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I feel a connection to many songs that I won't sing because I don't think they are right for me! There is something in my gut that immediately responds. There's no science to it.
I think they're an incredible honor. I'm grateful and flattered by them. But I have no control over winning awards - I have no control over any of that.
Without theater, I don't think I would have thought I was a smart person or excelled at anything.
I used to think I needed to have drama at all times, or I wouldn't have the fuel for the performance. Now I know that's not true. That doesn't mean I don't feel it, but I recognize it when I do and put the brakes on. And if the performance isn't what it might have been once, I've learned not to judge myself as much.
Some days, I don't recognise my country, and other days, I see people being vocal and passionate, and I think, 'There's my country.'
In other words, I would be giving in to a myth of sameness which I think can destroy us.
I started in time-sharing and networking with packet switching, which was the precursor to what became the Internet. Time-shared use on packet-switch networks, when you think about it, is the cloud.
I back people who I think will be seeking help and advice. These are the best entrepreneurs.
Because I don't do five films a year, people maybe think that acting is not essential to my life. But if I worked any more than I do, I'd have no personal life.
I think for everybody celebrity, fame, is a dream. People see it as a blessing.
I think if I was less exigent with myself, maybe I would be more productive, because I would put less pressure on my shoulders.
I think that when you have that really strong desire to work with someone it's because, instinctively, you feel you have a certain kinship.
You are supposed to have a dream of walking the red carpet. But I'm really not like that. Because fame is... I don't think it is something interesting or precious.
Some films are pure entertainment of course, but what interests me and what I want to do are projects that really make you think, that move you, that will bring you something that will stay with you for a while. I think films are essential to the intellectual awakening of people.
I don't even think twice about wearing a swimsuit because it's always been a part of my lifestyle.
I think it was the ability of the theater to communicate ideas and extol virtues that drew me to it. And also, I was, and remain, fascinated by the idea of an audience as a community of people who gather willingly to bear witness.
I had always been fascinated with Napoleon because he was a self-made emperor; Victor Hugo said, 'Napoleon's will to power,' and it was the title of my paper. And I submitted it to my teacher, and he didn't think I had written it. And he wanted me to explain it to him.
I think the blues is the best literature that we as blacks have created since we've been here. I call it our 'sacred book.' What I've attempted to do is to mine that field, to mine those cultural ideas and attitudes and give them to my characters.
Men are not allowed to think freely about chemistry and biology: why should they be allowed to think freely about political philosophy?
I think wearables in general have, as their best calling, to better understand our current state and needs and to express those back to the world.
People text when they're meant to actually be driving. So imagine what they do when they think the car's got it under control.
We don't take on Google Glass or the self-driving car project or Project Loon unless we think that on a risk-adjusted basis, it's worth Google's money to do it.
I think we'll see, not only with Glass, but the watch wearables, with the contact lens, that each of these things have their own best purpose, but it will take more on our part and society's part to figure out what that is.
I can't think of a single one of my plays that does not represent a coincidence between an external and an internal event. Something outside of me, outside even my own life, something I read in a newspaper or witness on the street, something I see or hear, fascinates me. I see it for its dramatic potential.
I think the aloe is one of South Africa's most powerful, beautiful and celebratory symbols. It survives out there in the wild when everything else is dried.
Night-time is when I brainstorm; last thing, when the family's asleep and I'm alone, I think about the next day's writing and plan a strategy for my assault on the blank page.
I think all of my writing life led up to the writing of 'The Train Driver' because it deals with my own inherited blindness and guilt and all of what being a white South African in South Africa during those apartheid years meant.
I am not obsessed with social media fame, but I do think that it's a great tool by which I can stay in touch with my fans.
I've been offered roles in Indian films, but I wanted my debut film to be from Pakistan. A lot of people think that I've made my music career from India, but that's not true. I made it big in Pakistan, and then I went across the border.
Personally, I don't think of myself as a style icon. It's basically because the public loves me so much.
I think I've been able to connect with people and their emotions through my songs. I feel honoured that despite having so many talented singers around, my work is always appreciated.
I know I'm supposed to say this, but I really, genuinely think Matt Damon is a great dude.
I think I'm a good actor, but to replicate tens of thousands of man hours in surgery is really hard.
As a producer, I think one of the most important decisions you make is not necessarily the material you are working on but the production apparatus that you choose to develop the project with, and that determines what funding you go to, it determines many factors.
I think the situation in Toronto is such that there are funding organizations which make it easy for a film to raise more money than it needs and very often that works against a film.
I think ultimately if you have a very high expectation of your audience and you know exactly what it is you're trying to express through the medium of film, there will always be an audience for you.
I have always believed that there is nothing greater than a life in rock n' roll - it has to be good rock n' roll - and I still think it is true.
I think the extreme complexity of medicine has become more than an individual clinician can handle. But not more than teams of clinicians can handle.
I think we are faced in medicine with the reality that we have to be willing to talk about our failures and think hard about them, even despite the malpractice system. I mean, there are things that we can do to make that system better.
The biggest handicap in research is an ability to think outside the box. The handicap is being encumbered by all the conventional wisdom in a given field.
The great thing about this is, and not to pump my own tires, but I feel like I'm not maximized yet. I feel like I can still run faster, jump higher, which I think makes it special. Hopefully, going to London, I'll be welcomed into the decathlon community.
I think a challenge for myself is to see how many times I can get above 9,000. That would be a good challenge.
I think that titles are for, I don't know, books and stuff. I just like doing what I'm doing.
You're just constantly battling this thing that is telling you, 'I don't think I can do it.' I think we all have it. When you're fresh and alert, you can easily put those doubts down. But when you're tired, they easily come up to the surface.
