Always Quotes
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Mythology is something that always has opportunities to explore. 'It' has been on Earth for millions of years. He's been in contact with humans for hundreds of years, every 27 years. So you can imagine the amount of material.
To be honest, I've always been really interested in the role of the host, whether it's our kind of Billy Crystal-style traditional awards show host or when you have someone like Louis C.K. or a more edgy stand-up comedian do their take on a hosting role.
I always wanted to be an anchorman, but after college I wound up working behind the scenes at CBS News for 10 years.
I'm big on being positive. I'm generally so positive and happy. I just always felt that I was exactly where I wanted to be. And things have continued to go in great directions.
I've always been with God, even in my darkest hour. That is why I say I am alive. I mean, I should have died a number of times.
There are five kinds of great apes: bonobos, chimpanzees, orangutans, gorillas, and the one which people always think of last: Humans!
My uncle, who was a little more flamboyant, always said the guy who dressed the best was Fred Astaire.
My first interest was always music, and somehow that channelled itself into films and acting. I don't know what the natural transition of it was. I mean I acted a little bit when I was young and like any kid would in a community theatre.
I always try to find things worth saying, things that are supposed to be said instead of being contrived. I do a ton of writing.
Being a mentor and a leader, I've always urged guys, if you're ever allowed to be a free agent, to take advantage of that opportunity.
My mentality is always to seek perfection, and you'll find that if you can get somewhere close to it or in the vicinity of that, that's good.
To me, it's about always trying to make decisions that reflect my leadership and who I am.
Mess up and draft somebody at my position, because you are going to sit around and watch him sit the bench. That's always been my mentality. I see it as a challenge.
I always wanted to be the No. 1 pick, but come draft night anything can happen - trades, or anything like that.
A lot of former players always say that college is a great basketball experience. The fans, going to school, being on campus... it's a great vibe.
Growing up, there was a rec center by my house and I used to always go there, play ping pong. I got better over the years. And me and my friends always played.
I search for the realness, the real feeling of a subject, all the texture around it... I always want to see the third dimension of something... I want to come alive with the object.
If I need a pick-me-up, I pull up a memo file on my phone and type in three things I'm grateful for. The things I've typed on other days are still there. It's a long list. Always helps.
You will almost always leave a professional services environment with a few noteworthy friends and relationships. These contacts can prove to be extremely valuable both personally and professionally.
I've always believed that talking about something is not the same as doing something about it.
A well-seasoned and properly cleaned wok will always have micro-pores in the metal that hold some oil or food particulate, etc. - that's a good thing.
The summer after college, I got a job as a chef at Conscience Point Inn in Southampton. I spent the summer on the water and cemented my expertise with seafood. I've always gravitated toward places that do seafood.
Even if I play a similar role to one I've played before, I will never play it the same, I'll always try to do something different with it.
On stage, I'm always nervous, but there is so much adrenalin, too. It's strange because I have to turn my back on the audience, and my audience is the orchestra. I communicate my energy to them, and they communicate it to the audience behind me!
I always see Beethoven as having been influenced by Haydn. Yet he started a revolution - not just to be different, but also because he lived in a revolutionary era.
The food bank is something I've always supported because there's no excuse for anyone to go without food.
I've always said to people that auteurism is nice, but it's hypothetical, and gradually you learn how much or how little influence different directors had.
I've always been worried about Justin Trudeau's attitude towards trade. We saw during the softwood lumber negotiations that he failed to get an extension while President Obama was still in office.
I've got 12 reserves in my riding and have always been very available and worked very diligently on a few files. I've been out any time there is major events. So I've always had an open door policy with the chiefs and individuals on- and off-reserve.
I've always been very passionate about issues. Being speaker, you kind of have to park the positions on issues and focus more on the rules.
When it comes to Senate reform, in general, I've always been a believer in an elected Senate and would hope to achieve aspects of Senate reform.
We don't always win when we are united, but we always lose when we are divided.
I have a very inquisitive mind, and I like to know. Like, if somebody uses a term and I don't understand, I always look it up.
Caucus unity always needs to be foremost in the mind of the leader. During a leadership campaign, it's kind of natural that groupings develop, and now I have to make sure that all melts away.
Some books inspire one to read, and some inspire one to write; for selfish reasons, I'm always looking for the latter.
It's not always caving to pressure: Sometimes criticism hits close to home; sometimes criticism changes our minds about something we've put out into the world.
As a little kid in the late 1960s, I was afraid of the world. Even if I didn't get caught in the draft that was sending American teenagers to Vietnam, there was always the possibility of a Soviet nuclear attack. I made constant escape plans and imagined a life going from port to port.
Even as a kid I was never the generator of humor, but I always knew who was funny, who to hang out with.
