Work Quotes
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Financially, I'm fine. But it's good to work. I'm not capable of doing nothing.
I want to work for a company that contributes to and is part of the community. I want something not just to invest in. I want something to believe in.
Online harassment, especially gendered online harassment, is an epidemic. Women are being driven out; they're being driven offline. This isn't just in gaming. This is happening across the board online, especially with women who participate in or work in male-dominated industries.
I had been wanting to peel back the layers of who I am for so long, but I felt like I needed to prove how solid my work is first.
I know certainly, when one job draws to a close, that I feel I'm simply never going to work again. No one will ever want me for anything ever again. I think that's a vulnerable moment in every actor's life, and it happens every time you finish a film.
It was great to work in Ireland because it's such a beautiful country, but it's not particularly easy to film in because the weather changes all the time.
I was very excited to do 'The Witches.' It was with one of my favorite directors, Nick Roeg, and I loved his work from 'Don't Look Now' and 'Eureka.' So I was very excited to work with him. The story was a very subversive fairy tale by Roald Dahl, and a fantastic part.
My life experiences are different than the average person because I've spent the last 10 years living in Mexico. I generally don't know what's going on in America, and when I do visit for work, I'm often interrogated about my life choices by random strangers.
I did a couple of pilots that didn't sell, a few movies, and one year of nightclub work, which I hated. Then I did the pilot of 'The Brady Bunch' and never had to do another nightclub.
I love weights, but it's too far to get to the gym. So I make the farm my gym: I split wood and haul tires and do work on the farm, and that's sort of my weight training portion.
Well, a few years ago I think I could have given you a more enthusiastic answer about that but in the last few years, for the first time in my life, I really haven't listened to much music. I used to work with music on and now I don't.
I want to be a voice for the thousands of women in our community who work hard, play by the rules, and still are struggling to get ahead.
On the campaign, I've had the privilege of advocating for important issues that affect all women, like demanding equal pay for equal work, pushing to raise our minimum wage, and promoting the idea of paid family leave.
The places we'd play were full of bikers, brawlers, and drinkers coming off a day of work looking for a good time, and all these guys would be looking at me like Hannibal Lecter looking at his next victim.
Nothing happened overnight. Every country we went into, we started at the bottom. We knew that because the music we were playing and the attitude we had, we knew we'd be at the bottom and have to work our way up.
I was a Vietnamese kid with a mullet hair cut. I had all Westie mates, and, geez, a Vietnamese guy with a mullet doesn't work; no wonder I couldn't get a girlfriend for so many years.
If I inherited a billion dollars and didn't have to work ever again, what would I do to fill my day? I'd paint, I'd write jokes and stories, and I'd hang out and chat to very interesting people.
I basically get stereotyped a lot in terms of being a girl and writing 'chick' music for teenage girls or something. I think, if anything, the press kind of, because of my gender and my age, tends to kind of relegate my work to this sort of special-interest group. It's part of the cultural dynamic, I guess.
I hate it when people don't recognize the work of women as being universal, or having any import to the world at large, as opposed to men's work, which is generally tends to be seen as more universal - men's writing about their own experience tends to be put in a broader context.
I really have been enjoying performing more lately than I have in a long time and you know, it's all about that sort of centered feeling that I have now. You know, thanks to, not just my kid, but her father before her. You know, I have a kind of a grounding through them that I really relish, and I think is also good for my work, you know.
I had a little bit of resistance to the idea of taking energy away from my work, and the baby comes along and, lo and behold, that's exactly what happens.
I did a lot of work with myself over the course of being pregnant and the first few months of being pregnant. It's nice, the pace of being pregnant; it gives you a long time to not just germinate a baby but germinate the mother that you're gonna be.
I don't hate being compared with female musicians. I don't mind that at all. I have no problem with seeing connections between women's work.
Washington is a very complicated city. You have to work the personal relationships. They are politicians, they are congressmen, they are senators, but they are human beings. And for them to get to know you on a personal level really, really makes the difference.
A work will only have deep resonance if the kind of darkness I can generate is something that is resident in me already.
