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You can't keep bringing people in from other countries, finding them jobs when Americans need jobs first.
Every company that comes into the office for appropriations, the first thing I ask is how many jobs are you going to bring to the 5th District that are not already there.
You explain how it went, and as far as you can figure out how it got that way.
I've never known a musician who regretted being one. Whatever deceptions life may have in store for you, music itself is not going to let you down.
In Paris, you learn wit, in London you learn to crush your social rivals, and in Florence you learn poise.
I never learned to verbalize an abstract musical concept. No thank you. The whole point of being a serious musician is to avoid verbalization whenever you can.
Reviewing music or reviewing anything is a writing job. It's nice if you are experienced in the field you are writing about, but writing is what you are doing.
Try a thing you haven't done three times. Once, to get over the fear of doing it. Twice, to learn how to do it. And a third time to figure out whether you like it or not.
Shakespeare had found language for the agony of living with one's own mistakes. There were words for finding yourself isolated with your failures. Phrases for discovering that you were wrong, all, all wrong, wrong, wrong.
My mum calls my temper 'Devilman.' They say you calm down with age, but I don't know. It never goes away.
Film is like football - you join a team, get close to one or two people, then never hear from them again. I don't get emotionally involved. Do one, move on.
My parents split when I was 13. For a youngster, it's quite devastating. One minute you're all happy families, then everything changes.
When two people break up, it's all about them; they can't see anyone else. And the people getting smashed to bits are the kids. Then you're getting torn - your mum wants you, your dad wants you. You just get shredded. It has a long-lasting effect as well.
We all carry our past. But it is a case of getting on with your life and improving it, if you want to.
After 'Big Brother,' people came up to me in the street shouting, 'You woz robbed!'
There are a few YouTube clips of me singing at The King's Head in Santa Monica, so you can see how bad I am.
I always want to try new things, and 'Mean Machine' has given me that chance. I have got plans to carry on acting and would love to play all sorts of roles - you'll see that there's more strings to my bow!
In 'Hell Ride,' I play a biker - it's about the bikers. It's with Dennis Hopper and Michael Madsen, Larry Bishop and myself. We're bikers, and I play Billy Wings; I've got all sorts of wings, and you have to watch the movie to find out what the wings are about.
Honestly, this country was built on freedom of speech and freedom of expression, and when you can no longer do that, then it is no longer based on that, you know.
It doesn't matter if you load it on a DVD, if you videotape it, it doesn't matter. There's nothing more exciting than being at a live show.
I would give anything if it went back to analog age. I mean, music was so real, and you had to sing everything on a record; you had to play everything on a record. There was no cut-and-paste - you couldn't get the chorus right one time and then paste it every other time; you really had to be good at what you did.
A lot of people are really hung on the past - they can't get past that - but you've gotta get past that if you want any future.
If you had an ex-wife, and it was a pretty bitter split, you might not ever want to talk to her again. Who cares if everybody in the family and your friends want you to say hello again? It's your choice whether you want to do it or not.
They call it a reunion for a reason. It's called bringing the original members back to what it was. So there's a lot of these things that they call reunions that aren't really reunions. They've got one dude from the band floating around in them, you know. That's not a true reunion. With Pantera, it'll never be possible.
My house has always been like everyone's house. You walk in, you're a part of the family, no matter who you are, what celebrity status you are, everyone is treated the same - with love from my mom.
I look up to Jimmy Fallon. He hosts talk shows as a fan himself, and that's how I do it. When the celebrities come in, I'm excited that they're there. It's not just like a formal, 'Hey, how are ya?' It's like, 'Dude, what the hell! So happy to see you!' That's what Jimmy Fallon does every time.
People think for Shakespeare you have to have a big English accent, but it's not true. He designed it so it can be performed in any accent in any time period.
I was always the lead role in plays. I like entertaining people. I like when you're on stage doing crazy stuff and the audience gets it.
I'm an artistic kind of person. I draw. I've drawn my whole life. When you have an imaginative mind, I think the artistic form manifests itself in different ways. When I was younger, I used to draw murals for people.
First you have to spread on the rust performer, then you add a coat of protective enamel, and then you spray on the satin finish so you look good.
When you're on the road, you have to be louder and you have to communicate. That's really the bottom line.
Back in the '80s and '90s, you could hit the quarterback low, you could hit the quarterback high. You could hit him pretty much late.
I think you have regrets when you didn't give it everything you had, and I always felt like I did. Whether it was good enough or not, that has nothing to do with the fact that I tried my best to give my team a chance to win, year in and year out.
Football is about winning; it's that simple. You have to love what you do. If you're here for the money, than you don't belong here.
In nonviolence you must go full steam ahead, if you want the good to come speedily you must go about it with vigor.
