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I loved playing at Anfield, but it could be quite intimidating because you come out of the tunnel and see their fans singing 'You'll Never Walk Alone', and it gives you goosebumps.
Highs have to be all the trophies I won with Chelsea over the 8-9 years I was with them there. We had a good group, and we were winners from the goal keeper right throughout the team. These are the highs you never forget as a player.
As you may know, previously as Attorney General and now as Governor, I have supported legislation to close the gun show loophole in North Carolina.
You use words like 'introvert' and 'extrovert,' various traits of a personality. A lot of that stuff, we used in drama school, and that was kind of interesting, to realize my teachers sort of ripped off a lot of Jung. And how much of it is part of our society now, these phrases, introvert and extrovert, where it actually came from.
There's no point in swanning through and being cool as a breeze in every scene. It's not really that interesting. Even if you're a superhero.
You know, it's amazing. I don't even have a car, would you believe it? I had a motorbike and it got stolen last year. So I've got to buy another one of those, I suppose. I can treat myself to that.
But there are 90 million gun owners in the United States. Only 3.5 million want the insurance and magazines and the various things you get for joining the NRA.
Every place in the country you should get a license that shows you know how to safely store it, keep it away from your children or grandchildren. You should have to license it so the police can trace it if it's used in a crime.
If you are a gun manufacturer, the product you make is not subject to safety regulation by the Consumer Product Safety Commission. Toy guns are subject to safety regulation; water pistols are, but not real guns.
Let me share some facts with you about the law in most of our country. California is in many ways a little different from the rest of the world, and California has better gun laws than many states, although California's need to be improved.
Should we have background checks, waiting periods? To drive a car you have to pass a test that shows you know how to drive your car safely, you should have to do the same thing with guns.
There should be a background check every time a firearm is transferred. You shouldn't be able to go to a gun show and buy guns without a background check. There are Internet gun sales, classified ads in the newspapers - and you can buy guns without background checks.
They have some pretty tough gun laws in Japan, as they do in any other civilized country in the world, and they're not killing each other off with firearms. You have very violent films in Europe, yet it's not causing the mayhem we see in our streets routinely here.
Who's paying the million bucks? The insurance company. We've been trying for years to get the insurance industry to say to the gun industry, We won't insure you unless you have policies that will reduce the likelihood of guns falling into the wrong hands easily.
I want to say to all of you that when I take my oath of office I will do my absolute best to use all of my abilities for all of the people of Ireland.
I want to say a very sincere thank you for this welcome home - it is a wonderful welcome home. It is the place to where I return and where I will always return because it is of Galway that I am.
Make sure that when you're going out, you wear socks, because I've been seeing some people coming out with no socks and that. You know, your toes looking like Cheetos. We don't need all of that.
If I go back to when Borat and Ali G. were doing it, they were more just TV, cinema, TV, cinema. Whereas I live in more of the Internet age where people like to feel like they can still touch you, and so it's important for me not to almost box myself off.
You always want to make sure that your work can touch as many people as possible. Whether it's young guys, young girls, you never know where it's going.
Any time you can be with like-minded people, laughing or crying over the same joke or the same scene... For me, it's therapeutic. You just feel a little less alone on the planet.
Studios are an assembly line. They can be a very good assembly line. As a producer, you concentrate on one project at a time. As an executive, you're in charge of a slate.
I don't sweat the Internet. You know, it's still something I enjoy as a movie geek myself to get on and, like, look at all the websites; however, when it comes to marketing a movie, the Internet is still not the thing that gets people to the theatre.
The movies were so healing for me because I had such an isolated, lonely childhood. Going to the movies and having the lights go down, you disappear. If you have esteem issues, suddenly you're in a void where nobody can see you. You are just by yourself in that darkness, and your loneliness is cured.
You don't have to be a genius or a visionary or even a college graduate to be successful. You just need a framework and a dream.
Productivity is grounded in the PC. Where does the computing power come from? How would you run 'USA Today' without PCs? Run a hospital without PCs? People don't want products, they want solutions.
People ask me all the time, 'How can I become a successful entrepreneur?' And I have to be honest: It's one of my least favorite questions, because if you're waiting for someone else's advice to become an entrepreneur, chances are you're not one.
The customer reaction to Dell going private has been a lot more positive than I would have ever imagined. Customers see it as - 'You don't have to be distracted. Now you can totally focus on your business.' So they see it as a positive.
If you think about computing, there isn't just one way to compute, just like there's not just one way to move around. You can have shoes, you can have a car, you can have a bicycle, submarine, rocket, plane, train, glider, whatever. Because you have one doesn't mean you get rid of another one... But PCs continue to be important.
