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When you're learning how to do magic, the first rule is 'never reveal a secret.' In a way, by telling someone I'm a magician, it kind of gives away the best secret of all... How interesting to take the magician out of the equation of a magic show.
It's always been the ones that got away that stick in your memory. You use them for motivation. The ones you win are brilliant and you enjoy them, and then you move on.
I think as an older player, there's a kind of natural responsibility or natural role to go around the lads and say a few things. I had it when I came into the team; when you look to the older boys in certain situations to see what they say, see how they act, and see what they expect.
I think bravery is to get on the ball and be bold enough and confident enough to try things when everyone is looking at you and the pressure is on and people are expecting you to win.
But I still think it's part of the skill of being a coach or manager - to know who responds to what. And some players do respond to a rollicking. If it needs to be done, you have to do it. As a player, that wasn't necessarily me.
You look at players who are off form and there's a general disappointment, their confidence goes low and their whole demeanour can change. I've seen it hundreds of times but it's difficult to know what's really going on inside someone's mind.
I loved passing, just feeling the ball against my foot. I think any individual, if you enjoy certain things, you tend to practice it more. That was kind of me.
If you look at anyone's career, there are times when you have hard times. Even the best players have to struggle through things.
I do try to stay involved in training and keep that routine as much as I can. I just feel I need to do it for myself, not because the manager demands it, but because you get to a stage where you have to manage yourself - what suits you; what doesn't.
It is tough when you don't play for a while and a couple of games go by when, you've worked hard to be ready, but then aren't involved.
When you get older, you want to be playing. I'm not one who would want to be sitting around as part of the squad, making up the numbers. I am conscious that I want to be playing and making a contribution to the team.
Over the season you have waves. It is very hard to go through the whole season at the same standard and winning games in the same way.
Outside you get credit and praise and it makes you feel good, puts a spring in your step, but really the ceiling was the manager. If I was playing at Old Trafford and felt as though I was contributing and winning things, that was enough for me.
If you like being patted on the back for the good times you have to be prepared to take the bad times.
I was relegated with West Ham and you never forget that. Going down, playing in the Championship, I constantly remind myself of that. I still remember the feeling, without doubt, I wouldn't allow myself to forget it.
Certainly every manager I've played under you take things from them. That's just part of gaining all that knowledge over the years. Some good, some not so good, but it's all part of the process.
You set out to be a footballer, when you're young, and you think I'd love to do that. There's plenty of things along the way that could change that, and it's the same thing now with being a manager, it's time will tell how it goes.
The expectation at United is to win every game and you have to be at your very best in training, never mind in the games.
Any experience you go through, you take something away from it, and I've always taken more from the harder times.
You try to pick good stories, and that's pretty much all the control you have as an actor.
Louis Pasteur said, 'Chance favors the prepared mind.' If you're really engaged in the writing, you'll work yourself out of whatever jam you find yourself in.
That's the best thing about writing, when you're in that zone, you're porous, ready to absorb the solution.
Obviously the Asian American community wants you to do well. They are cheering you on no matter what the circumstances.
In the tennis world, there weren't a whole lot of Asians playing. You see it a little bit more now. The same can really be said for basketball.
It's difficult sometimes when you have somebody who is of a different culture trying to make light of something that is maybe not quite something that they understand.
I think when you've played at the level that I've played, anything outside the top 10 in certain aspects is just a number, unless you're obviously trying to get into tournaments and stuff.
You know, I feel like if I don't change something, then the results maybe are going to continue the way that they have. That for me is not something that I want to really be a part of.
If you quit once, it's so much easier to quit the second, third, fourth time.
It's like one of those dreams you have when someone is chasing you. You're running as fast as you can, and someone's trotting behind you, just out of range, trying to grab onto you.
I think I could look back through the past few years at missed opportunities and stuff, but one thing I have learned is not to dwell on missed chances or times where you have failed.
You can work really hard, but if you're not training in the right way you're not going to improve and get to the level that you want to.
Yes, I believe in equality. But I don't like the word 'feminist,' because it's such a rational belief to think that women are equal to men, and I'm a rational person. You shouldn't be labeled for being reasonable.
I don't know how you can do comedy once every two weeks. Ever since I started, if I'm off for three days, I got to learn how to do comedy again.
