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Anytime anyone gets passionate over a character you're playing, I think you've done your job well.
I am a student of this business. I'm really interested in it. When I was younger, I was always the annoying one. What's that? What's that do? What is that called? Why aren't you doing this? I think it got very annoying.
I've always thought 45 to 55 is a great time for guys: Your body has filled out. Your face doesn't look old, but you're weathered enough to look like you know what you're talking about.
Early on, when I wrote 'Little Man Tate,' I got pigeonholed. Somebody said to me, 'You're not very dark,' and I had trouble getting certain kinds of jobs... and I learned very early that I didn't want to get pigeonholed as anything. And my next script was 'Dead Again.'
You know, people do call it homophobia, and even that term alone is interesting to me. Because I don't even know how they call it homophobia, because that's a fear of the same. It's more heterophobia. It's a fear of something different from yourself.
Just because I'm in favor of gay rights doesn't mean that I'm gay or doesn't mean I'm some kind of 'sissy' or something. That's the language that you hear in locker rooms.
My father is a Japanese-American and my mother is a Caucasian. So obviously, New Year's Day is big for our family, you know, oshogatsu. We had obon festivals every year. All those things.
If you discourage saving and investment, that means you're walking in the opposite direction of job creation. You're discouraging good job creation and job growth.
If we want the banks to lend - and we all do - if we want the economy to expand - and we all do - do you really want to start confining the banks in their ability to make profits in order to generate more capital to lend out to the people?
The way it's supposed to work is you pass a bill out of the House, you pass a bill out of the Senate, you go to conference on it, and you iron out the differences.
When the former Fed chairman was in, Alan Greenspan was in, there was a saying back in those days that you called the 'Greenspan put.' Any time the treasury secretary - for the Fed chairman - said something, the market saw that as good news, and it took off.
When the banks grow to or when these financial institutions grow to such a size that they can't sustain themselves, or what have you, they have problems, economic problems, or financial problems, they shouldn't be able to look back to you and I, the taxpayer, to be bailed out.
On the Sandy bill, I did the best I could on waste, fraud and abuse, and then when the final bill comes, you don't say, 'Hell, no' because you didn't get everything you want in there.
You can point fingers on both sides. But only one side ever tried to fix the problem, and that is the Republican side.
Acting gives you cosmic permission to take a trip in movies that lasts 24 hours a day, seven days a week, until the film is finished.
I used to be an open-spear fisherman, and if you're looking for fish, you're never going to see them. In an almost meditative state, you have to pick out anomalies, something out of the ordinary.
Carrying law enforcement ID connects you with those who do the same and separates you from those who don't. There's an implicit trust that you will serve even if means risking your life.
There really, truly is a code that rodeo men and women have you can't find anywhere else. There really is a code. It's a sense of tribalism.
One of the sports I do - my wife thinks I'm nuts - is open-water spear fishing, what we call blue-water hunting. We get in a boat, and we go offshore, normally about 30 miles. So when you jump off the boat, there are no reefs, and the bottom is no longer fifty or a hundred feet: it's thousands of feet. It's sort of like being in outer space.
Someone asked me what part of the body is the most important to be strong - it's the big toe. The big toe especially, and the inner front-third of your feet, are what give you balance and will make you infinitely better at any sport, any physical activity and, as you get older, will keep you from falling.
What I learned at Miramax is that if you see where extraordinary creative talent can be brought into the family, move quickly, because if you don't, someone else will.
Once you learn how to work inside the ring - once you learn how to tell a story - then you can come to a big company like the WWE and learn the extra stuff, like the video, the pyro, the music, and that adds to everything you can do.
I don't work any different in Japan than I do in the U.S. Some guys do, but if you're entertaining, you're entertaining, and if you're not, you're not, and that plays worldwide.
In WCW, your future was determined by the time you signed the contract. I was the lowest-paid guy in the company at $75,000.
