Always Quotes
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I've always been hard on myself, so I expect so much out of myself that that pressure can be inspiring at time.
It's my biggest dream as a soccer player: I always wanted to play in the World Cup.
I was always out playing sports in situations that didn't matter with my friends.
I'm going to continue to be the same attacking style that I've always been. I'm not going to change it because of how other teams are treating me.
As a kid, I just always learned that if you want to be the best, you have to play against the best.
I never want to turn something down because I'm afraid to do it, because of some idea of image or whatever. That was never anything I set out to do. In fact, the opposite, I always want to confuse people in terms of any kind of image and be unpredictable in any kind of movie I make.
Planning a career, I always find that such a tricky thing, because I don't have much of a plan, really.
I always figure hey, look, I'm not a rock star, I'm an actor. I'm somebody who's meant to be other people and I'm not meant to be here representing myself. I'm happier when I'm presenting myself as other characters.
I'm an actor I'm not a politician. I always kick myself when I talk too much about family, or personal things.
Everyone always tells you that you're the only one that can do this or that role right, and if you say no, they go to somebody else and tell them that they're the only one that can do it right. But when they're talking to you, you're always the 'Best Actor of Your Generation.'
I've always believed that the director does whatever the hell he wants. That's what you sign on for as an actor - I can't stand it when you have actors who are trying to leverage directors into doing things they don't want to do.
With Shakespeare, because you invest so much time in working on material, it always sort of stays with you to some degree.
I'm a heel man. There's no doubt about that. I've always done heels for my shows, ever since the first in 2008.
When I am true to my inspiration, even fight for my design, the project always turns out well.
On vacation, you can wear all the colorful and casual clothing that you like, but you must always be elegant.
My mother's cross was given to me when she died. I like to have it always close to me.
I was always shouted at by my teacher because I would draw straight on the table in the school.
During breakfast there is something I cannot resist, apart from my boyfriend - it's actually the phone. I have a phone breakfast. Always. I call friends, boyfriend, family. Checking who is where. 'Is everything fine?' This is breakfast.
My relationship with shoes has always been linked to shoes, women, women in their shoes and performance.
I have always loved tartans - such an ornamented type of weaving, so vivid in colour, and such a masculine aspect. But actually, I think tartans can be feminine or masculine.
I've always said that I'm an employee and I respect that status but I'm the type of guy who walks in the front door and I'll walk out the front door if it's not right.
The job is always with you, 24/7. I played over 400 games as a player and the highs aren't as high when you win and when you're a player the low isn't as low when you get beaten. It really spikes and dips as a manager.
I was one of those weirdos who, at six years old, was telling everybody that I wanted to be an actor. I saw my sister in a play and realized that I wanted to play make believe in front of people; I was always goofing around and putting on shows for my family.
I've just always sort of been mesmerized by our minds and how people think and how people react differently.
It wasn't until 2013 that I even started working in film. It was always something I wanted to do from six, but I didn't know how to get there other than working really hard and going to New York and doing theater like I saw on the bios of some of my favorite actors.
Kai was always dead and gone. That was always the plan. That was the plan when I signed on for the role. That was the plan once I was talking to Julie when the role was coming to a close. It was always, 'He dies and is actually gone.'
I went to Elon University and studied musical theater. I usually did two musicals a year, but I also did a couple of plays. That was sort of always where I felt the most relaxation.
I grew up loving Vince Gill. That guy sounds just like his record - or better than his record. I've always been such a fan.
We always pray before we go on stage. It's just something that I've always done. For me, it's a big thing, and the guys in the band seem to appreciate doing it, so we do it at every show.
I write a lot of my music, but not all of it. I have always subscribed to the 'best song wins' theory when making an album.
I was always a fan of Spider-Man and most superheroes. There aren't a whole lot of little boys out there that aren't.
It's good to have butterflies. And they always go away. The camera starts rolling and they go away and it's all good.
I always live by the idea that my favorite job is my next one. It doesn't really matter what the content is.
I was singing before I started acting. As a kid, I would always perform at the big family parties.
I sang throughout school, and it was always my passion. For whatever reason, acting took the front seat, but all of the projects that I've been doing seem to have some sort of musical element to them.
I don't know if I feel like an outsider or an insider; I just feel like I always did. I don't have one of those stories where I felt like no one understood me.
I'm nothing without a band. I always feel like I'm part of the road crew until I'm on stage.
I always get so excited when I get to go to my friends at corporate offices. I am always, like, looking around. I think that's really exciting to be a part of an actual corporate office.