Maybe the way we have learned to look has changed in the last 25 years, and the exotic is much more acceptable. There are many artists now, younger artists, who work out of the exotic.
My work is not about my life history. It's not about the story of my neurosis.
One cannot set out to make a work that's spiritual. What is a contemporary iconography for the spiritual? Is it some fuzzy space?
The work itself has a complete circle of meaning and counterpoint. And without your involvement as a viewer, there is no story.
There's something imminent in the work, but the circle is only completed by the viewer.
My style of writing is to allow the story to unfold on its own. I try not to structure my work too rigidly.
To make a marriage work, you have to want to. If you want to stay with that person, you will. It's simple.
There's no secret it's hard work. Even though Brian's the love of my life, and he's absolutely adorable, it's not easy, and we have to work at it. But because we love each other and keep working at it, it pays off.
I got extremely fit and slim on 'Strictly,' but I did find that, each week, a different part of my body hurt. It really makes you realise the hard work dancers have to put in and how fit they have to be.
The more I've done work with the IOC the more I've come to realize I'm really excited about this, the work that I'm doing and the impact that I can have if I'm fully committed to it.
My father constantly reminded me that he named me after Angela Yvonne Davis, a scholar and activist who was well known for her work in tandem with the Black Panther Party. That felt like a purposeful, beckoning call to engage in strategic resistance and to fight for the oppressed.
I do write to be loved; I speak so that I am loved; I work for love; I live with others so that they may love me, and so that I can love them. For me, this is very important, and many, or all, of my relationships are based on that.
I actually run a nonprofit that's all about giving people opportunities to be their own heroes and do their own work.
I used to work at Bloomingdale's when I was transitioning, and they didn't want me using the same bathroom as the female employees or what have you, so it was a struggle.
They were totally uplifting my work and gave me a platform, and now I have an ongoing relationship with the White House. We're working on some very, very, very big things for the trans community.
I don't think the money people in Hollywood have ever thought I was normal, but I am dedicated to my work and that's what counts.
I'd like to believe that the people that have supported me in my work or identified with me in films, the people that feel they know me, they do and they don't have misconceptions - they understand. I believe that.
I think the message from me is that you can work very hard, and someday, the work will pay off.
I see the work the pope has to do. It is a huge responsibility. Nobody campaigns for it.
Every weekend we've been trying to go out of town, to let people know about this album. I've been trying to host parties. It's hard, because it's a lot of work to do both.
The people I chose to work with me on this album are there because I have a personal relationship with them.
A lot of people don't know what I do. In the industry they take credit for work because to some degree it makes them feel worthy or greater. I am not a ghostwriter 'cause it is on the CD covers who wrote and did what but people don't care about anything they can't see. The work gets unnoticed and the credibility goes untouched.
You just have to find your activism, and don't let anyone tell you what that should look like. If you're doing the work, and you're getting someone to think, you're on the right path.
I went to my first school dance on the set of 'Spider-Man.' The funny thing is, it wasn't actually real. I didn't choose my dress or my date or anything about it. I just showed up for work.
For me, it's my work - I have a job, and that job happens to be with insanely talented actors. At this stage, it's normal to me. But when I meet new people, I realise, 'Oh, yeah, it's actually really strange. I have a very unique hobby.'
Although globalization and technological change have disrupted traditional work arrangements, both processes have the potential to benefit everyone. The fact that they have not suggests that the wealthy have captured the benefits for themselves.
I have the great good fortune that one of my collaborators in work, Anne Case, is also my collaborator in life.
A good theoretical account must explain all of the evidence that we see. If it doesn't work everywhere, we have no idea what we are talking about, and all is chaos.
Many people have mixed views about unions, but unions used to give people some measure of control at work. They gave them a social life and political representation in Washington, which doesn't really exist anymore.
How can you work with someone if you went into their state to campaign against them?
I think that people have to reward those individuals who are prepared to work across the political aisle. I don't see any other way; if you don't talk to people with whom you disagree, you're never going to solve problems.
I am doing a lot of work for my church, taking an evangelism class, doing a lot of reading - mostly the Bible and things that coordinate with the Bible and go with the evangelism class.
