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I am definitely of the method-acting school. Everything to me is about sound. I don't dress up in period costumes or anything like that. I'm very aural. When I'm working, I try to soak up the sounds of an era.

While writing 'The Orientalist,' I played a soundtrack that alternated between ragtime and Azeri mugams, Russian operas and German and Italian pop songs from the 1920s and 30s. When I finally finished, I gorged on all my music from the 1960s, 70s, and 80s.

One of my most persistent, long-term fantasy wishes is not that I could fly or become invisible, but that I could make sound recording be invented decades or even centuries earlier than it was, so I could hear what people in the 1830s or 1750s actually sounded like.

Prisoners around the world have said that reading 'The Count of Monte Cristo' helped them get through their ordeal. That's something to aspire to.

I feel like history is about going and discovering the great human stories that just are every bit as relevant as anything that's going on today.

Napoleon - the people who were becoming Napoleon's generals realized that for him, it was not about spreading freedom and revolution; it was about creating a new empire with Napoleon the dictator or the emperor.

The revolution breaks out; they form this group of swordsmen called the Black Legion. Alex Dumas is there at every moment, protecting the revolution and protecting France, and he rises to the equivalent of a four-star general.

The one challenge you have when you're going back into history is that people, unlike with today's news - we think we know what's happened already - we think that it's history and therefore less interesting.

It was nearly midnight on the night of February 26, 1806, and Alexandre Dumas, the future author of 'The Count of Monte Cristo' and 'The Three Musketeers,' was asleep at his uncle's house. He was not yet four years old. He was staying there because his father was gravely ill, and his mother thought it best for him not to be at home.

The original Alexandre Dumas was born in 1762, the son of 'Antoine Alexandre de l'Isle,' in the French sugar colony of Saint-Domingue. Antoine was a nobleman in hiding from his family and from the law, and he fathered the boy with a black slave.

Alex Dumas was a consummate warrior and a man of great conviction and moral courage. He was renowned for his strength, his swordsmanship, his bravery, and his knack for pulling victory out of the toughest situations. But he was known, too, for his profane back talk and his problems with authority.

The demons you have are what motivate you to make your art. This is what drives the detective, this is what drives the painter, this is what drives the writer: a conflicting urge to forget pain and at the same time remember it and fight for some kind of justice. I know these powerful things are inside of me and everyone in some way or another.

For me, history is always personal. And it's how your personal history interacts with the history of your time. I'm very attracted to characters who were cursed, as the Chinese say, to live in interesting times.

The first time I dedicated myself to resurrecting and preserving somebody's memories was with my great-uncle. I knew he was going to die in the next few years, and I had grown up listening to all his stories about people who had been trapped or chased by the Nazis. I began to record them.

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