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When you're young, you should live out every weekend. Even if you look like a scarecrow, you just gotta go!
I think it's all about how much you love, understand and can relate to the material you are given.
I like strong girls, as long as they don't get snappish. And furthermore I think it important that you are good buddies and she does not get angry when you don't have your day.
I do look forward to doing things in the future that I haven't done before. Do you know what I have always dreamt about? Playing a serial killer!
Call it loyalty, call it what you want, but I suppose I've got people up here who I'm really tight with, we've made a lot of great bonds over the last few years and I've got people in my corner I can trust.
The variety of training is a major selling point of triathlon. Different sports, different venues means it's always interesting, and you can always switch things round if the weather messes your plans up.
You have a wine tasting of different years, and we're sort of doing that with our music, giving them a taste of what Journey used to be like.
You can't make everybody happy. We just put our head down and went forward. We said, 'This music is bigger than all of us.' That's how we felt. We said, 'You know what? We'll prevail. We'll bet on these songs.'
Bands are about these little relationships that make everything tick, and when you create new music you're testing those relationships.
When you're playing the same dirty dozen night after night, the moments that keep it fresh are those when you just let go and trust everyone.
You have to walk carefully in the beginning of love; the running across fields into your lover's arms can only come later when you're sure they won't laugh if you trip.
I find you write with one person in mind. Usually for me that one person is my wife, because she's my most severe critic and understands best what I'm trying to do.
I write about what interests me. It's very dangerous when you try to satisfy an audience.
In Poland, my audience is all women between 18 and 30. At U.S. conventions, you have the fantasy and science fiction crowd. At Harvard you have an entirely different audience. It's so schizophrenic.
People who truly love us can be divided into two categories: those who understand us, and those who forgive us our worst sins. Rarely do you find someone capable of both.
It seems to me that you would have to write a novel on a very small, intimate scale for it not to become political.
As soon as you start writing about how human beings interact with each other socially, you're into politics, aren't you?
You would go mad if you began to speculate about the impact your novel might have while you were still writing it.
The writer I feel the most affinity with - you said you felt my books are 19th century novels, I think they're 18th century novels - is Fielding, Henry Fielding, he's the guy who does it for me.
In writing non-fiction about people who are living, you are always walking a fine line, carrying a burden to be fair that, in my opinion, should always be there.
I play trumpet. And I took all the music courses in college, so I can also play the string instruments, keyboard, the brass and woodwinds - but only well enough to teach them. If you put a violin in front of me, you wouldn't say, 'My God, that guy can play.' It'd probably sound more like Jack Benny.
I think if you're going to get anything done in the Senate, you have to be on the same sheet of music. If you don't get people on the same sheet of music it comes out pretty horrible.
I really think that people's right to happiness shouldn't be dictated by some policymaker in Washington, D.C. I've come to know a lot of people that - sexual orientation is such where they're in love with people from the same sex, and I just don't think it's our role in the government to say, 'No you can't be married.'
I will tell you, in the case of education, you have to make the investment if you're going to get the return. There's no doubt about that. It's a proven fact the return is there if you make the investment. It really is about priorities.
I'm a farmer. I always will be a farmer. When I die, I'll be a farmer. It's something that I've wanted to do since I was 8 years old. I can tell you also that I see opportunity slipping away for our kids.
You've got to have a good public education system so small-business owners, when they locate to an area, are confident their kids are getting the best education possible. I feel strongly about local control in school districts.
It brings me back to reality. The combine doesn't care if you're a senator or not. It breaks down whenever it wants to break down.
I think there's plenty of folks out there, whether they agree with me or not, they appreciate the fact that you're listening to them. And I think that's how you win.
If people really want to sit down and visit and talk about things like health care, which is a very, very important issue in Montana, I think oftentimes you want to get to the same goal. And that is affordable health care costs.
I don't believe in models that say you just knock on this door, you just go to this community, and you'll get elected. I think you go everywhere, and you listen to everybody. Everybody's got ideas.
I was a guy who needed to go to class, because I had some raw talent that I thought was identifiable, when I finally made a decision to be an actor. And yet I wanted to learn how to really do the stuff. You know, 'How do I get to be a serious actor?'
You start where you can get an opportunity, you take everything that you can do to gain entrance. You do the little work and you try to find people who can teach you.
You can get digital technology that almost is film quality, and go make little films and do everything you can to find a little understanding of your own voice and it will grow - Don't take no for an answer - Take every opportunity you can to do something.
This lie of political correctness is bringing this country down. You just want to break through it all.
Do not let the Obama administration fool you with all their cunning Alinsky methods. And if you don't know what that method is, I implore you to get the book 'Rules for Radicals,' by Saul Alinsky. Mr. Obama is very well trained in these methods.
