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If I hadn't got into comedy, I wouldn't have met Abbey, my wife, and I wouldn't have my two girls, and the whole thing unravels. That's the thing about being basically - whisper it quietly - happy, is that you don't really want to change anything, because once you start changing stuff, then what you've got all disappears.
I suppose if I went to Turkey - I mean, I can't imagine going that far away, but if I did go to Turkey, yes, I would probably try to know 'please' and 'sorry' and 'thank you', and 'a beer please', and all the useful words.
When you ask a guy, 'Are you gonna take a fight if your opponent doesn't make weight?' Is it really asking? Does he really have a choice? When you back them into a corner like that, is there really a choice to be made?
You know those hard days you go home where you've been worked to the bone and you just want to do nothing? In fight prep, every day is that day.
When I made the UFC, everyone said, 'You need to go overseas.' I thought I had to go as well, and I went to Tristar Gym, and I was there for one or two years. But changes were needed. I'd come off back-to-back losses - Court McGee and Stephen Thompson - and I needed to look at my roots and go back to the drawing board.
I'm a distance fighter - if you've seen me fight, I like ducking in and out.
My philosophy is fight anyone, anywhere. If you're going to be the best then you're going to have to beat them all, so why pick and choose?
Come fight night, there will be nerves, but it's how you react to those nerves - doing what you need to regardless - that's how you win fights.
I think the mental preparation isn't something that you can work on in one large sum. It has to be a collective collaboration of doing little things for your mental state constantly throughout the prep and managing your life outside the Octagon, managing your life in transit to the Octagon, managing your life once you get to training.
Take a martial art that you enjoy. Don't worry about the end result; just enjoy getting up and going to training. And there is no right martial art to do. They are all good.
I learned at a very early age, listening to those around my family, that in order to be a commander, you had to walk your post.
As part of any new leadership organization, you come in with a team. You come in to assess. You come in to rearrange.
The process of creating is related to the process of dreaming although when you are writing you're doing it and when you're dreaming, it's doing you.
It's easy to create a country, all you have to do is to think of a name for it.
It's a little like wrestling a gorilla. You don't quit when you're tired - you quit when the gorilla is tired.
As a director, the biggest job is to discern the imperfections in emotional tone and then view it in the global picture of what you're trying to do, if that makes sense. It's a rhythm, like music is a rhythm or composition and art is a rhythm. Dialogue is a rhythm as well.
Is making a movie true love if you're a creative person? It could be. But in my world, the importance of being a father and having kids and knowing that connection is true love. Making a movie is love.
When looking at the evidence of feeding on large prey, you can see every size tooth from hatchling to adult in one spot. The babies may have been fed in the nest until they were full grown, like in eagles and hawks.
I'll bet you a six-pack of Coors that pretty soon, people will be discovering Cretaceous parasites inside Cretaceous bones. The possibility of looking into epidemiology and pathology is pretty cool.
Dinosaurs are the jumper cables to the human mind. Kids can't curb their enthusiasm when they're in a hall of dinosaurs and mammoths and mammoth hunters and trilobites and giant fish that could chomp up a shark. These natural objects in motion and context make kids want to read; you can't stop them from reading and thinking.
You could arm-wrestle with a T. rex and win, but you shouldn't because it only makes them mad.
Those who tell you that the territorial question is an abstraction, that you can never colonize another territory without the African slavetrade, are both deaf and blind to the history of the last sixty years.
I very much regret, in appearing before you at your request, to address you on the present state of the country, and the prospect before us, that I can bring you no good tidings.
I can't see where there is anywhere left to move. If you don't have a recount it's hard to receive any more votes.
But, uh, censorship at that time said that you just absolutely couldn't do anything involving children and so we had to go from there. I don't remember what I changed it to. Duvall is just excellent in it.
I think that those are the things that you can uniquely do with film that are difficult to do anywhere else: they can bring a picture to life, give it a natural and historical context and make you feel that everything else is suddenly credible.
