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Yes, the sound of the new V6 engines could have been a little bit better, but it is just one of those things that you get used to with time.
I got this idea about being afraid to let go of something and being afraid of sinking into a state of almost anesthesia, where you have to trust other people. Just the paranoia of it all. And it seemed to suit the frenetic track. So I just wrote it out and, you know, said it.
You listen to a piece of music and it will remind you of something - it might make you happy, it might make you sad, but it is very emotive. And I think that Duran Duran have always understood that.
If you look at the content of songs people write, it's usually about the things they know best.
I think pop culture is the greatest subject matter out there - 'Other People's Lives,' as we wrote about on the last Duran Duran album. Most ideas for great songs come from real situations, something your friend said to you the night before, the girl that just left, or something traumatic in your life.
Acting's not particularly complicated. But the great thing is you can step into somebody else's shoes without dealing with the consequences. It's very therapeutic in that way.
I usually get down with a little Violent Femmes in the summer. You know, 'Blister In The Sun.'
Fifteen is such a weird age to be. Nobody treats you like an adult, but you desperately want to be one. You still have these childlike aspects, but you're just kind of coming into the world.
I don't know that there's any particular scientific evidence that you could say, more guys get hurt in this offense versus that one, or hurry-up, or whatever, but everything that we've ever done in the NCAA is about exposure. How many exposures does a player get?
Soccer is a continuous game, rugby is a continuous game, but for the physical elements that are involved in playing a football game and the number of plays that you play, I don't know that it was ever intended to be a continuous game.
Now, everybody always says there's no 'I' in team, but there is an 'I' in win, because the individuals make the team what it is, and how they think and what they do is important to the team. So when you act like the individual is not important, well, it is damn important who these people are and what they are.
When you invest your time, you make a goal and a decision of something that you want to accomplish. Whether it's make good grades in school, be a good athlete, be a good person, go down and do some community service and help somebody who's in need, whatever it is you choose to do, you're investing your time in that.
What makes Freddy Krueger such a horrible character? What makes him scare you to death? You can't get rid of the guy. He never goes away.
I certainly like to win. But I really hate to lose. So when you think about that, you're always motivated to, 'I don't want to lose the next game. I don't want to lose the next game.'
I guess I'm motivated by the fear of failure to some degree and knowing what can happen when you don't do things the way you need to do them to have success.
I think when you win the national championship, it works throughout your team. Where human nature is to say, I did well. I got my quota this month. Now do I get some time off? Do I get a bonus? Do I get to go on a cruise? But it's not to keep trying to be the best. That's not necessarily human nature.
There's two parts of leadership. You've got to be a good leader - you've got to be somebody that people want to emulate and care about the other people. But the other guys that you have have to accept their leadership. They have to respond to it. That's the chemistry that you never know how that is going to happen.
Something my father dearly loved is the scientific method, and it's founded in this element of humility. The idea is that you pursue the truth wherever it goes; you need to evidence, and you can - you see if it's repeatable.
In my experience sometimes the darker the material that you're doing, the more necessary it is to have some sort of levity around. I've worked on more lighthearted pieces that have been more brutal and tougher to make.
Sometimes you find that there is better material in small and more independent movies. There's more risk-taking.
When you live the life of a comedian, it's such a state of arrested development. I can't deal with anything very maturely. I'm still really bad at paying bills or doing anything that would be considered semi-adult. I'm really bad at it. It's weird I can create and run a TV show, but I can't pay my phone bill.
For me, honestly, one of the first movies I did I was always pounding coffee, and I crashed so horribly. So I've kind of weaned myself off. You keep getting second and third winds. But for me, I've stopped doing energy drinks or any kind of stimulant. I just kind of go natural.
If you want to be a comedian, go out. Do a week in Des Moines, Iowa. Try to make those people laugh.
I always thought that the fastest way for me to get ahead and get noticed and to do well was to make my act very accessible. When I first started, I talked about family stuff, my dog, my cat. It was all I knew back then; I wasn't forcing anything, but I wasn't like, 'Hey, don't you hate doing homework?'
Comedy is so subjective, you know what I mean? To sit there and technically pick it apart is so stupid.
Improv plays such a huge role in finding great lines - you'll be surprised at what comes out of your mind inadvertently. A lot of times it's better than a script you've worked out ahead of time.
