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There were certain Ray Charles albums and a couple of early Marvin Gaye records that I used to listen to with a vengeance. That's how you forge a style. It excites you, and you lean toward it almost unconsciously. I was also a Beatles fanatic, but I didn't emulate them the way I did the R&B artists.
The process depends on the situation, and I don't think there are any two songs that have gone exactly the same way... well, actually, that's not true.
When we can figure out a way to really tour and make a profit, then we'll do it again.
A character has to believe in himself, so I have to find a way to believe in them. Or at least sympathize to a degree.
Some of the most interesting characters in literature and in movies and TV have been ones that you can't quite figure out all the way.
There's more than one way to do TV just like there's more than one way to do widescreen movies.
We spend too much time fretting over the way the industry produces programming, and too little worrying about the way the public consumes it.
I'm making a case against how money managers are handling customers' money. The objective of the customer is not being met if the fund managers are diversifying their assets into hundreds of businesses. If they do this, they are typically performing close to the indexes. But that's not the way wealth is created.
The objective of the customer is not being met if the fund managers are diversifying their assets into hundreds of businesses. If they do this, they are typically performing close to the indexes. But that's not the way wealth is created.
The creative act is also in a small way a suffering act - we start out with our ego, this hope of making this thing whatever it be, but so often it eludes us and it collapses and we kind of regress into this mental suffering, we can't find what we're looking for.
You want the book to be special, and they are not always going to be special, but at least you want that to be the ambition. So the only way that happens is if you are not pressing to write a book.
There are times when I consciously give the character something physical - a walk, the way he sits, how he talks, or his lack of physicality, which is like a physicality.
Skiing is the pleasurable part of alpinism - way more pleasurable and fun than alpine climbing.
Big media companies have lots of money and content, but they have no way to tap into a good base of users.
It wouldn't be fair to say that conservatives cherish property the way liberals cherish equality. But it would be fair to say that the takings clause is the conservatives' recipe for judicial activism just as they say liberals have misused the equal protection clause.
The fastest way to succeed is to look as if you're playing by somebody else's rules, while quietly playing by your own.
I played the way I did it because I knew it was effective. My intention was to win always, not to gain applause.
I've had to learn that not everybody does things my way. But I do expect the absolute best of everyone around me, and I'm disappointed when people don't expect that of themselves.
Markets are a good thing, and they are the best way of ensuring we have fairness.
With 'The Tudors,' I had a huge amount of material, I mean so many books and so much stuff about what they really said. So, in a way it was kind of trying to strip it out and find the stories inside all this material.
My instinct is to absolutely recoil when talking about writing in a mechanistic way. Nothing could be dumber than writing a film or TV script based on prescriptions, on other peoples' ideas of what character should be.
I'd like to win an Oscar and then refuse it so I can protest the way they've treated Marlon Brando.
Evangelicalism as a movement is rushing headlong toward theological ambiguity, which is another way of saying apostasy.
Separation is the worst. There's no good way to deal with it, other than to get on the phone and do Skype and try to visit.
There's a way in which these guys all think absolutely media, day and night. Access is what it's all about, so they spin 24 hours a day and that's a problem.
Ultimate authority in a global system remains with sovereigns. Governments will not have it any other way: politicians face instant rejection from their electorate if they allow transnational authorities to dictate terms.
Potentially significant, by the way, because we don't know exactly what's in Matt Cooper's notes, and we don't know - and we don't still know the answer to the crucial question of whether it was Rove or somebody else that revealed Valerie Plame's name to him.
I thought I would write non-fiction. I thought I would enter the New York literary scene as copy editor, work my way up, and then write my own books.
Drama lives on conflict. If you're trying to deal with social issues seriously, there's no way of avoiding violence, which is so present in society.
I don't want stuff that's compromising to me as a person, but as long as it has a pathway to redemption and has meaning, there's something solid in that in terms of the way I experience it.
The use of drones is rapidly transforming the way we go to war. On the battlefield, a squad leader can receive real-time data from a drone that enables him to view the landscape for miles in every direction, dramatically expanding the capabilities of what would normally have been a small and isolated unit.
The arc of technology is in the direction of unbreakable encryption, and no laws are going to get in the way of that reality.
