Always Quotes
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Jay Leno is wonderful and a good friend, but it will always be the Carson show to a lot of people.
I was always a very quirky kid. I remember very early like fourth or fifth grade doing pratfalls to make my friends laugh, like falling on the ground on the playground and doing like bits and characters.
Anybody who works with me knows this: I always repeat wardrobe in my characters. We're trying to play real people.
These people that dress up in spandex trousers with all the extraordinary makeup - I find it incredibly repulsive, always have.
There will always be kids in every generation that understand that Lady Gaga is not music, it's theater.
'Enlightened Rogues' we made like the earlier ones: whatever tune came up, whatever direction it went in, that's the way it went. That's what we'll always do. I think if we ever stop doin' that, we ought to quit.
There are always door openings. And gradually, it accumulates. The opportunities open up in front of you.
Astronauts working for the government will always need to be either pilots or mission specialists. Those who want to be pilots should have military experience - ideally, a test pilot background.
Growing up, I was fascinated with Buck Rogers' airplanes. As I began to mature in World War II, it became jets and rocket planes. But it was always in the air.
Human rights problems will always exist for years to come, but maybe they'll lessen somewhat.
I always feel like out of every session that I do, whether it's a record session or even a concert, I like to think that there was something in there that I didn't do before. That's my goal.
There have always been mixed emotions about Howard Cosell: Some people hate him like poison, and other people just hate him regular.
I always watched '205 Live' on the sidelines. It's more my style: I like the quick and innovative moves. I just thought the brand was going to thrive, and I wanted to be a part of it.
It's always a little different, racing on your hometown track. It makes it more special.
I've always had that attitude about my career: it's something that I do, but it's not my whole life. I have a real life, a personal life: I've got a lot of chickens, I've got a horse, I've got a kitty-cat, I've got a lot of goats, I've got animals all over the place.
I grew up going to see my sister dance, both at the ballet and later as a modern dancer, and have always been a big fan of the ballet. So I have had a long relationship with dance.
I've got this diverse education, growing up in classical music and existing between that and music that is more visceral, so for sure, I've always been interested in music from other cultures.
Me, who's educated classically, I went toward rock music 'cause it was sort of a natural evolution from where I was playing with my brother. But I was always drawn back into classical music.
We always say that National songs have to have a heart, that we don't make cold songs.
I want to get my eight hours and be able to eat good meals and not be sluggish or anything like that. My body is my temple, and I've always thought that.
When I watch the Olympics I become such an emotional wreck. I've always loved the Olympics, be it the summer or the winter Olympics.
You know, that's kind of the thing, I can't freestyle and I used to always wonder why I couldn't, and when I would try once out of every six months, but I was always a great writer!
People always ask 'Why is Bubba different?' They're just trying to figure it out.
I was always very grateful to 'em and am grateful to 'em now. I went back a couple of years ago and did their 20th anniversary show. But the longer I stayed on Hee Haw, the worse things got for me musically.
Over the years, I've always had one Labrador and usually two. I've had some great dogs, and I've had some dogs that didn't work out. I found them good homes and gave them away.
I used to draw cartoons of my teachers which used to get passed around the class and I'd always wind up getting caught which often meant detention. But they sometimes said the drawings were good!
What was always interesting about Thomas Harris' books is they were a wonderful hybridization of a crime thriller and a horror movie.
Horror films have always been quite operatic for me. I always sort of scratch my head at people's offense to them? If you don't get them, and you don't like them, then don't watch them.
I've always gone back and forth between acting and music, but for music I'm not trying to be a pop star - I just like to do it.
In a way, certain sections of the media always wanted to knock me because I had captained my country and been skipper at Old Trafford. It was all a bit odd really.
I'm not disappointed with bronze. It's always good to come away with a medal.
I've always wanted to be a real universal artist, one that every type of audience could relate to.
The greatest self is a peaceful smile, that always sees the world smiling back.
I didn't always want to act. My passion was writing, and it still is one of my primary passions to this day, but it wasn't until high school when I started acting in plays that it became a thought of something I might want to do. And when I applied to colleges, at NYU, I was able to study both writing and acting.
