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The 'Neon Demon' is very much designed to be like a YouTube movie. It's designed to be chopped up. You can cut it up into seven or eight pieces and they're, like, vignettes.
I've always felt that I was from the future because the future is really not about what you make but what you stand for.
God loves you and everything about you, so why beat up on your precious self?
'Hollyoaks' is where I learnt a lot of the craft, being in front of a camera six days a week. That's certainly an experience you don't get in drama school. It invites you to be comfortable in front of the camera.
When you do 'Mad Fat Diary' or 'The Village,' you always learn about the particular time period, and that's always nice for an actor.
No matter how good a driver you are, you have to have the right car and the right team behind you in order to succeed.
I often get asked which 'Superstore' episode is my favorite. That's such a hard question to answer. It's like being asked: Which of your children (and by children, I mean shoes) do you like best?
We must work to change in our hearts and minds what it looks like to be undocumented. It is the high schooler dreaming of college who isn't aware of his status. It is the single mother working grueling hours in a warehouse just to provide for her children. It is the family that sits next to you in church. It is your neighbor.
What I've come to find out is it doesn't matter if you're selling a $10,000 gown or toilet paper: The everyday sort of humdrum of customer service and retail is the same.
In high school the very first job I got was I worked as a cashier in Burgerville, which is this fast food place in Oregon. I kind of grew up to be a spoiled little kid so my dad was like, 'You're going to get a job for the summer!' I was this clueless immigrant like, 'May I take your order? Sorry sir, I don't know what I'm doing!'
I miss Philippine mangoes, you just can't get them here. Mangoes, you can't get lanzones here, you can't get siniguelas, all these fruits that I grew up with.
I love the consistency of working on television. You don't get that in working on film.
To finally become world champion after losing out in three previous finals is very satisfying. It shows that if you stick to your goals and work hard, you can achieve them in the end.
Women boxers prefer to focus on the win rather than the bravado. We've come a long way. In the '90s, you only ever saw women parading in heels and a bikini holding a scorecard. Now we're owning it; we should get some male models in Speedos to do the ring walk.
Boxing is like chess. You encourage your opponent to make mistakes so you can capitalise on it. People think you get in the ring and see the red mist, but it's not about aggression. Avoiding getting knocked out is tactical.
Anger is an unnecessary emotion. Loads of stuff in life can trigger it, but what matters is how you react. I choose not to react.
You can have someone younger, faster, but if you have got that experience and that ring craft, you can do anything in that ring.
Style has replaced elegance. Before, I believed that style is something a person embodied. But now it's so easy to buy good style if you have the money.
Fans don't lie. They just tell you what they really think, and they see details that even people in fashion don't.
I think when you start talking about money, it stops the whole creative process for me.
My uniform is usually just comfortable clothing. Being a stylist, you spend most of the day at photo shoots covered in safety pins.
It's so important as a creative person to go out and look for things. Go to galleries, talk to people, read books. Yes, you can just type something into Google, but if you read and interact, you'll have a deeper understanding of the world.
The only way to be a novelist, to think that you can create something others will give themselves up to for a dozen hours or more, is to have psychotic self-belief.
It has taken me a long time to work out the function of ex-boyfriends, at least for me: how they can help you work out what you want from life and from a partner by showing you what you don't. If a man is your ex, it's better all round if he was not Mr. Right.
I'll always be the baby in the family. I'm the youngest sister, but growing up with so many boys, it makes you tough. You get teased. There's no tiptoeing around each other. You say it the way it is; you're honest.
You see people, you judge. It's just the human thing to do - good or bad, it's a fact. Like when you get a coffee at Starbucks and the person is rude to you. My mom always says, 'Yeah, but you don't know what kind of day they're having.' You don't know the back-story, and that's why it's so fun to be an actor and to get into the back-story.
As a young woman in politics, with few women around, you start to subconsciously behave like men in politics. That comes across as quite hard, tough and humorless, but you're trying to be taken seriously.
