Writing Quotes
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I would love to live in the wilds of nowhere, and when writing 'Chronicles,' I would occasionally rent a cottage in the middle of nowhere that had no mobile reception, but I'm not about to move away from my family.
A lot of my writing is wish-fulfilment, making things the way I want them to be.
If you get a sense that your writing isn't quite working, change it. Or cut it out. Don't just tell yourself it'll do, because it won't.
There is a huge difference between writing a book, which is a private activity I engage in with myself, and wanting to engage in overly intimate personal conversations with strangers, which I pretty much never want to do.
Lots of my writing can be accurately called lesbian, but I myself am queer and date people of all genders.
While 'Twilight''s popularity was undeniable among both the teenagers they were aimed at and middle-aged women who flocked to the series in droves, Meyer has drawn her share of criticism for her writing. Some feminist critics assailed what they saw as Bella's mooning over her vampire lover.
There is something a little vulgar about writing a novel that is too close to the present, too concerned with current events, too eager to critique technological advancements.
In my own writing, I think of myself as a realist who exaggerates a little.
Linda Svendsen's 'Marine Life' was important. I was nearly 22. Larry Mathews discussed the book in a creative writing class. We examined her stories, figured out how they worked.
If you are having trouble with a story, it may not be an issue with the quality of the writing - there may just be too much of it.
Through an arbitrary problem, I had arrived at a tenet of good writing: brevity wins.
I've always enjoyed writing, I graduated with a degree in English; I've done bits of journalism.
Actions aimed at supporting deleveraging and balance-sheet repair - such as recognizing losses, writing down assets, and recapitalizing banks - carry longer-term benefits but short-term costs.
I think the writing on the wall is definitely there this year that this is probably our last year.
The hardest part of ghost writing other people's stories is capturing their voices so that it isn't you talking, it's them.
Fairness forces you - even when you're writing a piece highly critical of, say, genetically modified food, as I have done - to make sure you represent the other side as extensively and as accurately as you possibly can.
Anyway, in my writing I've always been interested in finding places to stand, and I've found it very useful to have a direct experience of what I'm writing about.
My writing is remarkably non-confessional; you actually learn very little about me.
Like most kids growing up, I had a very wide interest. I was interested in everything. I tried to take advantage of everything, from the sciences to music to writing to literature.
If I'm serious, yes, I'd like to have done what Shakespeare did... to act and write. You learn so much from acting. One of our great writers, Alan Bennett, does both supremely well. When I write a story, I tend to speak it aloud as I'm writing it.
I'm personally attracted to great writing - that's what turns me on the most.
'Police Story' had some of the best writing on television, and one reason for that is because most of the scripts were based on real cases.
In the Steven F. Austin Colony, which was the first colony, Texans first established a provisional government in 1835 with the intention of writing a declaration of independence soon after.
Stephen King, by far, is the standard-bearer. I think anyone who writes suspense fiction and says that King isn't an influence is either lying or being foolish. I read his book 'On Writing' before I read pretty much any of his fiction.
What I love is the writing, it's not having written. I like the process of it.
I've sold scripts in the past, and also a TV pilot that didn't get made, to Fox. But yeah, I've been writing for a while.
I'm very bad at delegating writing responsibilities, because I've never been able to do it; I've never had any help or looked for any help.
My instinct is to absolutely recoil when talking about writing in a mechanistic way. Nothing could be dumber than writing a film or TV script based on prescriptions, on other peoples' ideas of what character should be.
It wasn't until high school that I actually started writing. I was in a lot of the school plays and musicals, and there was a lot of down time during rehearsals. I would go into the orchestra pit and mess around on the grand piano.
In my writing, I try to combine all my favorite elements of journalism - accuracy, real characters that exist on this planet - with all my favorite elements of literature: a sense of flow, of propulsion, of wanting to read every sentence.
Since I make my living as a literary journalist, not a book scout, I spend inordinate amounts of time either reading or writing.
I think I would spend the first 30 weeks not writing, just clearing my head and seeing parts of the world I haven't seen and going back to places I have seen and love.
Now I'm writing about contemporary Los Angeles from memory. My process was to hang out, observe, research what I was writing about, and almost immediately go back to my office and write those sections. So it was a very close transfer between observation and writing.
Instead of writing thrillers to pay for my train bills, I was actually now going to medical school in order to have something to write about.
Suddenly I was writing a lot of screenplays, and I was no long in New York, so I stopped acting in plays, and it just became too tricky to find a part to play, either in a play or a film that coincided with my schedule writing and or directing.
Anyone can write. But comedy, you've got to do some writing. You get one comedy script to every 20 dramas.
That's the best thing about writing, when you're in that zone, you're porous, ready to absorb the solution.
I am much more involved in the filmmaking experience on Mag Seven. I'm much more involved in story elements, casting decisions, the writing of the show, the blocking of the scenes.
Common hedging techniques include shorting stocks, buying put options, writing call options, and various types of leverage and paired transactions. While I do reserve the right to use these tools if and when appropriate, my firm opinion is that the best hedge is buying an appropriately safe and cheap stock.
Writing is much more satisfying on a certain level than acting ever was. Because you're not interpreting someone else's original idea, you can come up with your own.
The best writing really does come from the deepest, most private part of you.
Writing a great script - not just a good one, but a great one - is almost an impossible task.
Good writing is deceptive in that it hides its own artifice - it makes it seem easy.
In terms of writing characters or stories, at least initially, there's no difference between live-action and animation. A good story is a good story, whatever the medium.
