You Quotes
Most Famous You Quotes of All Time!
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Be such a man, and live such a life, that if every man were such as you, and every life a life like yours, this earth would be God's Paradise.
The true way to be humble is not to stoop until you are smaller than yourself, but to stand at your real height against some higher nature that will show you what the real smallness of your greatness is.
As you emphasize your life, you must localize and define it... you cannot do everything.
Set yourself earnestly to see what you are made to do, and then set yourself earnestly to do it.
Make your creed simply and broadly out of the revelation of God, and you will keep it to the end.
Forgive, forget. Bear with the faults of others as you would have them bear with yours.
It is while you are patiently toiling at the little tasks of life that the meaning and shape of the great whole of life dawn on you.
I think that we need to allow words to be words. If my self-esteem and my self-worth linger on words that are used to describe me, then you have a problem in itself.
When you model, you don't really have control over your image. It can be a good thing, it can be a bad thing. It can be a good thing in the sense that, actually, you have to get reintroduced to yourself. You don't always get that opportunity in your normal life. You can kind of hide from yourself.
Celebrate the things that make you individual and unique, and realize that there's no one in this world that looks like you.
Put on your bikini, put on whatever you want to wear, and don't worry about what other people are saying.
Sometimes you never realise how much of an effect you're having on people until you're told, and the fan mail I receive has made me very aware of the positive effects I have on other people.
If a brand wants a specific girl, they want a specific girl, wherever you are.
I hope to show people everywhere that you can be unapologetically you and still succeed. I also hope that by using more diverse models, brands can see that there is power in diversity, and not shy away from doing something new for fear of failure. The effects are bigger than just the fashion industry.
You cannot determine someone's health by the BMI alone. There are many factors that contribute to the health on an individual. If we're going to start using BMI to police straight size models, what's next? The plus size industry? To be honest, if it was down to BMI alone, most plus size models - including myself - wouldn't be working.
You can't say you're inclusive when you only have one plus-size, hourglass white model.
I love a good chorus, you know? I consider a lot of what I love pop. I consider Mitski pop.
For every single person who’s struggled with depression, there’s this weird part of your brain that tells you you’re the only person who’s ever felt like that, even if you know for a fact it’s not true.
I’m not afraid to have a really weird idea or, you know, take a really bad guitar solo.
I feel like 'Pitchfork' has a style, and you always know what they’re gonna say and what they’re gonna pick apart.
There are only couple songs that you can just hear and it’ll put you in a great mood.
You'd be surprised how inspired you'll be when you go into a different store than the one you normally go to for gifts.
When you start out, you have to make compromises, which include doing films of lower quality.
Modeling teaches you to be completely conscious of the camera. Acting is being totally unconscious of it.
Until you go through with it yourself, you simply can't imagine it. But it is the transition of going back to work and the guilt of how much time you spend with your child that's hard. I worry about not getting back in time for bath-time. I am not a neurotic person at all, but every time the mobile rings, my stomach leaps.
Because I'm a woman, and I'm petite and blonde, you wouldn't believe how often I'm asked to model the clothes.
Say what you want about Maroon 5 not making music like the kind found on 'Songs About Jane,' the fact remains that they know how to write a really good pop song that highlights lead singer Adam Levine's falsetto.
Life throws up enough road blocks to keep you from writing; you can't be adding to them yourself by saying you can only write in one specific place. I'm in New York half the time and Texas half the time, and I work wherever - in my computer bag I have some foam ear plugs that I can put in.
You don't make a decision about being a writer. There was a point, aged 21, when it became clear that this is who I am. The choice is how good you are going to be at it and how hard you are going to work.
You have to believe in yourself and only trust your own vision and instincts. If I'd listened to what other people thought about my work in the first 10 years that I was a writer, I never would have made it to begin with.
My parents have always been incredibly supportive. Even when I dropped out of high school, they said, 'We trust you, we believe in you.'
If you're always thinking about someone else's work, about the tradition you're working in, how can you possibly make anything good?
As a screenwriter, you have to let go, and you have to hand your baby over and let it go off into the world, which is entirely appropriate.