The first thing you learn is sacrifice and how to keep moving forward in life, helping your parents to put food on the table. You learn to fight with your work. Then you start to learn values. That's why, every time I pull on the Argentina shirt or any other, I think about the things that happened to me when I was a kid.
It does not bother me that £60m has been paid for me. I come here to work and play for the club and to do the best I can for Manchester United.
Things didn't quite work out at Manchester United for various reasons, but that's in the past.
I enjoy singing the songs a certain way, but I don't even know how the writing even began. To me, it's work that is kind of invisible; it's a weird kind of work to have because you're not working, but it's not not work. Formulating your thoughts and making a melody that's catchy enough for people to listen to what you're saying is really hard!
I'm nearly always at home at the weekends; that's important for every working woman today, not just me. I don't encourage people to come in at the weekend and work; I encourage people to go home and create great families.
Work has never really been work for me. It's been a natural extension of my life.
I'm thinking about directing, but I know it's a lot of work and I appreciate what directors do and I would like to be good at it. The opportunity has presented itself four to five times, and I usually said no because of the script.
The three things I said when I came out of school were I want to work consistently, I want to do good work and I want to be paid fairly, and that's happened. But I didn't become an actress for the money. I do it for other reasons.
I'm not really devoted or specified towards any specific genre at all. I really like it all. There's good storytelling in all the genres, you know. I just want to tell good stories and do good work.
I hope that through my work, artists will take some chances, break some rules, and make art that comes from inside of them. I would like to be remembered as a kind person, a great Mom, and a bit unruly - in a good way!
The work of the political activist inevitably involves a certain tension between the requirement that position be taken on current issues as they arise and the desire that one's contributions will somehow survive the ravages of time.
It's true that it's within the realm of cultural politics that young people tend to work through political issues, which I think is good, although it's not going to solve the problems.
That's true but I think the contemporary problem that we are facing increasing numbers of black people and other people of color being thrown into a status that involves work in alternative economies and increasing numbers of people who are incarcerated.
I think the importance of doing activist work is precisely because it allows you to give back and to consider yourself not as a single individual who may have achieved whatever but to be a part of an ongoing historical movement.
Racism, in the first place, is a weapon used by the wealthy to increase the profits they bring in by paying Black workers less for their work.
Well I teach in the History of Consciousness Department at the University of California, Santa Cruz. So that's my primary work. I lecture on various campuses and in various communities across the country and other parts of the world.
I'm not a policy oriented person. I'm constrained to what I study. But educational policy has not yet taken adequate note of the whole child. Kids are not just their IQ or standardized test scores. It matters whether or not they show up, how hard they work.
Many things matter other than our measured intelligence, so let's get to work on them.
To me, the most shocking thing about grit is how little we know, how little science knows, about building it. Every day, parents and teachers ask me, 'How do I build grit in kids? What do I do to teach kids a solid work ethic? How do I keep them motivated for the long run?' The honest answer is, I don't know.
I bring my bike to work, and I make laps around our parking lot on my lunch break.
Those who have known the quality of my work and the many public statements I have made over the course of my life must know that I am a strong supporter of Women's Rights.
Nobody in Europe will be abandoned. Nobody in Europe will be excluded. Europe only succeeds if we work together.
I've often made critical comments about settlement expansion in the occupied West Bank and in east Jerusalem, and my position hasn't changed. At the same time, it's equally important to me that the two sides, both Israel and the Palestinians, work towards a durable peace settlement: that's to say a viable two-state solution.
We work well together with the United Kingdom - particularly, perhaps, when we talk about new rules for the European Union.
We have to ensure politically that what's doable can indeed by translated into law, but what's not doable mustn't become European law. Otherwise, the auto industry will work somewhere with higher carbon emissions - and we can't want that.
Regardless of what tribe people think they're in, we don't work in isolation as human beings, we want to do what's right.
Respecting people is an important part of life, whether it's the person doing janitorial work or the person above you. It doesn't matter who you are: I'm going to respect you.
The NFL is a unique work place. There are no secrets anymore. Technology has taken over, and secrets are exposed. People are going to know what you're all about. You have to make sure you have real honesty in the work place, or you're going to be exposed.
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