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I'm of the school that I will direct you if you request it - if you have a question.
I learned that when you're lucky enough to be surrounded by such talented people that you really become more of an orchestrator of this talent - you're just trying to harmonise everyone's contributions.
From a personal standpoint, I'd say that, yeah, seeing how quickly children grow, you realize how fast life goes by.
What do I mean when I say 'suspended animation'? It is the process by which animals de-animate, appear dead and then can wake up again without being harmed. OK, so here is the sort of big idea: If you look out at nature, you find that as you tend to see suspended animation, you tend to see immortality.
If you look in the animal world, many, many organisms will enter into states of suspended animation.
I think we've all been kind of... everyone's been hurt, everyone's felt loss, everyone has exultation, everyone has a need to be loved, or to have lost love, so when you play a character, you're pulling out those little threads and turning them up a bit.
We'll engage in pretty extreme violence in the world but, you know, the one thing that comes to humans as easily as eating or breathing or sleeping, is sex.
But, the relationships that I see work - As long as they're telling the truth, and saying the things that you don't ever want to have to say to another human being.
The one great thing about a continuing collaboration is that they know you. And if you're really lucky, they really believe in you and think that your talent has some unending bounds to it.
I think of marriage as a garden. You have to tend to it. Respect it, take care of it, feed it. Make sure everyone is getting the right amount of, um, sunlight.
Do theater. Because you'll develop a craft that you'll always have. It'll give you a chance to really learn how to act and you won't go into the world with a few measly tricks that will only carry you so far.
My personal belief is that you carry your own water in a relationship. If you see a girl and you think she's hot, that's a very human reaction, but you don't go and tell your spouse that, you know? So in one way it's how you behave.
I always like having kid energy around. I think it's good for a movie, even when you're doing dramatic stuff.
You've got the brain-washed, that's the Democrats, and the brain-dead, that's the Republicans!
Humor is very very risky, particularly for a candidate, unless he's been in so long that it just doesn't matter, and he's not running for president. But it's just that people are so sensitive and so touchy, and you're just going to upset somebody without ever realizing it.
You know that a given in life in human nature, is that at a sporting event, a baseball game, a football game, you never introduce a politician, is because he'll be booed. I don't care if he's the most beloved person in the world, its part of the game.
The thing that you're faulted on today is not that you are too tough, or not that you aren't careful. It's that you might have been too soft. People want that red meat now because you have to keep up with the mood and the mood today is harsh. It really is.
You can't please everyone, but I've always felt you cannot ultimately lose if you give everything you try 110%. You'll always learn something useful, even from a failure, that can be applied to the next challenge or project.
It's been the most creatively liberating thing I've ever done and so I'm bringing some of that mad enthusiasm to Marvel for the next couple of years as they let me loose on some Marvel Universe titles you'll be hearing about soon.
The animated books pay the lowest rates at the Big Two and you can forget about royalties.
If you ever want to eat a tuna sandwich again, don't go to a tuna factory. I visited one where they had two lines: one was the human food line and one was the cat food line - and they didn't look any different.
Perhaps... I mean there are people who defend that it as an art. I don't. I like it but it's not an art form as far as I'm concerned, and yet it's a similar thing, once you can't land those jumps, you're disqualified - that precludes it from ever becoming a serious art form.
We're all in the same room, so I want people to be involved with one another, but again you can't decide exactly to what extent that operates. It varies all the time and it depends on the show, it depends on the audience, it depends on everything.
I love the way in which I make up dances. It's a complicated way and the product is usually clear. Clear and simple. I don't need everybody to know that there are all of these fabulous things going on. If you CAN see it, that's wonderful.
Well let's see; I'm not obsessed with... I like Walt Disney except that you know, except for the horrible fascism. I love the art of it. I like a lot of things I don't agree with and that's one of them.
Sure, I could give advice; I could, say, travel the world, listen to music. But all I can really say is do something you want to do and do it well. And if you want to be a choreographer, then you have to make dances.
I've worked with a lot of directors, some of them you wouldn't really attach the word 'artist' to their name.
Don't get me wrong, I love training and I love playing but everyday life? People see the money and the material things that footballers have but you get to a Premier League level because you have something inside you and you can play. Ninety per cent of that is self-pride.
I don't think I will fully appreciate it until I have retired. My dad will ring me after a game and if we've lost it's the end of the world for me but he will say: ‘I don't think you realise - you are captain of West Ham, you grew up supporting the club.'
