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Kids are the ultimate trump card: a way to get out of co-op board meetings or lunch with a friend you don't want to see or your brother-in-law's set at a comedy club. It's fair to use your kids as an excuse to sidestep what you don't want to do; it's less fair to blame them for not being able to achieve what you do want to do.
If writing really is empathy, then understanding your place in society might actually help you achieve it.
The culture looms much larger than you do as a parent, and one can hardly rely on the culture to impart the lesson that womanhood is valuable.
Is deciding what you like an instinct, a sense that arrives as swiftly as my autoimmune response to cat dander? Or is it the result of reasoned consideration, the way wine tasters swish pinot noir around in their mouths, spit it out, and reach for complex metaphors about chocolate and tobacco?
Lindsay Hatton's novel 'Monterey Bay' so beautifully evokes the landscape of the titular locale, you'll feel transported to Northern California even if you're reading it on the bus on your morning commute.
I grew up in the D.C. suburbs, and what I like about that place is that there's not a strong regional affect in the cultural imagination like there is in Dallas or San Francisco or New York City. You have a little more freedom as a novelist this way. The suburbs become a generic idea, and the place doesn't intrude into the narrative.
You must learn to perceive as your self that which lies outside you. Looking only within oneself leads to a hardening in oneself, to a higher egotism.
You cannot be an educator or a teacher without relating to children with full insight. Their urge to imitate has been transformed into a receptivity based on a natural and uncontested relationship of authority, and you must take this into account in the broadest possible sense.
You can go from object to object, from plant to plant, from animal to animal and regard them as symbols for the spiritual. In this way, you make your imaginative capacities fluid and release them from the sharp contours of sense perception.
My father was what you would call a cowboy, a vaquero; he worked out in the ranches with cattle. And my mother came from farmers down in the valley.
Keep yourself healthy. If you got your health, you can do anything. You don't need no money, you don't need nothing.
For a homosexual, he's one of the nicest guys I ever met. And he's good at what he does. You know, he's got leadership ability, and if these people here would listen to him, he would take 'em a long way. But anyway, me and Richard got to be pretty good friends - not in a homosexual way, that's for sure.
I got an action figure. You know, like G.I. Joe. What I seen of it, they got to put a little gray in the hair.
When I said the city would be stronger, I didn't know that. I just hoped it. There are parts of you that say, 'Maybe we're not going to get through this.' You don't listen to them.
The Republican Party is a much bigger tent than people give it credit for. We have a lot of what I guess you all call moderate Republicans.
When you're in a crisis of, you know, tremendous proportions, it's beyond any human capability to control, you just make the best decisions you can, and you just hope that your intuition is correct.
I think to adequately manage a crisis, you have to see it. Because there's only so much somebody else can tell you about it, and they impose their own distortions on the description. You need to see it yourself.
In an emergency, you rarely get one consistent piece of advice. You usually have two or three people with two or three different ideas. So you want to have your own set of thoughts.
There are terrible, terrible memories of September 11th, things that I saw, people that I lost, the devastation, the identification of bodies. I mean, all these memories come back to you at different times. And then the other side of it this tremendous response with the firefighters and the police officers saving people, the rescue workers.
When you have a coach that is a competitor, that wants to win more than anything else, it really carries over to the team.
That's what it's all about at the end of the day. What can you do? What difference can you make in the world?
I like to play basketball. Sometimes if someone takes that away from you, you've got to get in your feelings for a reason.
Everyone sees me as a defensive-minded guy, but both sides of the court are important. If you want to win, you have to be good on both sides.
Some nights, you're tired. But I just like to go out there and help my team win and not let my team down. It's the least I can do.
In the playoffs, it's not going to be pretty. There's going to be some games where you don't score. But are you going to take a charge for a teammate?
I never was in favor of doing this. No, no, no. I was never in favor of cursing on records and so forth. I wasn't brought up like that. But I needed to survive and make money and get me a piece of show business. So when I found I could hit with this, then I turned to it. And in order to turn to it, you must do it well.
You know, I hope that someday they make a movie about me. People need to know the story of 'Dolemite;' they need to know my story.
It's tedious to watch something very obvious being worked out, like a movie that's not particularly good and after about half an hour you know how it's going to end.
Some ideas you have to chew on, then roll them around a lot, play with them before you can turn them into funky science fiction.
Composers now just don't have the depth of inspiration for melody. Most of the lyrics of the pop songs you hear today are repetitious. They're almost nursery rhymes, as if written by children - which they are.
The popular songs that were written in the 1920s and '30s, '40s and early '50s were written by veterans - mostly men who'd had experience in life. How can you write a lyric if you haven't really lived life?
If you can keep your wits about you while all others are losing theirs, and blaming you. The world will be yours and everything in it, what's more, you'll be a man, my son.
If you can force your heart and nerve and sinew to serve your turn long after they are gone, and so hold on when there is nothing in you except the will which says to them: 'Hold on!'
And that is called paying the Dane-geld; but we've proved it again and again, that if once you have paid him the Dane-geld you never get rid of the Dane.
When you're wounded and left on Afghanistan's plains, and the women come out to cut up what remains, jest roll to your rifle and blow out your brains and go to your gawd like a soldier.
I didn't know there were options like gender neutral or gender fluid. I later realized you could be a girl and dress like a guy.
Gender fluidity is not really feeling like you're at one end of the spectrum or the other. For the most part, I definitely don't identify as any gender. I'm not a guy; I don't really feel like a woman, but obviously I was born one. So, I'm somewhere in the middle, which - in my perfect imagination - is like having the best of both sexes.
You have to be great friends and make each other laugh. We laugh a lot and neither is jealous of the other.
Just ask for what you want. I requested a six-month break from Facebook to visit my parents; I asked to switch projects. I told my husband it was time to get married after six years of dating!
