You Quotes
Most Famous You Quotes of All Time!
We have created a collection of some of the best you quotes so you can read and share anytime with your friends and family. Share our Top 10 You Quotes on Facebook, Twitter, and Pinterest.
I was going to be a great woman novelist. Then the war came along and I think it's hard for young people today, don't you, to realize that when World War II happened we were dying to go and help our country.
I think careful cooking is love, don't you? The loveliest thing you can cook for someone who's close to you is about as nice a valentine as you can give.
Being tall is an advantage, especially in business. People will always remember you. And if you're in a crowd, you'll always have some clean air to breathe.
I hate organized religion. I think you have to love thy neighbor as thyself. I think you have to pick your own God and be true to him. I always say 'him' rather than 'her.' Maybe it's because of my generation, but I don't like the idea of a female God. I see God as a benevolent male.
The secret of a happy marriage is finding the right person. You know they're right if you love to be with them all the time.
Drama is very important in life: You have to come on with a bang. You never want to go out with a whimper. Everything can have drama if it's done right. Even a pancake.
I still feel that French cooking is the most important in the world, one of the few that has rules. If you follow the rules, you can do pretty well.
I do think, with people in comedy, you can have your time, as it were, and then you don't realise that it might have gone. I hope it hasn't for me. I think what I do is, I just... I just try to plough my own furrow, in a way.
I think, in comedy, you only hit about one or two great characters in your career. Sometimes my character will be just a sketch... what is the funniest situation to put this person in?
That is one thing I really hate about working in TV - you have to shape episodes to exact time-lengths, do like 22 minutes, and it is just so against what you are making.
I just find it funny and terrible: someone being very rude and overbearing over somebody who doesn't know how to deal with it. Maybe it's because I've experienced that sort of thing and I don't know how to say, 'You can't do that. You can't say that to me.'
The thing that I look for in a script - I'm not looking for anything next because you never know where life's going to take you, so you can't just expect, 'I want to do this next.' So I'm not expecting anything; I'm just hoping.
I think that the most important thing for me is, how is the character that I would be reading for? Is it interesting? Is there stuff to do? Are there things that you can do with the character? How can you play it out? Just those kinds of things that are very important for an actor. Also, a good director and good dialogue.
For my senior year, I'm home schooled. It's working well with the acting. Juggling school with the acting is hard, but you know, what can you do?
I think the hardest thing about doing an accent, especially with a Missouri accent, is making sure that you're not mumbling with the words so your diction is clear.
You have to add some sort of dimension to each of your characters because everyone has their own layers.
If you feel like you're doing terrible in a scene, that usually means that you're not listening because you're too preoccupied with yourself... you're not listening to your scene partner. If you listen, you're naturally going to get that response that the camera's going to pick up because you just react.
Those of you who have spent time with Australians know that we are not given to overstatement. By nature we are laconic speakers and by conviction we are realistic thinkers.
I want you to know what I have told Australia's Parliament in Canberra - what I told General Petraeus in Kabul - what I told President Obama in the Oval Office this week. Australia will stand firm with our ally the United States.
I'm not a believer that you have to write every day. If I felt industrious, I'd spend ten hours a week writing. The writing is going on all the time in my head; the trick is to capture it. Showers are great. Traffic jams are great.
The old adage is, 'Write what you know.' But if you only do that, your work becomes claustrophobic. I say, 'Write what you want to know.'
There are very few works of fiction that take you inside the heads of all characters. I tell my writing students that one of the most important questions to ask yourself when you begin writing a story is this: Whose story is it? You need to make a commitment to one or perhaps a few characters.
To me, stretching the capabilities of my imagination is a crucial aspect of writing fiction; you could think of it as a mental form of athleticism.
Something as unique as 'Scrubs' is a tough act to follow. It's hard to find something that good that you want to really make a commitment to.
I left family court for the vagaries of TV and said to myself, 'Judy, what the hell are you thinking?' It seems like only yesterday.
Unless you work in HR, it's not your responsibility to necessarily police and monitor workplace conversation.
While you are searching for a job, it is a good idea to be on your best behavior.
You don't want to appear as if you are not a team player, but at the same time, you don't want to be taken advantage of.
So many people apologize because they feel like they have to - that it's the appropriate thing to do, that it may help them down the road. But people can tell whether you're sincere.
It's good to have a healthy ego because that pushes you to succeed. But when you cross a line, and your views are not balanced, that's when you get into trouble.
Whatever the issue is or problem is, you have to own it, and you have to face into it. If not, it will just really get worse, and it will get compounded.
I think, sometimes when we face problems and issues in our life, we have a tendency to really deny that a problem exists. Or sometimes we say, oh, it'll go away, or we can handle it. It's - you know, don't worry. I've got it covered. And a lot of times, that's not the case.
My theory on an existing crisis is that you have to be very strategic about each case's unique elements. If a crisis involves a legal component, you need a communication strategy that complements the company's legal objective. A strategy for a plea deal is different than a case going to trial.
I've always been interested in image and reputation management. Because really, when you think about it, it is an old phrase, but all we have is our word and our good name.
When you're at the center of the universe, you have to think quickly and size up a situation instantly because, whether you like it or not, you're going to be on the news the next day.
Above all else, protect your brand. If you or your company doesn't live up to your brand's promise, own up to your error.
If your response to a problem or scandal isn't genuine, followers will sense it. And remember, by saying nothing, you're saying something.
If you spend enough time in or around Washington, you'll meet amazing people who work for the government.
You have a negative, and you can have an influence whether you want to have it more contrasty or less contrasty; you can pre-flash the photo paper. You can make it warmer or colder, lighter, darker. This is all a way of manipulating the image in a normal way, not changing the pixels.