In live-action, writing, production, and editing happen in discrete stages. In animation, they overlap - happening simultaneously. This allows a real dialogue to occur between the writer, the director, the actors, and the editor, and it makes the writing process a lot more collaborative and a lot less lonely.
I like to begin every screenplay with a burst of delusional self-confidence. It tends to fade pretty quickly, but (for me, at least) there doesn't seem to be any other way to start writing a script.
As an economics undergraduate, I also worked on a part-time basis in Cambridge, Massachusetts, for a company that was advising customers about portfolio decisions, writing reports.
Writing with other people is absolutely delightful. It's social, which a writer doesn't usually get to do.
Writing of that caliber spoils you for any other kind of writing for awhile. But that's probably good.
In trying to cross over to the mainstream, some people stopped writing what they witnessed.
I love Charlie, Billy Burke's character. Writing for him is so spectacular, he's so funny and wry and every scene he's in he just takes. There's a scene in 'Eclipse' where Bella tells him she's a virgin, and it's the funniest, most awkward scene I've ever seen on film.
My humor tends to be a little more edgy than is appropriate for 'Twilight,' although I got some in there. That was fun! There's just a tonal difference. For me, storytelling is storytelling. But, I do like writing for grown ups.
I've started a company, called Tall Girl Productions, and we've got our first project that is purely producing, not writing, with a writer named Evan Daugherty. It's for NBC, it's called 'Afterthought,' and it's science fiction-ish. That's fun.
TV is the place for writers to live. This is where you have creative control and you're constantly writing. 'Twilight' had almost a TV schedule to it. I was constantly working on these projects. There was not a whole lot of lull but I've gone onto other feature projects that's like, 'Okay, I'll get back to you on notes.'
I don't usually think of my writing as a 'challenge' because I enjoy the process so much. I suppose that's what's helped me to avoid 'writer's block' all these years.
I have two little children. I didn't want to be missing their childhood while I was away, busy writing about children.
I have been tossing around the idea of writing some non-fiction. Maybe a collection of short stories about my experience being a mom and how not to be perfect.
'Olive Kitteridge' is a masterpiece: The writing is so perfect you don't even notice it; the story is so vivid it's less like reading a story than experiencing it firsthand.
I had been writing songs for awhile - since I was 14 - and playing guitar, but I never really knew how to go about making an actual career.
It's really hard for me to finish a song unless I have a strong visual in my head while I'm writing it.
I had a blast writing the Ranger in 'The Great Dinosaur Rush' for the Moonstone collection. The story turned out to be twice as long as it was supposed to be, but I was having fun. I even showed the Ranger in his 'old prospector' disguise, and I had some nice exchanges between the Ranger and Tonto.
There isn't a dearth of it, but I will confess that it's harder for me to find songs on which I'm willing to invest anything from ten to fifteen hours writing an arrangement than it was in times past.
I spent a lot of time drawing and writing little comic books, and my mom was a rapper, so I would steal her instrumentals.
In my own writing, I tend to be very honest, and my goal is to identify something people think but are afraid to say. That's not the general cultural expectation of women.
Non-fiction about personal subjects is going to attract more user comments than a foreign correspondent writing from Syria - unfortunately.
I started off doing fiction in 1993. It didn't occur to me to do nonfiction because it wasn't a thing yet. So I was bumbling around, writing short stories, and then I took a nonfiction workshop, and I realized that this was what I was supposed to do.
I've always been drawn to writing for young readers. The books that I read growing up remain in my mind very strongly.
My being a writer and playing Scrabble are connected. If I have a good writing day, I'll take a break and play online Scrabble. My favorite word as a child was 'carrion,' before I knew what it meant. I later created crossword puzzles, which was a lot about puns, and how words would create these strange, strange things.
I do want to say the process of writing a novel is riddled with self-doubt and self-loathing.
I think my writing changed when I put 'the' in front of my titles. It had more command.
I wrote my graduate thesis at New York University on hard-boiled fiction from the 1930s and 1940s, so, for about two years, I read nothing but Raymond Chandler, Dashiell Hammett, James Cain and Chester Himes. I developed such a love for this kind of writing.
The speed of the TV stuff vs. the self-imposed pace of novel writing has been a big adjustment, and going back and forth often feels like whiplash.
I am an insomniac. I wake up at 6 or 6:30 and get out of bed immediately. The coffee starts right away. Then I get to the computer as quickly as possible. I like to start writing when I'm still half-asleep, in a state between dreaming and waking.
I think watching TV has influenced my books, but I don't think writing TV has.
My dream of dreams is to write Broadway musicals. All of this Twitter and TV writing is just a day job.
I have, for a few years, been writing comedy prose - short pieces for my blog - because I found it to be a good way to write while I was on a TV show. It was different enough from my scripts that it felt like a break, but it still was comedy and very fun. I like to do comedy!
Writing used to be my hobby, but now that it's my job, I have no hobby - except watching TV and laying around the pool reading 'U.S. Weekly.' I have tried many hobbies, such as knitting, Pilates, ballet, yoga, and guitar, but none of them have taken.
In high school, I wanted to be an actress. Until I got to college and took some creative writing courses. Then I decided I wanted to become a novelist.
One of the biggest motivations for me with writing my books is to offer girls some escapism, especially girls who really need it, like I did.
I've been writing joke songs since I was a kid and it served me well at S.N.L. I can write those in my sleep. In fact, I have.
My hope is that I can continue writing and, in the future, I can just be Maya Soetoro-Ng.
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