I generally disagree with most of the very high margin opportunities. Why? Because it's a business strategy tradeoff: the lower the margin you take, the faster you grow.
I don't believe - till something radical changes that we are not on track to do - that hybrids are material to climate change. They're fashionable, everybody loves them, the Prius is selling well, but so are Gucci bags. But they don't impact the way the world carries stuff. You know it's a fashion statement.
If you have a carbon cap and trade system, there'd be an agreed-to limit the amount of carbon we emit. That changes the economic picture for fossil technologies and for the renewable technologies. It makes the renewable technologies more attractive and the fossils less attractive.
Now it will take a long time to scale biofuels, but I'm the only one in the world forecasting oil dropping in price to $35 a barrel by 2030. I'll put it on the record: Oil will not be able to compete with cellulosic biofuels. If you do it from food, the food will get so expensive you can't make fuel out of it.
You know, one of the great things about most renewable technologies - not every technology, but many of them - is the jobs have to be local. When you're talking about a power plant and power generation using solar thermal technology, the jobs will be where the plant is.
Religion asks you to believe things without questioning, and technology and science always encourage you to ask hard questions and why it is important in science and technology. So I was always interested in science and technology.
The only way you multiply resources is with technology. To really affect poverty, energy, health, education, or anything else - there is no other way.
What an entrepreneur does is to build for the long run. If the market is great, you get all of the resources you can. You build to it. But a good entrepreneur is always prepared to throttle back, put on the brakes, and if the world changes, adapt to the world.
I've probably failed more often than anybody else in Silicon Valley. Those don't matter. I don't remember the failures. You remember the big successes.
First, you should take money and have plenty of money fueling your tank. But money becomes dangerous if you assume it's going to keep coming. Make sure you can get your burn rate to a sustainable level if you hit the brakes hard, within 90 days.
Entrepreneurs can benefit a lot from the right help and advice, and you can avoid costly mistakes. You can get incredible leverage in hiring people who wouldn't even talk to you if you have the right help. An investor isn't about money - it's about the help and advice you can get.
You take something like RingCentral. It doesn't need any more money or financing: it is relatively mature, recurring revenue business - not really worried - but you know, we could sell it tomorrow. We have not been in a rush to sell it. We don't care about exits as much. We care about building fundamental value.
Our focus is not on exit. In fact if you talk to any of my entrepreneurs, I'm generally saying, 'Don't sell the company,' when other investors want to sell. I'd much rather focus on building long-term value in building companies rather than worrying about exits.
What is special about VOIP is that it's just another thing you can do on the Internet, whereas it is the only thing - or nearly the only thing with the exception of the dial-up modem and fax - that you can do on the public switched telephone network.
At some point, you can't lift this boulder with just your own strength. And if you find that you need to move bigger and bigger boulders up hills, you will need more and more help.
In a small company, you often see a lot more of what goes on in a broader range of things. And that's good.
The three-piece suit has become sort of my trademark. You don't see them much anymore. It has several benefits: You may be overdressed on some occasions, but you can manage to fit into a huge range of circumstances.
With Internet technology you can capture a photo, a quote, or an article, store it locally and upload it into the Net more than once, if you wish, to multiple sites. Can you imagine then forcing the search engines to somehow not index that information?
There's nothing special about wireless networks except that wireless capacity is sometimes less than what you can get, for example, from optical fiber.
You should know that I've been hearing-impaired, not quite since birth, but I've been wearing hearing aids since I was 13, so I'm very conscious of the difficulty of voice communication.
The post office doesn't guarantee delivery, but it tries really hard. It's called best efforts communication. If you put two postcards in the post-box, they don't necessarily come out then in the same order that you put them in. So, that means that there's potentially disorder with your delivery, and that's also true in the Internet.
There is an odd mix of permeability and impermeability in the Net. You won't be able to communicate with everyone, and not every application will be accessible to everyone.
No matter what you do, any country in the world is going to have the ability to set its own rules internally. Any country in the world can pull the plug. It's not a question of technical issues, it's not a question of right or wrong, it's not a question of whether global Internet governance is right or wrong. It's just with us.
The big deal about the Internet design was you could have an arbitrary large number of networks so that they would all work together.
The Internet is a really big tent. In theory, it can support the full range of models, one of which is, 'Here's my information and I'm happy you can use it,' and the other one is, 'Here's the information and you can't have it unless you pay me for it,' and perhaps some things in-between. There is a full spectrum of models.
Sometimes you see how humanity can rise above any kind of cultural ills and hate that a person's capacity to love and communicate and forgive can be bigger than anything else.
I heard about the book and I said, 'Oh my god, I've got to read this book,' and I didn't know that a white woman wrote it. Nobody said that to me, they just said, 'The Help - Oh my god, you've got to read it.' Everyone failed to mention it was a white woman, I think, because nobody really wants to talk about race.
