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You want to put out good vibes for the viewers, even if so many stories that have to be told and that need to be told have a lot of darkness in them, because the world has a lot of darkness in it.
It's difficult to always have to be contextualized within the careers of your parents, and it's difficult not to feel like you can stand alone, but hopefully I'll earn the ability to stand alone over time.
Sometimes the world will tell you that you do what you do for a different reason than your reason. And if you let them convince you that that's your reason, it will become your reason, and you will lose track of yourself.
My goal is to strip things down so that you need just the right amount of words or shape to convey what you need to convey. I like editing. I like it very tight.
It's only in hindsight that you realize what indeed your childhood was really like.
You couldn't put me in a social group setting. I'm probably a terrible anarchist deep down.
The only thing that mattered was what you were to do in life, and it wasn't about money. It was about teaching, or learning.
I went through withdrawal when I got out of graduate school. It's what you learn, what you think. That's all that counts.
When I was building the Vietnam Memorial, I never once asked the veterans what it was like in the war, because from my point of view, you don't pry into other people's business.
In art or architecture your project is only done when you say it's done. If you want to rip it apart at the eleventh hour and start all over again, you never finish. I was one of those crazy creatures.
You should be having more fun in high school, exploring things because you want to explore them and learning because you love learning-not worrying about competition.
If we can't face death, we'll never overcome it. You have to look it straight in the eye. Then you can turn around and walk back out into the light.
Art is very tricky because it's what you do for yourself. It's much harder for me to make those works than the monuments or the architecture.
You don't want to be the first person to tell your 5-year-old, like, 'You're going to have a life filled with disappointments and letdowns - enjoy!'
The rich emotional tapestry of being a mother, becoming a mother, connects you to your own mother. I didn't realize how much I'd become her. I pass a mirror, and am surprised by how much I look like her.
I think you can have varied and seemingly contradictory depictions of a single person because we all have many facets and, in a way, many selves.
Barack himself is very much a regular guy, not a silver spoon, incredibly smart, but, you know, he's a scholarship kid, made good use of the resources that were available to him, worked incredibly hard.
You really need to love something or someone in order to work hard enough to be very successful. You have to believe in something and have a certain optimism. Faith and optimism come from love.
There's a certain groove you pick that makes the music flow, and when you have it it's in your pocket. It's the feeling behind the rhythm... to me, the hardest thing to strive for is that feeling, behind the groove.
I was a really crazy kid. I'm still a crazy kid. That's the nice thing about being in a rock band. You can feel 14 forever.
I think Woody Allen calls it 'anxiety of influence.' When you're in your formative years and you watch a movie that makes you want to make movies... For Wes Anderson, it's Truffaut. I'm sure for P.T. Anderson it was Scorsese and Jonathan Demme.
I feel totally lucky and happy. I think a lot of young directors feel this way but you sort of, like, have a biological clock that starts ticking and you like feel like you aren't anything until you direct a movie and you need to find yourself and this is how you do it.
Johnny Knoxville has such an incredible humanity to him when you meet him. He's so warm and so funny, and he can sort of get into trouble and you sort of forgive him immediately.
I've always been sort of influenced by my male relationships and that period of my life when you start to cringe and be like, 'I can't believe I wore this or that.'
The hard part is how to plan a picture so as to give to others what has happened to you. To render in paint an experience, to suggest the sense of light and color, of air and space.
Thank you for allowing me to use colors as rich and deep as you please. I had always wanted to do so, yet was never allowed because of the color capabilities of our lithographers. Now that I have done it, I don't think I'll ever go back.
Happiness always looks small while you hold it in your hands, but let it go, and you learn at once how big and precious it is.
You must write for children in the same way as you do for adults, only better.
You can't do without philosophy, since everything has its hidden meaning which we must know.
I really love voice over work, because it lets you go crazy and have fun. You literally can go anywhere with it!
You can save a lot of money when you have responsible and bold policies that are in line with our principles, and we are telling the truth to Canadians.
You must believe in people. You must give back their money in their own pockets.
It's nice to have dreams, but when you use borrowed money to achieve them and act as if money grows on trees, you may have a brutal awakening.
From the perspective of corporations, taxes are an additional cost of doing business. If you increase their taxes, to remain profitable they will have to find ways to lower other costs, or to increase revenues.
You can shut down our economy and the effect on climate change, it will be nothing.
The politicians, they try to please everybody and when you want to please everybody, you won't please everybody. That's not my way of doing politics.
If you believe in free markets, I don't want to make any compromise with my principles and I think that's the right policy for Canadians and for Canadian consumers.
You have to stick to your principles and when you believe in something, to fight for it.
I just think the word interview, although it is the view between two people exchanged, became a sort of cliche. You ask questions and the other one answers.
A conversation goes sometimes into personal things and that's nicer. You look to each other and you have a different picture, you get into a relationship.
Everything you do has certain significance, a certain weight. I think there is a film in everyone.
Directing is like meeting a woman. You don't know her, but something strikes you, and then you just have to go into it.
When you have the cast, the sets, the lights, an opera takes on its own life. I'm not one of those directors who marches in with a set of plans.
Live riotously lest not you regret the minutes, moments, hours and days of time gone by.
Ripen your mind to the glorious history of the ages and revel in your mastery as today's youth shall look upon you as a sage.
Feed your brothers and sisters simply, graciously, with generous care, and you will secure a place in their heart.
There is an extraordinary degree of amity among Washington poets. They hang together. You would be hard pressed to find that in Manhattan.
That's my prescription for a happy marriage - marry someone who doesn't do anything similar to what you do.
It's interesting when people say, 'You always play strong women,' because as far as I'm concerned, women are strong. I think that's what women are. We have got that vulnerability, but we have got that strength. We are survivors.