I had the inability to ask for help when I needed it. People offered to help me, but I refused. They'd ask 'How are you?' and I'd answer, 'Better than you.'
I'll go on record and say it's way more fun riding in front of a cop car then riding in the back cuz you can get out if you want to.
The WWE machine is a lot stronger than it was when I was there. When you go to TV, it's unbelievable the production that's going on.
Fans in Madison Square Garden are a little bit hipper, but they are more vocal. It's like, 'Hey, you work for me, bro. I bought this ticket. Now get out there and entertain me.'
Everybody's going to have their own tolerance toward ribbing or bullying or whatever. If somebody's more sensitive, then you can't rib them as much.
If I could leave anybody with anything, it's this - if you need help, ask for it.
But I never really thought that I would be extraordinarily successful at skating, it's just something that happened, you know.
Without strength and courage it's really hard to perform at the highest levels of international figure skating, because you're alone on the ice and you only have seven minutes over two nights to prove yourself.
When you're expected to win and you have the press saying that you are going to win the Olympic gold medal, and you're the only sure thing in the Olympics, it can undermine your confidence.
Fame is a very confusing thing, because you are recognized by a lot of people that you've never seen before, and they're at a great advantage.
Adversity, and perseverance and all these things can shape you. They can give you a value and a self-esteem that is priceless.
When you turn professional, you become an entertainer, and like every other entertainer, you don't want to get a bad review.
In life, there are a lot of expectations. I see why in the South, especially, there's a simple existence. People, whether they're cowboys or farmers or ranchers, you just get up, you do your job, you have a family, you come home.
My friend Jim Parrack is in 'Child of God,' and we grew up together. Back then, we would watch old movies and go reenact them at a Blockbuster or a supermarket. We'd end up getting in trouble because you can't reenact movies. People think you're crazy.
You can have all personality in the world, the looks, etc., but if you don't have the songs, it doesn't close the deal.
If you think back to the beginning of the label, we knew we had to strike quickly and aggressively and go for the brass ring.
Part of the mission of Nash Icon is taking away some of the day-to-day, hand-to-hand combat that you have to do to continue the mainstream country-radio relationship.
The nicest thing that my friends who've known me for 15 or 20 years say to me is, 'Man, it's crazy that you're the same guy.' It's like, 'Which guy did you expect me to be?'
The reality of recording, it's one of the most intimate things that an artist ever does because if you do it right, you're exposing yourself, and you're expressing your emotions, and those are the key attributes to a big record that really connect with people.
It doesn't matter if it's social media or radio media or television media - it's all media, and it's all marketing. It's about understanding where your fans are. And when you have infiltrated them, and they're satisfied, and there's demand, how do you grow it from there?
I don't want to worry about someone calling me and going, 'You better find a way to get another Taylor Swift record out this quarter.' When there's that kind of financial pressure dictating your path, it's hard to take creative risks.
I go by the rule of Gretzky: you gotta be there before the puck gets there, or you're going to get beat.
You really just have to come in and build the spirit up of your team by working them everyday, showing them examples of what they've done and reinforce their work.
I've been around young, talented, non-coachable players. I've been around veteran, talented, non-coachable players. No matter what you do, sooner or later - even if a coach comes in that's able to connect with them - if that's who they are, they're going to go back to it.
You learn from playing against the best players and the best teams, and we're going to keep fighting and figuring out ways to beat them.
When you don't have much and you need to be at work, there's no such thing as being sick.
You can have great players, but if they don't want to be coached, what are you going to do?
When you have an intense game, you're going to have arguments. I have no problem with it. I think it's healthy.
When you get punched, you have to get up. You have no other choice. If you don't, you're not going to grow, you're not going to get better as a player.
I've never talked to our guys about being young. That's an easy crutch to fall on. You really just have to come in and build the spirit up of your team by working them everyday, showing them examples of what they've done and reinforce their work.
You play 20 games, you have one bad game, I think any team in this league will live with that.