I always try to do better than I have before, so I think it would be good to break the world record.
I don't think anybody, actor or marine, is ever going to enjoy boot camp. It certainly wasn't at all enjoyable. Informative and educational, yes, but it was pretty tortuous.
I try to leave my work at work, and check my work-baggage at the door before I go outside of here. I'm not a super method actor, and I think that all the answers are inside the script.
Nirvana is next level. The songs are really cool to connect with on a more mature level, and I don't think I really understood that when I was 15.
I don't believe that old cliche that good things come to those who wait. I think good things come to those who want something so bad they can't sit still.
I think we've all been in the middle of doing something we cared about, when someone coming in the room and saying 'hello' was annoying. I personally can understand that, as someone who tries to create.
I wouldn't say you have an online life and a real life. I think technology is just mapping and organizing what already exists.
I think privacy is valuable. You don't have to share everything, and it's healthy to occasionally hit the pause button and ask yourself if you're oversharing. But at the end of the day, if you're not doing anything wrong, you don't have anything to hide.
I think that when we start thought-policing people and idea-policing people, then that's crossing a line. And I think, you know, everybody's so afraid of this imaginary line of thought police that they forget their own personal safety.
I really think that you have to find a partner that compliments you and is somebody that pushes you and is better at some things than you are, so they can push you to improve yourself as a person. That's my take.
As marriage goes, I think most people sort of set being - you know getting married as the goal as opposed to being married.
I think at all social networks, be it Facebook or Twitter or whatever it is, there's an ecosystem that exist there. But there's also an ego system that exists there.
I don't think opposites attract. I think like attracts like. So I don't think that they do attract, opposites. Only when you're talking about magnetic poles.
I'm very tech-forward. However, I also think hitting the pause button is not a bad thing, and really connecting with people one-to-one viscerally, having a connection with someone, is really important.
A lot of the characters I play are very naive, and I don't think I'm like that. And I'm not stupid!
Americans think that they have a history, but it's nothing compared to Europe.
I like Ryan Gosling from the inside. I think he's a beautiful person, and then if you didn't have anything, I'd still be his friend.
I don't think things will lead me astray, as long as I'm tapped into myself.
While growing up, I always had to depend on foreign authors for page-turners. I think of myself as a commercial writer, and my job is simple to entertain you.
Because I was assigned female at birth and I am light-skinned, white, I think people hear my message more than they hear it from someone who was assigned male at birth and is a person of colour.
I think one of the biggest misconceptions is that only gender non-conforming, non-binary, or trans people have a gender identity. But the truth is, everyone has a gender identity.
I love telling stories with images. But I think there's more to just saying a movie is great visually.
I think the interaction I had with Salman in 'London Dreams' kind of helped to have a comfortable relationship in 'Ready' because of the rapport created. He is always very supportive.
I don't have to do films to pay my bills, nor am I insecure to think that out of sight is out of mind.
It's definitely an interesting question: 'Do you need more funding to start a luxury business?' That's something I want to think about a little bit more.
Each individual garment has its own customizations based on a collaboration between us and the designer. We say what we think our woman wants, and they say, 'This is what we think we can do with our production.'
I choose my outfits based on the shows on a particular day. If there's an edgier designer, it might be a slightly edgier outfit. I don't think it matters, but still that's how I think about it.
I think I have lived enough in this country where I can say what I think is true and which is the voice of my conscience.
I think film promotion has become really important in today's time. PM Narendra Modi also felt the need to do campaigning. If he doesn't do that, then nobody will give vote to him.
Politicians don't laugh very often. That is their problem. Humour is very important in politics and I think the politicians should laugh more to get better results.
I think it's important to understand the concrete ways things work and to respect that. But some things shouldn't be explained, and you have to respect that, too.
I love doing concerts, and I think my songs get another expression and energy when they are being played live.
I'm little. I'm pale. I'm not strong. But bad things are scared of me. I think it's because my dad was a preacher growing up, and I was raised in the Church of Christ.
I love to think on my feet, and I love to be able to feel from a close proximity how things are going.
I haven't shut up, I think, since I was born. I tend to talk a lot, and I sing constantly, and I know that it can be kind of annoying, but I would say I sound a lot like my mom.
I was a terrible student, but I never missed a music class. In fact, I don't even think I attended most of my gen-ed classes, but I never missed a single music class.
I think, being from east Tennessee, you're kinda born with a little lonesome in your soul, in your blood. You know you've got that Appalachian soul.
That can definitely mess with your music - if you overthink. 'What's radio going to think?' or 'What are these people going to think?'
To just get in front of different kinds of audiences is important for me. I do think it's important for music to be a big family. Whether it's country or not.
I think the hardest thing is to design for plus-size women. I enjoyed designing for straight-size because there's no limits. They can basically wear anything, and that's where I was able to have creative freedom with it.
When I got into high school, that's when I stated dabbling in fashion design. I got involved in the theater department's costume design and started to think that maybe I'd major in fashion design.
We've stayed really normal and down to Earth I think, and haven't let the success thing go to our head.
When we were going to NYU, I think that was the first time we were aware of the power of our personal style. Not the power of it, but the result of it.
I think my sister and I just focus on working hard. We started off working with Wal-Mart on our first clothing line as an extension of our personal brand when we were 12, and we got to learn about being aware of what was in the market and what wasn't.
I think The Row skews toward an older market - an educated consumer who's been shopping for years.
I'm not saying standardized tests are the worst ever, but there's an in-between and I don't think we're there yet. That's what I mean when I say I have an issue with it. There's no way a kid can learn in a class with 40 to 45 people. I had the power to get out of that system and pursue things that I wanted to do and I did that.
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