It is hard to go back into a world that has already been explored, so to speak. And the fans are very passionate about it, and you don't want to burst that bubble; you don't want to break that illusion. You want to get it right. You want it to feel familiar, but also surprising.
I don't much like Singapore. It's very big, very modern and very urbanised. As a rule, I prefer older places where you get a sense of the history.
Phoenix is an interesting example. Drive around and see the golf courses everywhere, and you see people's big green lawns. And you live in a desert! I've always remarked about the capacity of human beings to look at somewhere and move there because of its uniqueness and its beauty and then change it.
If a product has an endless list of ingredients, and you can't pronounce half of them, I would think twice about bringing them into your home.
I hate plastic bottles. Just think about it before you buy one. We pay more for a gallon of water than we do for a gallon of gas. I think people will realize that water quality standards in most municipalities are as good or better for the stuff coming out of the tap than bottled water companies. You'll save money and save the environment, too.
The biggest organ in your body is your skin, and it's a permeable membrane. Anything you put on it goes into you. If you can't pronounce most of the words on the back of the bottle, it's probably not good for you.
When you talk to a Republican, many of them just outright say, 'Yeah. Climate change isn't real,' without assessing the facts, and it's a big problem. It's not a red or blue issue, it's a green issue... Not because of facts or science but because of emotion.
I see football as a bit like a stairway, and you have to climb it bit by bit. First, you have to play good football so that you get to play for a good team. Then, hopefully you achieve such a level that you are invited to play for your national side, in time for a World Cup, if possible.
Football is more disputed in England than it is in Italy. Every match is a very hard match because the referee doesn't blow his whistle as much as in Italy, and every team plays against each other like it is a final. I enjoy it more in England because you have to think quicker. The pace of the game is faster, so you don't have much time to think.
The No 10 shirt? Yes, I understand what it means in Brazil. The icon number. Yes, it's important. It is the number given to a creative player, and I am happy to have that responsibility, but it is not your shirt number that defines you: it is what you do with a football.
You define the success of a player by his loyalty or his titles. Or both.
It's an incredible feeling when you look across the dressing room and see Andres, Leo, Luis and Sergio Busquets, and everyone else. They are players I used to watch on TV or play with on PlayStation, and now I am sharing the same dressing room. It's incredible for me.
Stevie G is the best midfielder I've played with. He was an idol for me and for everyone who watched him play, but when you were together with him, and you see him training, it was different: he was even better.
First, you have to play good football so that you get to play for a good team. Then, hopefully, you achieve such a level that you are invited to play for your national side, in time for a World Cup if possible. Then, obviously, play a good World Cup. That's my dream.
I also had a chance to play in Brazil for Vasco against Flamengo, the local rivals in Rio. So it is the sort of game the players like to play in, and I like the atmosphere, the build-up, and all the preparations throughout the week. You want to be involved in these kind of games.
I work hard on the precision of my long shots, but you can't plan it in games. Sometimes it all just opens up for you to give it a try.
My focus in the training sessions is always about movement to create openings and opportunities. When you don't have the ball, you still need the discipline to know where you should be, who you should be marking, but when we have the ball, it is important to be able to move around.
I believe in finding somewhere you can express yourself, play without fear, play with everything you have. When you find that place, stay.
Where we lived was a nice residential area, but if you know Rio, you understand you can be 100 metres from a favela. It could be a little dangerous on the streets, especially at night.
I started playing futsal in the favela because it was the closest pitch to where we lived. I think it was good for me, playing in a small space like that. You have to think and act quickly.
You have to think and act quickly. You have to quickly come up with a solution to beat a player, because most of the time, you are in a one-v-one.
Sometimes the game does not go for you, no matter how much you try, but I do what I can and leave other people to their opinions on how I played.
I like to have fulsome discussions on every topic. What happens if you lose this show? What would you do? We have to look at every hypothesis.
If you're writing a screenplay from scratch, it involves a lot of creation.
The last thing, and the only one that you cannot physically train for, is the psychological preparation.
It's only when you're flying above it that you realize how incredible the Earth really is.
I think doing something of your life is something that you've got deep inside, whether it's to, whether you want to be an astronaut or a, whether you want to do science, or whether you want to be a movie star, or whatever.
