Always Quotes
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The fact of the matter is I always have a really high sense of responsibility to the reader, whether it's a few readers that I get or a lot of readers, which I was lucky enough to get with 'Olive.' I feel responsible to them, to deliver something as truthful and straight as I can.
I don't think there was a particular book that made me want to write. They all did. I always wanted to write.
I've always been tremendously interested in criminal law. It goes to a deep interest I have in prisons and the criminal element, and what we do as a society with it. I've always been touched by the idea of criminality.
I always felt the play came first. If it didn't touch me, I'd say forget the part.
I always carry lots of stuff with me wherever I roam, always weighted down with books, with cassettes, with pens and paper, just in case I get the urge to sit down somewhere, and oh, I don't know, read something or write my masterpiece.
I'll see Naomi Wolf on television periodically, I have nothing against her and what she says, but I'll feel that she's a politician, like she's got an agenda to get across and that she doesn't always say what's really true or exactly what she feels.
Yes, the United States is still the great meritocracy it's always been; but now, if you aren't brilliant or beautiful or both, there isn't much to do, because they can do it cheaper in Shanghai or Mumbai.
People are always looking for something new and something to latch on to and to back something from an early stage.
I always have Giorgio Armani's Luminous Silk Foundation, Bobbi Brown's Jenna lipstick, and my Estee Lauder Double Wear Concealer.
I always say that when it comes to picking a single, firstly you have to go with what feels right and what your gut tells you.
There's always been a piano around the house, and I've grown up around it. It's a massive part of my life and always has been.
I played soccer for nine years, so I took that route instead of singing. I played on the outside team as well as in school, so I was always playing soccer. It wasn't until I moved back to London that I really, like, started investing in music again and realized, OK, yeah, this is definitely what I want to do.
I always say that when you have friends that are girls, you tell each other everything.
I always felt like I could go to my mom and speak to her about anything. We have a great relationship.
From the end of 2015 to the start of 2016, I was always at the studio with Mustard, just figuring out a sound.
I always thought of deer as solitary animals that weren't very interesting. But my goodness, that was very wrong. The big eye-opener for me was that they're social. They have family groups.
I never had any preconceived ideas about acting, because I always thought I was going to be a visual artist.
We've certainly always been a feminist party, with strong feminist principles.
I always want the last line to be really good, which may sound silly, but I want it to be a last pleasing line.
Hollywood never suited me, I didn't ever feel comfortable with it, it took me a couple of years but I found where I was always meant to be... Chiswick!
Whenever I work on anything, there's always the fantasy that what one is doing is the next 'Citizen Kane'-slash-'Sopranos.'
Dysfunctional co-dependent relationships always appeal to me. I don't know exactly how it started. I start writing sketches of characters and little scene-lets, and then it builds.
I've always been incredibly crazy about the fact that I'd have any fans at all. It says to me that the characters that I choose are interesting to people and that's thrilling to me. It really is.
Movies are in a much longer production conversation before an actor is even involved. I always thought of actors as the last piece of the puzzle - so you're a tool.
I auditioned equally for film and theater. The difference is that theater has seasons, while film, it's always happening.
And at NYU, I went to the Atlantic Theater Company, and they have two main points. One of them is to always be active in something instead of just feeling it. And the other is figuring out your character.
I always went to see independent films, they're the movies I'm usually most excited to see.
People who know me would say they get a kick out of the fact that I'm always playing nice people, not that I'm not a nice person, but it's not a defining element.
I did a film called 'Puccini for Beginners,' which was a romantic comedy, and I always wanted to do more, but I kept doing drama.
Sureness is something like a neck brace, which we clamp around our lives, hoping to somehow protect ourselves from the frightening, constant whiplash of change. Sadly, the brace doesn't always hold.
Every few years, I think, 'Maybe now I'm finally smart enough or sophisticated enough to understand 'Ulysses.' So I pick it up and try it again. And by page 10, as always, I'm like, 'What the hell?'
I've always wanted to be a spy, and frankly I'm a little surprised that British intelligence has never approached me.
Being English, I always laugh at anything to do with the lavatory or bottoms.
In America uniformed cops eat in coffee shops, diners and restaurants and I always feel safer having them around.
I always wear make-up as I've never seen the point of looking less than your best.
For me, Dracula has always been associated with travel and beautiful historical places.
My publishers are wonderful because they have let me write what I wanted to. They're wise enough to know that, with any author who's not simply writing formulas - who's trying to create something new - pressuring them to do something for market purposes almost always backfires. I can't imagine working under those circumstances, actually.
We're always taught that we're building for permanence, but why? I like the idea of a prosthetic architecture! When a section is removed, the building readjusts its weight distribution, like a living body.