The idea of right and wrong, being righteous, acknowledging when you make a mistake, repentance - all these important things I got from my Catholic background.
If I do a scene with an actor who doesn't have much experience, I say, 'I tell you what we're going to do: You just listen to me, and then you respond. We don't have to do any acting.' And that's good advice because you shouldn't see the acting.
I have a perfectionist mentality; I want things to be right. But I've had a little duel over the years with that mentality. Because it can inhibit you.
One thing that's great about seeing your kids is you see things that you admired in your parents.
I just think that I'm a person who's trying to find the truth and express it as I, you know, get the opportunity.
Doesn't make a difference who you're auditioning for; whatever it is, you have an audience, and you have a role, and you have the opportunity to perform that role the best you can for this audience. If you look at it like that, it doesn't make a difference if you get the part or not.
It's just this feeling of when you're a kid, you have these ideas about the world and about people in your life that don't always hold up as you get older and start to realise that things are more complex than you might've realised. That's always a big part of a coming-of-age story.
Have you ever seen the video of the kid with the Spider-Man pinata? He just sets the stick down, walks over, and gives the Spider-Man pinata a hug. He doesn't want to hurt his Spider-Man. He loves him! And I think that's a universal feeling towards Spider-Man. You just can't help but love him.
Peter Parker is sort of our ground-level view of this Marvel universe. You know what it's like to be in the penthouse with Tony Stark or have this god-like view like Thor, and I want to show what it's like for regular people in this world.
My friends and I have always been trying to make movies, at every moment. We've tried so many different angles and approaches. But when it happens, it happens, and you just run with it.
Getting the support of Syria is the moral equivalent of winning the Klan's endorsement - it might be useful but it doesn't necessarily speak well of you.
You know those Navy SEALs, they weren't Democrats and Republicans. They were just doing what was best for America. Wouldn't that be a great country if all of you Americans were just like that? You followed orders, you marched in step and you followed my agenda.
You can make a very good argument that society would be much worse off if you let 10 rapists and murderers free rather than put one poor, wrongly accused accountant in prison. And so my only point on that is that it should open up an argument. It should not sort of settle one, because nobody disagrees with it.
Our country, if you read the 'Federalist Papers,' is about disagreement. It's about pitting faction against faction, divided government, checks and balances. The hero in American political tradition is the man who stands up to the mob - not the mob itself.
But you're never taught in schools - we don't teach anyone in public schools that government is the problem. We don't teach anyone in college that government is the problem - except maybe a handful of sort of unique, conservative schools. But mainstream media never talks as if government is the problem.
If you spend any time in Washington you'll find nerds. What happens is most of them sublimate their fixations with comics, or baseball cards, or 1960s British comedies to policy minutiae and political arcana. But, like Christians in ancient Rome, you can still spot them if you know the signals.
It's always better to shock people and change people's expectations than to give them exactly what they think you can do. It's not unexpected for me to be in a comedy film anymore; I'm no longer the underdog in that world. Not that I'm great or good at it or anything, it's just that I've done a bunch of them, so you're not shocked.
Once you make a movie like 'Superbad,' when it's popular and you're the lead, you get offered all kinds of things and there's a temptation to make bad movies either for the money or to maintain your relevance in pop culture.
I really care about this stuff, I care about movies, and you just have to be strong and don't be stupid; freedom of choice is a big responsibility, and I'm lucky enough not to have to just take any movie to pay the rent, so there's no need to be greedy.
All my friends were in college when I was making 'Superbad.' We were drinking beer and watching movies and eating pizza. It wasn't like I was going to nice restaurants or anything like that, and I lived like a frat guy. Eventually it was time to grow up, be healthy and be responsible. You can't live like a kid forever, you know?
I think our culture has gotten so skewed. People assume that because you're an actor you want to write a book to exploit your celebrity, but my celebrity is only a byproduct of me making movies. I have no intention of being a celebrity.
What you discover when you look at creativity from the perspective of the brain is that it is universal. We're all creative all of the time, we can't help but be creative.
If you're trying to be more creative, one of the most important things you can do is increase the volume and diversity of the information to which you are exposed.
I was on dialysis for 18 months before the transplant, so it was important I tried to look ahead to days like my comeback this Saturday. You need those big goals to drive you on.
It was like falling off a building and suddenly, bang, you hit the bottom. The first time it happened was on an ordinary day at home. I was taking down some curtains. I took one step, turned around, took another step and then I fell and hit my head hard on the rowing machine.
I always say to people that you have never seen the best of me, and that's what I mean - I've never been fully fit.