If you have a good ear for dialogue, you just can't help thinking about the way people talk. You're drawn to it. And the obsessive interest in it forces you to develop it. You almost can't help yourself.
You're torn between wanting to fill in all the spaces and knowing that's really going to screw up the screenplay. And yet, how are you going to communicate it to people who really don't understand the process?
Were you to read the British press today, you would learn that the British Empire never forgets its defeats.
We enjoy playing small shows, big shows, whatever. There's the energy of the visual production, and all that stuff starts to happen, so when you see it come to life, it's pretty exciting.
You want your fanbase and new fans too, to embrace the music, the new music.
I play in Metallica, and I have fun in Metallica. I tell you, I am the luckiest man on the planet because we have a good time and we're happy. When we put on our guitars, we're teenagers again, and that's where the fun comes in.
Don't make music to make money, because that's not why you should be doing it. Have fun, be creative, and embrace the past.
Any band that you have, any relationship in your life, is gonna come with moments of tension.
Charge forward with hope and get the best medical advice you can. Talk to your friends, neighbors, family, and together you attack it. We can't always control what happens to us, but we can always control how we react to it.
I know it sounds hokey but I think, ultimately, on television you can't hide who you are.
When I was 14, I thought, 'How wonderful to be a science fiction writer. I'd like to do that.' I have never lost touch with that ambitious 14-year-old, and I can't help chuckling and thinking, 'You did it, and you did it right.'
No, come to think of it, I don't think the Cure will end, but I can make up an ending if you want me to.
But everyone I know reaches a point where they throw out their arms and go beserk for a while; otherwise you never know what your limits are. I was just trying to find mine.
I do a job I really, really love and I kind of have fun with. People think you can't be grown up unless you're moaning about your job.
If you would be pungent, be brief; for it is with words as with sunbeams - the more they are condensed, the deeper they burn.
Live as long as you may, the first twenty years are the longest half of your life.
Our profession is very much like going to a cocktail party, you check out the guest list.
Someone once accused me of being like Eliot Ness. I sad no sir, I'm not E.N., but I can promise you that I'm not Al Capone!
It's a word called symbiotic, you send the messages and it comes back in return. Together, it's a wonderful thing, it's why television is so great and film can never reach.
If you don't love it, you can't suffer thru all the despair that comes with it. Keep doing it because you love it.
You have to love the doing of what you're doing and not wait for the phone to ring.
They have a book of locations, and we would do a story about the Sahara Desert for instance, and in the California book you would find a comparable location, to match that location in California.
There are some people who want to throw their arms round you simply because it is Christmas; there are other people who want to strangle you simply because it is Christmas.
Cut quarrels out of literature, and you will have very little history or drama or fiction or epic poetry left.
I've taught statistics, math courses and what I've found is that often if you teach them algebraically the formulas, you'll have one group of kids doing well.
The three parts of the theory are analytical ability, the ability to analyze things to judge, to criticize. Creative, the ability to create, to invent and discover and practical, the ability to apply and use what you know.
And so, you can do hundreds and hundreds of studies showing a general factor and just so long as you restrict your populations, your testing materials and the kinds of situations you look at, you can keep finding the same wrong thing again and again.
If you bore them to death and say, this hurts me more than it hurts you, #A, they're not going to believe it, and #B, they're going to invest their time in other things anyway.
And in order to succeed in later life, you need creative skills because look at how fast the world is changing.
If you're not adapting to the very rapidly changing environment, if you can't think creatively, you lose big in this society because there are very few jobs for you left.
But in any case, I did poorly on the tests and so, in the first three years of school, I had teachers who thought I was stupid and when people think you're stupid, they have low expectations for you.
And if we don't have a test, what we may end up doing is going back to what this country has done before. We could use social class and we still do, but in the 50s, it was, do you have the right last name and are your parents in privileged positions?
You know, I'm an egg-heady scientist with a large beard and like Birkenstocks.
