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I wonder what it was like to be an actor years ago. We're so respected now and I don't think it does us any good. We used to be vagabonds. I want to be a vagabond!
Wyndham's is a beautiful old theatre. The sensation on the stage isn't as different as you might think from the Royal Court.
I don't think that the status of a show, big or small, should affect a person's performance.
I think I'm not really into the handsome, chivalrous knight; I like the bad boys.
Every audition that I walk out of where I think I nailed it, I never get that job, ever.
When I was younger, before I was born, I lost my twin, so I think I've always had a fascination for telepathy or the way that twins act and react with each other.
I think that you form the way that you act from others around you; it's a kind of an environmental thing.
I'm not one of those girls who can think, 'Right, I'll put a scarf with that and a little brooch there and maybe a vintage jacket.' I'm so impressed with girls who look terrific in a little thing they picked up at the local charity shop. I just look scruffy when I try to do vintage.
For clothes, I like Anna on Regent's Park Road. Anna Park, who owns it, has an amazing eye for fresh, exciting clothes. I also love Arrogant Cat on Kensington Church Street. Space NK on Duke of York Square for exciting potions. I think I stretch the term 'tester' way beyond its boundaries.
Even if the technology advances, I don't expect we will be allowed to sail around with 400-meter long container ships weighing 200,000 tonnes without any human beings on board. I don't think it will be a driver of efficiency - not in my time.
As the CEO of a global company I think countries are foregoing opportunities by having cabotage rules.
I think swag is very important to rappers. It's the overall appearance and style of an artist - these blue shorts and this blue hat and this $80,000 chain, this jewelry and all these tattoos, that's swag.
A lot of people don't think I'm English. I've lived in France, and people do think I'm French, but I don't see myself as having a glamorous look.
When I first went to L.A., I really hated it. I had this preconceived idea of what it would be like. You think of Hollywood as this beautiful place, but everything looks rundown and old.
I think I've actually had a pretty standard upbringing. My parents are really normal, so I've always had them around to keep me grounded.
It is something actresses need to go through and I think they look forward to being naked in a movie. I don't know why, but it is something you need to exhaust from yourself.
So, sometimes, when I'm not happy with my performance and I have to think, I will think in English.
Let's be honest, I don't think anyone ever wants to settle down in Hollywood - it's a place you go to work. And once you've hit it, you get out of there as soon as you can. It's definitely not a place you want to get married and have kids.
When I take on a role, all I tend to do is get to know the script and ask millions of questions, and keep fine tuning what I think the character is trying to say.
I always try to think of positive things to say about the people I portray, as it's more helpful for me.
I think I just have one of those faces that can look like lots of different people.
I think that we're starting to allow ourselves to imagine that gender doesn't have to be binary, sexuality doesn't have to be binary, and you are allowed to choose who you love, how you behave, and how you dress.
I think, in a comedy, it's easy to play people as very two-dimensional. But what is enjoyable to watch is seeing a more fully rounded person.
I'm not really a redhead, but I keep playing these redhead actresses. Which I don't mind; I think it's fun.
To be honest, I think I would like a really fun, quirky character with an interesting background.
There's scenes where I really want to get things right, and all the kids know me as the person who says, 'Sorry.' I think I've gotten a lot better with that, but it's still the thing that I'm still worried about, trying to get the scene perfect.
I've always wanted to be - I know people think this is an insult - but a jack of all trades.
I would love to do a really cool romantic comedy, perhaps with Hugh Grant. I think he is brilliant. That's the kind of film I love to go to see. I love 'girls' films'.
I think being completely authentic about the time you live in is something that I would view as a career-long objective - to find out what is authentically this moment.
I think it would be a bit miserable going out with somebody who was totally uninterested in food.
So much for the myth that motherhood is all Laura Ashley smocks and skipping through fields. People think it's rose-tinted and they don't tell the truth!
I think with girls you have a real responsibility in terms of how you discuss the physical. Talking about your looks or body in a derogatory way doesn't do them any favours.
I think there's quite a lot of cowardice in music. I don't mind if it goes wrong, I just want to go for it.
I don't know why people think I'm polished - I often leave the house with buttons missing and ladders in my tights.
When I first started out, I got criticism for the way I looked. I think, now, it's a good thing because, why would you want to look like everyone else?
I don't think that old-fashioned idea of record companies exists any more.
I think people have this perception of the life that I lead, or that we lead, of drivers, the high life. It's not that.
I never write about CIA conspiracies or the FBI or mafia or anything like that because I just don't understand that world. But I think I do understand individual human harmfulness.
My characters all have issues, but I don't see that as weird or abnormal because I think in real life there are very few bland, normal people.
I want my books to explore motives which make people think, 'Wow! Imagine the psychological state you'd have to be in for that to be your motive!' Whereas things like blackmail, jealousy - they're rational reasons for committing murder.
There are very few well-adjusted people in my books. But I do think that's normal. Because everyone does have their issues and hang-ups.
When I set out to write crime fiction, I didn't think to myself, 'I'm going to model myself on Agatha Christie' or 'I am going to be a crime writer in the Christie tradition'.
I lied a lot when I was a kid. Somehow, I still do this today, but maybe in another way - not quite as ridiculously clumsily as I used to. But still, I think making music has a lot to do with it. One invents something that one can't possibly be. With songs, one invents a world that wouldn't exist otherwise.
I think WWE superstars and Divas are here to change lives. That's why they do what they do. They want to make an impact on the world.
I think the world's a little smaller these days. With the Internet and the availability of people, the pool of English speaking actors - not just American actors, but Brits, Australians, New Zealanders, Irish. We're all up for grabs.
