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If you stop and think about it, the form of propulsion used today hasn't changed in over a thousand years... since the invention of fireworks by the Chinese.
I think if actors are successful at one thing, they paint themselves into a corner sometimes, and what's the fun in that?
Being on television, playing the same character for many years, for me, I think that would get a little tedious.
I think a lot of great male comic actors are introspective, quiet personalities, which I really admire. But they are really able to turn it up when the camera's on.
I just think the less you know about an actor, the more serious you'll take them as an actor because they will disappear a little bit.
I think actors get too comfortable. I like being uncomfortable as an actor because it keeps you alive. I don't know, I think it's important.
Writing is getting killed by too many chefs. Back in the Bogart days, it started with great scripts. You had a writer, and he wrote a script, and that was your movie. I think that's been watered down a bit lately.
I think 'No' is a very powerful word in our business that is very hard to use early on in your career. But I also think I was pretty arrogant when I was younger... I used that word maybe too much, but it did help me with finding roles that I did like.
Every person my size has a different life, a different history. Different ways of dealing with it. Just because I'm seemingly O.K. with it, I can't preach how to be O.K. with it. I don't think I still am O.K. with it. There's days when I'm not.
I think my mom drove by a nuclear power plant when she was pregnant. But I wouldn't be in 'The Station Agent' if she hadn't.
I think more money can be very detrimental to movies and TV because things get solved economically rather than creatively, and that's never a good solution.
I think with a lot of filmmakers, their first film is their best film because they had to think on their feet and solve problems with ingenuity.
The reason I like 'Breaking Bad,' which is still probably my favorite show, is Walter White. You watch him transform, and that's so fascinating. And I think. a lot of TV shows that aren't successful, it's because the characters become stagnant.
I think everybody goes through changes, and the same should be said for fictional characters, especially ones that you follow on television.
It's still an escape for me, painting, so it also takes me elsewhere. I don't think I would do it otherwise.
I think if I was Trinidadian, I would latch more on to the myths and romanticise the place more. I don't think it's my place to do that - they're not really mine. I'm an outsider.
You cannot just be working in a vast, air-conditioned loft space and think you are going to make a decent painting. Francis Bacon had a special studio built, and he felt completely emasculated in there. I have to be somewhere comfortable.
There's no such thing as an absolute openness. Openness is relative, I think, in all societies.
I really don't even think of myself as being Jewish except when I'm in Germany.
I never really think of acting and directing as being separate; they are just different expressions of the same thing.
I don't think I would have been great in the 17th century. I would have enjoyed the frocks, and certainly some of the food would have been appealing, but the disease and hygiene would have worried me.
I like how they are. I think they're great. And their communities are communities. I have a greater sense of community in New York than almost anywhere I've ever lived. Really, it's terrific.
What I find really attractive is something that's going to be a little dangerous. Something that might get me into trouble; you know, you turn up in London and you've just rewritten Dickens. And, of course, then you think, 'What have I done?'
Nostalgia is something we think of as fuzzy. But it's pain. Pain concerning the past.
I think there was, and there is, a real Commonwealth culture. It's different. America doesn't really feel to be a part of that.
When 'Destroyer' was first released, we got a strong backlash from our hardcore fans. After six months, the album was dead in the water. The critics didn't think much of it, either.
I wouldn't want to get my pigeon chest out in front of anyone. I don't think the world needs it. I'd probably get a yellow card anyway.
I didn't think too much about people who didn't believe in me. It hasn't really affected me.
I don't think there is really a favorite, I'm very fond of film making as a whole and as a medium and of course, there are some that I've enjoyed making more than others but I've enjoyed making all of them.
I hope this doesn't sound pompous but I don't think of myself as famous, whatever fame I've got has come through what I've done and associations of things I've done.
I think good comedy is a commitment to the absurd in that the situation for the actors should be virtually played like a drama.
I think if you turn down the volume on the good comedy, you should not even know if it's a comedy or not. It should look like a drama.