Well, first of all, you read the script a million times. Because what the script gives you are given circumstances. Given circumstances are all the facts of your character.
When you're working as an actor, you don't think that when you get out of school, it's going to be so hard to get a job. Just to get a job. Any job. Whatsoever. You don't think that people are going to see you in a certain way.
I do believe that there are African Americans who have thick accents. My mom has a thick accent; my relatives have thick accents. But sometimes you have to adjust when you go into the world of film, TV, theatre, in order to make it accessible to people.
Your internal dialogue has got to be different from what you say. And, you know, in film, hopefully that registers and speaks volumes. It's always the unspoken word and what's happening behind someone's eyes that makes it so rich.
I love Wal-Mart. You can put that down. I love Wal-Mart. My husband and I hang out there.
In life, you know, they do this in focus groups; if you were in such and such circumstance, what would you do? Well, you never know what you're going do unless you're faced with it.
Tyler Perry's 'Madea Goes to Jail!' Which, I have to tell you, of everything that I've ever done in my career, that's the only thing that's perked up the ears of my nieces and nephews. That is it, that's done it for them. That made me a bona fide star in their eyes!
I worked in television; I'm the Failed Pilot Queen, I've done so many television shows, pilots, theater ... when you do it for so long, I'm telling you, you get to the point where it becomes varied because you take what's available for a number of reasons. It's just an occupational hazard.
Sometimes you take a job for the money, sometimes you take it for the location, sometimes you take it for the script; there are just a number of reasons, and ultimately what you see is the whole landscape of it. But I can tell you from behind the scenes - that's what it is, as an actor.
My parents never pushed me to be an actress. You can come from a family of actors, and sometimes there have been families that grow you up as an actor, but this wasn't my situation. It's very important to find your own way because it's something you then have to confront yourself.
Turkey was fantastic, Turkey was, like, mystical and such a special place. Just unique, something that's really hard to describe, such beauty, those mountains and the stone is kind of, eroded? Special erosion which makes what you see just something that seems, it's been made for a movie, it's like something out of fantasy, except it's real.
I've done movies that were maybe not worth it, but I try to take the best from every experience. You learn more from bad experiences sometimes. It gives you more will to overcome your mistakes. They give you determination.
After a performance, I met the man who would later be my acting coach who helped me get into my acting conservatory. It was apparent to me that there were many others who were in support of me becoming an actor and making a name for myself. I am forever grateful to those teachers and mentors who instead of saying, 'Why you?' said, 'Why not you?'
I was crazy into performing when I was younger. I was obsessed with the craft of acting, and theatre, and stage. You know the term 'theatre geek?' I am the extreme theatre geek.
Where are the Asian leading men? Well, we're being kicked to the ground; we're not being supported. We're not considered sexy or masculine, this or that. When you start hearing something enough, you start to believe it. But our world is changing, and I think we're starting to see that that's not the end-all be-all.
Many times, you have to sacrifice the paycheck for doing what you love.
I think the best thing you can do for an audition is to just do your work, be creative. It's OK to be spontaneous.
From what I've experienced so far, I'd say the traffic in L.A. is frustrating. You spend a lot of time driving your car for an audition that could last just three minutes.
It's the best gift any teacher could possibly get, to go back to where you came from and offer knowledge and camaraderie.
No matter how much good you do, there will always be a few per cent of people who don't support you.
You're a hero one day, you're a villain another day. They say that's football. When a manager does well, they're applauded, when they don't do well, they get the sack. Football is a tough world. Those who watch enjoy it - for everybody else, there are a lot of challenges.
You look at Man United and Liverpool, and they are red - they are much more successful and have a bigger fan base than Chelsea or Manchester City.
Fortunately, John Houseman is a marvelous writer and he sat in on so many story conferences. He worked with Welles, you know, and he's a marvelous man.
I was going to school thinking I was going to do something entirely different, thought acting was just a hobby at that point, met Stanley Kubrick and was like, 'Whoa, this can be an art form, and you can really move people the way you do simply by acting.'
I think all movie love scenes are hard because you can't truly be as intimate as you would be with anyone you're truly with, and everyone's watching you.
It's such an awkward, strange thing that was concocted, to have auditions. Back in the old days, you'd just have a screen test, and they'd say, 'Oh, you seem natural in front of the camera,' and you'd just go do 10 pictures for Paramount or whatever.
My grandmother is still a woman who worries about what she looks like when she goes outside. She's from that era, and I can remember saying to her, 'Grandmother, we're just going to the grocery store.' And she'd be like, 'I've got to fix my face!' You were very aware of how you were presenting yourself to society in 1960s Las Vegas.
Are you intimidated by me? Because if you're intimidated by me, that's something you'll have to deal with.
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