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I've had an amazing run in my career. It could end tomorrow. I have artists who love me, and I love them, but they could call me tomorrow and say, 'I don't wanna work with you.'
If that day come, and artists I've had incredible runs with just break my heart one day, you know what? I still got to do stuff that was actually really incredible. When that day comes, I'll deal with it. Until then, I'll be grateful for today.
If you're not going to do it to the best of your ability, then don't do it at all.
My grandfather died when I was 14, and he was in Bergen-Belsen and Dachau. So be grateful for your life because nothing is guaranteed. Everything could literally be taken away from you tomorrow.
The really great brands live on this idea of bringing something that's truly authentic - and then building around that. It's not about trying to be something as much as it being who you are in the best light possible.
People like to shy away from comparisons. Personally, I think that's a mistake. Comparisons can be good. People like to compartmentalize things within their own heads, and helping them do that can actually be a positive thing for the brand you're trying to build.
If you watch Justin's early videos, I never let him say, 'My name is Justin Bieber,' and then start singing - he always just sang. And the reason I did that was I wanted you to feel like you were in the room. Or maybe you were seeing something you weren't supposed to see.
I looked at Robert Downey, Jr. and all these people - when you ask for redemption, people will give it to you. But if you're the boy who cried wolf, they'll destroy you.
Kanye's the best listener I've ever worked with. If I interrupt Kanye, every single time, he'll wait for me to finish before speaking. It's a running joke - sometimes I interrupt him just to see. And he always goes, 'No, no, finish. I want to hear what you have to say.'
Remind people that profit is the difference between revenue and expense. This makes you look smart.
You don't have to be a 'person of influence' to be influential. In fact, the most influential people in my life are probably not even aware of the things they've taught me.
If you have any trouble sounding condescending, find a Unix user to show you how it's done.
Be careful that what you write does not offend anybody or cause problems within the company. The safest approach is to remove all useful information.
I'm like the king of the low-budget sequel. People ask, 'What film are you gonna do next?' 'I don't know, but it's probably got a 3 or 4 in the title.'
My first break was in a Hong Kong movie that I shot in China - I was going out there and working as a western stunt man, if you like, but at the same time in England I was working in daytime soap stuff. Eventually I put the two together.
I'm just about the movies; I enjoy the dexterity of actors in action movies and the choreography side of things. You've just got to be a different person to be a professional fighter. I train with professional fighters, so I know what it takes. It's a very difficult profession, probably harder then the acting profession.
I'll be honest - I never saw myself making a ninja movie, never entertained the idea. I think ninja films can be quite cheesy unless you do them in feudal Japan.
I personally think a fight scene is the most cinematic thing you can witness because all the elements of filmmaking come together, you know, with the camera speed changes, editing, make up effects and general smoke and mirrors of trying to make it look like you are hitting someone when you're not. It's filmmaking in it's purest form, I think.
I'm always trying to improve my skills as an actor. I think it shows in 'El Gringo;' it shows in the new 'Universal Soldier.' You can't rest on your laurels; you've got to keep improving.
Best fight ever in a movie: 'They Live.' I want to do a martial arts version of that, where you think it's ended, and it just keeps on going. I love that fight. It was funny as well. Unexpected.
Whenever you're looking at new ways to get in shape, first you have to decide what you want. Do you want a more muscular look, or do you want to slim down and appear more toned and ripped? I adapt my training and diet with each role I do, depending on the image I want to convey.
Most sitcoms and cartoons, especially, you can rely on, because they go back to square one at the beginning of every episode.
I've heard New York actors say Chicago actors intimidate them because apparently we're the real nitty-gritty actors who're in a town where being onstage doesn't necessarily get you anything except your craft.
I still feel very close to the people I wrote shows with and some of the people I toured with. I feel very close to them, like a family or like college friends who you know and who have seen you at your worst and you spend 14 hours driving a van all piled on top of each other.
I'm a basket case. Yeah, you know, I put my foot in my mouth more than I speak properly.
Networks like Adult Swim allow artists to be artists and allow their vision to come through without a lot of tinkering. I worked on 'Moral Orel' and 'Mary Shelley's Frankenhole,' and they bothered us very little. They very, very seldom came to us and said 'Change this,' or 'You can't do that,' or 'We'd like to see this.'