There are so many times and places in history in our world that I just don't know anything about, and when I learn about them they're always fascinating.
The way Pixar has always worked is that we think of an idea and then we make it. We don't develop lots of ideas and then pick one.
I always thought we ought to recognise the blood, sweat and tears - and the sacrifices in being away from home - of former England players, and that current players should know what has come before.
I always want to go to the movies and watch something and be moved by something or feel things.
People are always invading your personal space on set, especially on 'The Walking Dead.'
That's what I always hoped for when I became an actor - that you would do something that people can escape to, find identification with and excitement in and be able to talk about it in bars, restaurants, and workplaces.
The regrets in the theatre have always been the shows that you know ought to have worked but for one reason or another haven't.
People in Britain always think of 'Jesus Christ Superstar' as a musical - it wasn't.
The one thing I have always felt about musical theatre is that it is, to an extraordinary degree, about construction.
There's no getting around it: Writing is hard, while working with young performers is nearly always a joy.
I have always tried with my shows - win, lose, or draw - to take the boundaries of music as far as I can.
They should go back to the medieval tradition, which is that the nave of the church is always used for local business.
Houston is my team, always and forever. But with the new TV packages, it's so easy to watch every league in the world, and my overseas fandom is driven by the American guys. If Sunderland's on TV, I'll watch Jozy Altidore. I try to watch Geoff Cameron at Stoke. When Clint Dempsey was at Tottenham, I watched a lot of his games.
I always appreciated my dad coming outside and playing with us - or my mom - and being a part of the game we were playing or refereeing it or just being outside. That was fun for us, and it was very encouraging.
When I'm in the gym, I always try and pair a push and a pull motion. I'll then follow that with a lot of shoulder stability work.
And I know when I was younger, and still, I always marvel at what I feel is different from what I'm told that I'm supposed to feel.
So something about that touched me, obviously, when I was young and it just stayed with me. I'm always amazed by that, because my experience seems to be so much different than what I'm told, so much of the time.
In doing everything, from coming up with the ideas and putting them on paper till doing the final edits, you are always thinking the next three steps, you're always thinking what next, what next, what next?
Journalists always want publishers or editors to leave. They're creative troublemakers - that's why you hire them.
The old Establishment has always preserved its position by not being too exclusive - it has been wily enough to absorb the up-and-coming and convert them to their attitudes and mannerisms.
It's probably the journalist in me, but I'm naturally suspicious about consensus and always feel an impulse to confront it.
I didn't need tempting back to the theatre. It's always been something I'd wanted to do again and again and again, but with every job, you can only take what's in front of you or what's offered.
Dream projects are always a funny thing to label. I guess just more exciting scripts in my inbox. Maybe an exciting script about John Lennon.
I'm all about entertaining and keeping a reader on the edge of their seat, so to me, the social issues have to be meaningful and give the book what's really 'at stake,' but ultimately it's not about them - it's always a personal story of everyday people thrust into life-threatening situations and having to perform heroic acts.
I've always felt like an outsider, whether in school or when I'm working or within the industry or just in society at large.
My films are very everyday, and people don't always want to go to the cinema to see ordinary lives. They want to see something a bit more extraordinary. I get that desire, but it's not the kind of film I want to make.
I always quite like the idea of casting against type when I'm looking for and trying to understand who a character is.
It's always important to try and get a real sense of the world around my characters. I especially think it helps actors.
'Looking' was always a niche show for a niche within a niche. It's a gay-themed show, so you're not going to get millions of straight people watching it - that's the inevitability of it.
I think there's always a conflict within me about being comfortable and secure and then being an individual and fighting for what I want to be on an individual basis.
I always get nervous. It's usually a good thing. I worry about the nights that I'm not nervous, actually.
My older sister Celia is an actress as well. She's a little bit older than me. So, in my formative years, she was always performing, and we would always go see her do things. And so, that just made me want to be... like her. Maybe if she was an Olympic swimmer, I would probably be an Olympic swimmer by now as well!
I'm always fascinated by the 'who would you like to work with' question. I've never really had an answer; it only really comes as you work with them.
The three people I've always wanted to meet are Stephen Fry, Billy Connolly and Steven Gerrard.
When I was a kid, I always had a big thing for Dannii Minogue. Initially I liked Kylie, but I quickly moved on to Dannii. There was always something more alluring about her. I think I actually wrote to her asking if we could meet.
In the first place, it must be remembered that our point of view in examining the construction of a play will not always coincide with that which we occupy in thinking of its whole dramatic effect.
In speaking, for convenience, of devices and expedients, I did not intend to imply that Shakespeare always deliberately aimed at the effects which he produced.
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