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I think that much of the success of the Broadway mounting of 'Newsies' was due in no small part to the infectious camaraderie on stage between the boys.
I think it's really important, as an actor in this business, to have another creative outlet.
I tried to live my life really openly and transparently right from the get-go. I think that probably resonated with people.
I think there's so much that is out of our control as actors, and it's just really hard to market yourself in such a huge industry.
I think anytime there's a big show on a network, people are also looking for what's the indie, stepchild version of this, the real DIY version?
I think there's a weird stigma in the TV-film world that theater people can't be funny and understand subtlety, and I think that could not be more wrong.
People have not given children enough credit to understand the idea of death. But I really think they do.
Besides Spiderman and Batman, 'The Flash' has, hands down, the best villains. You could do a TV show about The Rogues, and there's enough depth and interest and oddly honor amongst those characters that I think people will watch that show.
I think one of the great strengths of 'The Flash' is just how close everyone is on the show. They tend not to have these raging conflicts, like what we keep giving everybody on 'Arrow.' That show is more of a soap opera, and I don't say that derogatorily.
I've met many journalists who impress me with their ability to play it straight. I think they're the exception to the rule.
I get stopped by people on the Upper West Side of Manhattan - actors, directors, people that I revere - who are closet conservatives who feel the same way but can't speak out. And they think I am fighting for them so they can come out of the closet eventually and express themselves without worrying about losing their jobs.
When someone dies instantly, then I think the well of grief and disbelief all mixed in with it is unfathomable. And when murder is involved, that just takes it into a whole new place. There is an extra dimension you just can't compute or deal with.
When I was a kid, I always had a big thing for Dannii Minogue. Initially I liked Kylie, but I quickly moved on to Dannii. There was always something more alluring about her. I think I actually wrote to her asking if we could meet.
I think life's a bit of what you make it and a little smidgen of you being the jellyfish, and the tide's just gently helping you along.
My sister called her pillow a pilgo. My brother called his pacifier his nimma. But I don't think I was much of a word generator myself.
Part of being a fiction writer is being able to imagine how someone else is thinking and feeling. I think I've always been good at that.
I'm not convinced that what are traditionally considered to be male energies or qualities or female energies or qualities really have as much to do with gender as many people think they do.
We're making far too big a deal out of our sexual preferences. It's just another form of narcissism, and I think it can be a big problem and a tremendous obstacle.
King Lear alone among these plays has a distinct double action. Besides this, it is impossible, I think, from the point of view of construction, to regard the hero as the leading figure.
There's a rhythm to the legislative session and there are rhythms to legislative sessions. So I think that's very important to take into consideration when you are deciding what to do when.
I don't think anyone would argue with the notion that there have been serious abuses on Wall Street.
ISIL is saying to a disenfranchised population, 'Come join us. Fight the good fight.' I think we're actually playing into it when they hear Trump's rhetoric. And I think it's dangerous and hurtful as a matter of national policy.
I think Hillary Clinton is going to do very well in New York, because there's one basic advantage. New Yorkers know Hillary Clinton. She was here for senator. We've seen her work. We've seen her performance.
From time to time there is a move to do a little less in the way of period dramas, but people rebel. Audiences say we want them. There is a big hunger for them. I don't think it's sentimentality or nostalgia, it's often that they are simply the best stories.
I'm absolutely delighted if people think of me as a reliable purveyor of quality period stuff.
I'm glad nobody has asked me to adapt 'Wuthering Heights' because I think I would make a mess of it. Everybody makes a mess of it. I think the Bronte Sisters are mad.
I'm not one of these people who say how much better American drama is than English. I find it mostly too American, except for The Sopranos, which I think is the best thing.
I want to be able to make people laugh as hard as they possibly can, and I really think they need that.
I like test screenings. I like to see a movie with an audience of strangers. I think it tells you a lot.
Actors look for characters. If they read a well-written character, and if they think the director's not an idiot, they're going to sign up and do some acting.
It's strange to play outdoors, especially in the daytime. But we're figuring it out. The rules are different for festival shows - how you talk to the crowd, how you can try to get them involved. Things are just a little different, and I think we've learned to adapt our show.
I think a lot of nice things happen when you're driving, or when you're on a plane, or whatever. There's a certain freedom that comes along with motion.
I think from the very beginning with 'We Are Young,' there was never any question about where we wanted the song to go and what we wanted it to sound like. And we knew that we wanted it to be big, we wanted it to be booming over the speakers at an arena or something.
I spent many years trying to write a lot like Ben Folds or John Lennon or Rivers Cuomo. I think that's healthy when you're learning to write and seeing how chords fit together and how songs take shape.
I think of a band like Animal Collective where they really follow their own sound and I think that's a really important thing to do. You can find an audience if you can find your voice.
I have no musical talent at all. I was banned from music classes and told I would never be able to understand anything. I still don't think I can sing, but somehow I get away with it.
Playing for England was always something I dreamt of and, of course, you then think of the captaincy. It was something I never thought I would be offered, especially after the way I started my career. But when it came along, I was very keen to have a go.
Looking at my family today, I think, 'I could not have done any better.' That's one thing I have got right.
I have no problems with a multicultural society; I think that is to the benefit of the country. But you have to be careful what levels you take it to.
It annoys me when I phone a hotel receptionist in my own country, and they don't understand what I am saying because they don't speak English. I think that's wrong. It's nothing to do with being politically correct or incorrect; it's just not right.
I really do think I can make a contribution in helping eliminate the disparity here in Australia and doing my small bit to help eliminate slavery around the world. These are huge issues for our fellow countrymen and our fellows in the world, where slavery is growing at an alarming rate, and it needs to be arrested.
I think too much. Being in my body is much more satisfying than being in my head.
