Drew Goddard Quotes

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I had one of those families that let me watch things they should not have let me watch. When I was a kid, I remember I watched 'Alien' at, like, 6. It was traumatizing.

I just don't want to make the same old movies. I'm not interested in it. Directing's hard. It takes up a lot of your life, and I'm not that interested in making the same old film.

That's the thing about Lionsgate. They are fearless. No other studio would have made 'Hunger Games' the way they did. They're being fearless in the way they make decisions, and it's paying off for them.

My favorite movies are the ones that are different the second time, or where you're constantly discovering new things. It's not just genre movies, either, and it's not just about twists. I saw 'Tinker Tailor Soldier Spy' four times in the theater before I realized it's a love story. I love that.

Every project is different. Adapting 'Robopocalypse' would be totally different than adapting, say, 'Hunger Games.' Each project has its own life and its own identity. You get into trouble when you think there's one single way to approach everything. Each project, there's a different way to attack it.

One of the things that's been nice about my career is that I've been able to do so many different things, and variety keeps your creative soul fulfilled. I'm constantly looking to find new things to do. It's just project to project for me. You never know where the next thing's going to come from.

I've found that if you just try to make the film you want, you'll find the right audience. If you try to please everyone, you're going to make really boring films.

Truth is, I don't like movies that are only good once; I tend to dismiss them. I like movies that get better the more you watch them.

This is what I do for fun - brainstorm about monsters!

If you worry too much about anything, you end up making bad movies.

When Steven Spielberg comes to you and says, 'Hey do you want to write a movie about robots?' You just say yes.

As a viewer, I never want any movie ruined for me, no matter what the genre is.

When you are dealing with something that's crazy, you still want actors to play characters and find the reality of the situation, no matter how absurd the situation is.

I can always tell when a filmmaker doesn't care about his or her characters; they just care about setting them up to kill them off.

When you're talking about who is doing the most exciting and interesting horror films of the last 20 years, it's Japan. I mean, they are making amazing films.

Clearly, the works of John Carpenter and Sam Raimi are front and center here. Argento is definitely there. But even stuff like the 'Friday the 13th' movies had quite an influence on me growing up.

I've been lucky between 'Buffy,' 'Angel,' 'Alias,' and then 'Lost.' The thing they all have in common is that they were all fearless. They were not afraid to be different and try something different. Even if you didn't know that it was going to work, just try to do something new and fresh.

If I had to pick one scary movie, I'd go with John Carpenter's 'The Thing.' That's probably number one.

Certainly, 3rd acts of any movie are hard. It's always hard to have something that will give you the promises from the beginning of the movie. That's true for all movies.

We've always idealized youth and then destroyed youth. That has happened since the beginning of time, and I'm fascinated by why we do that.

I understand why offices need to have office parties. I understand why offices need to have betting pools. No matter what the job, you need things to foster camaraderie and let off steam.

I think 'The Thing' is so good because it's not just a scary movie. It's also social commentary, which works on multiple levels, which is something I really respond to.

The logistics of blood is something that I didn't even understood as a first-time director. Not just actors and make-up, but once a set gets bloody, you don't un-blood it. Once something gets bloody, you either rebuild the set, or you just don't get the shot.

I guess I'm just the kind of person who likes to do it all. It's fun to put on the writer's hat and go hide by myself with my computer for six months. Then it's fun to come out and put the director hat on and deal with all the things that a director deals with. Then it's fun to just be the producer and, um, not do anything.

As a filmmaker, I wish we didn't have to do trailers at all, quite honestly. I wish we didn't have to do posters. I wish didn't have to give anything away. I wish people could just come in the movie blind. But as an audience member, I respect that you have to tell an audience that this is worth your time.

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