Every time that you do a play or a show of any kind, really you have this family that you really build something with for a while, and then we all dissipate, but you always have that connection, that eternal kind of intimacy, you'll always have.
The rules of improvisation apply beautifully to life. Never say no - you have to be interested to be interesting, and your job is to support your partners.
Making money is a hobby that will complement any other hobbies you have, beautifully.
The power of podcasting is pretty remarkable. It is such an amazing way to mobilize fans. It's almost like they're part of your family. They probably listen to you more than they listen to their own families. I know that's true for me. So there is a real bond there.
My partner, Jeff Ullrich, and I always thought Earwolf was going to be big. There were a couple of studies before we launched saying podcasts were going to really grow. But I remember so many conversations at the beginning where people would say, 'How are you going to make money with this?'
I was always a big fan of Mel Brooks and Carl Reiner's '2000-Year-Old Man' sketch. I think it's one of the biggest influences on the podcast, definitely. You'd never say Carl Reiner was the funniest dude on there, because he's just teeing it up, but he knows what questions to ask to lead to great improv.
If you look at Earwolf, we've tried to have a really diverse stable of hosts. Even my show can get a little 'dudey' sometimes.
It's a werewolf movie with Christina Ricci, and it was a chance to work with some good people. But playing yourself is always fairly risky because you gotta watch how you goof on yourself.
Don't ever take a shower with a woman, because you'll probably end up proposing to her.
Somebody asked me what do you regret. I said, well I was offered the role of Maverick in 'Top Gun' and I turned it down.
You can tell five minutes into it what a girl is after, when she starts asking how much money I make or tells me, 'I wanna be an actress.'
I went into show business because I love to work with people, and what I enjoy most about acting is rehearsing and getting to know people and their talents, forming relationships. Working in this business, barriers drop and you get into people real quickly.
You want to try and bring a character to life in an honest a way as you possibly can. It doesn't matter whether he's a doctor, an actor, a car salesman or a captain of a starship. If you can bring truth and honesty to that character, then your audience will believe you.
And I've always felt comfortable certainly in a courtroom because you're just performing. And there was a time in my life when I thought when I grew up I'd be a trial lawyer myself.
The end of shows are a nightmare for everybody because there is so much pressure to satisfy everyone, which of course you can't do.
I grew up in St. Louis, and I don't know if you've ever been to St. Louis in the middle of summer. There are days in the summer sometimes, weeks in the summer, where the temperature can be over 100 degrees and the humidity can be 100 percent.
In the beginning, I took on every opportunity because I was so determined to get my name and music out there. You can get your sleep, but honestly your brain needs a break, too, and so many people forget that.
Especially as an artist, the creative freedom we have makes us who we are. We're human beings-we're gonna mess up sometimes. I definitely feel like people should continue being who they are. As long as you're staying true to who you are, that's super important.
If the public doesn't receive what you say, people can start to build your brand for you.
It's very difficult to tell someone how to protect themselves from a terrorist attack, whether it occurs in the U.S. or on foreign soil, particularly when you have terrorists with no concern for human life.
The truth is, I never travel without cash. I always take a few tens with me in case of an emergency. There's never been an emergency, and in time, I realized that Americans don't want to touch customers' dirty bills. They also don't want to touch your credit card: you have to put it through the machine yourself, with your own fingers.
I tell you a joke to have you listen to me, and then maybe I will tell you another joke that we can laugh together and feel equal. And then I will tell you a story hopefully that will make you cry. So I think that's the way that I approach the columns, as a surviving tool in a way.
I couldn't lie anymore to my kids telling them that they are equal citizens in the state of Israel. They cannot be equal because in order to fit in and to be accepted and to be a citizen in Israel, you need a Jewish mother.
I use a lot of humor, and I follow the saying that if you want to tell people the truth, you better make them laugh first; otherwise, they will shoot you.
Whom do you speak to about introducing a leap year? Is it heresy to request such a thing? Why do the Jews have one and we don't?
LA's a very hard place to be unless you have people there that love you. It can be very, very lonely, and it can eat you up if you don't take care of yourself. In LA, nobody wants to talk to each other, everybody's giving each other catty looks.