With original cryptography, you are just trying to secure one narrow thing - say, communications - and you are trying to secure it from a third party. But you can't secure it from the party you are talking to if they forward your email; it doesn't matter how well your email is encrypted.
Ethereum exists because it enables developers to write smart contracts better than Bitcoin in the near-term. Zcash will exist because it will attempt to do privacy better than Bitcoin in the near-term, and the token gives you access to the anonymity protocol.
To me, music's something I can dance to or listen to. To write about it is always more of what the music represents, or what it reflects. Like an ideal song, to me, is a song that you can dance to, that summons up some darker and greater mystery.
I challenged God. I said, 'God, I know that I'm a sinner. I know that I won't probably have peace until You're in my heart. But I will not let You in my heart until You answer me, why? Why did you take my arms and legs? Why didn't You give me what everybody else has? God, until You answer me that question, I will not serve You.'
In life, if you don't know the truth, then you can't be free, because then you'll believe that the lies are the truth. But once we realize that when we read the Word of God, and you know the truth of who you are, then I'm not a man without arms and legs. I am a child of God.
I believe if God doesn't give you a miracle, you are a miracle of God for somebody else's salvation.
Hope is in the name of God, the name of our Lord Jesus Christ. Hope is when you compare your suffering to the infinite, immeasurable love and grace of God.
Faith is walking by faith, not by what you feel. You are not always going to feel that Jesus loves you or that God is good, but you know He is. It is the up and down of the journey.
Bullies want to abuse you. Instead of allowing that, you can use them as your personal motivators. Power up and let the bully eat your dust.
The biggest temptation I believe is to feel comfortable, to feel like you've worked through all of that here on Earth, and are satisfied with this life.
Often times we feel like either we can't make a world of difference, or we feel that it's not going to change anything anyway. The truth is you can change someone's day, you can change someone's life, but you have to show up and do what you got to do to actually see any fruit coming from it.
In elementary school, we all say, 'If you don't have anything nice to say, then don't say anything at all.' In high school, we should say, 'If you don't have anything nice to say, shut your mouth.' So that's what I'm telling high schools all around the world.
I found the purpose of my existence, and also the purpose of my circumstance. There's a purpose for why you're in the fire. If God can use a man without arms and legs to be His hands and feet, then He will certainly use any willing heart!
Do you know why I love God? Because Heaven is real. And one day, when we get to Heaven, we are going to have arms and legs. And we are going to run, and we are going play, and we are going to race.
No matter who you are, no matter what you're going through, God knows it. He is with you. He is going to pull you through.
If we went by the world's definition of who I'm supposed to be because I look weird... 'Well, surely, this guy can't have a productive life, surely, he doesn't have a sense of humor. Surely, he can't love life.' We stereotype people in this world. And so... if the world thinks you're not good enough, it's a lie, you know. Get a second opinion.
A nation that honors God will always be honored by God. I've seen nations that have dishonored God: God has been taken out of schools, the government, the military; and when you take Him out of a nation, how can you expect God to protect this nation?
All those years we'd spent learning these chops, and all those gigs in Germany where you'd play all night, and along comes punk. It has nothing to do with that. A lot of people went out of business.
I suppose I was waiting until I was old enough to have some sort of experience to sing about. When you're young, it's hard to sing the blues. Nobody believes you.
In the '70s, you had to come up with an album every year whether you were ready or not.
The world is full of musicians who can play great, and you wouldn't cross the road to see them. It's people who have this indefinable attitude that are the good ones.
At root fame is a sham. I'm not going to live forever and if I am I certainly need don't you to tell me that so that I will buy a car or a box of dried up crackers.
When you're in the car, how well you do is down to you and you alone-no band, no management, no marketing.
I started racing myself and once you get bitten by that bug you really are hooked.
Watching something being constructed, whether you're passing a building site or whether you're watching an artist at work, is fascinating, and I think that's the enjoyment.
The fact of the matter is that 40 years ago, unless you bought the record, you couldn't hear the music. It was such a narrow track in comparison to today.
I was brought up to believe you should always live the most interesting life you can.
My brothers are both 6 ft. 5 in., and if you have younger brothers who are bigger than you then you have to learn the ancient martial art of sarcasm.
No one thinks they're irritating. Nobody thinks they're boring. So if you're playing a character like that you have to play them as how they think of themselves.