You want to go to your deathbed saying, 'I didn't sell out.' But it's a tough business to keep to what you believe in and get through and do well.
I went to the Old Bailey, and I met a judge, and I was petrified, but they were like, 'Oh, you're an actor, well, great.' It was a bit like we're cut from the same cloth a little bit.
We shouldn't still be asking, 'Have you got children? Why've you not got children? Ooh, you must have children!' Bog off, d'you know what I mean?
They always said to me that I needed to be more feminine. I think it's so wrong. Being boisterous doesn't mean you are not feminine.
I care about my work, but I don't care about getting it wrong. The more you do, the more you realise nobody's going to die.
We take things at face value, don't we? You form an opinion about something immediately, but you ought to step back a bit. Take in the vista first.
I don't think it works to just be mad at them - Maxine Waters out ranting and kicking down the doors. It would be so easy to dismiss you and marginalize you.
This nation has always struggled with how it was going to deal with poor people and people of color. Every few years you will see some great change in the way that they approach this. We've had the war on poverty that never really got into waging a real war on poverty.
This is a tough game. You can't be intimidated. You can't be frightened. And as far as I'm concerned, the Tea Party can go straight to hell.
Be who you are, do what you do and let us get on with discussing the real issues of this country.
Being 36 years old changes you a lot, and so does eight years away from career, fame, needing attention, needing to be loved by strangers on some level. I was loving anonymity. I was loving the fact that I could meet a girl who didn't know who I was. I enjoyed it very much, I have to say.
Most of the people you see me working for me are actually with me. And I'm proud to say that I've known them for 20 years almost. I've written songs with, produced songs with them a lot of times. I don't deviate form my comfort zone. I feel like when God brings people to you, it's good to keep 'em around.
So many times, people want you to stay the way you were, be as you were before because they want to encapsulate you in a time so they can remember their youth. But you're here to continually push forward and move forward. That's where I'm at - I just want to always surprise people.
You can always write a song about people who are in love, but they're in love, so they're happy; they don't need you. But the people that I try to worry about are the ones who don't have anyone to give chocolate to, and the girl who doesn't have flowers coming to her.
Soul is a colourless thing. I don't think you have to be a black person to be automatically soulful. I respect Justin Bieber and Justin Timberlake; they do what they do. For me, my philosophy has always been 'contribution before competition.'
A lot of people thought my career was over. If you're not releasing records, then something must be wrong. Either the record company doesn't like your music, or you've been dropped. It has to something negative. It's not like you wanted to take a break, or want some balance, or smell the roses.
A part of me was like, 'Man, do I even like doing this anymore?' That whole thing of 'I'm in my 30s, and I sing and write songs while people are fighting wars in Iraq.' You know? So everything had to have more meaning, and it couldn't just be about making money. So, I took a minute.
I will say to all the fellas out there that, seriously, I am a setup. I'm just like rose petals. I'm like incense. I'm a background thing for you when you do your thing with your lady. I'm a friend, only assisting you in your lurve machinations. So have no fear of me, people.
The world is so caught up in the 'American Idol' idealistic sort of tendency in regards to just thinking that this whole thing is what everybody wants, but it doesn't help you make a better record.
People failed to realize that when you're living such a hyper, super reality of a life, where you're just doing shows and you're on TV and you're talking to this magazine, that doesn't bode well for trying to talk about everyday stuff that hopefully you'll connect with people on.
I remember where I'm from. It's like, 'Dude, you used to work at Pizza Hut.' I still have the hat.
If somebody says, 'Well, what are your favorite composers?' really, what they are saying is, 'What are your favorite composers apart from Bach?' Because obviously, Bach is your favorite composer if you are involved in music at all.
When I was a student, if you accidentally wrote a triad in a piece of yours, it was just sort of like you were breaking the law! You just couldn't do it. And that just meant you were a bad composer.
I don't have synesthesia, but I think when music is really intense, it's almost like it's more than just hearing. If you're at a gig, and there's just something amazing going on, it's not really just hearing: it's more of a total body sense, isn't it? You get transported, and all your senses kind of join up.
The thing that makes me want to write a piece of music is having something to talk about, you know? Something I want to get across. Because I'm a composer, music is my first language, and that's what I reach for when I want to convey something.
When you're working in cinema, you often have a very, very compressed schedule - very few weeks to just kind of go through that whole process of reflection and refining - and it has to be done.
'Spring One' probably has only four bars of Vivaldi in it, but it feels like it's all Vivaldi. It's odd. It's a bit like walking around a sculpture, you just sort of see it from a different angle.
When you make a piece, one of the interesting things is hearing what other people think about it.
That childhood passion and involvement and being really submerged in something, that's the kind of state I'm looking for all the time - and preserving that sense of magical possibility and wonder that children have. I think, for artists, if you can stay connected to that, then you are in a good place.
We've all got stories to tell that no one else knows. We've all got this truly unique experience of being. So I would say cultivate that, because then also you're cultivating something which is very natural to you.
Often, especially young artists, you feel like you should be doing something. And I think that can be very destructive because creativity is about connecting with the stuff that's deep inside you and making something out of that.
You can get away with a lot more in a film or television score. It is contextual.
All music is just a collision of sounds until you know its internal conventions and understand the nuances. It's a question of familiarity.
All you can do is trust, be open and prepared, and you have to be flexible, as much as possible.
Every single pitcher is making changes every single start. You can talk to any pitcher about this.
You have to be able to analyze yourself and critique yourself from every which way.
Sometimes in this game, you get punched in the face. And you've got to be able to take it and learn from it.
When you give your team five innings, you don't really feel good about five innings.
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