It's nice to have a crush on someone. It feels like you're alive, you know?
It's important for people to figure out their own lives before involving someone else - to gauge where you are and work on your own issues.
You think that your life is going to be one way, and then, for various reasons or whatever, it doesn't work out.
You can't do science in a novel, but you can do philosophy. Or, if you're really lucky, you can manage to pose a question in such a way that other people will take it on.
I'm a great believer in gathering together all your obsessions and seeing if you can make a novel out of them.
I think predictability is built into any good novel in some way - you begin reading Anna Karenina and you know pretty much what's going to happen at the end. But that doesn't mean you know what's going to happen in the middle. For me, it's that sense of what happens in the middle that's important.
I worked on a weekly one-hour show live from Los Angeles called 'The Dixie Boat Show.' We only had one camera, so there was a lot of panning because it was always on, and anything that went wrong, from actors fluffing their lines to sets falling down in mid-scene, you let it go by.
A lot of people in Hollywood are on that ego trip. They think they're more than somebody else. I've told a lot of stars in my career, 'Hey, man you're looking down on the people who made you. lf you keep doing that, you're gonna fall back down.'
I love people. You've gotta keep that love in your heart for your fellow man.
You ain't no more than me, and I ain't no more than you. We're all God's children.
Color don't mean anything. People gonna try to put you in a place one way or the other.
I think we - the way to stop anything violent or anything wrong is by really just paying attention to your own circle. You only can help the world by helping the people next to you.
People look at me and keep walking - but you can tell they know who I am. I want them to bug me. It's gonna be a sad day when they don't.
You've got to be like a fan at your show, just wild out. I make eye contact. I get in the crowd and kick it with 'em, stage dive, mosh. I make 'em laugh. I go out there and turn up, have fun. There's no set list; I don't have rehearsals.
Your 'hara' is here, where your uterus is if you're a woman, where the tummy sticks out if you're a man, the centre of gravity of the human body. It is the synthesis of our intellect, body and spirit, and by developing our consciousness of it, we can become incredibly rooted.
'What doesn't kill you makes you stronger?' In my case, I suppose it's not just a cliche.
I want challenges that really test me, very difficult ones. I was the same as a kid: when you play with players your own age, it doesn't bring out your best.
You might expect gravity would slow it down, but it's just expanding faster and faster.
If you ask almost any of them, 'Do you stand behind your theory? Is this the answer?' I think almost everyone would say, 'No, no, no. I'm just trying to expand the range of possibilities.' We really don't know what's going on.
There are still so many questions to answer. When you look at any part of the universe, you have to feel humbled.
As a scientist, you feel a sense of team spirit for your country but you also have a sense of team spirit for the international community.
It's interesting to wake up at 3 in the morning by someone saying they're a reporter and they want to know how you feel. I felt fine, but I said, 'Well, why do you ask?'
You want your mind to be boggled. That is a pleasure in and of itself. And it's more a pleasure if it's boggled by something that you can then demonstrate is really, really true.
You don't want to come out with anything that's wrong, of course, in a scientific, you know, a major scientific announcement, and so you're being so careful trying to check, well maybe it's this, maybe it's that, you're looking at every possible thing.
In the theatre, as anyone knows who's even done amateur theatre all their lives, you immediately find a family there. Because you're under stress, you're trying to create something, you're putting on a show, you find brothers and sisters right away.
The frightening thought that what you draw may become a building makes for reasoned lines.
You don't make movies to be art movies. You make movies that move you emotionally because if you're going to commit five years of your life to a movie, you need something to keep you going.
One of the things I love about New York is that it's one of the only places where you could have an entire restaurant dedicated to macaroni and cheese.
Indian films have a set pattern and you get slotted in an image very easily.
I was good in comedy so I started getting such roles but as an actor you don't like to do same type of roles.
We have new generation coming in and they are so talented and you need to match up with them. The key lies in reinventing yourself.
Just like you have a fashion council in Delhi to organise fashion shows, promote Indian fashion, etc, there must be such a body for films as well, especially because Delhi is now becoming the hub for movie shoots.
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