics; they didn't.
I suppose I've always put the career, the job and politics, all of that first.
I've known Larry Clark since I was fourteen. I've always skateboarded in Manhattan. Larry got into the scene in the early '90s, taking pictures and skating with us.
I'm always afraid that I'm being unprofessional, yet I continue to sign all my e-mails 'xoxo.'
I always imagined that having a baby is something that I'm going to keep in a private place, but maybe my curse is that all I'm going to want to do is tell everybody about what my birth process was like and what my children's nightmares are.
There is always that thought that you might get stuck with a character. But there's always the notion that every character is always evolving.
In the past, when I shot films about fishermen and hunters, I always had to admire their ability to perceive time in its entirety. The present was always temporary.
That radio was very important for me. It meant I always knew what was going on in the world.
With that radio I was always swimming with the current political streams in the West. I was never stranded.
We always thought we wanted to do a show that you could both laugh and cry in thirty minutes, and I don't know that there are that many comedies that try for that.
I always ask myself why old heavyweights come back, but I plan to stay out of the ring.
I've always felt connected to music. There was always music playing at home, and I'd just dance and sing.
I've always been alone. I grew up alone. I like it that way. Even when I'm in an arena surrounded by 10,000 people, I'm alone in my head.
We was living in squats in Battersea when we started with Motorhead. And we lived with the Hell's Angels in this flat. They were always around.
I live by the code 'Kill them with kindness, blood everywhere;' for me, it's always about being the nicest kind of guy.
My mother was a singer, and both of her sisters were singers. There was always music around.
Art is always in the eyes of the beholder. Only posterity has the right to point out our mistakes.
The bottom line always remains the same: What is the basic humanity of the character? How do I make them resonate with the reader?
My faith was started off by my grandmother and mother, and so I always saw it as a very private, personal thing.
My childhood best friend moved to Kenya when we were still young, and since I missed her so much, I always hoped to visit Kenya.
'Power' usually starts principal photography around mid September, and the first table read is always like one big family reunion. The most common comment we hear is how 'well rested' everyone looks... something that can't be said by the end of the season.
I've always found men to be incredible allies, particularly with their perspective.
I have always been fully persuaded that, through co-operation, labor could become its own employer.
I've always written songs, even when I wasn't doing anything with my personal life in music.
I've come to understand that there's always something positive, even in a negative situation.
There are certain things people always bring up with me. The accident. The drugs. And how tight my pants were.
I always had influences musically with punk, and then growing up, I dyed my hair every color. I did the dip-dye blue, before anybody was dip-dyeing their hair. And streaks of pinks and purples and whatnot.
I always want to fulfill genre expectations and think that should be the bedrock of any film - then you can layer in thematics.
I always say that the horror genre and the comedy genre are close cousins because they are the two genres where you are attempting to elicit an involuntary vocal response from a crowd of people and you instantly know whether it's working or not.
It's always an interesting experience with the 'Saw' films, when a sequel comes out that I didn't have anything to do with, creatively, because here's this idea, this story, and this character that I created for James Wan, but now it doesn't need me anymore.
If you're an actress, you're always on one diet or another - it's a way of life.
I can try new genres because I know there are fans who will always be there to support what I would like to pursue.
Going through the Chagrin Falls school system, I always thought I was going off to art school.
People always say golfers don't smile. But there is so much psychology in golf so we have to be a bit robotic.
I grew up in a house with dogs. We always had dogs. We always had a bunch of dogs, actually.
Paralympics has always had to push the media into it being about sport and not focusing on the disability.
He or she must be successful in economic terms, but always within an ethical framework. Whether his or her constituency is a corporation and its shareholders or the customers in a small and privately held business, his or her first responsibility is to serve that constituency.
I always begin a room with the rug; it is literally the foundation of the space. I then go on to the furniture.
I am always aware that I've had a special and privileged life, yet it has been balanced by tragedy as it has been for so many others.
'Europe '72' was a super influential record full of fantastic songs and amazing experimental musicianship. I always valued both of those aspects in what Sonic Youth has done through the years - being able to get very abstract and very concrete within the same song.