If you're older you want to tell stories about the pool of human life and living and to communicate, not only to your age group but to do an age group that can begin to understand, that has enough experience of life far beyond the taste of life.
You have to struggle a bit, hustle a little, and be willing to go bankrupt. Once you're willing to do that, everything opens up and you get the freedom. My joke is that next year, I'll make the first film that costs zero dollars.
When you are making the one you are doing, you think it is the greatest film going. And then you do another one and it is a great film.
I've made a lot of mistakes and I don't regret any of them. Sometimes that's the only way you learn.
I like working with writer-directors because you can solve problems right there.
All American males are failed athletes, and it was big time even if it was Little League. It meant a lot to you.
About the only thing that'll stay with you that you can trust all your life is your breath. Your breath will be there at the very last, because when it stops, you will stop.
You work at a job, and you reach a certain level, and you're a little satisfied, and you keep going at it a little more, and you finally finish it. You go, 'Ah,' all your dopamine receptor sites are full. You're satiated.
Hollywood is all made up, anyway. Especially the stories and angles that people want to pin on you.
If you ask what my philosophy is, my philosophy is kind of like an entrepreneurial philosophy.
It used to be every single time you got the rebound, you handed it to the point guard, or you outlet it to the point guard, or everyone cleared, and you waited until the point guard brought the ball up the floor.
As an assistant, you are grinding it out and churning out work like there are not enough hours in the day, really. As a head coach, you are doing similar.
I think there's some certain attitudes and certain guys that can feed some positive energy, and that keeps you going through an 82-game schedule.
I think there's always enough right in front of me worrying about who's playing the minutes tomorrow, but you've always got to have an eye on a year or two from now and what those guys will do if you think, 'Well, let's give them a full year at the 905 and see how they progress.'
People talk about offensive chemistry all the time, but defensive chemistry is something you have to build, too, and there's a lot of that work to be done with just communications and the feel of who certain guys play.
I think switching is like a lot of things. You can do it - it's a game plan - but you better do it well. You better practise it.
I think it's all machismo - 'Come on, you've got to guard your guy, man. If you can't guard your guy, then you can't play defence.' A lot of it is accountability, where you say, 'Hey, you're matched up with him. Go do your job.' The zone kind of sometimes moves a lot of pieces around.
Obviously, things evolve; teams see you play a little bit and start try to do things, and the one thing that'll happen is if one team has success in something, you can bet the next three teams are doing some similar things, too.
You look at any roster and you say, 'Geez, he's pretty good. He's pretty good. He's talented. He comes off the bench?' All of a sudden, it's, 'Geez, that's a pretty good roster they got right there.'
I grew up among farmers in Illinois and so you always have to have the tools you might need in the eventuality of a flat tire or a broken window.
When I was in high school, I would perform every year in those plays and there was something I really loved about it. But I was completely unaware that you could sort of get into an acting career.
If you're an original thinker, you are going get told 'no' a lot, and you have to be able to hear 'no' many times from the bankers and trust that at some point, someone is going to recognize that you are an artist and not a can of soda.
We have such an embarrassment of riches when it comes to choice. Do you want to hike in the Alps? There are 300 pairs of shoes you can order within the next 10 minutes. You have your choice of everything.
I have a Kenwood charcoal grill. In our house, if anybody is cooking, it's me. I love making burgers. I love making pork tenderloin. Lamb chops I do on the grill a lot. But you just can't beat brats.
I always had a lot of confidence in my work and the unique flavor I like to bring to my characters, but you know I'm not a huge dreamer.
And what we've lost sight of is that performing manual labor with your hands is one of the most incredibly satisfying and positive things you can do.
You know, even working actors can end up having a lot of spare time. And you can either go sit at the Starbucks and wait for your agent to call you, or you can go learn how to build a Shaker blanket chest with hand-cut dovetails.
We can do things that we never could before. Stop-motion lets you build tiny little worlds, and computers make that world even more believable.
The nice thing about animation is that you can realise your inventions without understanding all the hard theory.
My dream was to draw for 'The Beano.' When I was 10 years old, I started drawing cartoon strips with 'The Beano' in mind. I lived in that world. You own a comic, it's yours and adults don't understand it. You could pile them up under the bed, and if you were off school ill, you'd go through them all.
As I get on and films take four years to complete, I tend to have a hankering for very short projects so you can move on to the next idea. It's the ideas I'm interested in. What comes out of your head.
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