I just think I've always been sensitive and had difficulty containing my feelings, and I've always searched for outlets for that, because otherwise those feelings come out in chaotic ways that aren't always great.
America always seemed to me this foreign land that I imagined I could escape to if I needed to get away - and I think that came both from the fact that I was born there and from watching so many American movies when I was a kid.
I think a conceptual idea comes to me first - something I've been mulling over a lot right before I feel like writing a book - and then the characters start to develop around it.
The second book was probably the result of the relationship I was in at the time. We were only going to be compatible for a minute, and I think we both knew it. It's like how you can be a different person on vacation, but you know all along you're just visiting that mindset.
Irvine is such a safe, stable, planned community, and I'm a person who has a lot of inner longing for drama and romance. So I think in some way the structure of Irvine made me more creative because I had these boundaries, and I thought outside them.
I think we learn the most from imperfect relationships - things like forgiveness and compassion.
So I think the fans will be totally interested in the new developments and delighted that the old developments are still there and that they can still see some of the old characters maybe reappear.
I think we all evolve as we get older, and that's normal, but I like to think that my recent transition hasn't made me into a different individual. Same person - no difference at all, just a different sex.
I would go through my mother's makeup kit, and I think she thought it was really cute. I was only three or four years old.
It used to be so important to choose what you were. Gay or straight. Male or female. I think the new generation is more fluid.
I think Coutinho's a great team player with a huge amount of talent. He can use both feet. He scores goals. He links play well and gets between the lines in attack.
I don't think that because I am Hispanic I should therefore do Hispanic work.
I think my size sometimes catches people off guard, but I don't think size matters when it comes to power. Mechanics and technique and bat speed matter more.
I think baseball was really reality when I was a freshman in high school.
I think the biggest adjustment I've made before coming here was going from High A to Double A. I was going in facing pitchers who had more experience and knew how to throw all their stuff for strikes and in hitter's counts, things like that.
I think once I see everybody and go through every team and their pitchers, I'll get an idea of what they like to do. And they'll see what I like to do and swing at. I think there's always something you've got to adjust to.
I think my mindset and my approach is to hit the ball hard, whether it be first pitch or work the count.
I don't think it's a secret that I'm not a fan of all the attention and the media, stuff like that, but I understand it's part of it, and I have to do it.
The big thing I noticed from High-A to Double-A is that when you have an advantage count as a hitter, you're not going to get as many fastballs. Adjusting to the 2-0 changeup, that 3-1 off-speed pitch - things like that. I think my swing can stay the same; I just was getting myself out.
Going into Portland, I was just trying to not step on anybody's toes, stay quiet, and play my game. I think I was just trying to figure out the kind of sequences I was going to see as a hitter and learn from that.
Well, my main instrument is violin, but I think of myself as a songwriter who happens to play violin.
I think when I was pretty young I got really into the tone of my instrument and I remember just playing one note for an hour to just kind of feel the resonance of the violin.
I think because I am a proven rookie that it is going to help me in the long run.
By junior high, I was a horrible student. But during my sophomore year of high school, I did have a fabulous English teacher, and I would go to school just for her class and then skip out afterwards. That's actually when I started writing, although I didn't think of it then as something I might someday do.
I wanted to be a scientist. My undergraduate degree is in biology, and I really did think I might go off and be some kind of a lady Darwin someplace. It turned out that I'm really awful at science and that I have no gift for actually doing science myself. But I'm very interested in others who practice science and in the stories of science.
I think most fiction writers naturally start by writing short stories, but some of us don't. When I first started writing, I just started writing a novel. It's a hard way to learn to write. I don't recommend it to my students, but it just happens that way for some of us.
I think the landscape you grow up in probably does mark you in ways you don't even understand.
I think I don't want to use drugs or medicine, so nothing. The only way is to go on stage and to hope.
Let me say that I've never thought to conduct because the conductor has to think to the music before the orchestra. And the orchestra comes later. For me, it's terrible.
I did a pop album, 'Sogno,' in 1999. I think it's important to record another pop album because many people love pop music. By this kind of repertoire, some people can later discover classical music.
Very often, I recognize many, many defects, so I try to improve myself every day. I think my voice is very communicative.
I'm most impressed by the Russian writers, so I love reading the works of Tolstoy and Dostoyevsky. Another author who has informed the way I think is the French philosopher, Blaise Pascal.
I do not think anyone can ever do anything without the help and will of God.
I have always tried to perform the music I love, and I think I am lucky because my preferences are often the ones of the public.
Everybody gets too drunk sometimes; and even if everybody didn't, I have gotten too drunk sometimes. I haven't hurt anybody. In Ireland we drink a lot. It's part of our culture. I like drinking. I don't think it's a bad thing.
I think everybody had difficulties with that dynamic, turning the family into a band and being constantly together. So everybody, as individuals. had things to sort out.
People don't understand the tyranny of media. The few women that the media will allow in have to think about male approval and their own success - and their writing reflects that.
I personally think the male and female roles have changed dramatically in the past few decades. Men are no longer the breadwinners. Financial independence for a woman is a huge thing.
I am very much available for singing. There's a misconception that I am too busy with my acting ventures, but, I think, I can manage both.
I think it's critical that you feel you're working for a person who is committed to advancing your career.
I think the economic empowerment of women that has been growing over the past decade is at the 'inflection point' with this global recession. Women are, we believe, the solution for their families in their ability to go out and increase household income.
I am a very committed Christian. I think my values and everything I do is driven by that.
What I think we should be doing is refocusing all the prevention budgets, all the money spent on teen gangs and young offenders, on conception to age two at a rate of 2% a year.
The reason I say 'never say never' is because I do not think that there should be another independence referendum in Scotland - I do not think it's in their interest - but on the other hand, I am a big believer in devolution.
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