Yourself Quotes
Most Famous Yourself Quotes of All Time!
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Do you believe in Madonna? Because Lady Gaga has got something to say about 'Express Yourself,' and she's turned Madonna's fourth-best single of 1989 into her own instant-classic club anthem, 'Born This Way.'
The scariest part to any story is the sliver of truth you hide in the horror. Sometimes its not about the axe wielding murder, but the fact that he's lurking somewhere in your basement. Sure, you keep telling yourself that you'll replace the burnt out light every week.
I would say that Pixar is doing for animation what Chaplin did for film, infusing it with heart and characters that you care about and stories that you lose yourself in. They are similar revolutionaries and changing a medium.
Don't put yourself on a pedestal. Because it's very easy for someone to knock you off.
Making a record is an intimate experience. A good producer can get things out of you that you can't get out of yourself.
We're going for the joke on 'Children's Hospital,' and we're going for the joke on 'The League.' It's fun to go between shows, but you have to mentally remind yourself what show you're on.
I grew up in the D.C. area, and I used to wear a Redskins jersey just walking around. I just had kind of a bowl haircut for a long time and no sense of style or personal hygiene. But the main thing was the haircut. You know, when you see a haircut of yourself from around 12 or 13, it's rough. I also had really bad acne.
The only pressure you put on yourself is the one you want to. No one else can pressurise you.
I feel these shows allow you to be yourself, this is why I like to be part of them. Also, reality shows have a much bigger reach and provide a bigger platform for an actor.
If you want to evolve and reinvent yourself, you will need to observe people and explore a lot.
Every time you are getting ready to make a shot in a documentary film, you are asking yourself questions about your cinematographic approach. You are approaching the truth, but the image is never the truth itself.
Growing up in the mid-to-late '90s in London, you start seeing the explosion of drum'n'bass and then the birth of U.K. garage and grime. I decided to focus a lot of my energies as an aspiring MC. It was a very natural way to express yourself as a kid from a certain kind of neighborhood.
Being true to yourself really means being true to all the complexities of the human spirit.
Know yourself; keep your circle tight. Keep your friends and your work circle tight.
If anyone had any advice for me, like, I would try to take it into consideration because I feel like, if it's good or bad advice, I can still take some bits out of it and try to use that to better yourself.
As actors, when you can't be in the room with the casting director or the producers, you put yourself on tape and send it off.
If you identify yourself as a great football player, anytime anyone challenges that, you're going to have some kind of problem.
When you're an artist, you can only do your own stuff. Even if you only write for other people, you're really more focused on yourself. So while everybody's out touring, I'm working on records.
I generally like to be up front and honest and open because that's how I've always been. I have nothing to hide, and I think people relate to you more when you're just yourself.
It's not easy. I got lots of rejections when I first started out. If you want to write, you have to believe in yourself and not give up. You have to do your best to practice and get better.
In Ronald Reagan's chaotic childhood, the imagination was armor. There is nothing unusual about that; transcending the doubts, hesitations, and fears swirling around you by casting yourself internally as the hero of your own adventure story is a characteristic psychic defense mechanism of the Boy Who Disappears.
The only thing that really annoys me is when all of a sudden you hear yourself on the radio advertising Smith's tyre shop or Blenkinsop's jam. They simply can't do that. And in Australia, occasionally I have to take action.
A band is like a marriage, and if you're in a marriage with someone, and you lose yourself in that marriage, the relationship is over, really.
At the end of the day, they're happy if you do the obvious songs towards the end of the set and you've got to try and make yourself happy by doing certain songs at the front end of the set.
To be always thinking about your manners is not the way to make them good; the very perfection of manners is not to think about yourself.
As the writer, you're always a presence in the song. If you get close to what human beings are like, you're writing about common experience. We all do much the same things, so if you nail somebody, then you've also nailed yourself.
Number one, like yourself. Number two, you have to eat healthy. And number three, you've got to squeeze your buns. That's my formula.