Our inaction created the opportunity for the Russians to reenter the Middle East in a powerful way for the first time since 1973.
The history of American art, in a way, begins with Jackson Pollock and his big paintings. This theme of bigness - all painters and sculptors have dealt with it ever since.
There's no subtext in 'Harry Potter,' really; it's all magic - anything can happen. Why do I say this? Because it's a magic spell. It's quite nice in a way. There is a real freedom to it. Doesn't say much for acting, does it?
There is no reason for anyone in this country, anyone except a police officer or a military person, to buy, to own, to have, to use a handgun... and the only way to do that is to change the Constitution.
We've taken on health care in a big way in our office, ever since nine years ago when I was paralyzed. I was in eight different hospitals, three different rehab centers, and all the rooms were dreadful. As an architect, designer, and patient, I can do something to help.
I just didn't like the word 'gay.' I still don't like it. It's a dumb way of describing sexuality. I like 'queer' or other words, but 'gay' is a word that had a completely different-meaning word and has been reappropriated. I just don't like it.
I've always found that the most powerful way to create change is to be myself and not be afraid to express who I am.
People often ask me how I developed my vocal sound, and the answer usually disappoints them: 'It's just the way I sound when I sing.'
The music industry has been hijacked by corporate interests, but the way music affects people and resonates with them hasn't changed.
I wasn't smart enough to read relationship books when I was coming up. I learned everything the hard way.
I've been on so many primetime shows that were cancelled - after one episode, after 10 episodes, after just one season. I got used to that. But I found myself choking up a bit at 'OLTL.' It was really hard to say goodbye to those people. It was not the way we wanted to go out.
I don't think individual achievement in business is the most meaningful way for it to operate.
My children have to know where they come from and the way of life in Africa.
We should have a system of licensing and registration, we should treat firearms the same way that automobiles are treated so that people have to pass a safety test.
I had just broken up with my wife so I was searching for another way to live.
There's so many mysteries related to how flies are able to make their way through the world. I'd certainly like to know a lot more about how their brain works. I'd certainly like to know a lot more about just how they're put together. I mean, these animals are basically, topologically, spheres. They don't have bones as we do, of course.
The message from national security experts and citizens around the world is clear: The only way to eliminate the global nuclear danger is to eliminate all nuclear weapons.
As a former reporter, I wrote 'The Scarecrow' quickly - I didn't have to think about what the character would do the way I do with Harry Bosch.
Historically, the claim of consensus has been the first refuge of scoundrels; it is a way to avoid debate by claiming that the matter is already settled.
We all know from growing up with TV that John Wells shows are usually very large ensembles with amazingly written characters. He tends to redefine the way stories are told in a specific genre, whether it's 'China Beach,' 'The West Wing,' or 'E.R.'
I paid my way through school doing set construction for film and television. I'm a member of Local 44. I was a construction coordinator on 'Beverly Hills 90210' for 4 1/2 years and ran their whole construction program. I did two other pilots as a coordinator for Aaron Spelling.
Everybody works in a different way, and I've worked with actors that have no training whatsoever who are phenomenal.
A lot of times, actors give so much power to the producers and the producing companies because, quite frankly, they have it. But we don't take the limited power that we have, which the power you initially have is to say 'no.' But 'no' in a positive way.
I encourage the translators of my books to take as much license as they feel that they need. This is not quite the heroic gesture it might seem, because I've learned, from working with translators over the years, that the original novel is, in a way, a translation itself.
I revise constantly, as I go along and then again after I've finished a first draft. Few of my novels contain a single sentence that closely resembles the sentence I first set down. I just find that I have to keep zapping and zapping the English language until it starts to behave in some way that vaguely matches my intentions.
I suspect any serious reader has a first great book, just the way anybody has a first kiss.
I think I had a shyness about me, I think I discovered acting as a way to break out of that and as a way of belonging, a sense of being special.
Alan Funt was the first hidden-camera magician. It was the playful nature of the way he worked that really inspired me. A lot of prank shows and hidden-camera shows can be a little mean-spirited. Funt was never like that.
Over the season you have waves. It is very hard to go through the whole season at the same standard and winning games in the same way.
My knee feels good right now. I am definitely able to move about whichever way.
