Time Quotes
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Only married people understand you can be miserable and happy at the same time.
I used to hang out with grandfather all the time because he used to pick me up from school sometimes, or drive me to my mother's, so I'd be with my grandfather a lot. I used to watch him write his sermons.
2009 was one of the busiest, most insane, stressful periods in my entire career. I was raising a bunch of money, buying a bunch of Twitter. I saw my friend fired as CEO of Twitter. Uber was growing like a weed. As these companies get bigger and bigger, there's more and more friction. Being public was the last thing I wanted to do at the time.
Throughout my career I have developed a thick skin against verbal abuse, justifying it as just 'part of the game' but the time has come for Twitter, Instagram and Facebook to consider regulating their channels, taking responsibility for protecting the mental health of users regardless of age, race, sex or income.
The passage of time hasn't changed the fact that abortion is a serious, lethal violation of fundamental human rights, and that women and children deserve better, and that the demands of justice, generosity, and compassion require that the right to life be guaranteed to everyone.
Rather than dull our consciences to the unmitigated violence of abortion, the passage of time has only enabled us to see and, frankly, better understand the innate cruelty of abortion and its horrific legacy - victims - while making us more determined than ever to protect the weakest and the most vulnerable.
The Seventies were just an interesting time for us because we were building the brand of the name but also varying the style of the music on each of the albums we did. Very creative time of us.
It's been a long time since we've been out there playing new material, and we have really enjoyed that. Of course we still enjoy playing the Yes standards as well, but it's great to have a bit of a challenge and pull off new material.
It's not beyond the possibility that there still could be a YES in 200 years' time... of course with different members, unless the medical profession comes up with something extraordinary.
The Beatles had a six-year career, from 1963 to 1969, which - to me, in my early 20s - seemed like a phenomenally long time.
Jon Anderson and I, we really liked a lot of classical music, and we wanted to get some orchestral arrangements going on 'Time And A Word.'
Rick Wakeman and Jon Anderson have rejoined and gone off again and rejoined, but I've been there the whole time, and even though Alan White is the 'new' drummer, he has been there since 1972, so he also deserves the credit for being around for 20 years.
Over the years, there have been challenges about who can use our name. It's quite simple: A majority of people left in the band at a certain time own the name. It's not like I'm the guy who has the name under my own contract.
I walked into a demo session one time, and a guy said, 'I'm thinking kind of like a Trace Adkins thing.' And I looked him right in the eye and said, 'Man, you've got the wrong guy. I'm gonna have to fire myself. You've got to hire somebody else.'
We have that storytelling history in country and bluegrass and old time and folk music, blues - all those things that combine to make up the genre. It was probably storytelling before it was songwriting, as far as country music is concerned. It's fun to be a part of that and tip the hat to that. You know, and keep that tradition alive.
We live in a time of extremes. People think that, on a scale of 1-10, if they're not at a 10 for happy, they're not happy.
For me, the costume is 50% of everything. It informs posture, it informs flexibility, it informs the way you walk, it informs what the character is capable of doing, at any time.
I think the best part about music is that you can do it anywhere at any time and it's always with you.
The holidays are a time of reflection, and I think it becomes really clear in people's minds around this time of year what they want to get out of life, who they want to spend their life with, and what kind of person they want to be.
I think there is a time in every person's life where they have to let their parents go and figure out what being a parent means for themselves.
The experience with 'The Knick' is a singular experience. That experience taught me a lot about acting and about being on camera for extended periods of time to try to create a character arc that travels.
I've spent a lot of time trying to understand how all the big cosmetics companies get away with the placebo science and unscientific claims.
I feel like every time I go out, I want to do a good job. I want people to say that he's just as good at stand-up as he is in some of the movies I've seen him in, so I try to do the best every time I go out there.
The opportunity to create a small world between two pieces of cardboard, where time exists yet stands still, where people talk and I tell them what to say, is exciting and rewarding.
Brainstorming, for me, takes place in my bed at night between the time I turn out my lights and I finally fall asleep. It is not a very violent storm, but what's happening is I am just thinking about different ideas and maybe things I've seen that day that I think might make a good story.
It was the case for a number of years that I was doing a book a year, but that was back when I was part-time teaching - and since 1991, I've been a parent, so that cuts into the time!
People have asked me a lot, 'What comes first? The pictures or the story? The story or the picture?' It's hard to describe because often they seem to come at the same time. I'm seeing images while I'm thinking of the story.
I remember the first time Bill Fichtner and I had a scene together. I've seen him in a few movies, from 'Armageddon' to 'The Perfect Storm' and 'Contact,' and suddenly he's on a bunk bed and I'm on a bunk bed and we're doing this scene together. That was a real 'pinch me' moment.
