Way Quotes
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If it is a mistake of the head and not the heart don't worry about it, that's the way we learn.
What is a good performance? It lies in the hands and head of a performer... the shortest way between two people is not a straight line.
Let's take care of the necessities first: give people jobs, and find a way to get us out of poverty.
In those years of the Fifties, in London and New York, I lived, without knowing it, in a time when the profoundest changes were happening: when a radical alteration was getting ready to happen in the way a society saw young girls. And, as a consequence, in the way they saw themselves.
Characters are so important to a story that they actually decide where the story is going. When I write, I know my characters. I know how things are going to end, and I know some important incidents along the way.
To make us feel small in the right way is a function of art; men can only make us feel small in the wrong way.
There doesn't seem to be any other way of creating the next green revolution without GMOs.
I see no way out of the problems that organized religion and tribalism create other than humans just becoming more honest and fully aware of themselves.
I'm shy, and I can hide behind my acting and discover the truth about myself because it's cathartic in that way. But I tend not to read reviews.
Black Books adheres to a more old fashioned, traditional sitcom format, which I think works, because in its own way, it's quite theatrical.
In the same way, there is some creature gnawing away inside of me, urging me to do things in different ways.
I'm not drunk onstage, although I've done that a couple of times when I was younger. It's partly just the way I talk - I talk like somebody in a rocking chair. I'm your 150-year-old grandmother.
By 2030, up to 10 percent of the world's gross domestic product could be linked to space in some way.
There is no reason to suppose that taste is in any way a lower sense than the other four; a fine palate is as much a gift as an eye that discerns beauty or an ear that appreciates and enjoys subtle harmonies of sound, and we are quite right to value the pleasures that all our senses give us and educate their perceptions.
If you try to make money doing something you're not enjoying, it's a hard way to make money.
Writing is like driving at night in the fog. You can only see as far as your headlights, but you can make the whole trip that way.
When I'm writing, I like to seal everything off and face the wall, not to look outside the window. The only way out is through the sentences.
When you're six years old, you don't look at things the way an adult looks at things.
I didn't try to cry my way out of Orlando. That was never my intention, or not what I did at all. And I understand everybody thought it was that way because of what was being put out there.
It sort of filtered into their subconscious through motion pictures, but it's an historical secret. This - whatever this is - needs to be studied and, in a kind of definitive way, talked about.
Growing up Mormon, you learn how to be very, very organized, and it's a passionate group. I mean, in that way, it's prepared me very well for Hollywood.
I always thought that the film would be successful if we captured Harvey Milk, like the way Harvey really was-the personality, the humor, the corny bad jokes, all of it.
Every album is unto itself, so whatever sounds we need to come up with, like way back when, we needed horns. So we invented the Lone Wolf Horns, and we learned how to play horns.
Walking in stop-motion animation is probably the most difficult thing you can do... The way that they have these puppets connect to the set is they actually drill a hole in the set, and they put a threaded rod up through that hole and screw it into the bottom of their foot, and that keeps them in place.
It was a shock to my system leaving 'The West Wing' and going to 'Psych.' I remember being like, 'What are you doing?' when James Roday first started improvising. Steve and the writing staff write it that way. They leave gaps.
'Parava,' in my head, was always a film about children. And I was like, 'If I can be part of the film and help promote it in some way or the other, I'd be very happy.' I also did 'Ann Maria' because it was a story about kids.
I've certainly never used my father's name as a way of getting a meeting. And fortunately, I've never needed to.
I have to work with the team at Blizzard and the producers on the film and convince them that, as a fan, I have a unique and hopefully entertaining way of taking people through the first contact story, which is really what sets up 'Warcraft' for everyone else.
Trying to make a movie like 'Warcraft,' and trying to do it in a unique way... you get killed by a death of 1,000 cuts.
As a filmmaker, the only way that I understand how to make a film is holistically.
My job is really to... everyone is reading the script, and my job is to make sure we all interpret it in as much the same way as possible. And then I give them the freedom to sort of - to get their performance across and then make suggestions where things are not working and accentuate and push things where they really are working.
A real foolproof way to do it is play your stuff by hook or by crook and build up a grass roots following.
I think in a way I was probably completely naive about what it takes to make something become a hit.
I am an organization freak. I am such a freak that in my closet, shoes, belts, ties - everything is color-coded and organized that way. Not a shoelace is out of place.
So way back, Jonathan and I were - we were entertainers as kids. We were actors; we did theater, musicals; we ended up getting into commercials and some TV spots. Actually, one of our jobs, we were clowns.
I like to choose my own way forward. I really do want to create something that I personally like a lot.
I like a lot of different things equally, with no boundaries, and in a very serious way.
It's a drag not to have your own plane, man. That way, you could go where you wanna go when you wanna go.
I'm marrying my common-law wife, Beth, the Christian way, with a preacher and all that.
All good children's books, I think, address metaphysical issues in some kind of way.
I was scouted when I was, like, sixteen, and I hated it. I wasn't ready to work. When I turned 19, I decided to move to Paris to pursue modeling for myself there. It was kind of a way to get out of the house and discover something for myself, in a way.
I really want to understand the mind so I can be more comfortable with the way people are. Being comfortable with people is incredibly important.