There is nothing in your background that inherently holds you back or means you can't achieve what others can achieve. You are the master of your own fate, and if you work hard, you can do what you want.
I've never had a voice coach, but I am about to name drop horrendously here: I did once get some advice on how to project my voice from Sean Connery, which was lovely. It's all about where you breathe. That's my claim to fame.
Once you've sat in a room annoying Derek Jacobi while he's trying to do his crossword, you're prepped for working with the greats.
When you're working, you're in the present, but you've always got one eye on where your next job might be coming from, and I don't think that will ever go away.
I am very good at keeping secrets, except when I am drunk, when I will tell you absolutely anything.
We lived in so many flats, and the more people you could get, the cheaper the flat was. Someone was always sleeping in the living room, and you're always slightly hiding them when the landlord came round.
When I bought my first little flat, it was two bedrooms, so I got Sarah Phelps to live with me. My years-later-to-be husband was slightly thinking, 'Why are you inviting your friends to live with you?' I was very resistant to leaving my friends.
You just have to look at me to know what I am feeling. So I would be a useless policewoman or spy.
I found myself at Cambridge, loved my course, and met these amazing people who got me heavily involved. I presumed I would have to go to drama school, but I did a play with my uni friends, who were doing lots of pub theatre in London, and through that met my agent. She said 'Don't go to drama school. I'll get you a job' and two weeks later she did.
I can't tell you the excitement to be in a new TV series or a play you've got to read for. That's the best.
Yes, I go a little bit crazy when I'm not working, which is an issue for me. My background is you go to work; that's what you do.
'Unforgotten' was a bit of a no-brainer. I'm a big fan of crime dramas, but often the 'investigation' part goes much too smoothly - and you don't get that with this.
If you could make telly as good as radio, it would be amazing - audio can do things so easily that television can't.
It was really unusual that the crews on 'Spooks' were a real mix of men and women, and you'd struggle to see many women with parts that weren't cliched back in the late '90s.
My two great fears are either not working or working on something that means you can't do something else you really want.
I don't mind staying in one place for a while - I like to spend a lot of time in Los Angeles. It's a place where nobody goes out, where people will leave you alone. People in Los Angeles love themselves and they love what they do and they leave you alone. If you're isolated, you have a real advantage. You can work.
Think of everything in Seattle - Microsoft, Amazon, Starbucks. Then you go down to Silicon Valley - Intel, Apple, Google, Facebook, Twitter. What does New York produce?
At the end, the key thing is you've got to live with yourself. That's the real test. Everything else is fleeting.
Commodity exchanges have a lot of advantages. One, you are helping transparency. Two, they are not political. It's institutional building. It can survive any environment, in theory.
I am not that attached to material things. And the good thing is I can make choices. I have very few possessions. Luckily, as a man you don't need much... a few papers, a couple of books, and a few shirts, jackets, sweaters. It fits in a little thing, in a paper bag, so it's very easy.
If you erased New York, I hate to say it, if you erased Frankfurt, even London, the world would not have changed.
If you have things and if you are a perfectionist, which I am, you have to really tend to them, and it takes energy away from other things.
This is a bit like big-game hunting. You look for companies of a certain size that deserve to be public.
When I have a difficult decision to make, I imagine myself as a 90-year-old guy looking back on his life. I imagine what I'll think about myself at that point in time, and it always makes it really easy to go for it. You're only going to regret that you wimped out.
My first business was a retro-gaming site where you'd go and play all these cool old-school games. It was a good idea but ahead of its time.
I realized that a surf trip on a jet can be like a road trip. If you see a road you want to turn down, you can just go there.
Bootstrapping allows you total creative freedom. For example, if you decide to approach your business in a certain way that makes it a two- or three-year process to get to your first product, you can do that, versus being rushed into it by investors.
It's very difficult to get any footage of yourself doing what you love unless you have a friend who's a photographer or videographer and wants to document you. That was really the idea and the goal from the beginning: to help people get a good photo, and then it was to help people get a good video.
