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I am definitely of the method-acting school. Everything to me is about sound. I don't dress up in period costumes or anything like that. I'm very aural. When I'm working, I try to soak up the sounds of an era.

While writing 'The Orientalist,' I played a soundtrack that alternated between ragtime and Azeri mugams, Russian operas and German and Italian pop songs from the 1920s and 30s. When I finally finished, I gorged on all my music from the 1960s, 70s, and 80s.

One of my most persistent, long-term fantasy wishes is not that I could fly or become invisible, but that I could make sound recording be invented decades or even centuries earlier than it was, so I could hear what people in the 1830s or 1750s actually sounded like.

Prisoners around the world have said that reading 'The Count of Monte Cristo' helped them get through their ordeal. That's something to aspire to.

I feel like history is about going and discovering the great human stories that just are every bit as relevant as anything that's going on today.

Napoleon - the people who were becoming Napoleon's generals realized that for him, it was not about spreading freedom and revolution; it was about creating a new empire with Napoleon the dictator or the emperor.

The revolution breaks out; they form this group of swordsmen called the Black Legion. Alex Dumas is there at every moment, protecting the revolution and protecting France, and he rises to the equivalent of a four-star general.

The one challenge you have when you're going back into history is that people, unlike with today's news - we think we know what's happened already - we think that it's history and therefore less interesting.

It was nearly midnight on the night of February 26, 1806, and Alexandre Dumas, the future author of 'The Count of Monte Cristo' and 'The Three Musketeers,' was asleep at his uncle's house. He was not yet four years old. He was staying there because his father was gravely ill, and his mother thought it best for him not to be at home.

The original Alexandre Dumas was born in 1762, the son of 'Antoine Alexandre de l'Isle,' in the French sugar colony of Saint-Domingue. Antoine was a nobleman in hiding from his family and from the law, and he fathered the boy with a black slave.

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