You can work really hard, but if you're not training in the right way you're not going to improve and get to the level that you want to.
Cartoon violence is something very vivid and dark but made palatable for children in a fun way. That's the kind of comedy I do - I try to take subjects that might seem deep and make them as silly as possible.
That pesky acting career has always gotten in the way of me doing something with music.
I was going to get the Carolyn Bessette story out of her one way or another.
I guess that's what I was: a set of abs. And they lit the abs and shot the abs and sent the abs on their way. The photographer didn't look at my face once. I was humiliated.
I wanted to build something that was a system - that was mechanical and would propagate itself like a virus. I needed a way for it spread from person to person, and the best way to do that was trying to get someone to get their friends to sign up.
Donald Trump is either going to resign, he's going to be removed from office by impeachment, or I'm going to beat him in 2020. But one way or the other, he's not going to serve a second term.
Back in the day, in '91 or so, I tried to interview Fugazi for Rolling Stone, which the band felt stood for everything they detested about corporate infiltration of music. They said, 'We'll do the interview if you give us a million dollars of cash in a suitcase.' Which was their way of saying no.
I love the name 'Stella McCartney.' It's a beautiful name the way it rolls off the tongue. A couple of years ago, I wrote a cello concerto and used that as the basis for the rhythmic and melodic structure of the main motif of the cello part.
A lot of times, people assume that I write all the songs: that I arrange them and I stick Kevin up there as kind of a puppet or something. It's absolutely not that way. In fact, he writes probably 60 percent of the songs, and I write probably 40 percent.
Michael Bastian is a designer line and priced a certain way because of where it's made and the materials we use, and Gant is the more accessible version of that: more sports-inspired, more branding. It has the same DNA; it's just a different time and place.
I say we have not even had the decency to maintain the assets that our parents and grandparents built for us - our roads, our bridges, our wastewater systems, our sewer systems; by the way, those weren't Bolsheviks, those weren't socialists that built those things for us - much less build the infrastructure we need for the 21st century.
Fixing our schools must begin with reforming the way we attract talent to teaching.
No rendering can really simulate the way the light bounces off the bronze panel. From some angles, it's almost a mirror, and from others it's a matte surface.
I like to begin every screenplay with a burst of delusional self-confidence. It tends to fade pretty quickly, but (for me, at least) there doesn't seem to be any other way to start writing a script.
The fact that the Conservatives are losing voters to UKIP while struggling to attract those who voted for other parties in 2010 suggests they have still not successfully shown what a Conservative government is for. This needs to be done on a broad front in a way that encompasses the economy and public services.
When you are close allies and good friends, like Denmark and the U.S. are, there should also be room for disagreements along the way.
I think - a lot of times in hip-hop, especially - artists get kind of pigeonholed into being 'the guy,' and it's kind of limiting in a way.
Dance has such an intensity to it. You become, in a way, an intense person.
The only way to kill militancy, to reduce it, is to provide opportunities to people who have no opportunities. I've always told my American friends that.
I've done a lot of books with Asian antecedents to them - some of my fantasy novels have been that way, and certainly in the 'Battletech' universe, there's a lot of Asian culture in that.
I had this sort of idolatry for certain actors who preceded me, people who inspired me, so I'm honored to be that way for young actors.
Yes, violence begets more violence, but historically this has been the way of the world.
School is the same as producing: If you want to make it far, there are a million, trillion people trying to do the same thing. If you're not in over-grind mode, it's probably not going to work the way that you want it to.
I try to take elements from all kinds of music. Even if I'm listening to anything off the wall, like Britney Spears, there might be a certain way someone did something, that I can feel, in some hip-hop flavor.
I somehow sensed when I was a teenager that I wanted to do my own work. I was quite clear that I didn't want to be an interpretative kind of artist. I had an intuition about wanting to create my own form, in one way or another, whatever that would be.
I think about that 'empty' space a lot. That emptiness is what allows for something to actually evolve in a natural way. I've had to learn that over the years - because one of the traps of being an artist is to always want to be creating, always wanting to produce.
A more complex - but only slightly more original - way to feel out of it is available at the hip and pretentious nightclubs and bars along the Sunset Strip.
I think anything can feed you, depending on the way you look at it or listen to it.
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