We eat the same breakfast every day. We are like robots. I always do two eggs over easy with turkey bacon - we enjoy the taste of it more than pork - and avocado. I carve it all up into a bowl so it's like a slop, and I load it with salt and pepper and Cholula.
I like to get a rise out of my mom with what I wear - I always go for the tallest heels or something super trendy.
I always have two pairs of glasses: geeky black Warby Parker frames and Wayfarer Ray Bans. Those are key!
I've never been cold during a big game. It's the adrenaline. You're always moving.
If I put my pinkie to my thumb, I can cover my wrist all the way to the knuckle. When I get a watch, I always have to go and get extra holes put in or get a special bracelet that's adjustable.
I always want to keep my skin clean when I get up in the morning, and I use sunscreen before I go out to the field.
As a goal scorer, my focus is always on converting my chances and being clinical in the box. That's my No. 1 priority.
Of course I have other passions and other interests, but soccer's always my priority.
I'm 100 percent a byproduct of my sport. I always tell my teammates that I only have muscles where they get to play.
I've always preferred a 4-3-3. It's a more fluid and dynamic system, and I think it plays to my strengths better.
It's hard to sit back and just go through your whole career, because everything's always moving so fast. But the odd milestone is always a nice moment, and when you look at the previous players to have hit those kind of milestones, it's nice to be in that company.
You just have to learn that you can't always go and win that ball and there are certain moments to do it.
You can't rest on six months of good performances because as soon as you have a blip, there is always another player to take your place.
It's always a little more difficult after taking a few years off, which we did from 2004 through 2008. It's more difficult to get the machine in gear again, but when you become used to it, then it becomes easier.
Philly has always been one of our favorite towns to play in, and the fans have been very loyal and very supportive over the years.
There's always the joy of the performance and fine-tuning new interpretations. Over the years, we've all grown as musicians, so obviously there is a lot of subtlety that wasn't there in the first place.
I'm always trying to do as many different things as I can, just so when one is not doing so hot, maybe the other is still there.
The goal for me, always, is to have fun, and to kind of intentionally be unexpected and go against the dress code a little bit.
The interesting part about being an artist is that the ways in which you express yourself are not always readily available.
The interesting thing about depression and anxiety is that, it's not always wholly negative things that bring them on. Often times, those heavy swings of emotion can be brought on by just anything that is overly emotional.
I will always do stand-up, even if my acting career takes off. Stand-up is my life.
I've always thought of the book as a visual art form, and it should represent a single artistic idea, which it does if you write your own material.
I always get involved with the environment because once you go past the tipping point with the environment, you don't get it back.
I think I always was a bit of a class clown, but I don't know how successful I was at that. I always think, when I read about people being class clowns, I imagine them being actually very funny, and I don't know that I was. But I tried to be, I think.
I suppose I've always carried what is regarded as a bit of unnecessary baggage in Britain. I've always carried the charge that I am an intellectual in politics.
It is almost always wrong that the time isn't ripe to decide something. That is always said of difficult problems.
I always have said that the most valuable thing I have isn't money; it's my time.
I've been fortunate to be short my entire life. There's only one position I've ever had to play, and that's point guard. So I've always had to be that leader. And that was my job: you know, to talk.
I always wanted to write. But honestly I'm glad I didn't do it back when I was twenty-five or so, when it's now clear to me that I was a very poor writer and could've ruined my career before it even started.
There's always something at least a little smug about self-reference - magazine articles about idealistic journalists, TV shows about TV actors, ironic films within ironic-er films: all this meta-media populated by thinly disguised characters making oblique inside jokes.
There has to be the right pacing of images to tell the story. I'm always stunned at how little you can put in.
I wasn't always minimal. In the early days, I was laying it on as thickly as I could, trying very hard to get it right. But I found that the harder I tried, the more tired whatever it was I was working on looked. And then I grew tired of it as well.
If the heads of all the music companies had known about music and about Chris Rea fans, they wouldn't have worried about 'Stony Road.' My regular fans have always known that side of me.
I've always felt that if people just came to one of my gigs, all would be revealed.
That is the music that I have always wanted to play: real, genuine guitar music.
I always say that when I was a kid, I only played with the Darth Vadar and Storm Trooper action figures. I gravitated toward the villains. I think it's a common thing.
I'm always really comfortable writing strong, smart ladies. That's kind of my bailiwick.
I'm always amused when people point out that Benjamin's naivety about the publishing process is just so unbelievable in Starborn #1 since, of course, no aspiring writer in reality could ever be so naive.
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