I've always been an acoustic guitar player, and I've pretty much continued to play acoustic guitar throughout all of the Sonic Youth periods. My material for Sonic Youth often started on acoustic guitar.
As far as we're concerned, we're always Sonic Youth, and we're always making a Sonic Youth record. We just see it so much more as a continuum than a periodic thing. We're just in the studio making the next record, and we don't relate it to anything other than what's going on at the moment.
I always use the Rolling Stones as the whipping boy for this, but they still play old songs as 90% of their set, and we would die if that were the case.
One thing I always hated with CDs is when people started putting 65 to 75 minutes on their albums.
Sonic Youth was not a singer-songwriter band. It was an electric collective. And, whatever else people's perceptions of Sonic Youth were, it was always about putting together a time-based composition - and that is exactly what songwriting is, in its classic form.
I've always played acoustically - it's how I learned. I grew up listening to Leonard Cohen, Joni Mitchell, Neil Young, Dylan and what have you.
I always think that, for me, being someone who comes out of electric guitar experimentation, the idea of playing acoustic guitar is, in itself, kind of a radical move.
Sonic Youth has always been the vehicle for my writing, you know, because it's a collective songwriting entity: we write our songs as a group.
I was brought up with psychics and tarot cards. My mum was always told I was going to be in a boy band and be famous as a singer.
I was in the top 10 rock n' roll artists - up there with Sid Vicious. I always had that edge.
Before singing, I was acting. I was always more into acting than singing. It was the first thing I always wanted to do.
Retailing, it's always true that there is some items that I wish we had a lot more of like the iPod and there is some items I wish we had a lot less of.
I have always been interested in religion, especially in forms of ecstatic religion, where people are touched directly by the Spirit and go completely out of themselves.
I always felt as a horn player, a jam session wasn't satisfying enough for me. I should have been a rhythm section player, actually.
My own image of my work is that I no sooner settle into something than a break occurs. These breaks are always painful and depressing but despite them I see that there's a consistency that holds out, but is hard to define.
I have always thought that humanity was animal-like. The Confucian theory was man could be improved, but I'm not sure he can be. He can be trained; he can be disciplined.
I had no idea how big the show was at the time we were doing it because I was always working.
I've had disappointments and heartbreaks and setbacks and roles I didn't get, but something always came along that either made me better or was an even better role.
It's one of the things I always do. I move faster onscreen. Creates a sense of danger.
I've always learned a lot, I've always played different roles, and I will continue to do so.
It's not like I want to be Prince Charming when I do dramas. But I think I've always shown such an image because that's just the way Korean dramas work.
Just to take a couple steps back historically, Korea, as you can see, is located among what we call big countries. And historically we've always been the victim of numerous invasions and whatnot.
I will always appreciate 'American Idol,' and I never forget about where I come from.
The traditions of a nation are very important and the anthem written by Francis Scott Key in the early days of our nation should always be revered.
Our democracy is not a product but a continual process. It is preserved not by monuments but deeds. Sometimes it needs refining; sometimes it needs amending; sometimes it needs defending. Always, it needs improving.
The theatre has always been voraciously omnivorous. Dramatists have always raided every medium to find grist to their mill: myths, folk tales, newspapers, novels, films, works of art of all kinds.
I always call 'Billy Elliot' a fantasy autobiography because I never wanted to be a dancer, but I got a lot of stick from the other kids about wanting to be a writer and being interested in drama.
I think every administration has a settling-in process. And there's always an adjustment between what you can say during a campaign and what you find are the possibilities and the imperatives when you win the election and you enter the Oval Office.
We refugees, we become always a punchbag. A political punchbag between China and South Korea and North Korea.
The kind of people I look for to fill top management spots are the eager beavers, the mavericks. These are the guys who try to do more than they're expected to do - they always reach.
One could always do more, faster and cleverer, but democracy has its own rhythm.
People always ask me, 'Lech, aren't you afraid of being killed?' And as an answer I shrug my shoulders.
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