It was sad leaving 'All Saints' because I was leaving a family that had nurtured me and looked after me for a couple of years, and at the same time that particular storyline wasn't a surprise to me. I knew I was going. It had been worked out very carefully over many months.
My wife has joked that if anything ever happened to me, she'd gladly live out her life without anyone else around. I think it bugs her I'm home all the time; such is the life cycle of the cartoonist, however.
As children, as we learn what things are, we are slowly learning to dismiss them visually. As adults, entirely submerged in words and concepts, we spend almost all of our time thinking and worrying about the past and the future, hardly ever looking at or engaging with the world visually.
One thing that we can do for each other is support each other. At one point or another, we all go through trials and tribulations, so giving your time is one way to help.
To me, you have to take your schedule and just take things one game at a time.
I poked Kenny Walker in the eye by accident. Every time I saw him, I used to apologize to him when I saw him in the NBA.
I would be a rich man if I had a quarter for every time one of my Republican colleagues on the Foreign Relations Committee utters some variation of the sentence, 'President Obama doesn't have a strategy to defeat ISIS.' It's their calling card on the committee - and on the campaign trail.
It can be frustrating that, despite widespread support for common sense gun safety measures, Congress is moving at a snail's pace. But remember that great change takes time.
Creating deep and meaningful change in this country takes time - years and sometimes decades.
The more we remove the need for individual members of Congress to raise private election funds, the more our representatives can focus on the things they were elected to do, and the more time they will have to cross party lines and erase the divisions that pollute our national dialogue.
I think progressives understand that we are Americans at the same time as we are global citizens. We are interested first and foremost in creating peace and prosperity here at home, but we aren't blind to the fact that injustice anywhere in the world is meaningful, important, and worth thinking about.
I have gone from a proponent of campaign finance reform to a revolutionary during my time in public service.
At this point in my life, I like the security of a job, while still having time for my young son and to pursue other creative work.
As soon as I feel people are talking too much about my character, it's time to leave.
Since women ask me about male motives all the time, I can offer a bit of advice. If you feel like you're going to get hurt then you shouldn't be there in the first place. That's the way I look at relationships.
There was a point in time where the thought of people even talking about me made me anxious. Physically.
The studio is a place where I can experiment before I'm prepared for an idea to become a body of work, or a new way of working, or a way of working that can sustain me over a period of time.
It is almost always wrong that the time isn't ripe to decide something. That is always said of difficult problems.
I always have said that the most valuable thing I have isn't money; it's my time.
I have a Dominique Wilkins Hawks jersey that I still wear. That's probably my favorite one. What's funny is that I spend all this time collecting jerseys, and now people are out there collecting mine.
Most of the time, if you ask a kid who's their best friend, it's usually a classmate or their neighbor or something, but for me, it was my granddad. Everybody knew him - they called him Mr. Jones.
I spend a huge amount of time writing about the book instead of writing the actual text.
I use an e-reader when I'm traveling: I love carrying dozens of books on a small lightweight device, and I'm still amazed every time I purchase and immediately start reading a new title without leaving my hotel room - in another country!
At home, I tend to read print, and most of the time, that means recently released hardcover novels. I enjoy the feel of paper and board; I like turning pages, dog-earing my spot, jotting notes in the back.
There's so much published by so many different publishers. Most of the time, I don't have to confront that, but walking into a conference center filled with books - and people buying them or not buying them, being interested or not interested in them - that's just overwhelming to me now.
For me growing up, Christmas time was always the most fantastic, exciting time of year, and you'd stay up until three in the morning. You'd hear the parents wrapping in the other room but you knew that also, maybe, they were in collusion with Santa Claus.
Work takes up a lot of my brain space. So when I work, it's one thing. I don't have a lot of time to think about dating.
The great thing about theater is that you have so much time to prepare, and to fail, before presenting it to the public. In film, the high-wire act seems to be that much farther up, and the net seems to be less there.
When you're working with film, you can only shoot one angle at a time, and then everything has to stop, and you re-light it and shoot everything else from the opposite side, so it's really important that you stick exactly to what's written.
The Caldecott Award has allowed me to keep doing what I'm doing for some time longer, for which I am ever grateful.
To learn to ride a bicycle, as with the other great noble human inventions, is a hugely complex activity. Generally, it requires three things: the learner, the teacher and the bicycle, all in the same place at the same time, most often outside someplace.
For a long time, I was brilliantly achieving drawings that were inert, suffocating and dark. If ever you need illustrations that are inert, suffocating and dark, I know how to do them.
I bought a Hofner guitar and amplifier for 32 guineas, then spent ages trying to make a bottleneck. At that point, I was meant to be developing my father's ice-cream cafe into a global concern, but I spent all my time in the stockroom playing slide guitar.
My ambition, a long time ago, was to be a film music writer. A compromise then was to be the guy who wrote songs for a band and played slide guitar. Then the singer didn't turn up for an audition, and I was the only one who knew the words. That was it - bingo! Life took a different course.