You worked every day to earn what's on the table, literally. It was a week-to-week thing. And I wouldn't change it. I would not change it for anything.
You don't think the losing is ever going to end, but when it does end, you get to enjoy it and keep working with it and keep getting it better, and that's where we are.
For many members of Congress, the time for choosing is near - do what the party leadership demands, or do what the people have asked you to do. If my colleagues don't mind some advice from a newcomer, I'd suggest going with the will of the people.
To me, theater is the mecca; if you really love to act, that's where it's the most fun, by a long shot.
I believe in struggle. And I believe that the struggle is beautiful. You have to try it, or you will never know what's beyond it.
I personally want to work with great directors and great actors. My thing is about being inspired. You want money to come, but money doesn't always come with great art. At the end of the day, it's about being satisfied with yourself as a human being. It's important to me to try to make that happen.
As an actor, you're never really in control of the product. I think the goal is to create what you want. And if you can get as close as you can get to the creation of something, it starts with development.
Once you become a producer, you're really selling something. It is a control issue, because you don't really know how it's going to pan out, but the creative control makes it work it.
Sport is made to be live. You can't watch something three hours later already knowing the results; it's not the same experience.
I think the MMA and boxing are different audiences. I think it's a different intrigue. There's no reason you can't be a fan of both; why does it have to be one or the other?
You get a world-class athlete like Hershel Walker, who was a Heisman trophy winner and did some amazing things, but he had a martial arts background. He did kickboxing. He had a combat sports background. It was just rekindling that training and that martial arts workout ethic. He got back into it and did quite well.
A lot of fighters want that freedom to have their own sponsorships. When you think about it, how do you make independent contractors wear a uniform? That just seems strange to me.
As you grow as a company, you get layers and hierarchy that, in theory, should make your decisions a lot better. They get reviewed, and thoughtful people look at decision.
You're kind of taught that the role of a business person is the decision making.
People pitch me all the time. But hopefully, you'll just go ahead and do it. We are trying to eliminate the need for pitches. I'd rather sit there and applaud. Customers buy products, not Powerpoint presentations.
When you love someone deeply, you give strength, and when you are loved deeply, you gain courage.
The most important skill you need is the ability to learn how to change and grow.
Dig for feedback on yourself. You need to have the courage to ask for feedback. You need to learn how you can learn how to grow. It is important that you are going to be a lifelong learner.
If following your passion to a place where there's no pain probably isn't the business, I don't think an entrepreneur can sustain in a place where you don't have passion.
If you give the boss all the decision-making power, they see the world through their eyes. The big innovations are generally such a shift that they won't see it. For a long time, it looked like it was just inevitable that you would get slow and bureaucratic.
A lot of companies have teams, but they are not really independent. They still have to get stuff approved by the boss. You have to change how and where decisions are made. If the hierarchy makes the decision, it will be based on politics.
What I teach our people is that, as a leader, you have four key roles apart from people management. First is to champion the grand vision. Two, install systems and a culture to run experiments. The third thing is to savour surprises. The fourth thing is that even a leader's ideas need to be subjected to tests.
If you really look hard at the evidence, the most rational conclusion is to believe that the demonic is real.
When I see stimulus money being used to attack American companies and American workers, I think it would be very unsettling to be working on the assembly line of Coca Cola, look up, and see an ad that's trying to hurt the very job that you make your wages and pay taxes from.
You don't have to worry about Donald Trump stabbing you in the back; he'll stab you right in the heart, but he says what he says, and he stands by it.
You can't claim to be pro-life and then vote to remove the restrictions that prevented government-funded abortions in the District of Columbia.
Never ever doubt in magic. The purest honest thoughts come from children, ask any child if they believe in magic and they will tell you the truth.
It might just be me, but it's tough when you get drivers that don't stay where they should be.
I really love Andrew Dominik's movies. When you work with someone whose movies you really love and who you have a lot of admiration for, you turn into putty in their hands.
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