I kind of picked up the game at an early age. The way that other kids would learn what a fork or a spoon is.
I can change a diaper in 30 seconds flat. I set the new one beneath the old one. That way, it's just wipe and pull the flap over.
There's no way I can justify my salary level, but I'm learning to live with it.
Probably half the cases of Civil War dead were not identified. And so there was no way to let loved ones know, and there were no regularized processes in either Northern or Southern Army for notifying next of kin.
That's the thing about Lionsgate. They are fearless. No other studio would have made 'Hunger Games' the way they did. They're being fearless in the way they make decisions, and it's paying off for them.
Every project is different. Adapting 'Robopocalypse' would be totally different than adapting, say, 'Hunger Games.' Each project has its own life and its own identity. You get into trouble when you think there's one single way to approach everything. Each project, there's a different way to attack it.
I was always impressed by the Road Warriors and Legion of Doom. They were just so large and bigger than life in every possible way.
My dad taught me really early so I could take a lot of pressure off my elbow. Because the way I throw it, it doesn't crank up my elbow like everyone else's curveballs.
Just flush it if something bad happens. That's the way I was raised to play baseball.
My dad was a really big baseball guy who helped coach me and thought the game should be played the right way.
What is blackness? Is it the way you talk? Do you got to say, 'Dey this, dey dat.' Or the way you dress? Or is it the forgiving of certain things? What is black enough?
The best way for a beginner to write for animation is to closely watch animated films, then read the screenplays for them afterwards.
Sometimes people say to you that you should try to be in a bigger film, but it's the way it pans out.
I've gotten my personal life all the way intact and made sure that it's straight. Without that, you have no foundation. Your building is going to crumble.
I just make the music feel the way I want it to feel, and I don't put it out until I'm totally happy with it.
The main problem with writing in verse is, if your fourth line doesn't come out right, you've got to throw four lines away and figure out a whole new way to attack the problem. So the mortality rate is terrific.
I'm totally the 'decorate early, start listening to Christmas songs super early' guy. I've just always been that way.
You learn from adversity more than anything because it allows you to see so much. It really allows you to see things in a different way.
It is a most disgraceful shame the way in which Irishmen are brought up. They are ashamed of their language, institutions, and of everything Irish.
I will refine somebody in a minor way, but I don't want to totally change them. I don't want them to look like plastic dolls.
I believe Photoshop is in some way the contemporary darkroom, the creative area that all photographers have available today.
Since cable got the power and freedom it has, you can explore someone in a way you couldn't in the old days when Mannix was Mannix was Mannix. I thought maybe that Nixon would be an interesting series.
Facebook has never been merely a social platform. Rather, it exploits our social interactions the way a Tupperware party does. Facebook does not exist to help us make friends, but to turn our network of connections, brand preferences and activities over time - our 'social graphs' - into money for others.
Grunge was so self-consciously lowbrow and nonaspirational that it seemed, at first, impervious to the hype and glamour normally applied swiftly to any emerging trend. But sure enough, grunge anthems found their way onto the soundtracks of television commercials, and Dodge Neons were hawked by kids in flannel shirts saying, 'Whatever.'
The easiest way to figure out who the customer is in an online space is to figure out who is paying for the thing. Usually, the people paying are the customers. So on Facebook, the people paying are marketers. That makes them the customers. And it means we are the product being delivered to those customers.
John Kerry only went to prep schools because he had an aunt who had the money to pay for his way into those prep schools.
The Edmund Pettus Bridge - which in 2013 was declared a National Historic Landmark - isn't symbolic of the Civil War in a meaningful way. It is, however, the modern-day battlefield where the voting rights movement was born.
There is no real way to categorize McLean's 'American Pie' for its hybrid of modern poetry and folk ballad, beer-hall chant and high-art rock.
I went into Xanadu going, 'I really dislike this movie - let me try to make it something wonderful,' but with 'The Band Wagon,' I really revere this movie. It's really a beautiful movie musical. And, yet, because I'm a writer and look at it that way, I see that there are faults in it.
The review I've been most offended by came when I played Hamlet. I'd always prided myself on being an 'invisible actor' and not getting in the way of the play. But this review didn't mention me once. That's worse than being insulted.
I've been doing a little project with my 11-year-old son, Charlie: we're canoeing from the source of the Thames to the Houses of Parliament. It's taken us three years so far, and we're only half way.
I can't stand interpretation. I think it's one of the great scourges of the theater. I just think, 'Don't get in the way of the play.'
I was doing a movie, 'Diana,' and I pulled aside the guy who was making the nose for Naomi Watts and said, 'I'm about to do 'Cyrano.' So he did various Photoshops of different looks that might work. I was really against any kind of 'Pinocchio' theater thing. The way that it's described in the play is this disfigurement.
If you're a classical actor, every Shakespearean part you play, you then say, 'McKellen did it this way,' and, 'Jacobi did it this way.' There's a whole list of Oliviers and people, whether you play Hamlet or Richard II or Richard III, any of those roles. And I found that a bit when I did 'La Cage.' It didn't bother me one bit.
I probably shouldn't treat interviews as therapy sessions, but I don't keep a diary, so these end up being my way of keeping track of where I'm at and letting it all out.
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