Eric Clapton's scales - when he comes off a high note and it's time for a refrain or a little bit of a rest, he peals off scales going downwards that are so good it's unbelievable.
I didn't start until I was 21, and most people I know were 13 when they had their first guitar - I missed that time where you sit in your bedroom all day for years and accidentally you're doing classical training, although you're not thinking of it that way. It's not as easy, as you get older, to do all that kind of practice.
Touring is easy. My wife will be with me a lot of the time. We get spoilt rotten, and all I have to do is go on stage in wonderful places and play music.
I spend as much time as I can in my garden, and if I'm not writing songs or gardening, I'm painting.
'Course, 'Santini' bombed in England, y'know. It came out at the height of the New Wave, which couldn't have been a worse time for a solo singer trying to sell rock melodies.
The first time I arrived in Hollywood for the Grammy Awards, I thought I'd bump into people who mattered, such as Ry Cooder or Randy Newman. I was disappointed to see the people I'd always thought of as pop stars. They would charge around the stage rather than enjoy the music.
I grew up on all of the great spy movies and TV series of the Sixties - not just Bond, but Derek Flint and the Avengers and Modesty Blaise and the Man from UNCLE and on and on. Every time I sit down to work on Cinderella, I'm writing a love letter to all of those characters.
I grew up in the '70s and '80s, at a time that I'd argue was the absolute golden age of American popular culture. Because not only did we have all of the fantastic new stuff in print and on screens, but we had a constant supply of everything that came before, as well.
There was an enormous revival of pulp fiction that started in the '60s and continued into the '70s, which in large part gave rise to things like 'Star Wars' and 'Indiana Jones,' among others. But I developed an appetite for the original stuff at the time, and that appetite has never really abated.
It's easier for fans to consume one or two songs at a time. Not everybody buys records, so some songs can get overlooked.
A moment for me that changed everything was hearing my song on the radio for the first time.
Low-value payments are now possible. Now, Ripple can make it easy for Facebook and Uber and Amazon to make payments to developers in real time. It's online and completely global.
We saw for a time that digital currencies were radioactive to banks, but that's not the case anymore.
To me, Garth, he's kind of like my guardian angel. It's like every time I need some help, he's there.
I've had this song in a drawer for a long time, maybe seven or eight years. Every time I'd do an album, I'd take it out and listen to it, and always liked what it had to say. Plus when Garth came in and sang on it, that made it really special.
I'm totally not media shy and do interviews all the time and go to events and totally play along and actually enjoy talking to journalists most of the time.
There was a time when I was injured and playing really bad and cut, rightfully so, that I wasn't sure what my future in football was.
I used to play works in progress to people, but now I wait 'til it's finished, because you make excuses all the time: 'Well, there's gonna be an orchestra on it.' Rather than make excuses, wait 'til it's finished, and then they can say they don't like it.
Dance music is about having a good time, and a lot of dance music is very serious now. When progressive house and progressive tech came along, it was kind of serious, but it's all context as well.
I had managers approaching me in high school asking me if I wanted to act professionally, but to me, having to miss school to do that meant missing time with my friends, which was completely unacceptable.
Not that I'm bragging or anything, because I was shocked, but I literally got hundreds of emails from people during my time on 'Project Runway' asking me out on dates. I had no idea that people would even care.
I always tell people, never wear anything that'll make them uncomfortable when you're trying to go out and have a good time.
I'd say, 90 percent of the time, I get an idea, like, within 10 seconds of somebody telling me what their whole thing is about. And usually that flash of an idea, it's what I always go with. It might change slightly, but in general, that's pretty much it. To get me to change the entire idea is pretty tough.
I have to accept the fact that the time I was on, 'Project Runway' was already becoming a pop culture phenomenon.
I've been fascinated with Stevie Nicks for a long, long time. I've written 'Stevie Nicks' inside everything I've made for the past 20 years.
In the past, I have approximated the look of monkey fur and yak hair with human hair because it's inexpensive, and it lasts a long time.
Although it's painful at the time, most of the things that people have said about us negatively - some of them are true and you can work on them, and the ones that you don't agree with, you don't work on.
I've never been cool and I don't really care about being cool. It's just an awful lot of time and hair gel wasted.
I'm not a great dancer. I'm a great advertisement for freedom of expression. I don't care what you think. I'm having a great time.
There's stuff going on in the world right now, which you can't imagine why is this happening; it's crazy. I don't know what the answer is, but if you didn't have faith in the universe that somehow something great would arrive at the end, then we'd all give up, and that would be a waste of everyone's time.
C'mon. He'd be embarrassing upstairs at the White House. So I think she'd have a hard time. I think a woman president would have to be very conservative to get elected.
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