You have to hit the ground running at West Ham. If you don't, suddenly from the fans it's, 'You're not good enough to play for our football club.'
I watch a lot of football and you hardly ever see Premier League players go down with cramp. The fitness, the intensity of Premier League football is phenomenal.
Obviously when you grow up in the area you love playing on the street, and to go from playing on the street with my mates to playing at Upton Park is a bit surreal, and 15 years on to still be in the heart of the West Ham midfield is quite good going!
Modibo Maiga, Guy Demel and Momo Diame can't understand how you go fishing and chuck them back. They say, 'Bring it in, I'll eat it.'
Players such as Scholes and Gerrard, Ryan Giggs and Jamie Carragher have consistently performed at the top level and played hundreds of games. It's fantastic, I'd love that. But you never know what's round the corner.
You can't play man to man against Liverpool and out-pass them. You have to keep your shape and stop them.
You want to play in the Premier League, full stop. You don't want to play in the Championship. I've played there and I don't want to play there again for West Ham.
I love playing football. I always look at it as there's a lot worse things you can be doing than coming into a training ground in the morning and playing footy and having a laugh with the boys.
If you want to pay money for an English talent you pay way over the odds. You get players from abroad really cheap.
I want to score but when you think of the soldiers in Iraq with bullets flying around their heads you realise a penalty isn't something to get too worried about.
We're not robots, we're not factory built. We have feelings, we have families and we go through tough times that people don't know about. Sometimes your form isn't good and there's a reason for that. Sometimes the team isn't playing well and you can't quite work out why.
When you're 2-0 up and you lose possession, you sprint back. So much of it is down to confidence - it's really down to really wanting to make that run.
It is hard if you have got family and kids and you have to leave them on Christmas Day to go and train but listen, we are a small minority of lucky players. We have obviously worked hard for this, but we are lucky enough to have the ability to play in the Premier League.
You have to take the good with the bad and if you have to play over Christmas you have to. We have a good life and playing football over Christmas is not the worst thing in the world.
When I speak to my dad and my wife, and friends, they say it's 10 years at West Ham, you're leading the team out every week, when you sit back and really think about it, it's very rare.
The way football is, sometimes, everything that could go wrong goes wrong. You have to dig yourselves out of that by simply working hard and sticking together.
When results go against you, that's when you really test how good you are as a team.
Each of you possesses the most powerful, dangerous and subversive trait that natural selection has ever devised. It's a piece of neural audio technology for rewiring other people's minds. I'm talking about your language.
You and I probably wouldn't be here if our ancestors hadn't been greedy savages.
When you work in a culture that thrives on innovation and is constantly moving into unchartered territory, you're going to hit dead ends. But to be successful over the long term, remember what you've learned and move on from it quickly.
My wife will go, 'You know, you're drawing a shoe right now.' I do that all the time.
I'm a relentless sketcher. It goes back to how you process the world around you - the whole left-brain, right-brain thing. Some people are data-driven. I've always been more visual.
You don't always have to start over to create an emotional reaction to your product. It's always powerful to deliver a breakthrough, but there's also a true art to making something great even better.
I don't think you need a certificate to truly legitimize you or authenticate you as a designer. I think real innovation and creativity can come from everywhere.
The great thing I like about the sci-fi genre is there's a lot of different latitude for a lot of different kinds of behavior. You can be a very larger-than-life villain, or a very naturalistic villain, and all of it seems to fit.
Sandy Meisner would say it takes 20 years to make an actor. Some people it takes five, some people 30. And you have to have patience and forgiveness for yourself. It's hard when you see people at your age or younger becoming successful.
I think L.A. actors don't have much continuity, so you kind of have to force the issue by doing plays and putting up scenes and staying in class.
I think you're defined as a company by what you choose to do and what you choose not to do.
Clearly as you move to being a public company, probably even more than growth, there is a huge value based on predictability.
You can manage 50 people through the strength of your personality and lack of sleep. You can touch them all in a week and make sure they're all pointed in the right direction.
In a world of shared data services, where you have third-party networks selling ads on your behalf and displaying them in real time to your users, it's very difficult for you to control everything.
As an entrepreneur, you can have an instinct, and your instinct is right, but your idea you're substantiating that into is wrong, and the world is not ready for it.
The more you can be self-aware and honest about yourself, the more you can cultivate that in other people.