I think you always win in storytelling when you let the best creative ideas guide you.
I think that whether you're on the right or on the left as an economist or as a policy maker, every serious analyst I know agrees that at some point you have to deal with entitlements.
I think my wife would take objection to any characterization of me as perfect.
But at a certain point, and I don't really know... people have asked me this. I don't know exactly what it was that pushed me towards directing, but I think it was a naive notion that if I directed I would be able to play all the roles. A kind of greed.
One of the things that wrong with pictures today, I think, is that so many of the people making them started out wanting to.
I think we spend too much on K-12 education a.k.a. teachers' salaries. It's the only industry where you never see any productivity increases.
I think the Republicans are subverted by the fact that so many of their leaders send their kids to private schools, they don't really have the stomach for the fight.
I think Bush has capitulated on affirmative action and government spending. Apart from that, he's OK, I guess. About the same as Howard Dean.
The thing that I have a horror of is ideological theatre - Shakespeare never told us how to think.
Almost all the fans I meet are pretty cool people. They're intelligent and tend to think about things a bit more than your average rock'n'roll fans: sensible people I wouldn't mind having a drink with.
The Greens have every right to run, that's what democracy is, and they should argue their point by saying how they think people should vote, not by telling us to be silent.
I really think the Patriot Act violates our Constitution. It was, it is, an illegal act. The Congress, the Senate and the president cannot change the Constitution.
I really get a smile that people think they have a right to even suggest how I give my money away. I have no mandate to give a dime to anybody.
I'm not altogether sure what I'm going to do for that. I think it will be a lot more low key than the other two I've done. Dare I say it, a bit more relaxing.
Life is just a flick of the fingers. Let's face it. And any little bit - you can expand it or enrich it, I think you want to push that and do it.
I read very widely, both non-fiction and fiction, so I don't think there's a single writer who influences me.
In a deeply tribal sense, we love our monsters, and I think that is the key to it right there. It is monsters; it is learning about them: it is both thrill and safety. You can think of them without being desperately afraid because they are not going to come into your living room and eat you. That is 'Jaws.'
It's the publicity function of Amnesty that I think has made its name so widely known, not only to readers in the world, but to governments - and that's what matters.
I think musicians oftentimes have the right skill set to be good actors. And with Rihanna, I noticed her and knew of her obviously, and was very taken with her charisma and her confidence.
When I started making films, like almost every filmmaker, I think, you're just so excited to be able to make a movie that you'll do anything.
I don't think about awards when I set out to do something. If that happens, it's great.
It is dishonest the way that people suddenly think they've found guitars, and wear their guitar as a badge.
I think Robbie Williams is an utter and complete prat. His last record was a pile of rubbish.
I think we live a culture that's obsessed with people, you know, 'Celebrities are just like us!' Everything I do except my job is critically analyzed online.
I think it's important to look at the world as a bigger place than just the bubble that we live in. It's so easy to get caught up in things of a trivial nature.
I would never come out and say I was gay, because I'm not gay. And there's part of me that kind of wishes I was gay, and I think that that comes from anybody who is constantly wishing they were in the minority, you know, and constantly wants to be kind of fighting everybody off, you know?
Here's the thing about hair; I think most people think that I have Lego hair, like I can just take it on and off in one piece, and that's not quite the case - although pretty close.
I don't think I understood guitar rock as well as I probably should have. I don't think I understood bands like Led Zeppelin. In their era, everyone had such a regard for them because of them ushering in rock n' roll and this larger-than-life lifestyle. But then they had these songs that would just not stop. I didn't fully get it.
There are bands that I got into when I was 15, when I was mad at my dad and just wanted to be different. I don't think I'd give those bands half a chance now. But I hold some kind of nostalgia for them that I won't let go. Bands like Minor Threat and Black Flag.
I think that the first part of the art is making the art, but when art really becomes art is when it belongs to somebody else.
I think Kurt Cobain and Nirvana represent this giant wave that came crashing in and turned music on its head again, and there's definitely something to be said for that.