I think it is very important that you like yourself for who you are and not want to look like anyone else. You also have to understand, many people have had cosmetic surgeries in order to look the way they look. So why look like them when you can just look like you? And there is nothing wrong with looking like you.
No one is perfect... absolutely no one. Like precious stones, we have a few flaws, but why focus on that? Focus on what you like about yourself, and that will bring you happiness and peace.
I've always practiced this: Love yourself. Move your body. Watch your portions.
When you're feeling down, sad, lonely, negative, you don't want to take care of yourself - and the weight problem and the diabetic problem and the heart attack and stroke problems and high cholesterol set in.
You're not allowed to give yourself a nickname. This holds true in life as well as in poker.
You can't take up golf on a whim and find yourself competing against Tiger Woods in the Masters six months later.
Without transformation, you can assume you're at a high moral, spiritual level just because you call yourself Lutheran or Methodist or Catholic. I think my great disappointment as a priest has been to see how little actual spiritual curiosity there is in so many people.
If you're going to immerse yourself in a project for three years, why not stake out a chunk of the world that is completely alien to you and go traveling?
I urge you to ask yourself just how honorable it is to preside over the abuse and suffering of animals.
I passionately believe if you put on an act, the audience will be able to tell. That does not mean that I am going to be talking in top volume all the time in private conversations... Clearly, broadcasting has to be an extension of yourself; it's an exaggerated version of you.
The first principle is that you must not fool yourself and you are the easiest person to fool.
It's the way I study - to understand something by trying to work it out or, in other words, to understand something by creating it. Not creating it one hundred percent, of course; but taking a hint as to which direction to go but not remembering the details. These you work out for yourself.
Do not keep saying to yourself, if you can possibly avoid it, 'But how can it be like that?' because you will get 'down the drain,' into a blind alley from which nobody has yet escaped. Nobody knows how it can be like that.
If you assume away most or all of the questions or difficulties, you can persuade yourself of just about anything.
Those who hate you don't win unless you hate them, and then you destroy yourself.
Remember, always give your best. Never get discouraged. Never be petty. Always remember, others may hate you. But those who hate you don't win unless you hate them. And then you destroy yourself.
Spelling is very easy to practice yourself whereas signing is not. So I would sit on the subway riding around New York and I would spell whatever I would see. When I watched a movie I would spell words as they came up.
If you want to devote yourself to the arts, you'd better do it strictly from passion, because there is zero guarantee that you'll get anywhere. The hardest thing is dealing with business people who have nothing to do with your art. They could care less that you're up at 4:30 in the morning writing a joke. Don't expect any sympathy from anybody.
I've always been most interested in the politics of everyday life: your relation to whatever you're doing, or what your ambitions are, where you live, where you find yourself in the social hierarchy.
It is always more fun to play a bad guy than to be yourself as you can create a character unlike your own and be someone you are not for a change.
And the fact that you must make the movie for yourself because no one else will ever fully appreciate the endeavor, makes it a more rewarding challenge.
Keep courage. Whatever you do, do not feel sorry for yourself. You will win in a great age of opportunity.
The truth is you only have yourself to offer. And when you come to that realization, it's terrifying, because you think it's probably not enough.
When you're young, you don't especially think of yourself as being young. You're just alive and everything's interesting and you don't think of things in terms of age because you're not conscious of it.
You have to look at the discrepancy between what you hoped and imagined and the reality of yourself and all your shortcomings.
I realized what you could do in motion pictures by surrounding yourself with geniuses.
Proving yourself in a field where the casualty rate is so notoriously high is an ongoing challenge.
I mean I think that when you've got a big brain, when you find yourself planted in a world with a brain big enough to understand quite a lot of what you see around you, but not everything, you naturally fall to thinking about the deep mysteries. Where do we come from? Where does the world come from? Where does the universe come from?
I pattern my actions and life after what I want. No two people are alike. You might admire attributes in others, but use these only as a guide in improving yourself in your own unique way. I don't go for carbon copies. Individualism is sacred!