When I entered the workforce, I was frustrated. When you're starting your career, somebody else is 'The Man' or 'The Woman.' They go into a room and make the decision, not you. You don't feel empowered. I wanted to break through that.
You are as good as your product. When you are used and loved by everyone, your brand equity is high. When you are not, you're not.
I still believe that we can offer you a much deeper, more engaging, more compelling play experience on a PC than we can on a mobile device, but one can enhance the other, and one can expand the other. I don't think they necessarily will compete with each other, just like how we find a place for movies in our lives, and TV and radio.
I regularly encourage employees to break rules. I also say to employees that leadership starts with complaining and dissatisfaction. But it doesn't stop there. It comes from saying you're dissatisfied with something and then fixing it and making it better for everybody.
It's okay to be misunderstood - as long as you're not misunderstood by your consumers.
People really want to believe that there is no fiction. I think they find it much easier to imagine that novelists are writing memoirs, writing about their lives, because it's difficult to conceive that there's a great imaginary life in which you can participate.
In low comedy, a character gets hit in the head, and you don't really believe it. In farce, he's hit in the head, but he must be hit in the head. The character requires it.
I think the best part of learning a language is that you can see the country's culture through the language. And it gives you different levels of understanding of that culture when you really try to dig in and learn it.
We all have great aspirations for ourselves, but if you expect yourself to change the world tomorrow, then you're going to just drown yourself in anxiety and constant feelings of inadequacy.
Whether you're from Egypt or Argentina or Singapore or Canada, you have a need to feel important, a need to feel secure, and a need to feel loved. The culture and economics just determine how those needs are expressed.
Obviously, we all want to feel pleasure. It can't be one of our highest priorities because, simply put, anything worthwhile in life is going to be un-pleasurable at times. Pleasure is the type of thing that if you get the other stuff right, pleasure will happen on its own.
The fear of failure never goes away. In many ways, you could argue that success multiplies the opportunities for failure. It's just more of an argument for becoming more comfortable with it.
If I ask you, 'What do you want out of life?' and you say something like, 'I want to be happy and have a great family and a job I like,' it's so ubiquitous that it doesn't even mean anything. Everyone wants that.
People want to start their own business or become financially independent. But you don't end up a successful entrepreneur unless you find a way to love the risk, the uncertainty, the repeated failures, and working insane hours on something you have no idea whether will be successful or not.
The first step in making better choices is to simply be brutally honest about your own behavior to yourself. What are the choices you are making? How are you spending your time? What are you neglecting that you shouldn't?
I love massive books: books so big, like bricks, you could drown yourself in a pool with them if you're not careful.
A lot of the people that stop you - well, they're not nuts, exactly. They're more like super-fans. They think that I'm some sort of rich guy, that everyone in the movies is making the kind of money Angelina Jolie is making. They don't realize that most of my life has been a struggle.
You don't play villains like they are villains. You play them like you know exactly where they are coming from. Which hopefully you do.
Of course, we wrote the songs accordingly and performed and recorded them that way. At that time, we really thought it was right, but you know, seen in retrospect, it made the album sound forced, and not really great.
Today they're praising you sky high, place you on a pedestal and tomorrow they don't want to know you.
You know how it is with drawers and labels in the music business. They don't want anything to be complicated. They just want it simple, as simple as possible.
I tell you what, I was so shocked because I didn't think the ball had enough to get out. It's an absolutely incredible feeling. I can honestly say I did it.
I've been thinking about the record since I reached the fifty plateau. But you think about it and then you let it go because you can't waste many brain cells on hours thinking about it.
What a perfect way to end the home stand, by hitting sixty-two for the city of St. Louis and all the fans. I truly wanted to do it here and I did. Thank you St. Louis.
I'll tell you, Liz Cheney is going to be a very good candidate. I worked with her during the Bush campaigns. She's smart, she's focused, she's disciplined - and she's got a great back story. She's got a large family. She's a great mom. And she's a hard worker. I think she's going to be a very effective campaigner.
The initial attraction of a political convention was that often the outcome was not preordained. There was at least some element of surprise. But, now it's like tuning in to a movie where you already know the plot and the ending. It's just not that interesting.
It's the oldest trick in Washington - when presented with a policy solution you don't like, characterize it as the bogeyman.
The last thing you want to do is go up against someone in your own party and certainly your own president.
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