There are many different kinds of PCs. You have fixed, virtual, tablets, notebooks, ultrabooks, desktops, workstations. What you find in commercial PCs, business PCs, is that there's a really long tail of usage on client devices.
Computing shows up in many different ways. You have computing that you wear, computing that you carry. What you think of as the traditional PC market has a long tail of usage, particularly in the commercial world, but also in consumer.
We tell prospective hires, 'If you want an environment that is never going to change, don't come here. This is not the place for you.'
The whole idea behind virtual integration is that it lets you meet customers' needs faster and more efficiently than any other model. With vertical integration, you can be an efficient producer - as long as the world isn't changing very much.
The best customers for us are the ones that present us with a new problem because chances are, if one customer has that problem, 100 more have it, or 1,000, or 10,000. So you start thinking about solution development rather than product development.
When you found a company, you feel a deep sense of responsibility for it. I'll care about Dell even after I'm dead. So this is a pretty personal process. And when you're doing what you love, and it's working, you don't get tired working what other people might consider long hours or crazy schedules. It's just fun. It's energizing.
I can't ever remember being struck by lightning when making a big decision. It's always about taking in more and more data points and making tack adjustments as you figure it out. I call customers, suppliers, industry analysts and try to get as much information as possible.
You have to imagine a world in which there's this abundance of data, with all of these connected devices generating tons and tons of data. And you're able to reason over the data with new computer science and make your product and service better. What does your business look like then? That's the question every CEO should be asking.
For many years in my laboratory and other laboratories around the world, we've been studying fly behaviors in little flight simulators. You can tether a fly to a little stick. You can measure the aerodynamic forces it's creating. You can let the fly play a little video game by letting it fly around in a visual display.
If flies are a great model, they're a great model for flies. These animals, you know, they're not like us. We don't fly. We don't have a compound eye. I don't think we process sensory information the same way. The muscles that they use are just incredibly much more sophisticated and interesting than the muscles we use.
It is difficult, but intriguing, to imagine seeing the world as a fly might. First, flies don't have nearly the same visual resolution that we do... so you have to imagine a fuzzier image. Second, fly eyes are faster than our own and are very sensitive to motion.
When you see a fly flitting around your hair or your potato salad, you might see an annoyance. But in my lab, you really see a marvelous machine: arguably the most sophisticated flying device on the planet.
If you watch a fly on, say, a coffee table, you'll see that they're rubbing their little legs together to groom themselves; they're actually quite clean creatures.
When you're on a series, it's tough to go on and do something else afterward. If you're smart, save your money and you can wait out the bad times, until something else comes along.
When you're making pictures out of heartfelt passion, it hurts when someone calls them a calculated business move.
Everything's so repressive now - it's the No generation. You can't do anything, you can't eat anything, you have to abstain.
Directing talent is very nebulous. You know, it's not in front of you like an actor's performance.
People are goofy about the movie business, so you end up counting on friends you knew before you were successful. It is harder to make new friends because you are a little more cautious.
If you can't stop somebody from working and making movies that you hate, what's the next best thing? Destroy them personally.
I was up around 340 pounds because the producers said they wanted a really big guy - and I'm not that big, you know! I've lost it all now though. I'm 285 pounds, my sexy weight!
The person that's always talkin', you don't have to worry about that person. The person that while you're in his face, he's just lookin' at you with a smile on his face, that's the guy you worry about.
Of course, people told me, 'Mikey, you will never be an actor. You don't have the look. You're ugly.'
If somebody does something Mr. Trump doesn't like, I do everything in my power to resolve it to Mr. Trump's benefit. If you do something wrong, I'm going to come at you, grab you by the neck and I'm not going to let go until I'm finished.
As long as you don't think about the whole big picture, producing 'Spider-Man' is a fantastic experience.
I realize now I could have gotten a whole book out of that and so I think that was a big mistake. But the truth is you write in the moment and with your head down and there is no way back then that I could have conceived of Harry having the longevity that he has had.
The philosopher Friedrich Nietzsche once wrote that when you look into the darkness of the abyss the abyss looks into you. Probably no other line or thought more inspires or informs my work.
I'm going to have to be impressed and feel confident in the people I'm handing a book to - or I'm not going to do it. Once you hand it to them, you're out. You have no control over it.
I think there'd be huge losses if there weren't newspapers. I know everything's shifting to the Internet and some people would say, 'News is news, what you're talking about is a change of consumption, not the product that's out there.' But I think there is a change.
One of the great things about fiction is you can use an issue and describe it in human terms.