And, you run also video because to fly this arm, you're relying mostly on some external camera views that may be coming from the arm itself or from the station.
When a loved one disappears, you continue to live with the accompaniment of that person. One has to find a balance between joy and sorrow.
The wire is a safe place for me to be. The street is not. Life is not. It's a rigorous and simple path. It's straight. You don't have meanders like, you know, on the ground, in life.
It's very easy to walk on a wire if you spend a whole lifetime practicing for it.
I hate all electronic things that are supposed to help the human being. You don't smell, you don't hear, you don't touch anymore.
How could I share with you how I felt when two towers that I loved, two pieces of steel and glass and concrete fell down, when actually they took with them thousands of human lives? That is the actual tragedy. But those towers were almost human for me. I was in love with them, and that's why I married them with a tight rope.
To be able to create fully, it's maybe fine that you learn the rules, but you have to forget and to rebel against those rules.
I needed more knowledge in rigging and knotting. I started collecting books on knots and really learning more and more. That's how it started. And also in magic, of course. With a piece of rope, you can do magic.
It's very normal - when you're not used to the world of the high wire, it's very normal to be simply terrified. The reason I'm not is because I've done it for so many years.
I found out that total creativity involves a certain intellectual rebellion - not to become a criminal, but somehow. to be totally creating, you have to do things that are a little bit forbidden. You have to feel free, and we know freedom is a hard thing to get.
I am fascinated by the engineering. The science of constructing and understanding why it stands. And I am drawn by the madness, the beauty, the theatricality, the poetry and soul of the wire. And you cannot be a wire-walker without mingling those two ways of seeing life.
Unless you're willing to have a go, fail miserably, and have another go, success won't happen.
When people ask about inspirations, and you're like 'oh, it was a flower or a mountain or a pony', some people just think you're insane. I'm worried to come across that way.
I think my parents were immigrants, you know, so I guess I would be first generation. Growing up in California.
You can make jeans and a t-shirt super stylish. It's what you make of it, you know?
My mother was a seamstress, so making clothes was not something you would willingly go into.
Just because you work in the fashion industry, it doesn't mean you live your life in fashion.
I don't think I've worked with anyone where I haven't seen some progress. Now sometimes you can't take someone where they want to go, not all the way, and sometimes you stop, and they do it or don't do it on their own thereafter.
You are never, ever gonna get a drummer to dis another one. It's part of the drumming rules, as important as being able to keep pace or smashing up hotel rooms. Drummers do not dis!
Listening back to your speaking voice for the first time, unless you're James Earl Jones, it's a quite distressing process for most people.
Anything that broadens your musicality always moves the way you write drum or guitar parts.
Being unemployed is not good for an actor. No, it isn't, no matter how unsuccessful you are. Because you always remember getting fired from all the restaurants. You remember that stuff very, very strongly.
I work constantly but I work at a lot of different things. You know, I run a theater company in New York, I direct plays, act in plays, in movies, so I try to keep it eclectic.
When you have a child, as anyone knows who has them, that's basically all you want to talk about.
In life, do you ever really know if you're missing an opportunity? No, you really don't.
When you're playing someone who really lived, you carry a burden, a burden to be accurate. But it's one that you have to let go of ultimately.
Life's pretty funny when you're objectively on the outside looking at it.
If you have so earth-creeping a mind that it cannot lift itself up to look to the sky of poetry... thus much curse I must send you, in the behalf of all poets, that while you live, you live in love, and never get favour for lacking skill of a sonnet; and, when you die, your memory die from the earth for want of an epitaph.
I was just, as a child, very different from the others, and didn't really care what they thought because you know, a child doesn't really have inhibitions; you sort of gain your inhibitions later.
A person carries off the hat. Hats are about emotion. It is all about how it makes you feel.
I believe in a democratic approach to fashion: if you feel good, then great. You may not look good, but it's not the problem.
Try on 100 different hats if you can, until you find the one that suits you best. It's a trial and error thing.
When you meet someone, you meet their face. It's the most potent part of the body to embellish.
Hat-making is laborious and time-consuming. It's a very tactile medium, and you can develop the skills, but it's one of those things: you either have it, or you don't. I love bringing something to fruition with my hands that gives people pleasure.
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