Successful stress management heavily revolves around combating the building blocks of psychological stress - a feeling as if you have no control over the adversities in your life, a feeling that you have no predictive information about the stressors, if you lack outlets for the frustrations caused by the stressors, if you have no social support.
That's what stress management is about, that's what psychotherapy is about, finding religion, or finding your loved one or your hobby - any of those, they give you more outlets, more of a sense of control, more of a sense of predictability, of social support. They give you the means to psychologically finesse ambiguous outside reality.
If you're a gazelle, you don't have a very complex emotional life, despite being a social species. But primates are just smart enough that they can think their bodies into working differently. It's not until you get to primates that you get things that look like depression.
What adolescence is about is by trial and error, honing a frontal cortex that is going to be more optimal by the time you're 25.
The publisher has told - you know, if these editors, Andres Martinez and Nick Goldberg, were the least bit honest about this, they would tell you the publisher has told them he wants the editorial page to be conservative.
So this guy, Jeff Johnson, who is an accountant who cares nothing at all about a free press and cares nothing about journalism, he's a right winger who supported the war, you know, who two years ago told people he couldn't stand a word that I wrote.
You write to become immortal, or because the piano happens to be open, or you've looked into a pair of beautiful eyes.
My indifference to money and my spendthrift ways are disgraceful. You have no idea how reckless I am; how often I practically throw money out of the window. I am always making good resolutions, but the next minute I forget and give the waiter eightpence.
There is a shirt company that is making sensors that go into your clothing. They will watch how you sit, run or ski and give data on that information.
Apple has hundreds of stores around the world that are beautiful, and they have a distribution system and a staff of 40 or 50 people that will help you.
Let's be honest - you work at a big company because it's comfortable. You don't have to work 80 hours per week, and you get paid, have nice benefits, and the family is all happy.
You see 6,000 times more tech companies in San Francisco than you see in Seattle. All the money is in San Francisco when you look at the venture fund maps. The PR is in San Francisco. The centricity of the industry is in San Francisco.
I'd try to become known as a world expert on 'something,' to take a small niche you can define.
Once you become known for one thing, it's easy to become known for a second thing, a third thing, and a fourth thing.
I get a lot of email, so if you're sending me an email, if you want to rise above the clutter, put something on it: say, 'Hey!'
I always tell people, start with what you're passionate about. If you truly are passionate, you'll keep it up.
This is kind of a uniquely New York experience, but when you can't afford an apartment nicer than the place you're renting, there's something so inherently depressing about it.
I didn't want to chase movies. It's too hard. You've got to work at it - opening nights, photo shoots, publicity people, managers. I never wanted to do that. I'm too lazy.
Sure, theater is tough because you're not home at night a lot and you work on weekends - every job has its downside. But to do something that you love doing for two hours a night, that's a pretty sweet gig.
The Vietnam War was causing people to get drafted; I had received a deferment to finish my undergraduate education, and in order to continue to get a deferment, you had to go to graduate school.
It's true that if you advise politicians on economic policy in the U.S. today, you spend your time in a cross between inquiry and combat. You are always on the periphery of harsh partisan warfare that has nothing to do with substance.
Success lasts only three seconds. After that, you're the same as you were before you had it.
Once you find you can't walk as far and as fast as you were able, life becomes more complicated.
So I wrote what I hoped would be science fiction, I was not at all sure if what I wrote would be acceptable even. But I don't say that I consciously wrote with humour. Humour is a part of you that comes out.
If you see a gaggle of teenagers walking towards you, you tend not to make eye contact, because you know they're going to recognise you. You learn to adapt: 99.999 per cent of people aren't looking to be harmful or unpleasant; they just want something, a photograph or an autograph.
I never aspired to be in a band, but being onstage is a very cool feeling. It's like you're the lord of the room. It's hard to croon and run around doing big scissor kicks while also trying to play, though. I'm still mastering that.
I think books, novels and autobiographies have a power to touch people far more personally than films do, so there's a bit more of a responsibility when you then dramatise it.
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