If I do a portrait, I know what they can take. If somebody's a sweet, shy person, the photographs will be sweet and shy. Of course, you ask people to do something which they might not have done before, but that's the journey, the fun element.
When you're a kid, what you learn in school about being German has a sort of heaviness about it, and you have a sort of guilt with you.
You can't get away from fashion. The whole beauty thing is everywhere. It's just really weird.
It's important to spend time with your work. That's when you see it, when you have a feeling.
For me, cinema is very important. I grew up with television; then, as a teenager, you discover cinema.
When you have your own kid, it suddenly makes you more aware of how your parents treated you and educated you. Your relationships with your partner, your uncles, your mother all change; you're more conscious of where you came from, of where your roots are. I find that very interesting.
I don't care what other people think. I hate conforming, that you have to wear this to a business meeting or that to a dinner. I've never worked that way.
There is an amazing power getting to know your inner self and learning how to use it and not fight with the world. If you know what makes you happy, your personality, interests and capabilities, just use them, and everything else flows beautifully.
Our films tremendously influence people. But at the same time, no one goes to the cinema to listen to lectures, so if you have an interesting story, and if you can showcase it as a film, and its messages are good, then it's like an icing on the cake: it shall be a superhit. And if I get those kind of films, I'll definitely want to work on it.
At the end of the day, we always show that truth triumphs. We don't leave the movie in the middle saying, 'Great, pick whatever you want to and go out there and do something wrong'. Bollywood is not the only influence in a person's life. They are also affected by their family and friends.
When actors are vying for the same kinds of roles, there's bound to be a little rivalry. Deep friendships cannot be forged when you are competing with each other.
Everything does not happen according to a plan, and you learn your lessons the hard way.
As you know, the business is cyclic with styles. It's no different from clothing styles.
There's also, I think more so in the music business and especially for women, this ceiling that people put on you if you have children or a family and decide to spend time with them.
In between that time, I've done book narrating, you know, books on tape for Dove Audio.
I feel as though, if you're able to control your dreams, you have more power and control over your mind, like you could reach more areas of your mind. Therefore, I feel like it creates the ability for you to achieve more things in reality.
I got family members that's police officers. I don't got no problem if you a cop, as long as y'all doing y'all job, and y'all not harassing.
I really just like making music. People call that 'work.' Like, 'Oh, you're going to the studio to work?' No, that's even what I do in my off day. I love recording.
Honestly, the way I make music, you know - it's like, I don't want to sound cocky or anything, but I try my best to make time with music that doesn't have an expiration date.
It all starts off on the field. In any sport, that's how you catch people's attention. From there, you kinda show your fans, your following, what kind of person you are and your personality. I let the field work do its work.
You can be in this league for 10-15 years and not win a championship. My boy, Nelson Agholor, been in the league for three years and got a ring with Philly. That's what we live for and dream for. That's why I think a lot of guys stay in Pittsburgh: because we always compete for championships.
Mike Tomlin, man, is one of the realest coaches out there. He keeps everything real; he keeps it 100. He doesn't lie to you. He doesn't sugarcoat anything. And that's what I like about him.
You take care of business on the field; everything will take care of itself off the field.
When you play football, you want to see something like a trick play or something that is very exciting. You want to give the crowd something to be happy about.
Breaking down barriers, succeeding away from home, living in another country, another culture, different football, makes you much stronger.
Being favourites is no title; it's an adjective. You win titles thanks to what you do on the pitch, and little else.
In football, you never know what can happen tomorrow. This is the elite, and you have to be ready for any situation that can occur.
If you ask me what is going to happen in a month or a year, I can't tell you. We're focused on the present.
You earn the title of favourite when you win. It's not when people say you're a favourite because of past achievements; it's when you show it on the pitch.
Feeling a few nerves is necessary and positive. That tension is a good thing: it's a sign that you're doing something you like, that you're passionate about, and about which you have a great sense of responsibility and respect for.
I was never really a model. That somehow is in my bio. The whole thing is I was tall since I was a child - you're either a model or you play basketball.
You've got loves of your life and breakups of your life, that kind of thing. They leave a mark. It stays with you, a bad aftertaste.
With my early work I got eviscerated by my male professors, and so you learned to disguise your impulses, as many women have done. And that's definitely changed.
I was 23, and that was my first professional job. Anybody who has curly hair knows you don't want it to be brushed out because it becomes a never-ending tangle.
You are never so alone as when you are ill on stage. The most nightmarish feeling in the world is suddenly to feel like throwing up in front of four thousand people.
I've always taken 'The Wizard of Oz' very seriously, you know. I believe in the idea of the rainbow. And I've spent my entire life trying to get over it.
Hollywood is a strange place if you're in trouble. Everybody thinks it's contagious.
When you act a scene with Sidney Poitier, he listens intently to every word you say. You can feel your words hit him. He makes the scene utterly real.
Women are taught that if you want to be a lady, keep your opinions to yourself and be polite.
It's so cheap to just release a movie. You can do it by yourself if you have to. Put in on the Internet if you have to.
When you do a movie, you don't know when it's going to come out. In a year, you forget about it.
It's bad enough when people are comparing your movie to just other random movies, but when you have another 'Carrie' to compare it to, it's rough.
Sometimes I think to get to the emotional level of a scene, you don't necessarily have to have experienced the exact thing that person has experienced, but whatever you have in your life that has gotten you to that place is usually enough.
Guys, we are trying to share Unique You Quotes, so you will not get to read the same things again and again on our website. You can also share your favorites on Facebook or send them to a friend who loves to reading quotes.