I think sometimes you just need to play in this league. As a rookie coming out of college, you don't understand the real significance of being a pro unless you're playing other pros. It doesn't help you to play sporadically here or there.
Sometimes you learn more from failure than you do from success, and in some ways it's better to have failure at the beginning of your career, or your life.
I really didn't realise until I got back the work that goes into a performance. You're like an athlete - if you haven't been practising things tighten up. I had to do a lot of practice work, but I got through it. Even when I was 21 I would have a 40-minute nap on the day of a show, and I will still do that.
Divorce is never a pleasant experience. You look upon it as a failure. But I learned to be a different person once we broke up. Sometimes you learn more from failure than you do from success.
Whenever you hear the consensus of scientists agrees on something or other, reach for your wallet, because you're being had.
There is an idea of, you know, informing people about some emerging things. And part of that is just a reflection of my own interest, following different areas and saying, you know, look what they're doing now.
When it really comes down to it, the job you do is more important and is more representative of who you are than your sexuality or anything else that you have going on in your life.
You've got to get your mind connected to the workout. Pay attention to what your body's doing. It's about connecting mind and the body. Visualize the muscles moving.
You've gotta take care of the body you've got. You've got to be fit. You've got to be active. You've got to be healthy. We don't need to be pictures in a magazine.
A lot of times, actors give so much power to the producers and the producing companies because, quite frankly, they have it. But we don't take the limited power that we have, which the power you initially have is to say 'no.' But 'no' in a positive way.
Sometimes you walk out of an audition and you kind of know you nailed it and you're probably going to book it, but you very rarely are told in the room by the people who are hiring you.
As an actor, you try to put a little bit of yourself in everything you do.
Comedy is important! When you're having a stressful day, and you come home, you want to watch something that makes you laugh.
Cliched characters are cliches because they're people being described by people who are on the outside. If you take two sentences from anybody and reduce them to just that, that's what you're going to get.
I want to remind people that there is no soundtrack in 'Southland;' there is no scored music or soundtrack telling you what you're supposed to feel.
I think a lot of high-profile artists like to make people think that. 'Oh, I'm trying to choose my next project.' This is a job. Sometimes your next job is so you can provide for your family; your kids are 16 and getting ready to go to college.
Interestingly enough, my more high-profile things are in uniform. But if you look at my full body of work, there's a lot of stuff that's not in uniform. But I do a lot of stuff in the service, and I think that's just how I'm built physically. It just serves the roles.
If you've really loved a book, or a movie for that matter, really loved it, what you want is that same book again, but as if you've never read it. And when you get something unfamiliar, you feel betrayed.
You have started the book with this bubble over your head that contains a cathedral full of fire - that contains a novel so vast and great and penetrating and bright and dark that it will put all other novels ever written to shame. And then, as you get towards the end, you begin to realise, no, it's just this book.
On a summer night it can be lovely to sit around outside with friends after dinner and, yes, read poetry to each other. Keats and Yeats will never let you down, but it's differently exciting to read the work of poets who are still walking around out there.
Yes, I mean, There's nothing like it. There is an added sense of pressure because of that, but there's also nothing like the thrill you get being in the same space with that audience right there and then. And when you do it, it's over.
I certainly know there are people in positions of power in the business who lack imagination and, perhaps as a result of that, think of me as 'David'. But I wouldn't really want to work with those people, you know?
It's interesting to play a role where you don't really have to preoccupy yourself with any need to convince yourself that you're not acting.
A lot of my best parts I've been the second choice for, so you never get too egotistical about anything.
Anyone can write. But comedy, you've got to do some writing. You get one comedy script to every 20 dramas.
If you think you're going to be up for an Oscar, you schedule your moviemaking.
If you're a movie actor, you're on your own - you cannot control the stage. The director controls it.
Save your money. You're going to need twice as much money in your old age as you think.
Things are not quite what they seem always. Don't start me on class, otherwise you'll get a four-hour lecture.
When I'm doing an accent, you shouldn't notice it for a while, if I'm doing it right.
Movie acting is about covering the machinery. Stage acting is about exposing the machinery. In cinema, you should think the actor is playing himself, if he's that good. It looks very easy. It should. But it's not, I assure you.
The goal is to really blur the line. Can you perform a magic trick in a way that someone doesn't think it's a magic trick but is something amazing they haven't seen before? Then they have to wrestle with reality.
It's very exciting to take magic into a new direction, whereas a lot of times magic comes from a place of sort of ego, like, 'Look what I can do that you can't do.' It kind of comes across that way a lot, and you're always trying to challenge the magician; you're always trying to figure out how the magician is doing it.
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