I'm really into sci-fi. I always have been. In addition to that, I've always had a tremendous fascination with the lure of the Apocalypse or Judgment Day or the Mayan calendar, etc., etc.
I've always been, with acting, very hesitant to get myself into situations where I would be accused of nepotism.
Actors are always nervous about not only hurting each other, but maybe perhaps hitting each other's face and ending one's career.
I've always had confidence. Before I was famous, that confidence got me into trouble. After I got famous, it just got me into more trouble.
I'm staggered by the question of what it's like to be a multimilionaire. I always have to remind myself that I am.
Fifty is the new forty. I always thought my best work would come in the years forty to sixty, if I was fortunate enough to hang around - and it is hard to stick around.
In my office, I have a very beautiful marble bust of Seneca. I always have my eye on him when I'm taking phone calls. He's one of the many philosophers I've always read and admired.
From a design perspective, the U.S. has always been a great source of inspiration for me.
I don't watch my own past films: when I watch them, I find they don't work very well, because I have changed. If I continue to make films, in fact, it is because I always want to repair my films. My inner rhythm has changed; I have changed. I have changed my way to film.
You can't create a movie as you think about it. And what's in the scene is not what's being seen. A shot always means something other than what it is. All are vehicles. A landscape is just a vehicle. The viewer might think different things, and I'm not going to intervene.
Personally, I don't give a toss about French viewers. I make films for foreigners - it's a bit like Ken Loach, who's not very popular in England but has had a lot of success in France. Cinema is always an experience in a foreign body.
When we design for non-Latin, we always aim to create a rhythm and texture that is sympathetic so when you have the two scripts running side by side, they create, ideally, the same tonal value on the page.
A good typeface is like a well-crafted English or Italian suit: it always looks perfect.
If you imagine b, d, p, and q, those are letter forms that all the children always mess up. They are mirror forms of one another. That feature is emphasized in a font like Arial, where the shapes are literally mirror forms.
There's always a bittersweet kind of thing, but I feel like everything had to work out the way it is. Everything that had to happen, happened.
I've always wanted to push myself and move with the tide. That's just how I am and it's worked for me.
I always just wanted to be the singer or the bass player in the band. I'd love to have a band, where I was obviously the singer, but where it wasn't me, it wasn't my name.
When people ask, 'What role are you dying to play?' I always say, 'The one being written for me right now.'
We are always going to be influenced by America... I watched the word 'bum' go out and 'butt' come in. And part of me says, oh that's a shame, but Aussie boys are still Aussie boys.
There's always a slight tension when you sell a book to Hollywood, especially a nonfiction book. The author wants his story told intact; the nonfiction author wants it told accurately.
Being in quite a few movies... there's always things that are changing about a film.
Breaking the world record has always been in the works. I just need the right conditions and I can make it.
When we go out to the university, the professors always say, 'Tell these students about your five-year plan and your 10-year plan,' and I say, 'Gee, we're lucky if we have a year plan.'
Don't be limited by the expectations of others. You can always be better and do more.
I've always felt that in a comedy script the stage directions should also have a comedic value.
It's always felt natural, because I'm generally very comfortable with people.
I didn't know if it would be a success-ful one, or what the stages would be, but I always saw myself as a lifetime musician and songwriter.
You don't get to cut that chain of evidence and start over. You're always going to be pursued by your data shadow, which is forming from thousands and thousands of little leaks and tributaries of information.
I have an older son, Josh, and growing up, he just didn't care that much for baseball. And that was fine. But Chaddie, he always wanted to go to the ballpark. He just kind of took to it right away.
I love graduation speeches. I have always loved them; I will always love them.
In Los Angeles, it's always nice out. In New York, it can be nice out or horrifying. You really have no idea what you're going to get on any given day.
Shooting in Los Angeles is always pleasant and comfortable. Shooting in New York is like being on 'Survivor.'
In many ways, cartooning is my therapy. I've always said they're like my diaries. It's thoughts and feelings and things I've seen on any particular day.
I started as a journalist for magazines in New York City, so it was always storytelling. And moving into movies was a natural transition.
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