When we were presented with the opportunity to start this group, we were just like, 'Why don't we?' The name stuck. You can also apply it to tons of different things. Why don't we spread positivity? Why don't we love each other?
You can't take it on that you're responsible for somebody else's well-being, but you can be positive and bring them up.
It's hard to be taken seriously by anybody above the age of 18 or 20 or something when you're doing a social media tour.
You have to be so willing to hug and say 'I love you' so much. And you have to talk to every single person individually - which I love doing, but it's actually, like, really emotionally tiring.
When you do a meet and greet, every single girl wants something special from you - an extra little hug or something. And that takes something out of you, almost - like, emotionally, you know.
At The Huffington Post, we thought of the front page as a one-stop shop for everything you'd need in news.
I think a lot about how ideas spread, how information spreads, why is it that something you're really proud of and you spend a lot of time creating sometimes doesn't go anywhere, and something that you kind of do on the side, on a lark, ends up getting shared and passed around and having this big impact.
If you look at the heritage of the best advertising, you can make stuff that is great for both readers and advertisers. I don't think Don Draper would have loved banner ads.
Mormons know that it's not enough to practise your religion - you also have to spread your religion.
I think the best content on BuzzFeed is something you share with someone else in your life, and it connects you to them. And that's a big part of what e-mail's about as well.
It's so much easier to write for a person in your life than to write for some imagined readership, so you write something that's more intimate and true.
People used to share things with e-mail on a massive scale. If you remember e-mail forwards from the late '90s, it was a terrible way to share content.
Robin Hood is often seen as the hands-on-hips, archetypal, tally-ho hero. But, realistically, the one calling the shots wouldn't be at the front shouting about it. He'd be the one you don't expect.
The first time I've actually filmed in London, the locations we've all had have been real inner city, grimy urban places which has been great. Filming here, you've got everything on your doorstep, so when you've got time off, you can go into town, so I've really enjoyed it.
I was proud of 'Robin Hood,' even though critics wrote negative things. But I had to laugh when this big, shaven-headed Hungarian stunt guy first saw me. He said, 'You Jonas? You playing Robin Hood? You need to go to the gym today.' So I thought, 'I'm going to show people.'
Plain white T-shirts do it for me every time. You can spend anything from £3 to £50 on a T-shirt, but I've bought some great ones from H&M, as well as shelling out on Duffer Of St George and a Polish label I discovered while filming 'Robin Hood' in Hungary called Scotch And Soda.
Jewellery's not a big thing for me. The only thing I wear is a gold cross on a chain that I got for my 21st birthday. You have to take it off every day for filming, but that's the only time I'm not wearing it. You won't find me in rings, bracelets or earrings.
I live in Sheffield, and most auditions are in London, meaning I'm normally a bag of nerves on the train to London because you have all that time to think.
If you find yourself desperate for money, you sometimes do whatever, but on the other hand, if you really want to be known as a certain type of actor, then you have to restrain yourself.
It's the worst feeling, going into your record label when you haven't got a hit. It was like: 'Maybe you've lost it.' And, once you're done, that's it. There's no support, or anyone to help you.
The focus is on melody: If you get it right, and it connects to the mass audience, it doesn't matter if it's a studio album or played on the dance floor.
I find in America, actually, I actually prefer it because it's all about energy. It's all about making everyone feel happy and smiling. In the U.K. sometimes people are a bit too concerned about, 'Did you play that track? Did you play that track?' It's not so much about the music in the U.K.
That's the whole part about being a deejay: You've got to make sure you are prepared. At the end of the day, you do have your genre - house music, dance music - but there are many different ways of playing that.
I'm very close to my family but this life moves so fast. Coming off stage, you're so tired so forget to make the call or send the text. By then five days have gone by and you haven't spoken to your family.
Radio has had my back since 'Missin' You Crazy,' which was a very traditional kind of song.
You gotta have a good beat to survive in modern country in general. Everyone wants to feel good, laugh, dance, and cry. But at the same time, they all want it to sound happy.
We travel so much as touring musicians and artists that sometimes, when you hear a great song that you really think could be on your project, you go ahead and record it instead of try to write it.
If you can take a piece of life and put it in a song, it's going to be a good song - especially if it's from the heart.
I love having those lyrics that at first make you think it's about one thing, but it's really about something so much more.
You can't act alone. Use the props, the setting, the crew around you, and of course, your fellow actors.
TCP works very hard to get the data delivered in order without errors and does retransmissions and recoveries and all that kind of stuff which is exactly what you want in a file transfer because so you don't want any errors in your file.
If you're in charge of managing domain name space you should treat everybody who asks for a registration the same. Whatever that is - whether it's nice or ugly or whatever - just be fair, treat them all the same.
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