Your number one job as a comedian is to be aware. You're supposed to understand the temperature in the room more than anyone on the planet - that's the whole craft of comedy.
If I'm doing a show on Sunday at 7 P.M., that wouldn't be the same show that I'd do at 11 P.M. on a Saturday - it's a different room at a different time of day with different sensibilities. That doesn't mean you have to compromise your art, but it is communication: you have to know how to talk to people.
I like comedy that's not political but social, dealing with issues of people talking to each other. No matter what your politics, we still have to live with each other. Politics is taking a side. I'm not running for office, you know?
When you're doing comedy constantly, you're organized: you know where everything is, you know how to get out of it, you know how to stretch it. But, like, doing 'SNL,' I stopped doing spots, and then I would finally do some sets - it take me so long to, kind of, get in the rhythm of it.
It's a unique fraternity to be a standup. I think everybody understands, you know, opportunity, and everybody - especially at the top - are genuinely rooting for you.
When you grow up in the city, New York is so big that you can kind of stay in your own little corner of the city and think that that's it because you don't need anything. You don't have to venture out; you don't have to touch the boroughs. You can kind of stay in your neighborhood, and there's everything there.
I used to paint pictures - what happened was, I used to draw and paint pictures. And some of my friends would be, like, 'Yo, you should put that on a T-shirt,' because that's where their brain would go.
We may have to force people to get together in terms of picking a particular type of technology and starting to build to that technology, as opposed to everybody exercising their right to buy their own system, you know, at will.
The second thing we did was said, OK, we've now identified the risk, but what do you want to do with the money? Because it's not enough to have risk; you've got to have a meaningful use for the money we give you.
So, all during the '90s and, you know, for the first half of this decade, we had opportunities to get evacuation plans in place, better communications in place.
So that's why I said, if you look at the average, you would see the money New York got this year was in line with the average across the prior three years and substantially more, by a country mile, than the money given to any other city.
Second, there are two problems with respect to mobile homes in particular. One is we obviously don't want to put them in a flood plain, because if there's another flood, you're going to lose the mobile home.
I think the idea that you can go this alone is - was a huge mistake. And unfortunately, there was a price paid in terms of suffering and pain for people in New Orleans.
And here where the fact that we've given over half a billion dollars to New York really plays a role, because New York has already made a lot of investments in the kinds of things which you'd expect to have as basic security.
I think one of the most humiliating moments of my life was putting on spandex, personally. It's always nice when four women pull you into spandex when you're in jockey shorts. Yeah.
When something that occupies a giant space in your life comes to an end, then you have to go through a mourning period. I loved 'The Shield.' It was one of the hardest and one of the greatest experiences of my life. But having said that, I'm always thinking about what's next.
Some people have questioned whether or not I can play a nice guy. Sometimes you can't win for losing.
The key to competing and surviving against Wal-Mart is to focus your business into a niche or pocket where you can leverage your strengths in the local marketplace.
When you compete with Wal-Mart, even if you think you've found a niche don't ever become complacent.
At Wal-Mart, if you couldn't explain an idea or a concept in simple terms on one page of paper Sam Walton considered the new idea too complicated to implement.
I began to believe the fairy tales: You know, how we're all out there looking for our magical missing half.
We all live on the same planet, it is our only home, so... we used to rotate crops back in the day and, you know, who cares if you're going to make a profit if everybody's too dead or glowing in the dark to be able to purchase anything.
It is gorgeously shot, and Andrew believes that the old school way of making films in the best way. Meaning: you have a story, and you stick to the story. You don't change and alter the story because of people who've invested in it and what to put product in a shot.
If your religion is better than mine and your opinion, you have a real problem.
And religion causes most of the problems, war, and economics of course, and study your history or you're going to repeat it; and if you're burning a Harry Potter book you need some serious counseling, you don't get it, you're missing the whole point.
As parties began to develop around the turn of the 19th century, you had party nominees for President nominated in caucuses made up of party members in Congress.
First of all, there's no mention of political parties in the Constitution, so you begin American history with not only no political conventions but also no parties.
From the beginning of the presidential nominating conventions in the 1830's really through the 1950's, you had conventions that actually did real business.
Oftentimes during the period in which conventions really did business, you had situations where the delegates were divided and you would have ballot after ballot before there was a final nominee.