I, I don't think anybody's continually happy, uh, except idiots, you know. You know, you have to have little moments of depression.
I didn't write because in the corps I took mining engineering of all things and, you know, they, they graduate a mining engineer as a sort of an illiterate.
I didn't do drugs, I never did do drugs. Never. I don't have any story of drugs, you know, to speak of. Never did drugs, never was interested in drugs and then I wasn't interested in the people around the drugs.
I think being born in Panama was a blessing because Panama is a port city. It's a really - the mentality is that - I remember that of admitting things in. You know, ports, ideas come in and out all the time.
To fix Panama, you need more than charisma and records: you need a program of action.
If you have somebody who can just do everything easily, then it's kind of boring. If you're handcuffed to a chair and you've got to fight while your handcuffed, or something like that, it just adds a cool element.
Like, I've worked on movies where you go in every day and you know that what you're shooting isn't very good to start with and then you have to figure it out, and that's way harder.
It was fun playing with those jumps and the flashbacks in 'Zombieland,' but I don't think you need it to make a good movie. It's fun to just do a more straightforward one.
I think any opportunity you can to employ some visual technique, go for it.
Zombie purists don't even call our zombies zombies, because to be a zombie you have to be undead. That's something zombie purists can fight about for years and years to come.
If you've loved a girl your entire life and you've been afraid to tell her, don't wait because you never know what might happen.
It's like somehow my favorite filmmakers, you know, bounce between genres. Like if you look at a career of somebody like Soderbergh or Danny Boyle or the Coen's. I mean, it goes - there's no real through line other than just their style, but the type of genre or the type of subject matter seems to go all over.
You know, duality has always been a strong theme throughout 'Venom'-focused stories, whether it's in the comics or in movies, and that's something I think that Tom Hardy's played with in a lot of his work.
Venom,' we worked all the way up until the release. It was one of the latest things you could possibly push the schedule to. We actually finished it two weeks before it had to go everywhere throughout the world.
The more you play, the more you feel part of the squad, and then, in turn, you end up playing better. I think it's a psychological gap as well - if you don't think you're a first-team player, then you won't be.
When you don't play, you really feel the difference of what matches give you. The match-sharpness, the fitness. It's what you need to progress.
I won't be intimidated by any player or team, I think that is fundamental in football if you want to do well.
Playing with some of the best players in the world, you're going to get better every day.
It's tough being at Chelsea. I work hard every day in training. It's a massive club with really good players, so you don't get the opportunity every weekend.
Since I was a young kid, I have always been calm on the ball. That comes down to awareness as well. When you have good awareness and you know what's going on around you, you don't need to panic. There is no point. It just makes things worse. You have to stay calm, cool, and collected.
My goal simply was to have an impact, to try to make a contribution and help the team win. I wasn't thinking, 'I want to play well, so I start the next game.' But every kid's dream is to play in the World Cup. Watching at home with your parents when you're 10 years old, you never think you'll be there in the future.
It's been so difficult to go from playing every game then get to the seniors and not be given a chance. It's really difficult mentally. There's only so long you just enjoy training with top players.
I'm not one to bow under immense pressure. I know how to deal with it. As a youth player growing up and playing for England, you deal with it then and get used to it. You just carry on into the bigger stages, and it has become natural to me.
I'd been at Chelsea for a while and progressed quite quickly until I got to the first team, and then it was different. I was used to playing every minute of every game, but when you get to that level, the step up is massive. There are world-class players in front of you, and no matter how talented you are, breaking in is difficult.
I'm not afraid of any competition. I'm not going to be intimidated by any player or team. That is fundamental in football if you want to do well.
When you come from younger teams, and you reach the main squad, there are always difficulties you have to deal with, like the intensity, the maturity, and the experience of the players.
You can't think about what you're going to do in the future until you've done things in the present.
I try to create an environment where it's okay to make a mistake, though it's not okay to be unfocused or come in unprepared. I'm challenging and demanding, but very patient. I don't tell you how to get there and I don't show you what to do, though I'll ask leading questions.
You know, I'm a father. I'm a brother. I'm a son. And I'm a grandfather. So many times I have to be the intermediary, the person to referee and help solve disputes and to protect and to guide.
I am always going to be in the hood in my heart, but what I did was added on the masters of arts, fine arts and the doctorate... if you want me to pull that out, I can get very distinguished... but I'm not going there... I don't have to put on airs; the knowledge comes out - just listen.
One day, I looked up and saw I had an extensive resume and saw how I did that and did not realize it because you are constantly working and trying to build a body of work.
I'm an infant with Shakespeare; I'm kind of learning how to walk. I am trying to decipher the code, you know? I do my research. And I get a clear understanding of what the language is. It is a tremendous process I have to go through as I am sure all actors do, finding the gems hidden in his language.
My mother always taught me, even my dad, just never let other people's opinions of you shape your opinion of yourself. And I never have and I never will.
Simon is cool. You know, it's different if you ever see him around his mom. He acts totally different.
All of them had so much to offer us as far as, you know, knowledge in the music industry, and especially Randy and Paula because, you know, they've been artists.
You know, Simon he's an artist representative, but Randy and Paula actually were in the industry as artists so they had, you know, the information that they offered to us from their aspect.
If you eat good, you feel good. I would encourage every body else to do the same.
I don't like to be a preacher or anything, but the one thing that I've learned is that you truly are what you eat.
I don't care about the future. I feel the future always reserves enough good things for you if you stay open and you smile.
Your objectives change throughout your career and with more experience you kind of use the energy for the good stuff and you don't burn energy for the wrong stuff.
Evil isn't prejudiced. It doesn't care what you look like; it just wants a place to rest. It's up to you whether you give it that place.
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