Architects and food at a construction site equals indigestion. We're always looking for details that haven't been executed correctly.
I was a rebel. I never wanted to build. We thought of architecture as intellectually bankrupt and slightly corrupt, and I was always more interested in other forms of discourse.
Whenever anyone pulls out of the race, you know, unless they've just been trounced in the days before, there's also - always a lot of questions about why that happened.
I was very dreamy. Insular. I'm always amazed I survived adolescence at all and wasn't squashed flat by a juggernaut. Gaping, I think was my main skill. Staring out of the window.
I'll not listen to reason... reason always means what someone else has got to say.
I was always on set, I was always working, so my study was down to the bare minimum required. So I am one of the few who didn't study 'Lord of the Flies.'
American presidents always avoid shaking hands with brutal dictators, except when it's advantageous to do so.
I went to drama school. I'm classically trained; I studied Shakespeare, blah blah blah. But I always preferred to do Oscar Wilde, or Shakespeare's comedies over his dramas.
Writers have a reputation for being distracted. That's because writers are distracted. They are always tuned into that other voice, the one in their head that rarely turns off.
The process is different for every book, but there are similarities. I always draw from the inside out. I don't plot them ahead of time, and I'm always surprised by things that happen in my books.
Nothing can happen nowhere. The locale of the happening always colours the happening, and often, to a degree, shapes it.
I am always busy, which is perhaps the chief reason why I am always well.
I always wonder about the word 'intense.' 'Intense' is used to describe women. Guys are intense, but they don't get described that way.
My love was always in books. I was just one of those avid readers. Films came later, but the stories were always present.
I don't always have the stomach muscles I have, and I get cellulite as well like everyone else.
My degree is in biology, and it will always be my first love. Evolution, ecology, genetics - they were the textbooks I was devouring as a teenager, and it was there that my love of science grew.
Mysteries always have the potential for interesting connections between the elements. I'm also most interested in the relationship between the characters. As in 'Masterpiece,' I'm trying to create characters who not only are solving a mystery but are solving the riddle of their own personal relationships.
We must keep the promises and commitments we've made to our military veterans by ensuring needed services and care are always available and delivered in a timely fashion.
The problem with TV now is that there's so much competition, that you're always on the chopping block.
I've always been against trying to make a movie like another movie. That's lame. It's already been done, so why do it again?
I've always wanted to shave my head for a role because I've wanted to play a character who had a shaved head. I don't know what the fascination is.
I’m always going to have a strong preference for things that can actually pass into legislation. We can talk about big issues and have big goals while also working on pragmatic things.
I’ve always found the secret is to stay fit and treat sport as a profession. I chose sport as a passion.
Once in a while you can run very fast, but you cannot always go to the maximum.
When I did 'Scrubs', we were able to always do one as scripted, and then we got to play a little bit and do some stuff. I thought that was pretty loose, but then coming on 'Happy Endings,' it's even looser.
I'm always working out; I did ice hockey in high school, but I'm not a dance person. I mean, this was horrible, but I had a dance double in my high-school musical.
I'm a very visually motivated person. Music is always going to be the thing I'm most motivated by, but music and visuals go hand in hand.
I'm always writing; my phone is full of ideas - melodies and lyrics and stuff.
There is always one or a few artists who appeal to all sort of people, and, of course, I want to be one of those people.
My mother would take groups of students to different countries and always brought us along, so by the time I was 10, I had been to Russia, China, Nicaragua and several other countries.
I'm quite close with my family, especially my twin sister, and it's always hard to leave her.
I've always loved absurdism and plays of that genre. I think that my humour is very much rooted in theatre and drama.
Whether it's a blessing or a curse, I have always played someone like 10 years younger. When I was 23 or 24, I was playing 15 opposite Evan Rachel Wood in a movie called 'Pretty Persuasion.' She was 16 and nobody in a million years would have thought I was that much older than her.
I've always thought that if you work really hard at something, you can get it.
There's always going to be a ball up in the air, and what I try to do is make sure that ball is never the kids. If that means sacrificing a social event or having fewer work commitments, it's worth it.
It is inconceivable for our unconscious to imagine an actual ending of our own life here on Earth, and if this life of ours has to end, the ending is always attributed to a malicious intervention from the outside by someone else.
We grew up with musicians coming over jamming. We had tons of instruments. So holidays were always like, 50 people would come over, and there would be a jam session with everyone playing jazz.
I always wanted the fairy tale, but now I want someone who is a great partner.
For me, Paul Simon has always been an incredible songwriter, as he writes very complicated songs that sound very simple, and he makes it look so easy when it's not.
I'm a bit of a geek when it comes to music. I like studio gear. I'm always looking it up on eBay and seeing what I can afford.
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