If I did only one thing at a time I'd think I was wasting my time. If, for example, I only wrote novels I would feel like a charlatan and a fraud.
I don't in any sense think of myself as a celebrity, which of course I'm not.
I think biography can be more personal than fiction, and certainly can be more expressive.
So, my advice to young scientists is, think critically about your work; probably don't blab unnecessarily.
I think there's nothing about evolution in the Bible; I think this is a statement of religious insecurity. But people have their beliefs.
Sliding headfirst is the safest way to get to the next base, I think, and the fastest. You don't lose your momentum, and there's one more important reason I slide headfirst, it gets my picture in the paper.
I don't know if 1300 players could really participate in the selection of a commissioner, and I've never given it a great deal of thought. I think it's a logical point they could make, but it's only an academic one.
I'm not saying that the press is wrong to report any internal differences we have, but at the same time, I think it's our job to keep them from becoming public issues, for anything that detracts from the purely athletic aspects of the sport is bad for us.
Andre Agassi was my rival in the '90s, and I think as we got older we sort of transcended the game. He was probably the best player I ever played over my career. There's a list of players that were tough, but Andre, certainly, he was the most unique.
I think these are very improper questions for any American to be asked, especially under such compulsion as this. I would be very glad to tell you my life if you want to hear of it.
According to my definition of God, I'm not an atheist. Because I think God is everything. Whenever I open my eyes, I'm looking at God. Whenever I'm listening to something, I'm listening to God.
I think unleashing 3,000 smart bombs against the city of Baghdad in the first several days of the war... to me, if those were unleashed against the San Francisco Bay Area, I would call that an act of extreme terrorism.
But what was interesting about what the Who did is that we took things which were happening in the pop genre and represent them to people so that they see them in a new way. I think the best example is Andy Warhol's work, the image of Marilyn Monroe or the Campbell's soup can.
Bob Dylan did the first really long record - Like A Rolling Stone - I think it was four minutes.
I only really started to go to plays and to be interested in drama 20 years ago when as an artist I was already well-rounded. I think I'm more disciplined today.
I think I probably would have enjoyed to keep my own private pain out of my work. But I was changed by my audience who said your private pain which you have unwittingly shown us in your early songs is also ours.
What I'm trying to do is find either existing properties or come up with properties or angles or stories which will create music drama. It's my obsession and most of all I would like to remain working in theatre. I think it's very much alive.
To be completely honest, I think if I hadn't been bullied into the band, I would have been happier as an art student. I would have been happier in a Brian Eno world.
Although I dig my guitar playing, I think it's kind of an obvious situation; I play what I want to play within my own restrictions.
I didn't start to collect records and listen to guitar players properly until I went to art school, when I'd already been playing for five years. So my style was already formed, and that's why I think it's so unique.
When people go to the theater, they don't want to think 'I know exactly what I'm gonna get,' and then they get it and then they walk out. I think you want to walk in going 'I don't really know what this is about,' and have the fun of discovering it.
In a regular theatre, you'd be kind of moving your eye from one character 5 feet over to the right on the cut. In IMAX, suddenly that's like 20 feet. So I would love to do something. I think I would really want to take the massive screen into consideration so that it would be done properly.
I think, in Japan, animation isn't relegated to being a genre unto itself. It's just a medium by which you can tell any number of stories, be it horror or action or adventure or drama or whatever, and we're trying to do that as well. Every film that you go see from Pixar, we're hoping is a little bit of a surprise.
When I was in fifth grade - so, about 11 - my folks moved us to Denmark. And so not only did I have all new friends and all new surroundings, I didn't even understand what they were talking about, which was very difficult and kind of started me, I think, on my path to animation.
I don't think it's physically possible for little kids to know what abstract thought is.
I don't think of 'Monsters, Inc.' as existing in the same space as Carl Frederickson from 'Up,' or whatever, you know? They seem like completely different universes to me.
We didn't think taxes ought to go up. They ought to go down. We didn't think the census ought to be weakened.
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