'Lost' holds a very special place in people's hearts and I wouldn't presume to say that 'FlashForward' will replace 'Lost.' I think it provides a lot of the same adrenaline and fascination and entertainment. It will help ease the pain of losing 'Lost!' I think it will appeal to the very same audience.
I think 'Lost' is like losing a friend or a relative or someone. You can't replace it with another one.
When I first got friendly with Woody, he and Mia were finished with their romance and were just friends. I think Mia would have been just as angry if he had taken up with another actress or his secretary.
I don't think Mia should go on adopting children, and I think that all her adoptions should have been a warning signal to Woody when he met her.
To think that Woody was in any way a father or stepfather to me is laughable.
I think it's easy for people to assume that fame is equal to glory, but it can be a very isolating experience.
We've all known a John Tucker. We've either known one, dated one or our best friend has dated one. I think a lot of men at one point or another have been a John Tucker.
The biggest thing for me is earning the respect of my fellow players and coaches. I think that is why I was a little bit emotional. You don't get a haka done to you from the brothers for no reason if they don't respect you.
Beforehand you think, 'Oh, changing nappies - I'm going to be up; I need to get sleep for training.' But when it happens, when you're there, as soon as you hear a wiggle or a cough or something, you're up straight away. It doesn't bother you.
I don't think you ought to walk into this country one day, and the first stop you make is the welfare office.
I think overall, from a deputy, from an undersecretary standpoint, the goal of a good leader is to get diversity across there. Geographical diversity is important. Industry diversity is important: you can't have all corn growers... Not only that, you've got gender diversity, you've got racial diversity.
I think the problem starts with the general appreciation of the music in the larger society.
Jazz has an audience all around the globe and has had for many decades, I think speaking of the United States, let's say that what we need is more of an official recognition.
I think what we need is a more welcoming mode from the people who put on a hundred million country-western shows on television. How about a monthly jazz show?
I don't want to appear hostile, like I'm hostile to L.A. or that I feel that the people don't appreciate jazz. I don't think it's that. I think it's something more. It's something a little bit more complicated than that.
I think we are in the midst of this period where we are committing this suicide on the planet and everybody is just using up all of our natural resources like a bunch of insane people. That's what I worry about more than I worry about jazz.
I think as long as people are around and can hear a record and hear people like Lester Young on a recording, there will always be a great inspiration for somebody to try to create jazz.
What I can say is that for may years jazz musicians had to go to Europe, for instance, to be respected and to be sort of treated not in a discriminatory way. I don't think there is anything controversial about me saying that. This is just a fact.
Some bands sound like one song the whole album through. We've been all over the place because we are punk, hardcore, rock n' roll, metal, reggae - and I think sometimes it might be too much diversity, and kids are lost.
Sometimes I think, 'I need to get married soon.' Other days I think, 'Why get married?'
I think using anti-aging products really helps; the sooner the better, you know?
For dramas, I've become more careful because now there are specific works that you think of when you hear the name Song Hye-kyo.
I personally think that it is acceptable if I take a step forward and can act with more diverse expressions and feelings.
I don't believe love has borders. If I meet a nice man in China, I definitely think it's possible.
When I think that I'm the only actor from South Korea to have worked with John Woo, it's really humbling.
Some days I think, 'I have to get married soon,' but other days I think there's no need to get married when I'm enjoying life while doing something I love.
The only difference is that I'm a celebrity, and I'm shown to the world. Apart from that, I think I'm like most women my age.
I want to do amazing roles fit for my age in 30 years. I'm sure I'll be less popular and have less offers then, but I think I'll be able to do act well for my age at the time.
I try to stay the same, but I also think that change is inevitable. What I mean is, if you stay the same as in your rookie days, you can't deal with all the new responsibilities you are faced with. Of course, my most important values should stay the same.
I like having conversations: you learn a lot about how other people think. If I'm myself and confident, I don't get nervous easily. I try not to make other people uncomfortable - I think that's a very arrogant thing to do.
If I had to say the secret recipe for acting melodrama, I think it comes from myself in real life. I have a belief that when I do melo scenes, I try to make them less cheesy.
I think Pedro understands the universe, the same vision I have, about relationships anyhow.
I don't think that clothes have anything to do with the personality. That comes from the woman herself.
As soon as the show is over, I always think, 'How will the woman I design for go forward?' It's so important to start quickly because I can't let her get away.
I hate wasting time getting dressed. I like to put something on and just think, 'Yes. That's it.'
I think it's important to move people beyond just dreaming into doing. They have to be able to see that you are just like them, and you made it.
Paolo Guerrero is a good player - and Mladen Petric also. I think both are really good and even better than me.
I think part of maturity as an actress comes from their experience in getting married and having children.
In order to date, you need to make up your mind to date, meet many people, and have blind dates offered to you, but that's not easy. It's more difficult as you get older. I don't think it's possible to do something by force, either.
I didn't intend to even become an actor. I was studying fashion, and I think acting just happened by chance. It really felt more like I was watching a movie from outside, like it was happening to someone else. It's been a great journey so far.
I think I have broken the mould that actresses have to be extremely thin on screen. All those who are making my weight an issue just prove that people are jealous. These are people who have nothing to do in life except to stare at their computer screens and make comments on us.
I am not comfortable kissing or exposing, and I believe in laying open my cards well in advance so that no one is inconvenienced. Till date, I have been very specific about certain things, and my directors have always understood my concerns and played along. I don't think this should pose a problem in the future as well.
Every cancer is different. The symptoms and treatments are different, and every human body deals with it differently. There are no formulas to it. That, I think, was the biggest takeaway for me.
If you are agitated, children tend to think that they have done something wrong.
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