So the result was that as one approached a political convention for most of the 19th century and for most of the 20th century until the 1960's, part of the drama was the fact that you didn't know ultimately who was going to be the nominee at the end of that convention week.
The founders were very worried that if parties developed in America, you might have something like the modern Italian system, where you have 20 different parties that divide Congress and the country and can't govern.
Then you get to the last half of the 20th century, Americans are getting very skeptical about their leaders and their institutions, and another place that is affected is parties and conventions.
You have had presidential candidates over the last 30 years who would have had a very hard time getting nominated under the old system. One example is John Kennedy.
Even if you have presidents like FDR dealing with someone like Stalin, with whom he didn't exactly all the time disagree... He wasn't always in lockstep saying Stalin was wonderful all the time. Donald Trump never criticizes Putin.
Anyone who writes anything on any subject is standing on the shoulders of 900 people who've come before you.
You really do live through someone's life when you hear him six hours a day.
The thing about the movie 'Navy SEALs' is that it was just such a waste. The script could've been shaped to be much better, and you just hate to see all that talent and passion go to waste.
To be perfectly honest with you, I was partying a lot in school. I didn't have any good study habits from high school because I just kind of got by on being a jock.
When I first moved out to Los Angeles I was thinking, you know, I wanted to be an actor but I didn't really know what acting was about. I thought if I could be a model, or even do commercials and stuff like that for the rest of my life, I'd be happy.
I saw 'Taxi Driver,' and 'Taxi Driver' kind of saved my life. The scene where Robert De Niro is looking at himself in the mirror saying, 'You talkin' to me? You talkin' to me? Who the hell else are you talkin' to?' That's the scene that changed my life by changing my attitude about acting.
If you are going truly viral, you don't need press. I mean, MySpace grew for a very long time without any press.
I have always been very tech-focused, which you may almost say is the traditional CEO in Silicon Valley.
If you want to boo, that's your right. Boo. Go ahead. Boo me all day long.
I think if you look at people, whether in business or government, who haven't had any moral compass, who've just changed to say whatever they thought the popular thing was, in the end they're losers.
I've got the greatest job in the world. There's no other job in government where cause and effect is so tightly coupled where you can make a difference every day in so many different ways and in so many different people's lives. It's a great challenge.
Taxes are not good things, but if you want services, somebody's got to pay for them so they're a necessary evil.
You are safer here tonight than you would be on the streets of any other city in the world.
And because no matter who you are, if you believe in yourself and your dream, New York will always be the place for you.
We've shown the world that New York can never be defeated, because of its dynamic and diverse population and because it embodies the spirit of enterprise and the love of liberty. And because no matter who you are, if you believe in yourself and your dream, New York will always be the place for you.
When you come in to court as a plaintiff or as a defendant, it is terribly important that you look up at the bench and feel that that person represents you and will understand you, that that person is reflective of our community and of our society.
You don't make spending decisions, investment decisions, hiring decisions, or whether-you're-going-to-look-for-a-job decisions when you don't know what's going to happen.
Well, you have the public not wanting any new spending, you have the Republicans not wanting any new taxes, you have the Democrats not wanting any new spending cuts, you have the markets not wanting any new borrowing, and you have the economists wanting all of the above. And that leads to paralysis.
You're presuming too much by using the word legacy - presuming that someone is going to care.
You can't make everybody love what you do, but you can know how great you feel doing it.
When you have great songs that are going to live longer than the composers, everything you can do to bring those different elements and nuances out, serve the song.
To sing along with Stevie Wonder, you had to make your voice do things it was not accustomed to doing.
I have to be happy in the here and now because every time you start focusing on your legacy you're really setting yourself up for disappointment.
Paddington Bear was a refugee with a label - 'Please look after this bear. Thank you', and he had a little suitcase.
This is why I wanted to be different and why I wanted to have power and fame and money: because I wanted to be attractive to the opposite sex. I'd be lying to you if I didn't say that was a big part of it.
I connect emotionally to these songs. I mean what I say when I say it, and that allows your audience to connect. That's the number-one reason why any music is successful, because you make people feel something.
What you want to watch are the lenders, not the borrowers. The borrowers will always be willing to take a great deal for themselves. It's up to the lenders to show restraint, and when they lose it, watch out.
If you are going to be a great investor, you have to fit the style to who you are.
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