To me, business isn't about wearing suits or pleasing stockholders. It's about being true to yourself, your ideas and focusing on the essentials.
I think it's quite great to set yourself a big challenge, and then you've got another reason for keeping fit.
Be willing to use yourself to get out there and put the company on the market. If you have to make a fool of yourself, make a fool of yourself, but make sure that you end up on the front pages, not the back pages. In time, it's possible that your company will stand out from the crowd, and you'll be successful.
Ask yourself the secret of your success. Listen to your answer, and practice it.
The challenge is, how do you take someone who's supposed to be a villain and make that appealing and lovable? You have to empathize with him and put yourself in his shoes and root for him and want him to have the things he wants.
When it comes to eating, you can sometimes help yourself more by helping yourself less.
Film and stage are very different; I don't necessarily prefer one over the other. Every few years, I get a big itch to go back to the theater. To learn humility, to learn bravery and to remind yourself that the pistons that drive your craft are working on full power. And to remind yourself how badly paid actors can be.
You go from these high hopes when you're writing to just a desperate want of not making a complete fool of yourself by the end of it.
Hopefully with each thing that you do you're learning something, you're growing, and you're pushing yourself a little harder in some way or another. So I think you'd be in real trouble if each new thing that you create didn't feel like 'Oh, wow. I feel like I'm doing something a little different this time.'
Few Iranians these days go through the fiction of calling themselves 'Persian.' Calling yourself Persian is a way of distancing themselves from Iran.
Being 21 years old is not easy in the sense that you're still trying to get to know yourself.
As long as you're being yourself and putting out what you want to put out, it'll be the best thing you could do.
I realized that you can achieve so much at the front of a stage, releasing the music yourself and being something more selfish than just the drummer.
What counts is putting the intensity that you yourself have experienced into the picture. Otherwise it is just a document.
I think when you deny a part of yourself for so long and rediscover it, there is a release of feeling and a deeper awareness, a newfound energy.
People are trying to act like they're balling all day with cars, their house, like there's no problems. I feel like a lot of people are trying to be someone they're not, and when you're just yourself, life is so much easier because you don't have to keep up this facade.
You have to believe in yourself. You have to go out there and love what you are and who you know you are in terms of your craft.
You've got to have confidence and trust in your cast. You have to have confidence and trust in your director, in your editor. It's such a team effort; I really think you have to pull yourself out of it and just trust. I think the number one thing you can do is just trust everyone around you.
Pilot season can be maddening. You're basically putting yourself and your talent out there to be scrutinized several times a day for months by network executives who have probably never acted in anything since their junior high school production of 'The Wiz.'
There's a certain time that when somebody asks you a question, you answer them. I don't think I said anything with venom. If you can express yourself without anger and make it as palatable as you can, that's what you do.
You don't want to bring attention to yourself; you want to bring attention to the team.
In order to make characters real - no matter what the character is doing - you have to see yourself as capable of having done that.
As an actor, we have to be so vulnerable that it's really hard to involve yourself with the other aspects of filmmaking.
My top styling tips for brides are, first and foremost, to be careful not to go overboard with makeup. The goal is to look like yourself, just a bit enhanced!
The joy we get as actors is out of transforming ourselves into something that's not necessarily anything true to ourselves. And it's a power - not being yourself, and being in the role; it's just like another prop.
Never fear a job, always respect it, and always leave yourself a hind door to escape. May your hind door always be open.
Sexy at the millennium means having a solid sense of self but never taking yourself too seriously.
Every minute of every hour of every day you are making the world, just as you are making yourself, and you might as well do it with generosity and kindness and style.
I do not agree with Thomas Wolfe... about anything. You can go home again as long as you don't expect home to be what it was when you left it. Or you don't expect yourself to be what you were when you left home.
It is a tough business but if you get yourself in a situation like I, you can maintain a career over many years. That, to me, is a successful actor.
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