I think with black tie, you can't really do too much. I think you have to pretty much stick to the rules on that.
I truly find inspiration everywhere. I always tell students, and young people starting out, that the single most important skill, next to listening, is to pay attention. You never know where inspiration will strike.
Great product trumps all. You can have the biggest marketing budget, the biggest show, a perfect merchandising plan, but at the end of the day, it doesn't mean anything if the design and quality of the product you are offering is not compelling.
The hardest thing to do when people are hurting you is to remain a decent person.
If you torture a man as I was tortured he will learn more about love than you could ever imagine, and that has left me vulnerable.
Dancing sometimes you just get your groove on. I can dance. I'm kinda like Michael Jackson.
I believe L.A. made me, really raised me. I think about that all the time. If I was raised in New York, how would I be? Would my game be different? You know, I think about that a lot, if I was raised somewhere else.
It builds character, it builds chemistry, when you're fighting amongst each other and able to brush it off and still talk and still have fun with each other.
As a kid, you always wanted your own shoe. To see it happen, it's like a dream come true.
I think to love somebody every day for a long period of time is the most romantic thing you can do.
In TV, you usually don't get a chance to fix anything. It's always easier to cancel something than fix it.
People face difficulties, no matter who you are. I faced difficulties with a lot of things. I face opposition every day, but I didn't kill myself and now, thank God, I'm here.
I want people - especially young girls - to know that in life, nothing is going to be based on sex appeal. You've got to have something else to go with that.
I've constantly tried new things, even as a child, and have always been obsessed with pink. Now I'm just a little more ladylike and fearless. You should never feel afraid to become a piece of art. It's exhilarating.
You move differently than you do when you're filling the stage at Radio City. You have to be bigger than life there.
It's quite different, the kind of love you get in a smaller club and the kind of love you get on a big proscenium stage. It's quite different. I like both of them, but I'm in love with the smaller, intimate club.
So you can have your program, but you also have to be ready to change it immediately because there are certain kinds of people who like certain kinds of songs and they like - some people want to dance when you come out, some people just want to be intimate with you. So you kind of feel your way through a show.
I think I can see people wanting to hear more music-music now as opposed to all hip-hop. You know, which I have nothing against hip-hop. I think some of it is really good. But on the other hand, some of the real great artists are just being lost because they're not getting the airplay or anything to make them inspired to record again.
I interned at 'Hamptons' magazine. I was 12. I walked around with a pad and was like, 'What do you guys want for lunch?' to all the people who worked there.
Vin Diesel is crazy, and when I say crazy, I mean it in a good way. He's crazy about Latinos, and he's not even a Latino. He even wants to speak Spanish. I told him we should do a song together, and he said he was shy. But I said, 'I'm no actor, but I'm acting in front of you. I wasn't scared.'
I love going to the beach. I like just walking around South Beach, but sometimes, when you're famous, it can be a little difficult.
It's much nicer to be known as Mr. Nice Guy than Mr. Nasty Guy. But you've got to have lines - and when you hit the line, that's the end of the story, nice guy or not.
You can get a diamond which is worth 10 cents; you can get a diamond of exactly the same size, which is worth a hundred dollars.
Well you always have your favourites, and least favourites, I'm generally a cardio person, I love running that's what I enjoy the most from everything that I do, and swimming is the least favourite and the toughest for me because I'm not so good at it!
I think you need to be able to adjust to the required circumstances and adjust your driving style.
Nowadays you need a strong aero package, a good aerodynamic car, but also mechanically you cannot afford to have poor suspension. It all goes together as a package and you have to have harmony in the car.
It's important to drive consistently to evaluate changes that are made to the car. You need to be very accurate with your feedback and communicate as much information as possible.
You don't get that opportunity everyday to do Le Mans with Porsche, a brand that has so much tradition and history. So I just grabbed the opportunity while it was there.
I'm in the factory a lot so I see how hard the guys work, but you never really know how quickly and effectively the other teams' development programmes are going until you get to the track. It's only then that we will be able to tell.
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